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Stairway to Heaven? Geographies of the Space Elevator in Science Fiction
ISSN 2624-9081 • DOI 10.26034/roadsides-202000306 Stairway to Heaven? Geographies of the Space Elevator in Science Fiction Oliver Dunnett Outer space is often presented as a kind of universal global commons – a space for all humankind, against which the hopes and dreams of humanity have been projected. Yet, since the advent of spaceflight, it has become apparent that access to outer space has been limited, shaped and procured in certain ways. Geographical approaches to the study of outer space have started to interrogate the ways in which such inequalities have emerged and sustained themselves, across environmental, cultural and political registers. For example, recent studies have understood outer space as increasingly foreclosed by certain state and commercial actors (Beery 2012), have emphasised narratives of tropical difference in understanding geosynchronous equatorial satellite orbits (Dunnett 2019) and, more broadly, have conceptualised the Solar System as part of Earth’s environment (Degroot 2017). It is clear from this and related literature that various types of infrastructure have been a significant part of the uneven geographies of outer space, whether in terms of long-established spaceports (Redfield 2000), anticipatory infrastructures (Gorman 2009) or redundant space hardware orbiting Earth as debris (Klinger 2019). collection no. 003 • Infrastructure on/off Earth Roadsides Stairway to Heaven? 43 Having been the subject of speculation in both engineering and science-fictional discourses for many decades, the space elevator has more recently been promoted as a “revolutionary and efficient way to space for all humanity” (ISEC 2017). The concept involves a tether lowered from a position in geostationary orbit to a point on Earth’s equator, along which an elevator can ascend and arrive in orbit. -
Helmet Required
HELMET REQUIRED A LOVE STORY BY IAN HAWK MACLEOD Laz, a young man living with life-long epilepsy, wants more out of life. But he’s stuck, imprisoned by his own fears. He’s always worn a helmet as safety is key to his survival, but he feels trapped by this defense. He lives in West Mesa house, a hub for young adults living with disabilities. Laz loves his roommates and caretakers but like every member of a dysfunctional family, he’s dying to get out. When his Nana, who raised him, passes away, he leaps off the existential diving board into an unknown abyss. Laz decides to make a film as a tribute to his Nana and suddenly, life seems inspiring. When he bonds with an elderly woman who lives in the senior home at which the West Mesa group volunteers, Laz finds freedom in this unexpected connection. And when a young, intriguing woman, who has her own self-destructive issues, moves into West Mesa, she sets the group’s predictable lives of routine on fire. HELMET REQUIRED is more than a feature film; it’s a journey to inspire all to take a chance on love, despite the risks. SYNOPSIS PAGE 2 Lazarus (Laz) Lazarus (Laz) is only in his 20’s but already feels stuck. Despite his brilliant mind, the world sees him as disabled. Born with epilepsy, Laz chooses to wear a helmet to protect his memory from the impact of his seizures, though his real fear is of getting trapped in death’s waiting room having never truly lived. -
By: Rahmat Hidayat 40300115045 ENGLISH and LITERATURE
The Influence of Writer’s Habitus in Made The Martian Novel. Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of SarjanaHumaniora in English and Literature Department of Adab and Humanities Faculty of Alauddin State Islamic University of Makassar By: Rahmat Hidayat 40300115045 ENGLISH AND LITERATURE DEPARTMENT ADAB AND HUMANITIES FACULTY ALAUDDIN STATE ISLAMIC UNIVERSITY OF MAKASSAR 2019 i PERNYATAAN KEASLIAN SKRIPSI Dengan penuh kesadaran, penulis yang bertandatangan dibawah ini menyatakan bahwa skripsi ini benar-benar adalah hasil karya penulis sendiri, dan jika dikemudian hari terbukti merupakan duplikat, tiruan, plagiat, atau dibuat oleh orang lain secara keseluruhan ataupun sebagian, maka skripsi ini dang elar yang diperoleh batal demi hukum. Romang Polong, 7 November 2019 Penulis, Rahmat Hidayat 4030011504 ii iii iv v ACKNOWLEDGEMENT Alhamdulillah RabbilAlamin, all praises and thanks to the Almighty Allah SWT for His uncountable graces, faiths, and helps always stand behind the writer, show writer the right way, and carry the writer out to the final step of this thesis writing. Shalawat and salam are addressed to our prophet Muhammad SAW, the greatest one who has shared inspiration, spirit, and power to the human. The writer realizes that this thesis could not complete without getting assistance, guidance, understanding and encouragement from many people. Therefore the writer would like to express the deepest gratitude to the following: 1. The writer’s beloved parents, Syamsuddin and Nuraeni for their loves, cares, supports and prayers for the writer’s safety and successful. 2. The writer’s beloved big family for their support and sincere prayer for the writer’s success. -
House of Cards Review
House of Cards: TV Review http://www.hollywoodreporter.com/print/415589 Source URL: http://www.hollywoodreporter.com/review/house-cards-netflix-tv-review-415589 8:00 AM PST 1/26/2013 by Tim Goodman The Bottom Line Kevin Spacey shines in this heavyweight new contender in the drama category that makes Netflix a major player as a content provider. Premieres Feb. 1 (Netflix) Director David Fincher Cast Kevin Spacey, Robin Wright, Kate Mara, Corey Stoll, Michael Kelly, Constance Zimmer, Michael Gill, Sakina Jaffrey, If Netflix wanted to come out of the gates strong as a content provider worthy of any cable channel, it picked a stellar choice in House of Cards, a remake of the Brit series starring a riveting Kevin Spacey and directed by David Fincher (at least the first two episodes, which were shown to critics before Netflix releases all 13 for streaming Feb. 1). The streaming and DVD-by-mail service got its original-content feet wet a year ago with Lillyhammer, starring Steven Van Zandt as a New York gangster who goes into witness protection in Norway, but it is really making its mark with a slate of five new series rolling out in 2013. It’s a concerted, calculated slate that says, “We’ve arrived -- and what are you going to do about it?” 1 of 4 1/28/2013 10:55 AM House of Cards: TV Review http://www.hollywoodreporter.com/print/415589 PHOTOS: 7 Music to Movie Directors: Michael Bay, David Fincher, Spike Jonze [7] As a threat to higher-end niche cable channels that traffic in acclaimed dramas, Netflix’s likeliest competitors are FX, AMC and Starz. -
The Analysis of Life Struggle in Andy Weir's
THE ANALYSIS OF LIFE STRUGGLE IN ANDY WEIR‘S NOVEL THE MARTIAN A THESIS BY ALEMINA BR KABAN REG. NO. 140721012 DEPARTMENT OF ENGLISH FACULTY OF CULTURAL STUDIES UNIVERSITY OF SUMATERA UTARA MEDAN 2018 UNIVERSITAS SUMATERA UTARA THE ANALYSIS OF LIFE STRUGGLE IN ANDY WEIR‘S NOVEL THE MARTIAN A THESIS BY ALEMINA BR KABAN REG. NO. 140721012 SUPERVISOR CO-SUPERVISOR Drs. Parlindungan Purba,M.Hum. Riko Andika Pohan, S.S., M.Hum. NIP.1963021619 89031003001 NIP. 1984060920150410010016026 Submitted to Faculty of Cultural Studies University of Sumatera Utara Medan in partial fulfilment of the requirements for the degree of Sarjana Sastra from Department of English DEPARTMENT OF ENGLISH FACULTY OF CULTURAL STUDIES UNIVERSITY OF SUMATERA UTARA MEDAN 2018 UNIVERSITAS SUMATERA UTARA Approved by the Department of English, Faculty of Cultural Studies University of Sumatera Utara (USU) Medan as thesis for The Sarjana Sastra Examination. Head, Secretary, Prof. T.Silvana Sinar,Dipl.TEFL,MA.,Ph.D Rahmadsyah Rangkuti, M.A. Ph.D. NIP. 19571117 198303 2 002 NIP. 19750209 200812 1 002 UNIVERSITAS SUMATERA UTARA Accepted by the Board of Examiners in partial fulfillment of requirements for the degree of Sarjana Sastra from the Department of English, Faculty of Cultural Studies University of Sumatera Utara, Medan. The examination is held in Department of English Faculty of Cultural Studies University of Sumatera Utara on July 6th, 2018 Dean of Faculty of Cultural Studies University of Sumatera Utara Dr. Budi Agustono, M.S. NIP.19600805 198703 1 001 Board of Examiners Rahmadsyah Rangkuti, M.A., Ph.D __________________ Drs. Parlindungan Purba, M.Hum. -
An Economic Analysis of Mars Exploration and Colonization Clayton Knappenberger Depauw University
DePauw University Scholarly and Creative Work from DePauw University Student research Student Work 2015 An Economic Analysis of Mars Exploration and Colonization Clayton Knappenberger DePauw University Follow this and additional works at: http://scholarship.depauw.edu/studentresearch Part of the Economics Commons, and the The unS and the Solar System Commons Recommended Citation Knappenberger, Clayton, "An Economic Analysis of Mars Exploration and Colonization" (2015). Student research. Paper 28. This Thesis is brought to you for free and open access by the Student Work at Scholarly and Creative Work from DePauw University. It has been accepted for inclusion in Student research by an authorized administrator of Scholarly and Creative Work from DePauw University. For more information, please contact [email protected]. An Economic Analysis of Mars Exploration and Colonization Clayton Knappenberger 2015 Sponsored by: Dr. Villinski Committee: Dr. Barreto and Dr. Brown Contents I. Why colonize Mars? ............................................................................................................................ 2 II. Can We Colonize Mars? .................................................................................................................... 11 III. What would it look like? ............................................................................................................... 16 A. National Program ......................................................................................................................... -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Catalogue 147: Science Fiction
And God said: DELETE lines One to Aleph. LOAD. RUN. And the Universe ceased to exist. Then he pondered for a few aeons, sighed, and added: ERASE. It never had existed. For David Catalogue 147: Science Fiction Bromer Booksellers 607 Boylston Street, at Copley Square Boston, MA 02116 P: 617-247-2818 F: 617-247-2975 E: [email protected] Visit our website at www.bromer.com n the Introduction to Catalogue 123, which contained the bulk of a In his fifty years as a bookman, David naturally recognized the signifi- science fiction collection he had assembled, David Bromer noted cance of the early rarities, the books that laid the groundwork for the that “science fiction is a robust genre of literature, not allowing authors of the modern era. He was pleased to discover, when cata- one to ever complete a collection.” The progressive nature of sci- loguing Cyrano de Bergerac’s The Comical History of the States and enceI and the social fabric that it impacts means that the genre itself Empires of the Worlds of the Moon and the Sun, that its author de- has to be fluid, never quite getting pinned down like a specimen under scribed a personal music player–anticipating in the year 1687 the cre- glass. ation of the Walkman and iPod three centuries later. In this regard, it is entirely fitting that David has been drawn to science Ultimately, science fiction primed the human imagination to accom- fiction as a reader, and as a collector. He is a scientist by training, hav- plish what is perhaps its greatest achievement: the exploration of ing earned a PhD in Metallurgy from MIT and worked in research fields space and the mission to the moon in 1969. -
The Stars Are Aligning in Toronto
The Stars are Aligning in Toronto The Toronto International Film Festival (TIFF), now in its 40th year, has grown from an upstart film movement in 1976 to a global cinematic tour de force. Whereas Cannes is known as the Queen of Film Festivals, the Toronto International Film Festival has risen to second in the rankings, frequently referred to as Cannes’ Feisty Princess. For this year’s opening, Quebec filmmaker Jean-Marc Vallée landed TIFF’s coveted opening gala slot withDemolition , starring Jake Gyllenhaal, Naomi Watts and Chris Cooper. Jean- Marc Vallée, of course, also directed Matthew McConaughey in Dallas Buyers Club (a TIFF premiere in 2013) and Reese Witherspoon in Wild. TIFF’s long history is rich with under-the-radar movies that went on to become international blockbusters: Chariots of Fire (1981), The Big Chill (1983), The Fisher King (1991), American Beauty (1999), Crash (2004), Slumdog Millionaire (2009), The King’s Speech (2010) and Silver Linings Playbook (2012). Here are our top picks from this year’s festival: Black Mass Starring Johnny Depp as Boston’s feared underworld mobster turned FBI informant, James “Whitey” Bolger, is being heralded as the breakout role in Depp’s current career slump and an Oscar-worthy performance. Depp is evil incarnate right down to his creepy blue contact lenses. Kevin Bacon, Benedict Cumberbatch and Dakota Johnson co-star. In theaters now. The Martian Director Ridley Scott and Matt Damon team up to knock this space film out of the park. Damon is an astronaut stranded on Mars. An out-of-this-world MacGiver, he relies on his expansive engineering and botany skills to stay alive as the ground crew figures out how to get him home. -
Movie Review: ‘The Martian’
Movie Review: ‘The Martian’ By John Mulderig Catholic News Service NEW YORK – Though the compelling sci-fi epic “The Martian” (Fox) is an unusually long movie, what viewers of faith may cherish most about this masterful adventure is a single line of dialogue in the form of a three-word prayer. Brief as it is, this one utterance – made all the more eloquent by the apparently casual tone in which it’s pronounced – represents a ringing affirmation of belief in divine assistance. Few have ever needed the aid of providence more than the character who delivers this line, astronaut Mark Watney (Matt Damon). Because, by the time he offers his short plea to God, Mark is alone on the surface of Mars, more than 30 million miles away from home. The film’s opening scenes recount the series of unexpected occurrences that led to Mark’s terrifying plight. The botanist on a NASA mission to the Red Planet – “The Martian” is set in a version of the near future where such journeys are more or less routine – Mark, like his colleagues, was forced to abandon his work on short notice due to the sudden arrival of a fierce windstorm that threatened to destroy their rocket. As they all scrambled to depart, Mark was struck by flying debris and swept out of sight in the tempest, leaving his crewmates, led by conscientious Commander Melissa Lewis (Jessica Chastain), with no time to mount a rescue attempt. Back on Earth, NASA director Teddy Sanders (Jeff Daniels) delivered the bad news to the public, officially announcing Mark’s death. -
Johnson Production Group Press Kit
Johnson Production Group Press Kit One-Liner A Catholic school student has suspicions about one of the nuns. Synopsis A student at a Catholic school has suspicions when one of the nuns begins acting creepily towards her brother. But she can't tell anyone, because who would believe that a woman of God would do such a thing? Producers Executive Producer TIMOTHY O. JOHNSON Producer KEN SANDERS Producer ROBERT BALLO Key Cast CHARACTER ACTOR Laura/Sister Sophia ALYSHIA OCHSE Jason Brady DEVON WERKHEISER Zoe Brady RYAN NEWMAN Key Cast Biographies ALYSHIA OCHSE Alyshia Ochse is an actress and producer, known for The Other Woman (2014), Parker(2013) and Home Sweet Hell (2015). She graduated from Notre Dame Academy in Covington, Kentucky and from the University of Kentucky with honors, and is the author of the self-motivational book "Life Letters". DEVON WERKHEISER Devon Werkheiser is an actor and musician born in Atlanta, Georgia. He is well- known for his starring role as Ned Bigby in Nickelodeon's hit TV series Ned's Declassified School Survival Guide (2004), where he navigated the hurdle-filled halls of James K. Polk Middle School for three seasons. In October 2007, Devon accepted the Kids Choice Award in Germany, where Ned's was voted favorite TV series, and in 2010 the Italian Kids Choice Award for favorite male star. The show continues to air worldwide, attracting an international audience. Devon has been a working actor for over a decade. At age 10, he landed the part of Mel Gibson's son in the Georgia-filmed feature We Were Soldiers (2002). -
The Martian by Andy Weir
The Martian by Andy Weir Summary Spoiler Alert: The following summary and discussion questions reveal plot information that some readers may prefer to encounter as surprises. The Martian takes place in a near-future setting, and unfolds in fragmentary diary entries and third- person accounts. Ares III, the latest manned shuttle mission to Mars, lands with plans to remain on the planet's surface for several weeks. A freak, high-velocity dust storm strikes; mission engineer Mark Watney is impaled by flying debris and presumed dead after his bio-suit stops reporting his vitals. Commander Michelle Lewis orders the remaining crew to evacuate. They flee, mourning Mark's death during the long voyage back to Earth. In reality, Mark is injured but alive. He regains consciousness to find himself utterly alone in the inhospitable alien landscape. The only hope of rescue (the next manned mission) is four long years away -- and he has supplies for, at most, only a few weeks. Fortified by his own wickedly blunt sense of humor -- and completely confident in his crewmates' loyalty and skill -- Mark painstakingly improvises ways of providing himself with water, heat, and shelter. He even establishes a mini-potato farm in his biosphere to extend his scant food supplies. None of it is easy, however: any small incident (torn fabric around an airlock) can have disastrous consequences (the collapse of his shelter -- and destruction of his garden). Although often amused by the realization that he is the first to do everything on Mars, he is also dismayed by the depth of his isolation as the weeks stretch into months.