Saladdays 28 Press Web.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Saladdays 28 Press Web.Pdf 28 CALIFORNIA SPORTS - TEL 0119277943 - WWW.CALIFORNIASPORT.INFO THETRASE THE ORIGINAL.SINCE NOW. DC-16S1-TRASE-240x225+5.indd 1 27/05/16 10:35 Editor In Chief/Founder - Andrea Rigano Art Director - Antonello Mantarro [email protected] Advertising - Silvia Rapisarda WHAT’S HOT [email protected] Photographers Luca Benedet, Andrea “CantHC” Cantelli, Arianna Carotta, Steen Kevett, Roberta Maccechini, Luca Pagetti, Alberto Scattolin, Bea Sugliani, Luca Tenaglia, Federico Tognoli Artwork Solero, Wondee Contributors Francesco Banci, Milo Bandini, Marco Capelli, Matteo Cavanna, Cristiano Crepaldi, Fabrizio De Guidi, Max Mameli, Marco Mantegazza, Max Mbassadò, Turi Messineo, Angelo Mora (donas), Sara Orre, Eric Palmer, Eros Pasi, Marco Pasini, Davide Perletti, SECSE, Alexandra Romano, Tina Torelli, Marco ‘X-Man’ Xodo Stampa Tipografia Nuova Jolly - Viale Industria 28 35030 Rubano (PD) Salad Days Magazine è una rivista registrata presso il Tribunale di Vicenza, N. 1221 del 04/03/2010. Get in touch www.saladdaysmag.com [email protected] facebook.com/saladdaysmag twitter.com/SaladDays_it Instagram - @saladdaysmagazine saladdaysmag.tumblr.com L’editore è a disposizione di tutti gli interessati nel collaborarecon testi immagini. Tutti i contenuti di que- sta pubblicazione sono soggetti a copyright, é vietata la riproduzione anche parziale di testi, documenti e foto senza l’autorizzazione dell’editore. Boogie-Rigablood SALAD DAYS DO NOT ENCOURAGE NOR APPROVE ANY 08 Wany 54 Chef Family ILLEGAL OR VANDALIC ACTIVITY ON PRIVATE, COM- 16 Dag Nasty 62 Pears MERCIAL AND PUBLIC PROPERTY. THE AIM OF THIS 20 Viaggio Al Centro Dei Cramps 66 Family Album FANZINE IS TO MONITOR AND SHOW WHAT HAPPENS IN THE WORLD OF STREET SUBCULTURE, 22 Don’t Sweat The Tecnique 70 Winter Escape With Fernando Laczko A PHENOMENON THAT IS ALL AROUND US. 26 Frank Turner 76 Murder Bowlmania THE PICTURES WE PUBLISH, WHEN NOT TAKEN BY THE 32 Ishoid Wair 82 Shane Nesbitt TEAM ITSELF, ARE SENT TO US ANONIMOUSLY. 38 Under Coping 86 Paul Hewitt 46 Madchild 90 Four Year Strong 50 Danava 94 Saints & Sinners ELIJAH BERLE VANS.COM 4 Vans_SaladDays_ProClass_480x225_IT.indd 1 09/06/2016 12:45 ELIJAH BERLE VANS.COM Vans_SaladDays_ProClass_480x225_IT.indd 1 09/06/2016 12:45 6 7 Distribuito da: California Sports Tel 0119277943 californiasport.info ACQUISTA ONLINE SU GRAFFITISHOP.IT Distribuito da: California Sports SPEDIZIONE GRATIS RESO GRATIS PAGAMENTI SICURI Tel 0119277943 Con una spesa minima di € 50 30 giorni per ripensarci Carta di credito o alla consegna californiasport.info Txt Secse La Puglia è il tacco del davvero poco diffusa; come la vedeva la tua fami- li abbia fatti ricredere nel tempo. Poi non ricordo glia? Eri snobbato ed ostacolato od avevi il supporto? come ma mi capitò di vedere i libri ‘Spray Can Art’ nostro stivale, sicuramente W: Ciao Salad Days, a fine anni ‘80 inizi ‘90 io ero e ‘Subway Art’. Da subito i TCA ed i CIA fra i miei uno skater di circa 12 anni che ascoltava e suonava favoriti. un pezzo grosso della il basso in un gruppo di musica metal e grindcore, scena è Wany, di origini in Puglia all’epoca non c’era molto ma ad esempio i SD: Per quanto riguarda il tuo nome WANY UES, Graffiti nella mia città esistevano sin dall’83 da quan- volevo capire se tratti UES come nome alternativo pugliesi, brindisine. do il parigino JC dipinse il primo muro. A Brindisi, a WANY, oppure se sarebbe proprio la tua tag per la città dove sono nato , per la maggior parte erano esteso. Hai avuto anche altre tags? Facciamo quindi un BBoy che “scrivacchiavano” anche. Abitavo in uno W: Ho avuto molte tag differenti FIELE, REBUS, YO- brindisi a Wany! dei quartieri di periferia più dipinti, Bozzano. Io già GHY, RODE, BESTER ma UES ad esempio è l’abbrevia- disegnavo, riproducendo le copertine dei vinili degli zione di UENI. Nei primi anni’90 usavo la tag WANY SD: Ciao WANY, grazie della tua disponibilità! Allora Iron Maiden a casa dei miei cugini. Cosi quando i per i lavori legali ed UENI per i lavori in strada, poi dipingi da parecchio, ricordo che ti vidi già a Rimini miei amici mi fecero vedere nell’estate del 1990 ‘Wild per esigenze di tempo, specie su pannello abbreviato nel ‘95, alla jam Indelebile. Quando hai iniziato Style’, fù amore a prima vista. Fondamentale il muro in UES. Ho scritto per parecchio tempo solo UES, sino esattamente, e cosa ti ha attirato verso i Graffiti? Tra di Lee Quinones ‘Graffiti 1990’ con il quale incomin- al 2005 circa quando il mio lavoro nel mondo dell’ar- l’altro in quegli anni dalle tue parti credo che non ci cia il film, quest’anno gli ho dedicato un tributo per te contemporanea si è palesato, era difficile separare fossero moltissime informazioni a riguardo. Ai tempi il mio progetto chiamato ‘Ephymeral Beauty’. I miei le due cose ed ho deciso di unire queste due identità e nella tua zona, immagino i Graffiti fossero una cosa genitori erano contrari e credo che per alcuni versi un po’ come Dr. Jekill e Mr. Hyde. SD: Parliamo delle tue varie crew; alcune degli anni Mr.WANYUES. Poi a metà del 2000 hanno iniziato ad ne sono usciti 4 numeri, quanto è durata questa ‘90, come TSK (Tipi Strani Krew) che credo sia una invitarmi spesso a delle Jam fuori dall’Italia e sono esperienza? delle più storiche, c’erano SHADOW e MEC e poi entrato in contatto con AROE e da quel momento ho W: Ill Fame Magazine nasce a Brindisi nel 1995, in chi? Un’altra crew è la PUF (Primitivi Urbani Family), fatto parte del progetto della crew Heavy Artillery. una prima versione A5 versione fotocopia bianco e anch’essa di vecchia data, chi c’era? Come sono nate nero, ma il numero 0 ufficiale stampato a colori in queste crew? SD: Alla fine degli anni’90, hai abitato a Roma, poi ti tipografia arriva solo nel 1996, è una versione del W: La mia prima crew era con miei amici di cortile sei trasferito a Bologna, e poi sei andato ad abitare numero 0 in fotocopia ampliata. L’idea di fare un RSB, la seconda è stata FDS con MAC e BOOZE, con a Milano. Hai visto e vissuto sia il Sud, che il Centro, magazine nasce dall’esigenza di documentare una loro mi sono avvicinato alla cultura hip hop sino a che il Nord Italia. Mi piacerebbe mi descrivessi, se ne scena fervida che viene ignorata nel resto dell’Italia, trasformarci in un progetto HH a 360° i TSK appunto, hai riscontrate, le tue impressioni e le differenze, sia quella del Sud. All’epoca fare le vacanze a Lecce Tipi Strani Klan di cui facevano parte BUZ e MEC, come Writer, che come cittadino comune, in ognuna non era così trendy e c’erano forme di Writing solo a SHADOW ma anche il bboy Body Gum, Mc Bisbi di queste città. Come è stata la tua impressione Brindisi, Bari e Trani in Puglia, e poca roba nelle zone e Dj Zorlak. La PUF (Primitivi Urbani Family) crew appena arrivato? Prima di arrivare a Milano, quanto limitrofe. L’unico magazine nazionale era Aelle e invece ha passato molte fasi e molta gente le pagine dedicate al Writing erano sempre meno e entrata ed uscita nel tempo. Nasce come da qui l’idea! Nel 2003 pubblico l’ultimo nume- estensione dei TSK visto che da sempre ro di Ill Fame, il numero 4, quindi un totale di 5 siamo gemellati con gli Hell’s Vasta di Bari … a fine anni ‘80 inizi ‘90 io ero uscite, mentre un numero con Blu in copertina, in e dall’entrata di ZENOK e MAIS di Lecce, poi lavorazione e mai pubblicato è rimasto nei miei per un periodo ha avuto un distaccamento uno skater di circa 12 anni che hard disk. a Roma con KOSHER, ARTAN, RAPE, WIES, NACH, connessione poi persa per volere dello ascoltava e suonava il basso in SD: Per quanto riguarda l’approccio che hai nel stesso KOSHER che l’aveva formata (pec- fare i pezzi, fai molti sketch o vai il più delle cato). Negli ultimi anni si è aggiunta nuova un gruppo di musica metal e volte in freestyle? Come funziona la concezione gente della vecchia formazione sono rimasto e la costruzione di un tuo pezzo? solo io attivo, Dj Zorlak e ZENOK quest’ultimo grindcore… W: In tutti questi anni ho cambiato più volte atti- in maniera decisamente meno assidua, in più tudine, nei primi dei 90 sketchavo tutto il giorno, ci sono HUNTO, EIGHT, LOYD, ORGH, GIOVE e l’ultimo tempo è durata la tua permanenza negli altri capo- a fine ‘90, invece, facendo più pezzi in strada ho ini- entrato WERT con il quale comunque mi conosco e luoghi di regione? ziato a lavorare sempre e solo in freestyle per quanto c’è rispetto da circa 20 anni. Abbiamo una pag FB W: Io mi sento un cittadino del mondo e grazie al riguarda il lettering. Avevo notato che non copiare la ufficiale: PUF_Crew since1996, seguiteci li. Writing e all’arte, ho avuto l’opportunità di girarlo bozza rendeva le lettere più fresh, quindi ho iniziato in parte, le tre città nelle quali ho vissuto mi hanno a lavorare sullo swing delle lettere. il mio punto di SD: Può essere facessi parte, sempre nella prima fatto capire che ogni luogo ha un suo modo d’inter- partenza è il softy style di PHASE2, nel 1995 ho metà dei ‘90 anche di una crew chiamata BR? pretare questa cultura nel bene e nel male. A Roma avuto il piacere di vederlo disegnare una sera intera W: No, era solo un muro che stavo dipingendo duran- ho capito come poteva essere concepito il Writing in avrà fatto 20 bozze una meglio dell’altra poi, negli te l’Indelebile 1995 con MEC, TSK BR mai finito per- una capitale, prendere la metrò ogni giorno e capire anni, l’ho incontrato molte altre volte.
Recommended publications
  • Clublistings
    listings Celebrating 10 years of ENDED HEAR MUSIC ONLINE Aclub ALL AGES VENUE R ROADSHOW Ñ RECOMM ♪ CONTINENTAL CLUB Gallery: Continental Graffiti (9:30); LISTINGS ARE FREE AND PRINTED ON A THU 04 In the Club: Planet Casper SPACE AVAILABLE BASIS. Acts are listed (6:30); Wisebird, Hill Country chronologically. Schedules are subject to change, so call clubs to confirm lineups. ANDERSON MILL TAVERN Revue (10:00) R Start times are provided where known Open Mic w/ Gig-N- COOL RIVER CAFE Newsboyz Austin and are PM unless otherwise noted. COPA BAR & GRILL Salsa Lessons w/ ARTZ RIB HOUSE Lone Star Swing Dance U2, Alvaro Aguilar (8:30) SUBMISSION INSTRUCTIONS: Music (7:30) DONN’S DEPOT Murphy’s Inlaws listings deadline is Monday mornings, BROKEN SPOKE Tony Harrison, THE DRISKILL HOTEL Driskill Bar: 9am, for that week’s issue, published Dance Lessons, Chaparral w/ Voyces (8:00) on Thursday. Please indicate roadshows Jeff Hughes (6:00) ♪ and residencies. Send venue name, EDDIE V’S EDGEWATER GRILLE Mark CACTUS CAFE Marmalakes (8:30) Ñ address, phone, acts, and start times to: Goodwin Trio (7:30) Club Listings, PO Box 49066, Austin, TX CAROUSEL LOUNGE Ceclia Dufresne, ELEPHANT ROOM Albanie & Her War Daddies, Dead Carl 78765; fax, 458-6910; phone, 454-5766 Fellas (6:00); Erik Telford x159; e-mail, [email protected]. Weathers (7:00) Collective♪ (9:30) CEDAR STREET Karen & Kaki, ELYSIUM Ivardensphere, Aesthetic Austin bands: We want to hear from Suede (6:00) Perfection, Combichrist R you. If you haven’t registered and CENTRAL MARKET NORTH Flying EMO’S Outside: This Is Hell, Polar uploaded your MP3s to the Musicians Balalaika Brothers♪ (6:30) Bear Club, Emarosa, August Register, go to austinchronicle.
    [Show full text]
  • EU Jacksonville
    JACKSONVILLE Festival Guide • One Spark • Jax Cocktails • Cummer Garden Month • No Meat March • Hellzapoppin free monthly guide to entertainment & more | march 2014 | eujacksonville.com 2 MARCH 2014 | eu jacksonville monthly contents MARCH 2014 festivals art + theatre page 4-9 local festivals page 26 garden month at the cummer page 10-13 out-of-town festivals page 27 art events and exhibits page 12 festival fashion page 28 theater events page 14 one spark page 29 hellzapoppin page 38 3x5 film festival music on the web life + stuff page 8 katherine archer www.eujacksonville.com page 16 unity plaza update page 30 diablo sez page 17 what’s new page 32-35 music events page 23 life on autopilot eu staff page 24 family events on screen page 25 eco events page 36-37 movies publisher page 25 on the river page 38 mee mee tv William C. Henley managing director Shelley Henley dish page 18 dish update creative director page 19 no meat march on the cover Rachel Best Henley page 20-22 cocktails Photograph by Ryan Smolka from copy editors page 23 what’s brewing Bonnie Thomas Erin Thursby the 2013 Big Ticket Festival. Read Kellie Abrahamson about this year’s Festivals on music editor food editor pages 4-14. Kellie Abrahamson Erin Thursby contributing photographers Richard Abrahamson Ryan Smolka contributing writers Faith Bennett Regina Heffington Kristen Birden Morgan Henley Shannon Blankinship Jen Jones Jon Bosworth Heather Lovejoy Aline Clement Liza Mitchell Brenton Crozier Joanelle Mulrain Jack Diablo Alex Rendon Jennifer Earnest Kristi Lee Schatz Jewel Harrell Madeleine Wagner Published by EU Jacksonville Newspaper.
    [Show full text]
  • Heavy on the Air: Radio & Promotion in the Heavy
    HEAVY ON THE AIR: RADIO & PROMOTION IN THE HEAVY METAL CAPITAL OF THE WORLD by Ted Jacob Dromgoole, B.A. A thesis submitted to the Graduate Council of Texas State University in partial fulfillment of the requirements for the degree of Master of Arts with a Major in History May 2021 Committee Members: Jason Mellard, Chair Shannon Duffy Thomas Alter COPYRIGHT by Ted Jacob Dromgoole 2021 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, Section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgment. Use of this material for financial gain without the author’s express permission is not allowed. Duplication Permission As the copyright holder of this work I, Ted Jacob Dromgoole, authorize duplication of this work, in whole or in part, for educational or scholarly purposes only. DEDICATION For Delleney and Emmylou. Thank you for being by my side through it all. ACKNOWLEDGEMENTS I would like to bestow the greatest of thanks to my partner Delleney. Every idea or thought I had, I shared with her first. She is my rock, my inspiration and my home. Thank you for believing in me as deeply as you have. I am so incredibly fortunate to have you in my life. To my mother and her partner, Papa Steve, thank you for your wisdom and support during this whole process. Mom, thank you for inspiring in me a lifelong love of history, beginning with the What Your 5th Grader Should Know books.
    [Show full text]
  • PVIL Conference Held at Austin's AT&T CC
    Presorted Standard U.S. Postage Paid Austin, Texas Permit No. 01949 TPA TEXAS PUBLISHERS ASSOCIATION TheAustinVillager.com This paper can be recycled Vol. 41 No.25 Phone: 512-476-0082 Email: [email protected] November 8, 2013 $1.25B PAYOUT TO NBFA MEMBERS INSIDE NBFA, a leading national organization that advocates for black and socially disadvan- taged farmers, will showcase a youth track for students during its 23rd annual conference RAPPIN’ on November 8-9, 2013 Co. Commissioner candidate wants to Tommy Wyatt in Columbia, South Carolina. rectify broken tax appraisal process. NBFA President Did your Voter See RACE John W. Boyd has an- Page 2 ID hold up? nounced that the focus November 5 was the first on youth, aimed at get- time for Texas voters to test ting young blacks and the new Voter ID law. In this other minorities inter- election voters needed to ested in farming and have government issued agri-business is one Virginia farmer and civil rights activist, John W. Boyd, Jr., is the founder Central Texas leading photo ID to vote. planned highlight of the and president of the National Black Farmers Association (NBFA). Uper-right : alliance aids a There are a number of gathering, which is ex- Official White House Photo of President Obama with John W. Boyd, Jr. in the struggling non-profit. approved items - A Texas See NBFA, page 2 Oval Office. See FOOD driver license, Concealed Page 6 handgun license, Texas AUSTIN, TX - St. personal ID card, U. S. Javon James Episcopal Citizenship certificate, a Church presents the 19th Military ID, or a Passport.
    [Show full text]
  • THE DAILY TEXAN 71 46 Friday, November 5, 2010 Serving the University of Texas at Austin Community Since 1900
    P1 DOUBLE COVERAGE LIFE&ARTS PAGE 10 Top 10 things to watch Saturday instead of the game ‘Visa Bill Laughter’ SPORTS PAGE 6 helps relieve stress Women’s basketball takes on Trinity in exhibition TOMORROW’S WEATHER High Low THE DAILY TEXAN 71 46 Friday, November 5, 2010 Serving the University of Texas at Austin community since 1900 www.dailytexanonline.com Tuition & Fees Tuition rates increased 134% Percent increase from 1999 to 2010 WEEKEND Adjusted for inflation FRIDAY in last decade, report shows By Collin Eaton al comparison purposes. In-state percent. Since tuition deregulation, Most trusted man Daily Texan Staff tuition and fees rose from $4,020 in UT increased its tuition and fees 91 The Dolph Briscoe Center UT increased tuition and fees by 1999 to $9,418 in 2010. Among peer percent overall. hosts a book signing in honor 134 percent since 1999, according to universities, only UC-Berkeley’s tu- The state faced a projected of a new book “Conversations a new report from the Chronicle of ition and fees had a higher percent- budget shortfall of $10 billion in with Cronkite,” penned by the Higher Education. age increase at 139 percent. 2003 and state leadership asked center’s director, Don Carleton. Adjusted for inflation, the Uni- The biggest spike came the the UT System to cut 7 percent Event is at Scholz Garten on San versity raised tuition at the second- spring after tuition deregulation of its budget. Jacinto Boulevard at 6:30 p.m. highest rate among its 11 peer insti- passed in 2003, when UT increased tutions, which UT uses for nation- its in-state tuition and fees by 57 TUITION continues on page 2 Illustration by Veronica Rosalez | Daily Texan Staff Salsa Texas Latin Dance will host a salsa dance workshop in the City policies Anna Hiss Gym in Room 136.
    [Show full text]
  • Read Razorcake Issue #48 As a PDF
    RIP THIS PAGE OUT Razorcake LV D ERQD¿GH QRQSUR¿W PXVLF PDJD]LQH GHGLFDWHG WR If you wish to donate through the mail, PLEASE supporting independent music culture. All donations, subscriptions, please rip this page out and send it to: and orders directly from us—regardless of amount—have been large Razorcake/Gorsky Press, Inc. components to our continued survival. $WWQ1RQSUR¿W0DQDJHU PO Box 42129 Razorcake has been very fortunate. Why? By the mere fact that Los Angeles, CA 90042 we still exist today. By the fact that we have over one hundred regular contributors—in addition to volunteers coming in every week day—at a time when our print media brethren are getting knocked down and out. Name What you may not realize is that the fanciest part about Razorcake is the zine you’re holding in your hands. We put everything we have into Address it. We pay attention to the pragmatic details that support our ideology. Our entire operations are run out of a 500 square foot basement. We don’t outsource any labor we can do ourselves (we don’t own a printing press or run the postal service). We’re self-reliant and take great pains E-mail WRFRYHUDERRPLQJIRUPRIPXVLFWKDWÀRXULVKHVRXWVLGHRIWKHPXVLF Phone industry, that isn’t locked into a fair weather scene or subgenre. Company name if giving a corporate donation 6RKHUH¶VWRDQRWKHU\HDURIJULWWHGWHHWKKLJK¿YHVDQGVWDULQJDW disbelief at a brand new record spinning on a turntable, improving our Name if giving on behalf of someone quality of life with each spin. Donation amount If you would like to give Razorcake some
    [Show full text]
  • Download Austin File Alphabetic List
    Austin File Alphabetic List 13th Floor Elevators--See: BIOGRAPHY FILE - Roky Erickson M9300 16 S0300 1800 Restaurant & Bar R3800 (E) 1880s P7300 1886 Room H3200 (8) 1938 Radio Script P1400 (12) 1977 Bond Issue P7100 (3) 1980-1989 P8660 2-J's R3800 (T) 23rd Street Artists Market P1400 (39) 26 Doors S2300 (21) 311 Club S0300 (102) 35th & Jefferson Retail/Office Center B6824 (5) 35th Street Festival C1900 (15) 3M Corporation M0900 (41) 5 AM Studio M9385 (52) 501 Studios M8460 (75) 5604 Manor N1875 (14) 612 West R3800 (S) 64 Beds H2010 (2) 8 ½ Souvenirs M9300 (E) A Bon Chat, Bon Rat I1200 (16) "A Nostalgic Evening at the Grand Ole Driskill" H3200 (4) "A Traditional San Jacinto Day Celebration" L2710 (29s) A-Perm-O-Green Lawn Company G0800 (3) A. Mozart Fest M9383 (7) A.C.O.R.N. N1900 (26) AAA Bonding Company C9200 (2) Aaron's B5070 (5) Abattoir M8640 (2) Abbey Wedding Chapel, The (in general folder) W2300 (1) Abbott Laboratories Corporation M0900 (11) Abendmusik M9380 (9) Aber-Schultz Auto Supply Company A9910 (26) Abernathy Furniture Company F5000 (16) Ablanedo, Ralph 1978 M8900 (41) Abortion F0520 (1) Academy for Educational Development E0600 (2) Academy Surplus D1100 (24) Accent Gallery A6400 (105) Accent Travel T7900 (6) ACCESS (Austin Collaborative of Cultural & Educational Sites & Schools) P8200 (83) Ace Custom Tailors C5230 (22) Achievement Scores P8200 (15) Achilles Grocery G4200 (91) Ackermann, Frieda and Hans W5700 (5) Acme Life Insurance Company I1150 (2) Acquisitions L2710 (29a) Acquisitions L2710 (29r) Act Against Violence Community
    [Show full text]
  • Sound: a Band's Guide to Success in the Competitive Indie Market. an Evaluation of Touring Trends & Helpful Tricks of the Trade
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Supervised Undergraduate Student Research Chancellor’s Honors Program Projects and Creative Work 12-2011 The “Indie” Sound: A Band's Guide to Success in the Competitive Indie Market. An Evaluation of Touring Trends & Helpful Tricks of the Trade. Nicole L. Stratman University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_chanhonoproj Part of the Advertising and Promotion Management Commons, Musicology Commons, Music Performance Commons, Music Practice Commons, and the Other Music Commons Recommended Citation Stratman, Nicole L., "The “Indie” Sound: A Band's Guide to Success in the Competitive Indie Market. An Evaluation of Touring Trends & Helpful Tricks of the Trade." (2011). Chancellor’s Honors Program Projects. https://trace.tennessee.edu/utk_chanhonoproj/1481 This Dissertation/Thesis is brought to you for free and open access by the Supervised Undergraduate Student Research and Creative Work at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Chancellor’s Honors Program Projects by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. The “Indie” Sound A Band’s Guide to Success in the Competitive Indie Market An Evaluation of Touring Trends & Helpful Tricks of the Trade University of Tennessee, Knoxville Chancellor’s Honors Program Honors Thesis Completed by: Nicole Stratman
    [Show full text]
  • Coming out on April 15, 2014
    COMING OUT ON APRIL 15, 2014 new releases from RAW POWER • BLODWEN • ELECTRONIC INQUISITOR EREHES • KUADRUMANA • THE ANGINA PECTORIS VOODOO BIBLE • MAN IS THE BASTARD PERSONAL BEST • MUNCIE GIRLS • GREAT CYNICS FUCKED UP • FINAL CONFLICT • ACXDC MAGNUM FORCE • SEX PRISONER • CAVE STATE TO LIVE A LIE (VARIOUS ARTISTS) Exclusively Distributed by RAW POWER Street Date: Tired and Furious April 15th, 2014 INFORMATION: Artist Hometown: Poviglio, Reggio Emilia, Italy Key Markets: Italy, Europe, Chicago, IL, California, Texas, NY For Fans of: Thrash metal and early 80’s hardcore We proudly present Tired and Furious — a brand new thrash/metal album from the legendary RAW POWER that will crush your skull like a ton of bricks. It’s 16 songs of fast, intense kick-you-in-the-face thrash from a band that’s been going strong and pushing the limits of hardcore and thrash since the early ‘80’s! Tired and Furious will wreack complete havoc with your eardrums and crush everything in its path. Recorded and produced by Adam Tucker of Signature Sound studios and with cover art by the legendary Joe Petagno. With blaring guitars, ARTIST: RAW POWER devastating drums, heavy bass and raw, loud angry vocals Tired and Furious is the TITLE: Tired and Furious perfect combination of fast intense thrash/metal. LABEL: Beer City Skateboards Total anger and disdain for the harshness of this world and the people who make it and Records so corrupt fuel the fire ofRAW POWER. The results of this anger and the immense CAT#: BCR172-2 talent that RAW POWER brings to the table is this brand new album – Tired and FORMAT: CD Furious! GENRE: Thrash metal with hardcore overtones As a special bonus this phenomenal full-length is available not only on CD, but a BOX LOT: 30 limited edition of 1000 LPs on transparent green vinyl for RSD 2014! SRLP: $13.98 UPC: 650557017220 MARKETING POINTS: EXPORT: NO RESTRICTIONS • RAW POWER’s first new full length since 2010 • RAW POWER has been going strong since the early 80’s TRACK LIST: and has many fans worldwide • Original cover art by legendary Joe Petagno famous for 1.
    [Show full text]
  • Heading to Fun Fun Fun Fest?
    JELLO BIAFRA RUN THE JEWELS ANGEL OLSEN GARY NUMAN & MORE FUN FUN FUN FEST PREVIEW Fun Fun Fun Fest preview F riday Jello Biafra Fri., 2:55Pm, black Stage Sat., 3Pm, Yellow Stage “I haven’t planned it yet.” So says Jello Biafra, the man forever identified as the arch, sarcastic voice of seminal San Francisco punk activists the Dead Kennedys (1978-1986). He pulls dou- ble duty at Fun Fun Fun Fest, rocking the Black stage Friday with the band that brought him back to active music-making, Guantanamo School of Medicine, then returns Saturday with trademark (out)spoken word, his staple since the DK’s dissolution. Biafra, 56, says resum- ing the mantle of American punk’s most humorous political conscience has eaten time he usually devotes to crafting one of his monologues. “Some of it will probably be just off-the-cuff com- coVer By Jason stout ments about whatever’s going on that particular day that I might want to say something about,” admits Biafra. “Then I’ll probably read some of the pieces people who know the spoken word albums will be somewhat familiar with. As Penny Rimbaud of Crass put it, if there’s some- local Fun 4 thing you feel strongly about, you need to keep hammer- ing that point home – again and again and again.” If there’s a point to the music Biafra’s made recently, FFF niteS: FridaY 6 it’s equally the potent themes tackled on 2013’s White People and the Damage Done LP – celebrity news FFF SaturdaY 8 (“Hollywood Goof Disease”), criminals-turned-pop stars (“John Dillinger”), corruption (“The Brown Lipstick Parade”) – and reclamation of the Dead Kennedys’ sound.
    [Show full text]
  • MITCH HARRIS a Grindcore Pioneer Discusses His New Album, Guitars and Tone, and Living a Life on Stages
    GETTING THINGS DONE IN HEAVY UNDERGROUND MUSIC • SPRING MITCH HARRIS A grindcore pioneer discusses his new album, guitars and tone, and living a life on stages Transcending Records Rebirth, reissues, and Convulse Bandcamp Social Strategy Putting Bandcamp first Rehearsal Spaces 5 facilities, 5 philosophies Sonoran Doom Arizona’s desert scene Action! PR Working for press Dungeon Synth Dark Ambient levels up VOL. 2, ISSUE 1, SPRING 2021 • BETTER LATE THAN NEVER 4 Bits and Pieces News and whatnot 5 The MLC New non-profit has $424 million dollars of unclaimed royalties 6 Transcending Records Candid Q&A with founder Mike Ramirez 10 Arizona’s Sonoran Doom scene Chris Beck talks to members of several local bands 15 Action! PR Veteran public relations expert Carl Schultz 18 Mitch Harris Prolific grindcore guitarist is back home in Las Vegas 26 Dungeon Synth About the cover artist Electronic music takes a dark turn Tom Denney is an esoteric American artist whose lengthy 32 Room to Breathe client list includes Cannibal Corpse, Q&A with the owner/operators of five rehearsal facilities Deadbird, Soilent Green, Kylesa, Yakuza, Black Cobra, Rwake, 36 “Cut out the noise” Cephalic Carnage, Samothrace, A Bandcamp-first social media strategy Southern Lord Records, Lesbian, Metal Blade Records, Galdr, 38 End of the Line Raise the Red Lantern, Vessel Records, Editor’s notes Indian, Skelptarsis, Black Skies, Lair of the Minotaur, The Destro, Sourvein, and gobs more. tomdenney.com facebook.com/cyphlon Workhorse Magazine Free print www.workhorsemag.com subscriptions [email protected] forSubscribe US musicians. online at [email protected] com WorkhorseMag.
    [Show full text]
  • Babes in Toyland • American Football • Venom • More
    ILLUSTRATIONS BY ROY TOMPKINS BABES IN TOYLAND • AMERICAN FOOTBALL • VENOM • MORE MIKAL CRONIN MCIII (Merge) Scuzzed San Francisco pedigree or no, multi-instru- mentalist Mikal Cronin’s critical path always arced toward FUN FUN FUN aspirant pop. The Ty Segall compatriot employs full- bodied arrangements and summit-cresting guitar solos to FEST PREVIEW craft a grand statement on solo LP three. Roiling strings drive “Turn Around,” an exclamatory overture sabotaged by lack of resolution, while the cruise-controlled cowbell clip of “Say” summons open roads. The ELO-flavored French horn passage opening “Alone” on side two’s six- part song cycle builds a restiveness that culminates in straight-up wallbanger “Ready.” Missing the shambolic charm of Cronin’s earlier work, MCIII nevertheless guaran- FRIDAY tees bigger stages. (2:25pm, Orange stage) HHH – Greg Beets TORO Y MOI What For? (Carpark) Racetrack buzzes open Toro y Moi’s fourth album, but What For? isn’t speedy. Instead, its boogie day- dream reiterates the abundant gifts of South Carolina producer Chaz Bundick. Breathy riffs on “Empty Nesters” whisper Tame Impala’s Currents, but the Seventies guitar pop is all Bundick, whose increase in vocalizing here eliminates the need for heavy synths to drown them out. The chillwave connoisseur thus deliv- ers according to expectations, creating a short, bubbly experience fit for a fest. (4:45pm, Orange stage) HHH – María Núñez NOTHING PEACHES 1:20PM, BLACK STAGE 5:10PM, BLUE STAGE Any line betwixt metal and shoegaze grows “Fuck the Pain Away” singer Peaches is, perhaps, the ever thinner in the hands of Philly quartet Nothing.
    [Show full text]