ABSTRACT Tragic Philosophy and Human Desire: Bringing Nietzsche
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Eternal Recurrence and the Categorical Imperative Philip J
Santa Clara University Scholar Commons Philosophy College of Arts & Sciences 3-2007 Eternal Recurrence and the Categorical Imperative Philip J. Kain Santa Clara University, [email protected] Follow this and additional works at: http://scholarcommons.scu.edu/phi Part of the Philosophy Commons Recommended Citation Kain, P. J. "Eternal Recurrence and the Categorical Imperative," The outheS rn Journal of Philosophy, 45 (2007): 105-116. This is the peer reviewed version of the following article: Kain, P. J. "Eternal Recurrence and the Categorical Imperative," The outheS rn Journal of Philosophy, 45 (2007): 105-116., which has been published in final form at http://doi.org/10.1111/j.2041-6962.2007.tb00044.x. This article may be used for non-commercial purposes in accordance With Wiley Terms and Conditions for self-archiving. https://www.pdcnet.org/collection/ authorizedshow?id=southernjphil_2007_0045_0001_0105_0116&pdfname=southernjphil_2007_0045_0001_0109_0120.pdf&file_type=pdf This Article is brought to you for free and open access by the College of Arts & Sciences at Scholar Commons. It has been accepted for inclusion in Philosophy by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Eternal Recurrence and the Categorical Imperative Philip J. Kain Santa Clara University I Nietzsche embraces the doctrine of eternal recurrence for the first time at Gay Science §341:1 The greatest weight.—What, if some day or night a demon were to steal after you into your loneliest loneliness and say to you: "This life as you now live it and have lived it, you will have to live once more and innumerable times more; and there will be nothing new in it, but every pain and every joy and every thought and sigh and everything unutterably small or great in your life will have to return to you, all in the same succession and sequence—even this spider and this moonlight between the trees, and even this moment and I myself. -
Nietzsche and Psychedelics – Peter Sjöstedt-H –
Antichrist Psychonaut: Nietzsche and Psychedelics – Peter Sjöstedt-H – ‘… And close your eyes with holy dread, For he on honey-dew hath fed, And drunk the milk of Paradise.’ So ends the famous fragment of Kubla Khan by the Romantic poet, Samuel Taylor Coleridge. He tells us that the poem was an immediate transcription of an opium-induced dream he experienced in 1797. As is known, the Romantic poets and their kin were inspired by the use of psychoactive substances such as opium, the old world’s common pain reliever. Pain elimination is its negative advantage, but its positive attribute lies in the psychedelic (‘mind- revealing’)1 state it can engender – a state described no better than by the original English opium eater himself, Thomas De Quincey: O just and righteous opium! … thou bildest upon the bosom of darkness, out of the fantastic imagery of the brain, cities and temples, beyond the art of Phidias and Praxiteles – beyond the splendours of Babylon and Hekatómpylos; and, “from the anarchy of dreaming sleep,” callest into sunny light the faces of long-buried beauties … thou hast the keys of Paradise, O just, subtle, and mighty opium!2 Two decades following the publication of these words the First Opium War commences (1839) in which China is martially punished for trying to hinder the British trade of opium to the Chinese people. Though opium, derived from the innocent garden poppy Papavar somniferum, may cradle the keys to Paradise it also clutches the keys to Perdition: its addictive thus potentially ruinous nature is commonly known. Today, partly for these reasons, opiates are mostly illegal without license – stringently so in their most potent forms of morphine and heroin. -
Averroes's Dialectic of Enlightenment
59 AVERROES'S DIALECTIC OF ENLIGHTENMENT. SOME DIFFICULTIES IN THE CONCEPT OF REASON Hubert Dethier A. The Unity ofthe Intellect This theory of Averroes is to be combated during the Middle ages as one of the greatest heresies (cft. Thomas's De unitate intellectus contra Averroystas); it was active with the revolutionary Baptists and Thomas M"Unzer (as Pinkstergeest "hoch liber alIen Zerstreuungen der Geschlechter und des Glaubens" 64), but also in the "AufkHinmg". It remains unclear on quite a few points 65. As far as the different phases of the epistemological process is concerned, Averroes reputes Avicenna's innovation: the vis estimativa, as being unaristotelian, and returns to the traditional three levels: senses, imagination and cognition. As far as the actual abstraction process is concerned, one can distinguish the following elements with Avicenna. 1. The intelligible fonns (intentiones in the Latin translation) are present in aptitude and in imaginative capacity, that is, in the sensory images which are present there; 2. The fonns are actualised by the working of the Active Intellect (the lowest celestial sphere), that works in analogy to light ; 3. The intelligible fonns-in-act are "received" by the "possible" or the "material intellecf', which thereby changes into intellect-in-act, also called: habitual or acquired intellect: the. perfect form ofwhich - when all scientific knowledge that can be acquired, has been acquired -is called speculative intellect. 4. According to the Aristotelian principle that the epistemological process and knowing itselfcoincide, the state ofintellect-in-act implies - certainly as speculative intellect - the conjunction with the Active Intellect. 64 Cited by Ernst Bloch, Avicenna und die Aristotelische Linke, (1953), in Suhrkamp, Gesamtausgabe, 7, p. -
Nietzsche for Physicists
Nietzsche for physicists Juliano C. S. Neves∗ Universidade Estadual de Campinas (UNICAMP), Instituto de Matemática, Estatística e Computação Científica, CEP. 13083-859, Campinas, SP, Brazil Abstract One of the most important philosophers in history, the German Friedrich Nietzsche, is almost ignored by physicists. This author who declared the death of God in the 19th century was a science enthusiast, especially in the second period of his work. With the aid of the physical concept of force, Nietzsche created his concept of will to power. After thinking about energy conservation, the German philosopher had some inspiration for creating his concept of eternal recurrence. In this article, some influences of physics on Nietzsche are pointed out, and the topicality of his epistemological position—the perspectivism—is discussed. Considering the concept of will to power, I propose that the perspectivism leads to an interpretation where physics and science in general are viewed as a game. Keywords: Perspectivism, Nietzsche, Eternal Recurrence, Physics 1 Introduction: an obscure philosopher? The man who said “God is dead” (GS §108)1 is a popular philosopher well-regarded world- wide. Nietzsche is a strong reference in philosophy, psychology, sociology and the arts. But did Nietzsche have any influence on natural sciences, especially on physics? Among physi- cists and scientists in general, the thinker who created a philosophy that argues against the Platonism is known as an obscure or irrationalist philosopher. However, contrary to common arXiv:1611.08193v3 [physics.hist-ph] 15 May 2018 ideas, although Nietzsche was critical about absolute rationalism, he was not an irrationalist. Nietzsche criticized the hubris of reason (the Socratic rationalism2): the belief that mankind ∗[email protected] 1Nietzsche’s works are indicated by the initials, with the correspondent sections or aphorisms, established by the critical edition of the complete works edited by Colli and Montinari [Nietzsche, 1978]. -
Understanding Perspectivism
This impressive collection is essential reading for appreciating the inevi- table contextualities of scientific knowledge. It explores how notions of “perspective” can illuminate the epistemic upshot of the sciences and how they are situated in their history, practices, representations, and sometimes competing aims, provocatively advancing debates about realism, pragma- tism, explanation, and modeling in the process, all through a wealth of cases from physics, biology, neuroscience, and medical science . —Anjan Chakravartty, University of Miami An excellent collection of essays on a topic rapidly establishing itself as an important interpretive programme in philosophy of science. One of the volume’s many merits consists in showing the diversity and versatil- ity of perspectivism while illustrating common features among its differ- ent varieties. The reader is thus provided an enormously rich foundation for evaluating the role of perspectivism in understanding science and its practices . —Margaret Morrison, University of Toronto Perspectivism is a fruitful metaphor for imagining alternatives to tradi- tional realism in philosophy of science. Massimi and McCoy have gath- ered ten essays which show how perspectivism is illuminating in areas such as molecular biology and measurement theory, and also explore the relationships between perspectivism and other recent accounts including pragmatism, structural realism, pluralism, and scientific modelling. There is an excellent balance of established and emerging scholars in the field. This volume is a superb, cutting-edge text to use in an advanced graduate seminar . —Miriam Solomon, Temple University Understanding Perspectivism This edited collection is the first of its kind to explore the view called perspectivism in the philosophy of science. The book brings together an array of essays that reflect on the methodological promises and scientific challenges of perspectivism in a variety of fields such as physics, biology, cognitive neuroscience, and cancer research, just for a few examples. -
Reading Plato (After Nietzsche & Co.) DAVID FARRELL KRELL Depaul
Plato Nietzsche & Reading (After Co.) DAVID FARRELL KRELL DePaul University Just for the record: Socrates stands so close to me that I am almost always fighting a battle with him. Friedrich Nietzsche, 1875 ["However, I believe that Plato was sick"]. Plato, Phaedo 59b10 Nietzsche and Plato: a frightful confrontation. From the many discussions of Plato in Nietzsche's works-there are well over five hundred direct references-we learn that Nietzsche viewed his life's task as overcoming Platonism. And, all reservations and qualifications aside, we know that Plato had something to do with Platonism. If the history of Western philosophy is a series of footnotes to Plato, if philosophy itself consists of variations on the theme of Platonism, then Nietzsche wants to write the last variation, the one that will exhaust all remaining possibilities for Platonism and bring philosophy as such to a close. It seems we can read sympathetically either Plato or Nietzsche, but not both: read Plato alone, and rest assured that Nietzsche is a dogmatist of the nastiest sort, more destructive even than Thrasymachus or Callicles; read Nietzsche alone, and rest assured that Plato is a decadent of the most contemptible sort, and a charlatan besides. Nietzsche calls him "a grand Cagliostro." Reading Plato after Nietzsche: is that possible at all?' It would not be too much to say that every indictment in the Nietzschean oeuvre of otherworldly metaphysics, morals, religion, and art directly involves Plato and Platonism. Philosophers are people who 46 want to hurry up and die, we read in Phaedo, so that they can float up to the ethereal realm of the pure ideas; to this end they despise the body and preach crusades against it, and lending death a hand, they mortify the flesh; they invent a God as anemic as themselves and invest their wretched hopes in him, dreaming heavenly dreams; even their music is lugubrious and bathetic, their dance a kind of solemn mummery. -
Fund Og Forskning I Det Kongelige Biblioteks Samlinger
Særtryk af FUND OG FORSKNING I DET KONGELIGE BIBLIOTEKS SAMLINGER Bind 50 2011 With summaries KØBENHAVN 2011 UDGIVET AF DET KONGELIGE BIBLIOTEK Om billedet på papiromslaget se s. 169. Det kronede monogram på kartonomslaget er tegnet af Erik Ellegaard Frederiksen efter et bind fra Frederik III’s bibliotek Om titelvignetten se s. 178. © Forfatterne og Det Kongelige Bibliotek Redaktion: John T. Lauridsen med tak til Ivan Boserup Redaktionsråd: Ivan Boserup, Grethe Jacobsen, Else Marie Kofod, Erland Kolding Nielsen, Anne Ørbæk Jensen, Stig T. Rasmussen, Marie Vest Fund og Forskning er et peer-reviewed tidsskrift. Papir: Lessebo Design Smooth Ivory 115 gr. Dette papir overholder de i ISO 9706:1994 fastsatte krav til langtidsholdbart papir. Grafisk tilrettelæggelse: Jakob Kyril Meile Nodesats: Niels Bo Foltmann Tryk og indbinding: SpecialTrykkeriet, Viborg ISSN 0060-9896 ISBN 978-87-7023-085-8 SPEAKING OF IRONY: Bournonville, Kierkegaard, H.C. Andersen and the Heibergs1 by Colin Roth t must have been exciting for the ballet historian, Knud Arne Jür Igensen, to discover a Bournonville manuscript in the Royal Library’s collection which opens with what is clearly a reference to Søren Kier ke gaard.2 Though not mentioned by name, Kierkegaard is readily identifiable because his Master’s degree dissertation on ‘The Concept of Irony’ is explicitly referred to in the first sentence. It was right that the discovery was quickly shared with researchers at the Søren Kierke gaard Research Centre at Copenhagen’s University. This article is a study of the document, its context and especially of the references con cealed within it. A complete transcription of the Danish original and a new English translation appear as appendices, one of which should, ideally, be read first. -
The Practical Origins of Ideas
The Practical Origins of Ideas Genealogy as Conceptual Reverse-Engineering MATTHIEU QUELOZ Under contract with Oxford University Press Abstract Why did such highly abstract ideas as truth, knowledge, or justice become so important to us? What was the practical point of coming to think in these terms? This book uncovers, develops, and defends a philosophical method that aims to answer such questions. This is the method of pragmatic genealogy: the telling of developmental narratives that seek to make sense of ideas in terms of their practical origins. Two principal theses structure the book. The first is that there is a pragmatic genealogical tradition which cuts across the analytic-continental divide, a tradition running from the state-of-nature stories of David Hume and the early genealogies of Friedrich Nietzsche to more recent work in analytic philosophy by Edward Craig, Bernard Williams, and Miranda Fricker. However, these genealogies combine fictionalising and historicising in ways that even those sympathetic to genealogy have found puzzling. Hence the book’s second, systematic thesis: we understand why both the fictionalising and the historicising are called for if we interpret these genealogies as dynamic models serving to reverse-engineer the points of ideas in relation to generic and socio-historically local needs. Pragmatic genealogy then emerges as having two attractive features. Far from issuing in the kind of reductively instrumental view of things often associated with naturalism, pragmatism, and genealogy, the method offers us explanation without reduction, helping us understand what led our ideas to shed the traces of their practical origins. And far from being normatively inert in the way that genealogical explanations are commonly taken to be, pragmatic genealogy can affect the space of reasons by helping us determine whether and when our ideas are worth having. -
What Was the Cause of Nietzsche's Dementia?
PATIENTS What was the cause of Nietzsche’s dementia? Leonard Sax Summary: Many scholars have argued that Nietzsche’s dementia was caused by syphilis. A careful review of the evidence suggests that this consensus is probably incorrect. The syphilis hypothesis is not compatible with most of the evidence available. Other hypotheses – such as slowly growing right-sided retro-orbital meningioma – provide a more plausible fit to the evidence. Friedrich Nietzsche (1844–1900) ranks among the paintings had to be removed from his room so that most influential of modern philosophers. Novelist it would look more like a temple2. Thomas Mann, playwright George Bernard Shaw, On 3 January 1889, Nietzsche was accosted by journalist H L Mencken, and philosophers Martin two Turinese policemen after making some sort of Heidegger, Karl Jaspers, Jacques Derrida, and public disturbance: precisely what happened is not Francis Fukuyama – to name only a few – all known. (The often-repeated fable – that Nietzsche acknowledged Nietzsche as a major inspiration saw a horse being whipped at the other end of the for their work. Scholars today generally recognize Piazza Carlo Alberto, ran to the horse, threw his Nietzsche as: arms around the horse’s neck, and collapsed to the ground – has been shown to be apocryphal by the pivotal philosopher in the transition to post-modernism. Verrecchia3.) Fino persuaded the policemen to There have been few intellectual or artistic movements that have 1 release Nietzsche into his custody. not laid a claim of some kind to him. Nietzsche meanwhile had begun to write brief, Nietzsche succumbed to dementia in January bizarre letters. -
Nietzsche's Naturalism As a Critique of Morality and Freedom
NIETZSCHE’S NATURALISM AS A CRITIQUE OF MORALITY AND FREEDOM A thesis submitted to Kent State University in partial fulfillment of the requirements for the Degree of Master of Arts by Nathan W. Radcliffe December, 2012 Thesis written by Nathan W. Radcliffe B.S., University of Akron, 1998 M.A., Kent State University, 2012 Approved by Gene Pendleton____________________________________, Advisor David Odell‐Scott___________________________________, Chair, Department of Philosophy Raymond Craig_____________________________________, Dean, College of Arts and Sciences ii TABLE OF CONTENTS ACKNOWLEDGEMENTS....................................................................................................................v INTRODUCTION............................................................................................................................... 1 CHAPTERS I. NIETZSCHE’S NATURALISM AND ITS INFLUENCES....................................................... 8 1.1 Nietzsche’s Speculative‐Methodological Naturalism............................................ 8 1.2 Nietzsche’s Opposition to Materialism ............................................................... 15 1.3 The German Materialist Influence on Nietzsche................................................. 19 1.4 The Influence of Lange on Nietzsche .................................................................. 22 1.5 Nietzsche’s Break with Kant and Its Aftermath................................................... 25 1.6 Influences on Nietzsche’s Fatalism (Schopenhauer and Spinoza) -
FRIEDRICH NIETZSCHE NON- FICTION TWILIGHT of the IDOLS UNABRIDGED and the ANTICHRIST Read by Barnaby Edwards
FRIEDRICH NIETZSCHE NON- FICTION TWILIGHT OF THE IDOLS UNABRIDGED and THE ANTICHRIST Read by Barnaby Edwards The last works completed before Nietzsche’s final years of insanity, Twilight of the Idols and The Antichrist contain some of his most passionate and polemical writing. Both display his profound understanding of human nature and continue themes developed in The Genealogy of Morals, as the philosopher lashes out at the deceptiveness of modern culture and morality. Twilight of the Idols attacks European society, Christianity and the works of Socrates and Plato, which he proclaims are life-denying as they prioritise reason over instinct and the after-world over the apparent world. The Antichrist explores the history, psychology and moral precepts of Christianity, forming his final assault on organised religion. Barnaby Edwards has recorded more than 60 audiobooks. Perhaps best known for his role as a Dalek operator in the television series Doctor Who, he has provided voices for three of the BBC’s Doctor Who video games Total running time: 7:14:00 and has worked as a director, writer and actor for several related audio View our catalogue online at n-ab.com/cat dramas by Big Finish Productions. He also plays the computer L.E.M.O.N. in the comic sci-fi audio series Strangeness in Space. His audiobooks have won several awards, including the Best Original Work Audie and the Guardian’s Audiobook of the Month. 1 Twilight of the Idols 3:23 27 6. Let us finally consider what naivete it shows… 2:39 2 Apophthegms and Darts 10:35 28 The Four Great Errors 2:09 3 The Problem of Socrates 1:38 29 2. -
Pippi Longstocking As Friedrich Nietzsche's Overhuman1
Confero | Vol. 4 | no. 1 | 2016 | pp. 97-135 | doi: 10.3384/confero.2001-4562.160111 Pippi Longstocking as Friedrich Nietzsche’s overhuman1 Michael Tholander n January 3, 1889, Friedrich Nietzsche walks out from his lodging at Piazza Carlo Alberto in Turin. Suddenly, he witnesses a coachman flogging his old and tired horse. He rushes forward and throws himself around the horse’s Oneck in an attempt to protect it. Then, after bursting into tears, he falls to the ground, unconscious, perhaps struck, for the first time, by the serious symptoms of advanced syphilis.2 This event concluded Nietzsche’s prolific career at the early age of 44. It would be followed by more than a decade of crippling physical and mental disorder, before he died his second, and definitive, death on August 25, 1900. Thus, despite having 1 This essay is a rewritten and extended English version of the one published in connection with the hundredth anniversary of the death of Nietzsche: Tholander, Michael (2000). Friedrich Nietzsche – och Pippi Långstrump. Tvärsnitt, 22(3), 2-17. 2 Other theories suggest that Nietzsche suffered from a series of strokes, from dementia or from brain cancer, or that he fell victim to a combination of these maladies. See, e.g., Butler, Paul (2011). A Stroke of Bad Luck: CADASIL and Friedrich Nietzsche’s “Dementia” or Madness. In P. McNamara (Ed.), Dementia: History and Incidence. Santa Barbara: Praeger. Michael Tholander declared the exacting precept “Die at the right time!”3 in his most well-known book, Thus Spoke Zarathustra, Nietzsche, quite ironically, died all too early, as well as all too late.