Jealous Becomes Official Sweet Supplier of New Big Brother Series

Total Page：16

File Type：pdf, Size：1020Kb

Aug 25, 2011 14:14 BST Jealous Becomes Official Sweet Supplier of New Big Brother Series With the new series of Big Brother appearing on television screens throughout this week following a channel change, new presenters and a general refresh, Jealous sweets is pleased to announce that it is the official sweet supplier for the show. New presenter Brian Dowling, ‘Big Brother’s Bit on the Side’ presenter Emma Willis and infamous voiceover presenter Marcus Bentley have already been busily tucking into the natural fruit and sour gummies since the grand launch on Channel 5 on Thursday 18th August. In addition to this, the new candy gifts brand will be offering its Facebook and Twitter fans the opportunity to win tickets to eviction nights. Details will be announced soon on facebook.com/JealousSweets and twitter.com/thejealouslife. As Jealous’ gummy sweets are made from natural ingredients, are suitable for vegetarians and are free from artificial colours and flavourings, the glamorous girls on the show such as ‘The Only Way is Essex’ star Amy Childs and movie star Tara Reid can enjoy the sweets and feel guilt-free. Co-Managing Directors of Jealous, Tahzeen Basunia and Imran Ali Merza were surprised to receive a phone call from the production team, Endemol, behind Celebrity Big Brother. Imran explains: “We are fans of the television show so to be asked to supply our ranges of sweets to the show’s contestants and presenters is an honour. Since launching Jealous less than a month ago, we have been over the moon with the interest we have received.” Tahzeen added: “We’re also really looking forward to seeing the fans reactions on Facebook and Twitter after we start Jealous’ eviction night ticket competitions. After going to the Elstree studios to hand over some sweet boxes, prior to the launch, we really felt the buzz of excitement and know that this is going to be a competition prize that many people will want. Just search for ‘The Jealous Life’ on Facebook and Twitter to watch out for further details.” For more information on Jealous or to purchase the halal sweets, visit www.thejealouslife.com. Irresistible, delectable sweets packaged in gorgeous gift boxes, made from only natural ingredients and suitable for those with specific dietary and ethical requirements, a Jealous gift can say everything from happy birthday, to thank you, to I love you to Happy Diwali, Hanukkah, Eid; whatever the occasion, it's something sweet-lovers can be proud to give and receive. Launched at London’s Selfridges store in July and available online fromwww.thejealouslife.com, Jealous sweet boxes will shortly be on the shelves of other major retailers Contacts Contact Us Press Contact [email protected] 0208 488 5135.

Copy Link

Recommended publications

Broadcast and on Demand Bulletin Issue Number
Ofcom Broadcast and On Demand Bulletin Issue number 312 12 September 2016 1 Ofcom Broadcast and On Demand Bulletin 312 12 September 2016 Contents Introduction 3 Broadcast Standards cases In Breach I Spit on Your Grave Horror Channel, 28 March 2016, 22:45 5 Zing Jukebox Live Zing, 21 June 2016, 16:30 9 Desi Street TV99, 5 March 2016, 10:00 12 Not in Breach Love Island 30 June 2016, ITV2, 21:00 21 Broadcast Licence Conditions cases In Breach Retention and production of recordings Top Pop, 13 March 2016 27 Broadcast Fairness and Privacy cases Not Upheld Complaint by Ms G on behalf of her son (a minor) Channel 4 News, Channel 4, 6 January 2016 29 Complaint by Miss Lauren Reis The House of Hypochondriacs, Channel 4, 24 November 2015 43 Tables of cases Investigations Not in Breach 75 Complaints assessed, not investigated 76 Complaints outside of remit 85 Investigations List 87 2 Ofcom Broadcast and On Demand Bulletin 312 12 September 2016 Introduction Under the Communications Act 2003 (“the Act”), Ofcom has a duty to set standards for broadcast content as appear to it best calculated to secure the standards objectives1. Ofcom also has a duty to secure that every provider of a notifiable On Demand Programme Services (“ODPS”) complies with certain standards requirements as set out in the Act2. Ofcom must include these standards in a code, codes or rules. These are listed below. The Broadcast and On Demand Bulletin reports on the outcome of investigations into alleged breaches of those Ofcom codes and rules below, as well as licence conditions with which broadcasters regulated by Ofcom are required to comply.
[Show full text]
Big Brother As Ritual Event
CORE Metadata, citation and similar papers at core.ac.uk Provided by LSE Research Online Nick Couldry Playing for celebrity: Big Brother as ritual event Article (Accepted version) (Refereed) Original citation: Couldry, Nick (2002) Playing for celebrity: Big Brother as ritual event. Television & new media, 3 (3), pp. 283-293. DOI: 10.1177/152747640200300304 © 2002 SAGE Publications Ltd This version available at: http://eprints.lse.ac.uk/17652/ Available in LSE Research Online: September 2013 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s final accepted version of the journal article. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. PLAYING FOR CELEBRITY: BIG BROTHER AS RITUAL EVENT NICK COULDRY Although Big Brother in the UK is now two series old, with a third series planned for 2002, there is a special reason for concentrating, as I do here, on the first Big Brother series broadcast in the UK by Channel Four (July-September, 2000, hereafter ‘BBUK1’).
[Show full text]
Scholars Publishing Table of Contents
SUB Hamburg A/542119 Celebrity Colonialism: Fame, Power and Representation in Colonial and Postcolonial Cultures Edited by Robert Clarke CAMBRIDGE SCHOLARS PUBLISHING TABLE OF CONTENTS Acknowledgements ix The Idea of Celebrity Colonialism: An Introduction 1 Robert Clarke Part One: Celebrities and the Colonial Moment Missionaries and Celebrity within the Transatlantic World: The Ojibwa of Upper Canada, 1830-1860 15 Cecilia Morgan Colonial Celebrities in Popular Culture: Heroes of the British and French Empires, 1850-1914 37 Berny Sebe The Sacred Celebrity Body: Swami Vivekananda's American Tours 55 Julie F. Codell Sigmund's Asian Fan-Club? The Freud Franchise and Independence of Mind in India and Japan 73 Christopher Harding Part Two: Celebrity, Travel and Benevolence Dying for Our Sins: Christian Salvation Rhetoric in Celebrity Colonialism /. 91 Spring-Serenity Duvall Celebrity Culture and the Rise of Narcissistic Interventionism 107 Philip Hammond The White Woman's Burden: Media Framing of Celebrity Transnational Adoptions 123 Hilde Van den Bulck vi Table of Contents Our Man in India: William Dalrymple as Traveller and Public Intellectual 141 Rebecca Dorgelo Part Three: Celebrities and Subalternity Salman Rushdie: The Postcolonial Writer as Global Brand 159 Wenche Ommundsen Shah Rukh Khan: Bollywood Superstar and Icon of the Postcolonial Nation 173 Shakuntala Rao Resisting the Ethical Violence of Coercive Aboriginality: David Gulpilil 189 Felicity Collins Poppadoms, Princesses and Privilege: (Neo)Colonial Racism in the Celebrity Big Brother Household 209 Damien W. Riggs Kledi Kadiu: Italian National Cinema and Postcolonial Stardom 225 Derek Duncan Crocodile Tears: The Life and Death of Steve Irwin 239 Graham Huggan Part Four: Celebrities and Africa Celebrity Colonialism and Conservation in Africa 255 Dan Brockington and Katherine Scholfield Representing Africa? Photography, Celebrity and Vanity Fair 275 Carol Magee Mandela: Constructing Global Celebrity as a Political Tool 291 P.
[Show full text]
Adjudication of Ofcom Content Sanctions Committee
Ofcom Content Sanctions Committee Consideration of sanction against Channel Four Television Corporation in respect of its service Channel 4. 1 For Breaches of the Ofcom Broadcasting Code: • Rule 2.3 – Broadcasters must when applying generally accepted standards ensure that material which may cause offence is justified by the context; and • Rule 1.3 – Children must also be protected by appropriate scheduling from unsuitable material. On 15, 17, 18, 19 January 2007 Decision To direct Channel Four (and S4C) to broadcast a statement of Ofcom’s findings in a form determined by Ofcom immediately before the start of the broadcast of the first programme of the eighth series of Big Brother on Channel 4; immediately before the start of the broadcast of the first re- versioned programme of the eighth series of Big Brother on Channel 4; and immediately before the start of the broadcast of the programme in which the first eviction from the eighth series of Big Brother occurs on Channel 4. 1 This sanction also applies to Sianel Pedwar Cymru (“S4C”) which transmits Channel 4’s (Celebrity) Big Brother series on its service. 1 Contents Section Page 1 Summary 3 2 Background 6 3 Legal Framework 8 4 Issues raised with Channel Four and Channel Four’s Response 12 5 Ofcom’s Adjudication: Introduction 36 6 Not In Breach 42 7 Resolved 55 8 In Breach 57 9 Sanctions Decision 66 2 1 Summary 1.1 On the basis detailed in the Decision, under powers delegated from the Ofcom Board to Ofcom’s Content Sanctions Committee (“the Committee”), the Committee has decided to impose a statutory sanction on Channel Four (and S4C) in light of the serious nature of the failure by Channel Four to ensure compliance with Ofcom’s Broadcasting Code.
[Show full text]
P Assion Distribution a Utumn 2020 • New Programming
AUTUMN 2020 • AUTUMN NEW PROGRAMMING PASSION DISTRIBUTION PASSION PART OF THE TINOPOLIS GROUP Passion Distribution Ltd. No.1 Smiths Square 77-85 Fulham Palace Road London W6 8JA T. +44 (0)207 981 9801 E. [email protected] www.passiondistribution.com WELCOME I’m delighted to welcome you to the second edition of our pop-up market and share with you our latest catalogue this autumn. Although it has been a challenging time for everyone, we have worked tirelessly to bring together a slate of quality programming for your schedules. Extraordinary human stories, iconic historical moments, premium documentaries and essential entertainment remain some of our key priorities. Our slate doesn’t disappoint in delivering new programmes of immense quality. Perhaps a sign of the times, our line-up includes a strong offering of history programming. The new landmark series 1000 Years brings together some of the most talented UK producers to chart the extraordinary rise of six countries that have profoundly shaped our world. WELCOME We also take a closer look at the Nuremberg trials – one of the 21st century’s defining events – by casting new light on the “trial of the century” in time for the 75th anniversary in November. On a lighter note in our factual entertainment section some other key franchises return with new episodes. Emma Willis has welcomed new babies in lockdown, Traffic Cops have remained on patrol, and we continue to see dramatic stories unfold in the access-driven Inside the Police Force. As you’d expect, a new series of the US hit-show RuPaul’s Drag Race has been announced – this incredible global phenomenon is now in its 13th season.
[Show full text]
Steve Gilbert Editor A Vid Colourist
Agent: Tom Discombe [email protected] 020 7199 3861 Steve Gilbert Editor Avid Colourist Documentary The Creative Brain Blink Films Netflix 52 min Documentary Neuroscientist David Eagleman taps into the creative process of various innovators while exploring brain-bending, risk-taking ways to spark creativity. Emmerdale 1918 Lambent Productions ITV 3 x 22 min Documentary Documentary series that marks 100 years since the end of the First World War. It sees six of Emmerdale's stars (Mark Charnock, Charlotte Bellamy, Natalie J Robb, Zoe Henry, John Middleton and Bhasker Patel) go back in time to explore the lives of the real Yorkshire heroes from the village of Esholt - where the show was filmed for 22 years. See No Evil Arrow Media Discovery 50 min Documentary Groundbreaking series about how real crimes are solved with the help of surveillance cameras. Police reveal how CCTV footage has unlocked the answer to cases that otherwise might have remained unsolved- leaving dangerous killers at large. The Shift: Women on the Force Lambent Productions W Channel (UKTV) 2 x 45min Documentary The series explores the demands facing officers in Britain today, the dangers they face on a daily basis and the impact this has on their private lives. Emma Willis Delivering Babies (Series 1 & 2) Firecracker Films W Channel (UKTV) 4 x 45min Documentary Emma Willis trains for three months at Harlow's Princess Alexandra Hospital in the busy maternity ward as a Maternity Care Assistant. The Last Days of Jesus Blink Films Channel 5 & PBS 120 min Documentary Drama documentary unravelling inconsistencies regarding Jesus’ last days, controversial theories from a range of leading religious historians.
[Show full text]
Playing for Celebrity: Big Brother As Ritual Event
Nick Couldry Playing for celebrity: Big Brother as ritual event Article (Accepted version) (Refereed) Original citation: Couldry, Nick (2002) Playing for celebrity: Big Brother as ritual event. Television & new media, 3 (3), pp. 283-293. DOI: 10.1177/152747640200300304 © 2002 SAGE Publications Ltd This version available at: http://eprints.lse.ac.uk/17652/ Available in LSE Research Online: September 2013 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s final accepted version of the journal article. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. PLAYING FOR CELEBRITY: BIG BROTHER AS RITUAL EVENT NICK COULDRY Although Big Brother in the UK is now two series old, with a third series planned for 2002, there is a special reason for concentrating, as I do here, on the first Big Brother series broadcast in the UK by Channel Four (July-September, 2000, hereafter ‘BBUK1’). I want to think about Big Brother not as production or text, but as event stretched across multiple sites, an ‘instant condensation’ (Maffesoli, 1993: xv) of participation which was also an insistent representation of participation, in short, a media event.
[Show full text]
What's on Kettering
WHAT’S ON Spring /Summer 2020 KETTERING WWW.LIGHTHOUSETHEATRE.CO.UK WELCOME! ... to our Spring 2020 brochure packed full of fantastic entertainment for you to enjoy! There’s something for everyone, to suit all ages and tastes – live music, comedy, ballet, dance, drama and much more can be found in these pages, and don’t forget to check in on the theatre website for regular updates to our programme. We look forward to seeing you at the Lighthouse in 2020! 10% OFF WITH LEISURE PASS! Kettering Borough Council’s Leisure Pass scheme is free to join and offers discounts in the cost of services across the borough, including 10% off Lighthouse shows. For information visit www.kettering.gov.uk BOOKING Online: www.lighthousetheatre.co.uk Box Office: 01536 414141 For terms and conditions see page 8. AT-A-GLANCE A diary listing of shows can be found on pages 36/37. MASQUE THEATRE The Masque Theatre at the Latimer Arts College in Barton Seagrave has a great selection of shows on offer. Visit www.masquekettering.co.uk for regular updates December 2019 The information in this brochure was correct at the time of going to print, but may be subject to change. Supported by 1 FREE PARKING FOR 600 CARS EASY TO REACH The theatre is centrally located in the heart of England near J8 of the A14, and beneﬁts from an excellent transport network. Kettering train station is a short walk or taxi ride away. The Lighthouse Theatre Kettering Conference Centre Thurston Drive • Kettering • NN15 6PB GPS ref: 52.39N 0.74W BECOME A FRIEND ..
[Show full text]
Global Digital Cultures: Perspectives from South Asia
Revised Pages Global Digital Cultures Revised Pages Revised Pages Global Digital Cultures Perspectives from South Asia ASWIN PUNATHAMBEKAR AND SRIRAM MOHAN, EDITORS UNIVERSITY OF MICHIGAN PRESS • ANN ARBOR Revised Pages Copyright © 2019 by Aswin Punathambekar and Sriram Mohan All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by the University of Michigan Press Manufactured in the United States of America Printed on acid- free paper First published June 2019 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication data has been applied for. ISBN: 978- 0- 472- 13140- 2 (Hardcover : alk paper) ISBN: 978- 0- 472- 12531- 9 (ebook) Revised Pages Acknowledgments The idea for this book emerged from conversations that took place among some of the authors at a conference on “Digital South Asia” at the Univer- sity of Michigan’s Center for South Asian Studies. At the conference, there was a collective recognition of the unfolding impact of digitalization on various aspects of social, cultural, and political life in South Asia. We had a keen sense of how much things had changed in the South Asian mediascape since the introduction of cable and satellite television in the late 1980s and early 1990s. We were also aware of the growing interest in media studies within South Asian studies, and hoped that the conference would resonate with scholars from various disciplines across the humanities and social sci- ences.
[Show full text]
The Changing Nature of Audience Participation in Mainstream Entertainment Programming
MM From Props to Products The Changing Nature of Audience Participation in Mainstream Entertainment Programming Have you ever been a member of a Media audiences of the past are often 1967-1975). As with many quiz and game shows characterised as being passive recipients of of the time, members of the public took part as studio audience, for the recording of a the information and entertainment that was competitors. The true stars of these shows were, radio sketch show, a TV sitcom, Strictly handed down by media institutions. In our however, the presenters. Bob Monkhouse was modern media world, audiences are thought the first presenter of The Golden Shot and was or Buzzcocks? Once upon a time, you to be much more active and media institutions massively popular with contemporary audiences. might have thought that would be actively encourage audience participation. To The original host of BBC’s long-running Saturday the closest you’d get to involvement; some this is an indication of a new, democratised tea-time audience participation show, The state where the power traditionally held by Generation Game (BBC: 1971-2007) was Bruce but in fact audience participation has media institutions is being shared with audiences Forsyth (1971-1977 and 1990-1994), who long been a feature of ‘old media’ who are able to participate in the construction is astonishingly still a household name, as he and development of media texts. currently presents Strictly Come Dancing (BBC: entertainment programming. Steph This view, however, can hide the fact that 2004 onwards). Hendry considers the role of the audience participation is not a new idea.
[Show full text]
Emma Willis on FIGHTING IMPOSTER SYNDROME and HER NEW PLAN B
AU G U S T 2 01 8 Emma Willis ON FIGHTING IMPOSTER SYNDROME AND HER NEW PLAN B 5 SEX TIPS By Caitlin Moran RED AUGUST 2018 £4.50 FORTHEBESTTHINGSINLIFE125 SUNSHINE STYLE BUYS Sailor stripes Beach dresses Cat’s eye shades COASTAL Basket bags DECOR IDEAS Espadrilles CHIC PICNICS BATHROOM TRENDS www.redonline.co.uk LIFE CHANGING TRAVEL STORIES (ANDHOWTO 08 DOITSOLO- 9 771461 131183 ORWITHKIDS) WWW.REDONLINE.CO.UK Red woman JUMPER, £355, ZADIG & VOLTAIRE. BIKINI BOTTOMS, £25, BEIJA LONDON. NECKLACE, £19; NECKLACE, £85, BOTH ESTELLA BARTLETT.EARRINGS; RINGS; BRACELET,ALL EMMA’S OWN. OPPOSITE PAGE: JUMPER, £89, MARKS & SPENCER. JEANS, £485, ALTUZARRA Photography DAVID GUBERT Styling NICOLA ROSE Red woman lood and guts and bodies The Brit Awards alongside her Sunday radio show with are what I like,’ says Emma Stephen Mulhern for Heart FM. People connect with her, ‘ Willis, plunging her teeth into whether she’s bouncing with excitement outside the Big a posh chicken burger. ‘It’s Brother House or making a new mum her first round of what I thought I would do. tea and toast, she seems genuine in whatever she does. Both my parents worked in I got a taste of this myself on our cover shoot in hospitals and I grew up in an Portugal. Emma arrived to discover rain had been forecast environment where you did for the following shoot day. As her entourage started to jobs like that.’ She pauses for arrange themselves on to sunloungers by the pool, I a moment, then adds, ‘And tentatively suggested we try to squeeze the six-hour cover Bthen I found myself being a shoot into whatever sunshine we had left that afternoon model, which was a bit weird.’ instead.
[Show full text]
Emma Jones Shooting Pd Available July
EMMA JONES SELF-SHOOTING PRODUCER / DIRECTOR E-MAIL: [email protected] MOBILE: 07792-180-456 BASE: London SHOOTING REEL: https://vimeo.com/429295158 (Password: ELHJ2020) • One to Watch 2017 - 2018 (Selected, from over four hundred applicants, as one of thirty rising stars in the TV industry) • In 2018 I directed the first series of award-winning and re-commissioned documentary series 'Emma Willis: Delivering Babies' • Worked on the first series of many re-commissioned documentaries (Emma Willis: Delivering Babies, UKTV’s W Channel; 24 Hours in A&E and The Secret Life of the Zoo, Channel 4; Amazing Hotels: Life Beyond the Lobby, BBC2; and My Violent Child, Channel 5) • I have taken five hours through the edit (Emma Willis: Delivering Babies, UKTV’s W Channel; A Very British Airline, BBC2; Britain’s Cocaine Epidemic and Student Sex Workers, Channel 5; and Swipe Right for Murder, UKTV’s Really Channel) • Strong and creative self-shooter - actuality scenes, including both reactive and observational filming, and master interviews. Well- versed in cross-shooting. Confident shooting on an FS7 & C300 with prime and zoom lenses. • Confident directing talent, including talent new to documentary-making. • Skilled at managing delicate access, and contributor relationships; both over a long period of time, and on the spot. • Confident handling complex compliance and legal issues. SHOOTING SERIES DIRECTOR GIRLS ON GIRLS. BBC3 (5 X 25) March-May 2019 Commissioner: Nasfim Haque | EPs: Eve Kay & Natasha Bondy | SP: Tara Jang Little Gem Constructed reality series featuring five women who’ve never met, showing each other their very different lives over 48 hours | Helped realise the construct for this mid-form series working alongside the Execs & SP | Shot entire series with a DV Director | Second series in discussion.
[Show full text]