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How to Read a Book
How To Read A Book By Mortimer J. Adler And Charles Van Doren 1972 1 Preface How to Read a Book was first published in the early months of 1940. To my surprise and, I confess, to my delight, it immediately became a best seller and remained at the top of the nationwide best-seller list for more than a year. Since 1940, it has continued to be widely circulated in numerous printings, both hard- cover and paperback, and it has been translated into other languages—French, Swedish, German, Spanish, and Italian. Why, then, attempt to recast and rewrite the book for the present generation of readers? The reasons for doing so lie in changes that have taken place both in our society in the last thirty years and in the subject itself. Today many more of the young men and women who complete high school enter and complete four years of college; a much larger proportion of the population has become literate in spite of or even because of the popularity of radio and television. There has been a shift of interest from the reading of fiction to the reading of nonfiction. The educators of the country have acknowledged that teaching the young to read, in the most elementary sense of that word, is our paramount educational problem. A recent Secretary of the Department of Health, Education, and Welfare, designating the seventies as the Decade of Reading, has dedicated federal funds in support of a wide variety of efforts to improveproficiency in this basic skill, and many of those efforts have scored some success at the level at which children are initiated into the art of reading. -
A World Without the Novel
CONTINENTAL THOUGHT & THEORY: A JOURNAL OF INTELLECTUAL FREEDOM (What does it mean to) Think the Novel? Volume 2 | Issue 3: The Novel 70-90 | ISSN: 2463-333X A World without the Novel Roland Végső The primary objective of the essay is to draw the consequences of a truly consistent deployment of the utopian desire that animates Georg Lukács’s The Theory of the Novel. On the one hand, it is quite evident that for Lukács the theory of the novel is a utopian means of the destruction of the novel form itself. On the other hand, however, I argue that Lukács also shows that this utopian desire for the destruction of the novel form is in reality an essential component of the novel form itself. As a result, the novel form is by definition an attempt to imagine what from the perspective of this form remains unimaginable: a world without the novel. The contemporary relevance of this argument, however, remains obscured until we free it from one of Lukács’s basic metaphysical limitations: we must question the central status of the category of the “world” for the theory of the novel. The idea of the “novel” and the idea of the “world” seem to attract each other with an unusually strong force.1 Regardless of whether we conceive of this relation as a natural consequence of our metaphysical realities or a never quite accomplished historical destiny, the two concepts seem to mirror each other in infinitely complex ways. In fact, 70 CONTINENTAL THOUGHT & THEORY: A JOURNAL OF INTELLECTUAL FREEDOM (What does it mean to) Think the Novel? the two categories have been orbiting each other for so long now that today we find it hard to fully tell them apart. -
Aristotle for Everybody
ARISTOTLE FOR EVERYBODY DIFFICULT THOUGHT MADE EASY Mortimer J. Adler TOUCHSTONE Rockefeller Center 1230 Avenue of the Americas New York, NY 10020 TOUCHSTONE Rockefeller Center 1230 Avenue of the Americas New York, NY www.SimonandSchuster.com Copyright © 1978 by Mortimer J. Adler All rights reserved, including the right of reproduction in whole or in part in any form. First Touchstone Edition 1997 TOUCHSTONE and colophon are registered trademarks of Simon & Schuster Inc. 13 15 17 19 20 18 16 14 12 Manufactured in the United States of America Library of Congress in Publication Data is available. ISBN 0-684-83823-0 ISBN: 978-0-684-83823-6 eISBN: 978-1-439-10491-0 CONTENTS PREFACE INTRODUCTION Part I Man the Philosophical Animal 1. Philosophical Games 2. The Great Divide 3. Man’s Three Dimensions Part II Man the Maker 4. Aristotle’s Crusoe 5. Change and Permanence 6. The Four Causes 7. To Be and Not to Be 8. Productive Ideas and Know-How Part III Man the Doer 9. Thinking about Ends and Means 10. Living and Living Well 11. Good, Better, Best 12. How to Pursue Happiness 13. Good Habits and Good Luck 14. What Others Have a Right to Expect from Us 15. What We Have a Right to Expect from Others and from the State Part IV Man the Knower 16. What Goes into the Mind and What Comes out of It 17. Logic’s Little Words 18. Telling the Truth and Thinking It 19. Beyond a Reasonable Doubt Part V Difficult Philosophical Questions 20. Infinity 21. -
Morrie Gelman Papers, Ca
http://oac.cdlib.org/findaid/ark:/13030/c8959p15 No online items Morrie Gelman papers, ca. 1970s-ca. 1996 Finding aid prepared by Jennie Myers, Sarah Sherman, and Norma Vega with assistance from Julie Graham, 2005-2006; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2016 The Regents of the University of California. All rights reserved. Morrie Gelman papers, ca. PASC 292 1 1970s-ca. 1996 Title: Morrie Gelman papers Collection number: PASC 292 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 80.0 linear ft.(173 boxes and 2 flat boxes ) Date (inclusive): ca. 1970s-ca. 1996 Abstract: Morrie Gelman worked as a reporter and editor for over 40 years for companies including the Brooklyn Eagle, New York Post, Newsday, Broadcasting (now Broadcasting & Cable) magazine, Madison Avenue, Advertising Age, Electronic Media (now TV Week), and Daily Variety. The collection consists of writings, research files, and promotional and publicity material related to Gelman's career. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Creator: Gelman, Morrie Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. -
The Best Children's Books of the Year [2020 Edition]
Bank Street College of Education Educate The Center for Children's Literature 4-14-2020 The Best Children's Books of the Year [2020 edition] Bank Street College of Education. Children's Book Committee Follow this and additional works at: https://educate.bankstreet.edu/ccl Part of the Children's and Young Adult Literature Commons Recommended Citation Bank Street College of Education. Children's Book Committee (2020). The Best Children's Books of the Year [2020 edition]. Bank Street College of Education. Retrieved from https://educate.bankstreet.edu/ccl/ 10 This Book is brought to you for free and open access by Educate. It has been accepted for inclusion in The Center for Children's Literature by an authorized administrator of Educate. For more information, please contact [email protected]. Bank Street College of Education Educate The Center for Children's Literature 4-14-2020 The Best Children's Books of the Year [2020 edition] Bank Street College of Education. Children's Book Committee Follow this and additional works at: https://educate.bankstreet.edu/ccl Part of the Children's and Young Adult Literature Commons Recommended Citation Bank Street College of Education. Children's Book Committee (2020). The Best Children's Books of the Year [2020 edition]. Bank Street College of Education. Retrieved from https://educate.bankstreet.edu/ccl/ 10 This Book is brought to you for free and open access by Educate. It has been accepted for inclusion in The Center for Children's Literature by an authorized administrator of Educate. For more information, please contact [email protected]. -
Paratextual and Bibliographic Traces of the Other Reader in British Literature, 1760-1897
Illinois State University ISU ReD: Research and eData Theses and Dissertations 9-22-2019 Beyond The Words: Paratextual And Bibliographic Traces Of The Other Reader In British Literature, 1760-1897 Jeffrey Duane Rients Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the Curriculum and Instruction Commons, Educational Methods Commons, and the English Language and Literature Commons Recommended Citation Rients, Jeffrey Duane, "Beyond The Words: Paratextual And Bibliographic Traces Of The Other Reader In British Literature, 1760-1897" (2019). Theses and Dissertations. 1174. https://ir.library.illinoisstate.edu/etd/1174 This Dissertation is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. BEYOND THE WORDS: PARATEXTUAL AND BIBLIOGRAPHIC TRACES OF THE OTHER READER IN BRITISH LITERATURE, 1760-1897 JEFFREY DUANE RIENTS 292 Pages Over the course of the late eighteenth and early nineteenth centuries, compounding technological improvements and expanding education result in unprecedented growth of the reading audience in Britain. This expansion creates a new relationship with the author, opening the horizon of the authorial imagination beyond the discourse community from which the author and the text originate. The relational gap between the author and this new audience manifests as the Other Reader, an anxiety formation that the author reacts to and attempts to preempt. This dissertation tracks these reactions via several authorial strategies that address the alienation of the Other Reader, including the use of prefaces, footnotes, margin notes, asterisks, and poioumena. -
How to Read History Writing
How to Read Historical Writing Reading history is very different from reading fiction. The purpose of reading a textbook is to develop a coherent overview of a particular topic. The purpose of reading a historical monograph or an article is to understand and remember key themes, supporting evidence offered, and the author’s interpretation. You may read a textbook, article, or monograph for a class discussion, writing a paper, or taking an exam. You must understand why you are reading before you begin, so that you can read appropriately. Reading history requires writing! Simply reading something over and over merely allows you to recognize it; you DO NOT really learn it. The only way to read history for content and understanding is to systematically take notes. You must be willing to make the time to take notes and study thoroughly, or you cannot expect to do well in history courses. How to read a textbook: First, look at the title of the assigned chapter. This will give you a sense of what general information is covered. Next, look at the sub-headings. These will tell you the main theme of each section within the chapter. Once you have a rough idea of what to expect, make a written outline of the sub-headings, leaving plenty of room to fill in key ideas. Now you can read the chapter, looking for the main idea expressed in each paragraph. Write these main ideas into your outline. Highlight or underline sparingly. You should highlight only 10% of what you read, and highlighted material should consist only of brief key words - ones that help to trigger your memory about what you should put in your outline. -
How to Read a Book R6
How to Read a Book, v4.0 Paul N. Edwards School of Information University of Michigan www.si.umich.edu/~pne/ This article may be freely distributed for any non‐commercial purpose, provided that nothing is added or removed, including this copyright notice. Commercial use of this material is expressly prohibited . Quasi‐permanent URL: www.si.umich.edu/~pne/PDF/howtoread.pdf COPYRIGHT 2000‐2008 PAUL N. EDWARDS. ALL RIGHTS RESERVED. How can you learn the most from a book — or any other piece of writing — when you're reading for information, rather than for pleasure? It’s satisfying to start at the beginning and read straight through to the end. Some books, such as novels, have to be read this way, since a basic principle of fiction is to hold the reader in suspense. Your whole purpose in reading fiction is to follow the writer’s lead, allowing him or her to spin a story bit by bit. But many of the books, articles, and other documents you’ll read during your undergraduate and graduate years, and possibly during the rest of your professional life, won’t be novels. Instead, they’ll be non‐fiction: textbooks, manuals, journal articles, histories, academic studies, and so on. The purpose of reading things like this is to gain, and retain, information. Here, finding out what happens — as quickly and easily as possible — is your main goal. So unless you’re stuck in prison with nothing else to do, NEVER read a non‐fiction book or article from beginning to end. Instead, when you’re reading for information, you should ALWAYS jump ahead, skip around, and use every available strategy to discover, then to understand, and finally to remember what the writer has to say. -
Zenker, Stephanie F., Ed. Books For
DOCUMENT RESUME ED 415 506 CS 216 144 AUTHOR Stover, Lois T., Ed.; Zenker, Stephanie F., Ed. TITLE Books for You: An Annotated Booklist for Senior High. Thirteenth Edition. NCTE Bibliography Series. INSTITUTION National Council of Teachers of English, Urbana, IL. ISBN ISBN-0-8141-0368-5 ISSN ISSN-1051-4740 PUB DATE 1997-00-00 NOTE 465p.; For the 1995 edition, see ED 384 916. Foreword by Chris Crutcher. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 03685: $16.95 members, $22.95 nonmembers). PUB TYPE Reference Materials Bibliographies (131) EDRS PRICE MF01/PC19 Plus Postage. DESCRIPTORS *Adolescent Literature; Adolescents; Annotated Bibliographies; *Fiction; High School Students; High Schools; *Independent Reading; *Nonfiction; *Reading Interests; *Reading Material Selection; Reading Motivation; Recreational Reading; Thematic Approach IDENTIFIERS Multicultural Materials; *Trade Books ABSTRACT Designed to help teachers, students, and parents identify engaging and insightful books for young adults, this book presents annotations of over 1,400 books published between 1994 and 1996. The book begins with a foreword by young adult author, Chris Crutcher, a former reluctant high school reader, that discusses what books have meant to him. Annotations in the book are grouped by subject into 40 thematic chapters, including "Adventure and Survival"; "Animals and Pets"; "Classics"; "Death and Dying"; "Fantasy"; "Horror"; "Human Rights"; "Poetry and Drama"; "Romance"; "Science Fiction"; "War"; and "Westerns and the Old West." Annotations in the book provide full bibliographic information, a concise summary, notations identifying world literature, multicultural, and easy reading title, and notations about any awards the book has won. -
Nancy Pearl: How to "Read" a Book in Five Minutes.Docx
Reading Conversations Toolbox: How to “Read” a Book in Five Minutes WALE 2016 Conference – Mary Kinser and Jeanne Fondrie, Whatcom County Library System We want to be a resource that provides readers with possibilities. We suggest, rather than recommend, possibilities for reading/listening/watching. You can’t read every book in the library’s collection so it does help if you can become acquainted with as many genres as possible. Getting to know the collection is an important step in helping customers find what they need. Here are a few tips for evaluating titles and authors so you can suggest them to readers. Select several titles you don’t know and examine each one for five minutes. Fiction Checklist ● Cover: Can you tell a book by its cover? Glitzy and glamorous or somber and serious? ● Blurb: Does it lure you in without revealing the entire plot? Do you have a sense of the plot? ● Heft: Can you read it in bed? How cumbersome is it? ● Type: Is it easy on the eyes? Large or small type? Crammed? ● Chapters: Read the first one; glance through the middle; read the ending. Does the story flow? ● Evaluate for: style, pace, clarity, tone or language (vulgar, pretentious, simple?), format, genre ● Evaluate for format: Who tells this story and how is it told? Narrative? Flashback? Alternating narrators? First person, second person, or omniscient? Is it serious, or for fun and forgetfulness? ● Connect it with other books, think of similar titles; which ones and why? ● Who would like this book? Who is the audience? Non-Fiction Checklist ● Cover: -
Discovery Education Series Offered
Discovery Education Series Offered Subject Series KG Gr. 1 Gr. 2 Gr. 3 Gr. 4 Gr. 5 Gr. 6 Gr. 7 Gr. 8 Gr 9 Gr. 10- 12 English All About x x x x x x Folktales English Clifford the Big x x x Red Dog and Clifford’s Puppy Days English Commons x x x x x x Sense Media English Discovering x x x x x x x x x x x Language Arts English European Folk x x x Tales English Famous x x Authors English Great Books x x English Harold Syntax x x x x x Guide to Grammar English Introduction to x x x Parts of Speech English Introduction to x x x Picture Books English Kenny the x x x x x x Shark Discovery Education Series Offered Subject Series KG Gr. 1 Gr. 2 Gr. 3 Gr. 4 Gr. 5 Gr. 6 Gr. 7 Gr. 8 Gr 9 Gr. 10- 12 English Literature for x x x x x x Children English Literature to x x x Enjoy and Write About English Maya and x x x x x x Miguel English Pendemonium x x x x x x English Perfect x x x x x English Prophets of x x Science Fiction English Rabbit Ears x x x x x x (stories in Video) English Reading x x x Rainbow English Speeches from x x x x x History English Telling Tales x x x x x x English The Split x x x x x Infinitive World of English Grammar English The Story of x x x Read Alee Deed Alee Discovery Education Series Offered Subject Series KG Gr. -
The Great Books and the Burgeoning of Citizenship Katherine A
“I Sit with Shakespeare and He Winces Not”: The Great Books and the Burgeoning of Citizenship Katherine A. Kersten Katherine Kersten is Center of the American Experiment’s distinguished senior fellow for cultural studies and a former chair of the board of directors. She holds a law degree from the University of Minnesota, an M.B.A. from Yale, and a bachelor’s degree in philosophy from Notre Dame. A columnist for the Minneapolis-based Star Tribune, she is coauthor—with American Experiment President Mitch Pearlstein—of Close to Home: Celebrations and Critiques of America’s Experiment in Freedom. For generations, the Great Books University of Notre Dame. The have formed the indispensable program was a three-year curriculum foundation of a liberal education in the Great Books, modeled on the in American universities. Our famous University of Chicago forebears viewed acquaintance program established in the 1930s and with the intellectual giants of our 1940s by Mortimer Adler and Robert civilization—Homer, Plato, Hutchins. We read the classics, which Cicero, Dante, Shakespeare, and philosopher David Hume defined as others—as vital to a good books that have withstood the test of education. They believed that time. Probing insights of these knowledge of the classics seminal texts, we discovered that they cultivates students’ minds, have endured because they have promoting intellectual discipline raised the most profound questions and instilling wisdom. In addition, about the human condition and they held that acquaintance with offered the most eloquent answers the philosophical roots of Western Today, unfortunately, a classical morality and law prepares students liberal education is no longer available for responsible democratic to most American students.