2016 Summer Film Program

Total Page:16

File Type:pdf, Size:1020Kb

2016 Summer Film Program 2016 SUMMER FILM PROGRAM MAY 12 – AUGUST 14 AETNA THEATER WADSWORTH ATHENEUM MUSEUM OF ART PRESENTED BY DATA-MAIL, INC. AND THE MANDELL FAMILY THE HUMAN TOUCH SUMMER In celebration of The Human Touch: Selections from the RBC Wealth Management Art Collection SIZZLE AND exhibition on view from June 25, 2016 – September 25, 2016, please join us this summer as we present films from around the UNDER THE STARS FILMFILM world that explore the human condition. Imposters Thursday, July 21 at 7 pm Live music, dinner by the Museum Café (à la Saturday, July 23 at 7 pm carte menu), and an outdoor screening of an Sunday, July 24 at 2 pm American classic comedy or drama from the VICTORIA 1930’s in the Atheneum’s outdoor courtyard, Gengras Court. Live music and dinner service In the tradition of Run Lola Run, this crime thriller begin at 5 pm; movies shown at sundown features a young Spanish woman who has recently (approx: 8:15 pm). Free for Hartford residents, moved to Berlin. A flirtatious night with a local guy $9; $8 for seniors & students; $5 for members. turns into a dangerous and potentially deadly PORTABLE CHAIRS & COOLERS ARE PROHIBITED. situation. 2015. Germany. 128 min. Not Rated (some violence). Thursday, May 12 at 7 pm Friday, June 24 Subtitles. Directed by Sebastian Schipper. Sunday, May 15 at 2 pm Opening night reception at 6 pm LAMB Film at 7 pm TWO FOR ONE (In celebration of The End of Innocence exhibition) Saturday, June 25 at 7 pm This beautiful and poetic film tells of a motherless Sunday, June 26 at 2 pm Ethiopian boy who is forced to move in with distant BARCELONA CHRISTMAS NIGHT relatives. He takes his pet sheep with him but (Barcelona, nit d’hivern) Thursday, June 30 upcoming holidays and stern treatment spell danger In this modern comedy, multiple love stories unfold in for the boy and his beloved “friend.” TROUBLE IN PARADISE Barcelona during Christmas Eve. A gentleman thief and a lady pickpocket join 2015. 94 min. Not Rated (suitable for all ages). 2015. Spain. 95 min. Not Rated. Subtitles. forces to con a beautiful perfume company Subtitles. Directed by Yared Zeleke. Directed by Dani de la Orden. owner. Romantic entanglements and jealousies throw the scheme into chaos. 1932. 83 min. Directed by Ernst Lubitsch. Thursday, July 28 at 7 pm Starring Miriam Hopkins, Kay Francis, Saturday, July 30 at 7 pm Herbert Marshall. Sunday, July 31 at 2 pm IN HARMONY (En équilibre) A sought-after and talented horse stuntman in films has a bad fall and becomes a paraplegic. The insurance company sends a seductive woman to “encourage” him to settle for a small sum of money, but they begin to fall for each other. 2015. France. 95 min. Not Rated. Subtitles. Thursday, June 9 at 7 pm Thursday, July 7 at 7 pm Directed by Denis Dercourt. Friday, July 8 Sunday, June 12 at 2 pm Saturday, July 9 at 7 pm PAINTING THE MODERN GARDEN: Sunday, July 10 at 2 pm* Followed immediately by: LOVE ME TONIGHT MONET TO MATISSE *Followed by a four-course wine dinner at A Parisian tailor finds himself posing as a baron Claude Monet was an avid horticulturist and arguably Peppercorn’s Grill. Tickets (required) available at: in order to collect a sizeable bill from an the most important painter of gardens in the history thewadsworth.org. Film admission, Italian art tour in aristocrat, only to fall in love with an aloof young princess. of art. But other great artists like Van Gogh, Bonnard, the galleries, and wine dinner: $60 for non-members and seniors; $55 for members (including Insider 1932. 104 min. Directed by Rouben Mamoulian. Sorolla, Sargent, Pissarro and Matisse also saw the Access Members). Regular film prices apply if not Starring Maurice Chevalier, Jeanette MacDonald. garden as a powerful subject for their art. These attending the dinner. artists, along with many others, are the focus of an innovative and extensive exhibition from The Royal Academy of Arts, London which is captured on film. The Atheneum’s Claude Monet Painting in his Garden at THE COMPLEXITY OF HAPPINESS Argenteuil by Pierre-Auguste Renoir is featured in the (La felicità è un sistema complesso) Thursday, July 28 at 8:35 pm documentary (the painting is not currently on view). Hired as a “special consultant” by leading financial Saturday, July 30 at 8:35 pm 2016. 93 min. UK. Not Rated. English. groups, Enrico approaches executives who are Sunday, July 31 at 3:35 pm incompetent and convinces them to leave their jobs. His most recent assignment and a quirky young THE MEASURE OF A MAN (La loi du marché) Friday, July 15 woman force him to face his own life. Comedic drama. An unemployed factory worker tries to make ends in working-class France. THE GAY DIVORCEE 2015. Italy. 117 min. Not Rated. Subtitles. Mimi Glossop wants a divorce so her Aunt 2016. France. 93 min. Not Rated. Subtitles. Directed by Gianni Zanasi. Hortense hires a professional to play the Directed by Stéphane Brizé. correspondent in an “apparent” infidelity. Mistaken identities spoil the ruse. TWO FOR ONE 1934. 107 min. Musical comedy. Directed by Mark Sandrich. Starring Fred Astaire, Ginger Rogers. Friday, July 22 Friday, June 17 at 7 pm MY MAN GODFREY Tickets available at: thewadsworth.org A scatterbrained socialite hires a vagrant as a family butler, but there’s more to Godfrey than ASBURY SHORTS Film Program meets the eye. Asbury Shorts USA is celebrating its 35th Anniversary 1936. 94 min. Directed by Gregory La Cava. year of presenting global award-winning short films. Starring William Powell, Carole Lombard. Asbury Shorts is New York City’s longest running Thursday, July 14 at 7 pm Thursday, August 11 at 7 pm non-competitive short film exhibition and touring Saturday, July 16 at 7 pm Saturday, August 13 at 7 pm showcase. Host: Doug LeClaire. Sunday, July 17 at 2 pm Sunday, August 14 at 2 pm 2015. 120 min. Not Rated. English and Subtitles. NEON BULL (Boi neon) ART ACHE A group of misfits working for a rodeo in Brazil Alex despises Modern Art but when he falls for an become a makeshift family. Despite the dirty adorable French artist, he is persuaded by a friend backbreaking work, each has his or her own dream that the only way to conquer her heart is to pretend to for the future. Gorgeously filmed. be an artist. He now must win an art contest in order Friday, July 29 2015. Brazil. 100 min. Not Rated (sexual content). to perpetuate his lie. Comedy. Subtitles. Directed by Gabriel Mascaro. 2015. 80 min. UK. Not Rated. THE LADY VANISHES Directed by Berty Cadilhac. While traveling in Europe, a rich young playgirl Followed immediately by: realizes that an elderly lady seems to have disappeared from the train. HARTFORD PREMIERE 1938. 96 min. Directed by Alfred Hitchcock. Starring Margaret Lockwood, Michael Redgrave. GUEST SPEAKER Thursday, June 30 at 1:30 pm Friday, August 12 (Preceded by a 12 noon Gallery Talk by Cornelia PARKING: Pearsail, Smith College, in the Gothic to Goth HOLIDAY Free on street parking after exhibition). Film admission is free. A young man becomes engaged to a young 6 pm and on weekends. woman from a rich family. His unorthodox plan POSSESSION $3 parking (with validation to go on holiday for the early years of their Two literary sleuths begin to fall for each other after at the museum) at the Front Street South Garage. impending marriage is met with skepticism by unearthing the amorous secret relationship of two Thursday, July 14 at 8:40 pm Due to ongoing construction around the museum, visit: everyone except for his fiancée’s eccentric sister Victorian poets. Saturday, July 16 at 8:40 pm thewadsworth.org and long suffering brother. 1938. 95 min. Directed by George Cukor. 2002. USA/UK. 104 min. Rated PG-13. Sunday, July 17 at 3:40 pm for the most up-to-date information. Directed by Neil LaBute. Starring Gwyneth Paltrow, Starring Katharine Hepburn, Cary Grant. Aaron Eckhart, Jeremy Northam. LAND AND SHADE (La tierra y la sombra) After having left many years past, a humble country FILM TITLES AND DATES ARE SUBJECT TO CHANGE. The Summer Sizzle Series is supported in sugar cane worker returns home to meet his PLEASE VISIT THEWADSWORTH.ORG part by the Greater Hartford Arts Council’s grandson and tend to his sick son. He must also deal FOR AN UPDATED LISTING. United Arts Campaign. with the wife he left behind. 2015. Colombia. 97 min. Not Rated. Subtitles. UNLESS OTHERWISE STATED, Directed by César Augusto Acevedo. REGULAR FILM ADMISSION APPLIES. PRESENTED BY DATA-MAIL, INC. AND THE MANDELL FAMILY MANDELL THE AND INC. DATA-MAIL, BY PRESENTED 06103 CT Hartford, 600 MainStreet, Atheneum Wadsworth HOLIDAY SUMMER SUMMER SIZZLE 2016 SUMMER FILM PROGRAM FILM SUMMER 2016 AETNA THEATER AETNA FRIDAY, AUGUST 12 AUGUST FRIDAY, UNDER THESTARS PRESENTED BY DATA-MAIL, INC. AND THE MANDELL FAMILY MANDELL THE AND INC. DATA-MAIL, BY PRESENTED Museum ofArt LAMB, LAMB, MAY 12 &15 MAY AETNA THEATER AETNA MAY 12 – AUGUST 14 AUGUST – 12 MAY WADSWORTH ATHENEUM MUSEUM OF ART ART OF MUSEUM ATHENEUM WADSWORTH FILM PROGRAM FILM Hartford, CT Hartford, #82 Permit U.S. Postage Organization Non-Profit PAID 2016 SUMMER 2016 2016 SUMMER FILM PROGRAM MAY 12 – AUGUST 14 AETNA THEATER WADSWORTH ATHENEUM MUSEUM OF ART MAY JULY MON TUE WED THU FRI SAT SUN MON TUE WED THU FRI SAT SUN 9 10 11 12 13 14 15 4 5 6 7 Summer 8 9 The 10 Lamb Lamb The Complexity Sizzle 5 PM The Complexity Complexity of Happiness 7 PM 2 PM of Happiness of Happiness 7 PM Love Me Tonight 7 PM 2 PM 8:15 PM Wine Dinner 5 PM 11 12 13 14 Summer 15 16 17 Neon Bull Neon Bull Neon Bull Sizzle 5 PM JUNE 7 PM 7 PM 2 PM followed by followed by followed by The Gay Divorcee MON
Recommended publications
  • Selling Masculinity at Warner Bros.: William Powell, a Case Study
    Katie Walsh Selling Masculinity at Warner Bros.: William Powell, A Case Study Abstract William Powell became a star in the 1930s due to his unique brand of suave charm and witty humor—a quality that could only be expressed with the advent of sound film, and one that took him from mid-level player typecast as a villain, to one of the most popular romantic comedy leads of the era. His charm lay in the nonchalant sophistication that came naturally to Powell and that he displayed with ease both on screen and off. He was exemplary of the success of the new kind of star that came into their own during the transition to sound: sharp- or silver-tongued actors who were charming because of their way with words and not because of their silver screen faces. Powell also exercised a great deal of control over his publicity and star image, which is best examined during his short and failed tenure as a Warner Bros. during the advent of his rise to stardom. Despite holding a great amount of power in his billing and creative control, Powell was given a parade of cookie-cutter dangerous playboy roles, and the terms of his contract and salary were constantly in flux over the three years he spent there. With the help of his agent Myron Selznick, Powell was able to navigate between three studios in only a matter of a few years, in search of the perfect fit for his natural abilities as an actor. This experimentation with star image and publicity marked the period of the early 1930s in Hollywood, as studios dealt with the quickly evolving art and technological form, industrial and business practices, and a shifting cultural and moral landscape.
    [Show full text]
  • Mervyn Leroy GOLD DIGGERS of 1933 (1933), 97 Min
    January 30, 2018 (XXXVI:1) Mervyn LeRoy GOLD DIGGERS OF 1933 (1933), 97 min. (The online version of this handout has hot urls.) National Film Registry, 2003 Directed by Mervyn LeRoy Numbers created and directed by Busby Berkeley Writing by Erwin S. Gelsey & James Seymour, David Boehm & Ben Markson (dialogue), Avery Hopwood (based on a play by) Produced by Robert Lord, Jack L. Warner, Raymond Griffith (uncredited) Cinematography Sol Polito Film Editing George Amy Art Direction Anton Grot Costume Design Orry-Kelly Warren William…J. Lawrence Bradford him a major director. Some of the other 65 films he directed were Joan Blondell…Carol King Mary, Mary (1963), Gypsy (1962), The FBI Story (1959), No Aline MacMahon…Trixie Lorraine Time for Sergeants (1958), The Bad Seed (1956), Mister Roberts Ruby Keeler…Polly Parker (1955), Rose Marie (1954), Million Dollar Mermaid (1952), Quo Dick Powell…Brad Roberts Vadis? (1951), Any Number Can Play (1949), Little Women Guy Kibbee…Faneul H. Peabody (1949), The House I Live In (1945), Thirty Seconds Over Tokyo Ned Sparks…Barney Hopkins (1944), Madame Curie (1943), They Won't Forget (1937) [a Ginger Rogers…Fay Fortune great social issue film, also notable for the first sweatered film Billy Bart…The Baby appearance by his discovery Judy Turner, whose name he Etta Moten..soloist in “Remember My Forgotten Man” changed to Lana], I Am a Fugitive from a Chain Gang (1932), and Two Seconds (1931). He produced 28 films, one of which MERVYN LE ROY (b. October 15, 1900 in San Francisco, was The Wizard of Oz (1939) hence the inscription on his CA—d.
    [Show full text]
  • Silhouettes of Stars, Players, and Directors of Warner Bros. Pictures
    library! THE MUSEUM 0F MODERN ART j Received: Scanned from the collection of The Museum of Modern Art Library Coordinated by the Media History Digital Library www.mediahistoryproject.org Funded by a donation from John McElwee Digitized by the Internet Archive in 2014 https://archive.org/details/silhouettesofstaOOunse I : SILHOUETTES Of Stars, Players, and Directors Of WARNER BROS. PICTURES, INC. LIBRARY THS MUSEUM OF MODERN ART Received: From in ?2 WARNER BROS. PICTURES, INC. jT* 321 West 44th Street New York City PRINTED IN U.S.A. FL >l 5-3 FOREWORD This unpretentious volume contains a wealth of material in bio- graphical form covering all important stars, players, and directors of Warner Bros. Pictures, Inc. It should be invaluable to the motion picture editor, or to anyone doing editorial work pertaining to motion pictures. This volume went to press in October, 1937. All data, therefore, is up-to-date, and most of it is accurate for several months to come. You will note that the end of each biography contains the list of pictures the player has been featured in. It is suggested that you — the editor — may keep each biography up to the minute as to performances by adding each new picture a star is cast in, as you receive a new announcement. TABLE OF CONTENTS How It All Began 1 Nagel, Anne 125 STARS AND PLAYERS O'Brien, Pat 127 O'Connell, Hugh 130 Acuff, Eddie 8 Oliver, Gordon 132 Aherne, Brian 9 O'Neill, Henry 134 Baker, Kenny 12 Perry, Linda 136 Blondell, Joan 16 Powell, Dick 138 Blondell, Gloria 20 Purcell, Dick 141 Bogart, Humphrey
    [Show full text]
  • FOREST LAWN MEMORIAL PARK Hollywood Hills Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park  Hollywood Hills
    Welcome to FOREST LAWN MEMORIAL PARK Hollywood Hills Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Order of Service Waltzing Matilda Played by the Forest Lawn Organist – Anthony Zediker Eulogy to be read by Jack. L. Warner Pall Bearers, To be Announced. Photo by Tony Duran Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Photo by Tony Duran Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Orry-Kelly Filmography 1963 Irma la Douce 1942 Always in My Heart (gowns) 1936 Isle of Fury (gowns) 1963 In the Cool of the Day 1942 Kings Row (gowns) 1936 Cain and Mabel (gowns) 1962 Gypsy (costumes designed by) 1942 Wild Bill Hickok Rides (gowns) 1936 Give Me Your Heart (gowns) 1962 The Chapman Report 1942 The Man Who Came to Dinner (gowns) 1936 Stage Struck (gowns) 1962 Five Finger Exercise 1941 The Maltese Falcon (gowns) 1936 China Clipper (gowns) (gowns: Miss Russell) 1941 The Little Foxes (costumes) 1936 Jailbreak (gowns) 1962 Sweet Bird of Youth (costumes by) 1941 The Bride Came C.O.D. (gowns) 1936 Satan Met a Lady (gowns) 1961 A Majority of One 1941 Throwing a Party (Short) 1936 Public Enemy’s Wife (gowns) 1959 Some Like It Hot 1941 Million Dollar Baby (gowns) 1936 The White Angel (gowns) 1958 Auntie Mame (costumes designed by) 1941 Affectionately Yours (gowns) 1936 Murder by an Aristocrat (gowns) 1958 Too Much, Too Soon (as Orry Kelly) 1941 The Great Lie (gowns) 1936 Hearts Divided (gowns)
    [Show full text]
  • I “Weani^^N M'i Ii I JUMW
    Constance Clay.” Miss Bennett's more re- Murder Murdered Signs cent screen appearances were In Cycle Constance Bennett has signed a “Topper,” "Merrily We Live,” long-term contract with Columbia “Topper Takes A Trip” and “Tail Some Bad Dramas Pictures. This marks Miss Ben- Spin.”* By nett’s return to the screen after OP MAY 26 _WEIK J_ SUNDAY_MONDAY_ TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY an absence of several months dur- which was Broadway’s Newest Academy "Four Wlvei" "Four Wives" "The Frlvate Lives of "pe Private Live* of "Main Street Lawyer” “Main Street Lawyer" "The Covered Trailer" ing she appearing on __ Ellaabeth and Essex Bliaabeth and laeex” Mystery Play, 17™'.' _H „„ *nd, and “Smaahln* the and “Smashing the and the stage. Sth and Q Sts. 8.E _Mercy Plane._ _Mercy_Plane.J_ and Nt^Place to Go. and “No Place to Oo." __Money Ring," _Money Ring." “Haunted Gold." ‘At the Miss Bennett made her screen Stroke of Eight,’ the Third Ambassador ^2d JtSSBEJ, W8 *.nd James Cagney and Jamei Cagney and- VlrginlaBruce and vIrslnia~Bruce and- Ann Sheridan ln Ann Sheridan In Dennis Morean In Dennis Moraan In debut in “Cytharea." Her first IStni«fh andum Columbiae-nin^ihi* Rd.■><• Torrid !.n Torrid ?.n A,2J? }n Not Met Too Zone._ Zone.___TorrldZone.;_ Tottld Zone. 'Torrid Zone." "Plight Angela." "Might Angela." starring role was in "Sally, Irene Happily AdoIIo Walt Disney'* Walt Disney’* Mlekay Rooney Mickey Rooney Ann Sheridan and ‘Ann Sheridan and "Light of the Western and Some of her "Pinocchio.” "Pinocchio." *“ In Jeffrey Lynn In Jeffrey Lynn in Stera" and "Mve Llt- Mary.’’ many TOta«* Hh St.at n ■ Tom _.
    [Show full text]
  • TORRANCE HERALD, Torrance
    PAGE 3-B THURSDAY, AUGUST 8, 19J6 TORRANCE HERALD, Torrance. California KAY FRANCIS "Virginian" TbriDs Again At the Novel Ballet Is social service Charlie Cfcm Film Starts 3-Day Run At Torr^nceTKeatre Tonight Plaza Tdw«ht and Saturday FeatureAtBowl: Kuy Francis. who iifipcnm TitPs- Thursday Night d*y anil Wednesday nt the Tor- nuiee Tliimtre In "Strnrldcil," was Terpsichorean Specialty Will horn In Oklnhnftm City. Init w Portray Life of Holly­ four ywir*. old, her mother. Kath- Extra c-rlno f'llntnn, nn nctrr*M. plac*<I wood her In it prlvntn Nchool In Osuln- Mollnnrl. world fiim- inR. Now fork. ,r>atci sho entered flcrnnrdlno 34**. Cathedral school In Garden City m Italian conductor, will open She studied necretarlal work nhd e second half or Hollywood % libcnme soclnl secretary to Mrs. W. ,r3\tT« season of summer concerts K. Vnnderhllt. She nlno filled the n'nd fSTrmln fur cliiht events. The i-amr posts for Mrs. Mlnturn renowned ItnTlSTn has^condiictcd 4-1 concerts In previous seaHtmtc^Di Ing these visits his popularity i creased many fold. "Every nlsht is u feature nlnht ... Hollywood Bowl this season," said Mrs. l.ellnml Atherton Irish, Kencral chairman, commcntinK on forthcoming concerts of the four remaining weeks of tlio Nelwn.Eddy.ahd Jtahttte MacDonald in "Naughty) Mddtitta" season. features of the week which August IS under Mollnari's thrills,, directlon_jvlll include two noted "The Virginian" is back again with all its soloists, a BtrveL__ballet an,d a romance, death, danger, thundering herds and yelling, 'special Italian nlirhl fer-__jvhlch hard-ridihg cowboys on the screen of the Plaza Theatre, Molinai:! is celebrated.
    [Show full text]
  • MICHAEL CURTIZ: from HUNGARY to HOLLYWOOD Release
    The Museum of Modern Art For Immediate Release November 1992 MICHAEL CURTIZ: FROM HUNGARY TO HOLLYWOOD November 27, 1992 - January 23, 1993 A survey of more than fifty films by Michael Curtiz (1888-1962), one of cinema's most prolific directors from the studio era, opens on November 27, 1992, at The Museum of Modern Art. As Warner Bros, house director in the 1930s and 1940s, Curtiz symbolizes the crispness and energy that distinguished the Warners' style. On view through January 23, 1993, MICHAEL CURTIZ: FROM HUNGARY TO HOLLYWOOD explores the consistent quality and versatility of the filmmaker's work. The Hungarian-born Curtiz mastered virtually all genres and, during his twenty-seven-year career at Warner Bros., made every type of film from westerns and musicals to social dramas and comedies. A strong director of actors, he made stars of such disparate types as Errol Flynn, John Garfield, and Doris Day, and earned an Academy Award and a renewed career for Joan Crawford in Mildred Pierce (1945). Many of his films were popular critical and financial successes. Curtiz possessed an acute narrative sense, displayed in such remarkable films included in the exhibition as The Adventures of Robin Hood (1938), with Flynn and Olivia de Havilland; Casablanca (1942), for which Curtiz received an Academy Award for Best Director; Yankee Doodle Dandy (1942), the musical which won James Cagney an Academy Award; Mildred Pierce, the film noir portrait of an imperfect American family; Young Man with a Horn (1950), starring Kirk - more - 11 West 53 Street, New York, N.Y. 10019-5498 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART 2 Douglas as an obsessed jazz trumpeter and inspired by Bix Beiderbecke's life; and The Breaking Point (1950), based on Ernest Hemingway's To Have and Have Not, His early successes -- Cabin in the Cotton (1932), a melodrama about sharecroppers, and The Mystery of the Max Museum (1933), an early all-color horror film -- are also included in the exhibition.
    [Show full text]
  • Online Versions of the Goldenrod Handouts Have Color Images
    Online versions of the Goldenrod Handouts have color images August 30, 2016 (XXXIII:1) http://csac.buffalo.edu/goldenrodhandouts.html Ernst Lubitsch, TROUBLE IN PARADISE (1932, 83 min) Trouble in Paradise (1932), 83 minutes Directed by Ernst Lubitsch Writing Credits Samson Raphaelson (screenplay), Grover Jones, (adaptation), Aladar Laszlo (play as Laszlo Aladar) Produced Ernst Lubitsch Music W. Franke Harling Cinematography Victor Milner Art Direction Hans Dreier Costume Design Travis Banton…(gowns) Costume and Wardrobe Department Eugene Joseff…costume jeweler (uncredited) Cast Miriam Hopkins…Lily Kay Francis…Madame Mariette Colet Herbert Marshall…Gaston Monescu Charles Ruggles…The Major historical drama. His success in Europe brought him to the shores Edward Everett Horton…François Filiba of America to promote The Loves of Pharaoh (1922) and he C. Aubrey Smith…Adolph J. Giron become acquainted with the thriving US film industry. He soon Robert Greig…Jacques, Mariette's Butler returned to Europe, but came back to the US for good to direct new friend and influential star Mary Pickford in his first Ernst Lubitsch (b. January 29, 1892 in Berlin, Germany—d. American hit, Rosita (1923). The Marriage Circle (1924) began November 30, 1947, age 55, in Hollywood, California) who Lubitsch's unprecedented run of sophisticated films that mirrored Entertainment Weekly voted the 16th Greatest Director of all the American scene (though always relocated to foreign or time, decided at age 16 to leave school and pursue a career on imaginary lands) and all its skewed panorama of the human the stage. He had to compromise with his father and keep the condition.
    [Show full text]
  • Summer Films at the National Gallery of Art
    Office of Press and Public Information Fourth Street and Constitution Av enue NW Washington, DC Phone: 202-842-6353 Fax: 202-789-3044 www.nga.gov/press Release Date: June 29, 2009 Summer Films at the National Gallery of Art Film still f rom Pandora and the Flying Dutchman (Albert Lewin, 1951, 35 mm, 122 minutes), at the National Gallery of Art on Friday , August 28, at 2:30 p.m. and Saturday , August 29, at 2:30 p.m. as part of the From Vault to Screen: New Preservation f ilm series. Image courtesy Photof est. This summer, the National Gallery of Art's film program provides a great variety of films combined with concerts and discussions. The six ciné-concerts feature films from the 1920s and 1930s combined with pianists and orchestras in live performance. July's Salute to Le Festival des 3 Continents highlights a collaborative effort between the National Gallery of Art, the Freer Gallery, and the French Embassy to bring avant-garde, classic, and new cinema from Asia, Africa, and Latin America to Washington audiences. The Gallery's annual showcase of recently restored and preserved films, From Vault to Screen, will focus on the collections of La Cinémathèque de Toulouse, Anthology Film Archives, and UCLA Film and Television Archive, among others. A highlight of this series will be the presentation of the restored Manhatta by Charles Sheeler and Paul Strand. This screening concludes with a discussion with Charles Brock, curator of American art, National Gallery of Art, and Bruce Posner, the film historian responsible for the restoration.
    [Show full text]
  • 1939-06-02 [P D-8]
    that here THEATER PARKING people are ultrasuper- nuptial*. (And now, Just because I emer should write such a story. He Bcial. have to written this, I suppose they It 'Mikado’ Comes Keith’s Now Be a Bette * * * * explains simply: 6 P.M. TO Lady, will marry tomorrow!) 1 (R^leaned by the North American "My loyalty to the South Is In- A certain famous star went away 1 A.M. Newspaper Alliance, grained, but I believe most of the with some male friends on a yacht- Inc.) Entertainment feeling which arose was caused by A Gay ing trip for two months and left his happenings during the reconstruc- CAPITAL GARAGE wife exactly $50 for the entire pe- tion rather than the war. riod. When she tried to borrow Southerner during With Carte Writes And I do not believe such Popular Opera, D’Oyly money from her husband’s business things would have occurred had President he wouldn’t New Film Players, Has Been Translated manager give—said he Story Lincoln lived.” must first have instructions from About his client. The lafter couldn’t be Lincoln Greater Selection of 10 to the Screen Faithfully reached and the wife would have By the Associated Press. done a I AMUSEMENTS. BLANK BOOKS! By HARRY MacARTHUR. nice Job of dieting but for HOLLYWOOD. At Genuine Savings! the assistance of friends. A Southerner, once a ||[||| This bright screen version of "The Mikado,” the new attraction at newspaper- Joan Crawford's face is too man in Atlanta, had in mind an idea BA R-K-O Keith's, is such an enchanting film frolic that you immediately square and for new for a and wonder why in the world we have had to wait this long for it.
    [Show full text]
  • National Gallery of Art Summer 09 Film Program
    NATIONAL GALLERY OF ART SUMMER 09 FILM PROGRAM 4th Street and Pennsylvania Avenue NW, Washington, DC Mailing address 2000B South Club Drive, Landover, MD 20785 SALUTE TO LE FROM VAULT TO CARL THEODOR ALAIN RESNAIS: GEORGE C. STONEY: FESTIVAL DES SCREEN: NEW FROM NOVEL DREYER: THE THE ELOQUENCE AMERICAN 3 CONTINENTS PRESERVATION TO SCREEN LATE WORKS OF MEMORY DOCUMENTARIAN Manhatta Last at Year Marienbad The Gaucho calendar page cover page four page three page two page one Last at Year Marienbad (Bruce Man with a Movie Camera Manhatta Last at Year Marienbad Pandora and the Flying Dutchman ( P details from SUMMER09 hotofest), P osner), (Bruce ( P Mélo Muriel hotofest), Antonio das Mortes P osner) ( ( P P ( hotofest) hotofest), ( P hotofest), (nostalgia) P ( hotofest) P hotofest) Vampyr ( Vampyr ( ( H P ollis Frampton), hotofest) P ( hotofest), P hotofest), ( P hotofest) El Perro Negro: Stories from the Spanish Civil War preceded by Guernica Sunday September 27 at 4:30 Film Events Media artist Péter Forgács has assembled this unparalleled collage of footage from the Spanish Civil War using the home movies of two talented amateurs, Joan Salvans and Ernesto Diaz Noriega. An extraordinary view of contempo- Stanley William Hayter: rary Spain during the chaotic 1930s, El Perro Negro: Stories from the Spanish From Surrealism to Abstraction Civil War was created for Forgács’ ongoing personal chronicles of twentieth- Sunday July 5 at 2:00 century European history. (Péter Forgács, 2005, HD-Cam, 84 minutes) Guernica combines motifs from Picasso’s epic painting with Paul Éluard’s Three archival films on the British painter and printmaker are featured in poetic text on the besieged Spanish town.
    [Show full text]
  • Leo Mccarey Papers
    Finding Aid for the Leo McCarey Collection Collection Processed by: Marguerite Greiner / Nicole Votta - September 2018 Finding Aid Written by: Marguerite Greiner / Nicole Votta - September 2018 OVERVIEW OF THE COLLECTION: Origination/Creator: McCarey, Leo 1896-1969 Title of Collection: Leo McCarey Papers Date of Collection: 1934-1971 Physical Description: 41 boxes, 17 linear feet Identification: Special Collection #18 Repository: American Film Institute, Louis B. Mayer Library, Los Angeles, CA RIGHTS AND RESTRICTIONS: Access Restrictions: Collection is open for research. Copyright: The copyright interests in this collection remain with the creator. For more information, contact the Louis B. Mayer Library. Acquisition Method: Unknown BIOGRAPHICAL NOTE: Leo McCarey was born in Los Angeles on October 3, 1896, and attended Los Angeles High School, where he met his future wife, Stella Martin. Following his father’s wishes, he studied law at the University of Southern California, but was the first to admit he was a failure at the legal profession. During his first year at USC, he fell five floors in an elevator and broke his legs. While convalescing, he practiced six hours a day on the piano, an instrument he had studied as a child, and later described that period as being the first time in his life he was able to do something he loved. After completing law school, he spent a short time working in mining, including a Utah copper mine that he had purchased stock in with the $2,000 in damages he had received from his elevator accident (the stock proved worthless). After many unsuccessful attempts to get into the movie studios, a friend introduced him to Tod Browning, the director of the 1931 classic DRACULA, who invited him to work as his 3rd assistant director at Universal.
    [Show full text]