Bixiga 70 (São Paulo/ Glitterbeat Records)

Total Page：16

File Type：pdf, Size：1020Kb

Bixiga 70 (São Paulo/ Glitterbeat Records): Central São Paulo’s neighborhood called Bixiga is a melting pot of culture. Its Italian, African and North-Eastern population make it one of the best areas to eat out and listen to music. One of the place’s hidden treasures is the recording studio Traquitana, number 70 at Rua 13 de Maio – a street packed with venues and restaurants. That’s the birthplace of São Paulo’s finest new instrumental combo: Bixiga 70. Coming from diverse musical backgrounds, a meeting of musicians involved in the city’s avantgarde pop, jazz, dub and Brazilian scenes, results in the 10-piece set, trying to blur boundaries in space and time. With their genre-spanning mix of afrobeat, Guinean malinké, Brazilian candomblé, samba and cumbia, Bixiga 70 are a welcome addition to any party. Taking Fela Kuti’s Afrika 70 band as a launchpad both in name and spirit, this ten piece band and their fusion of African and South American rhythms cause havoc in any dance. The band’s self-titled first LP album was released in Brazil in late 2011 and appeared in many “Best of the Year” lists, like brazilian Rolling Stones’ and MTV’s. Considered the spearhead of growing brazilian afro scene, the band shared the stage with major names like Jungle By Night, Woima Collective, Tony Allen, Seun Kuti & Egypt 80, Ebo Taylor and Antibalas Afrobeat Orchestra The second album brings deeper latin and brazilian influences, mixing candomblé chants, cumbia, carimbó, funky basslines and malinké kassa percussions. The record concept is based on the occupation of public spaces through music and arts, a reflection of the work the band develops with the neighborhood community, such as workshops and, most importantly the VII Graffiti Day festival, the record once again made it to many “Best of 2013″ and was released worldwide by London-based label Mais Um Discos. The band is about to release its third album on September 11 on 2015 on german Glitterbeat Records. .

Copy Link

Recommended publications

Pérez Art Museum Miami Celebrates 35Th Anniversary During 2018 Miami Art Week
Pérez Art Museum Miami Celebrates 35th Anniversary During 2018 Miami Art Week PAMM Welcomed Visitors For Events Including Christian Louboutin’s Supper Party For Ebony G. Patterson, Impact Fund Dinner Honoring Christo, and PAMM Presents (MIAMI, FL – December 8, 2018) – Pérez Art Museum Miami (PAMM) welcomed thousands of visitors from the worlds of art, business, fashion, philanthropy, and more during Miami Art Week. Guests enjoyed PAMM’s dynamic lineup of events, exhibitions, and programming that highlighted the institution’s history as a leading international modern and contemporary art museum, and celebrated the kick off of PAMM’s 35th anniversary. “We are grateful for the opportunity to open our doors and it is always particularly nice to welcome the international community of contemporary art to our museum at this time every year,” said PAMM Director Franklin Sirmans. “The wide range of exhibitions on view this year are representative of our museum in the juxtaposition of the historical and the current; the local and the global, and an anchoring from the vantage point of our unique Miami lens on the world. We are also thankful for the chance to celebrate with our supporters and partners. Particularly moving is our ongoing collaboration with South Florida Cares, an organization focused on mentoring youth.” HIGHLIGHTS FROM MIAMI ART WEEK 2018 PAMM PRESENTS: 35th ANNIVERSARY Left: Antibalas band. Right: Kilo Kish. Photos by World Red Eye. Photo by World Red Eye. On Thursday night, PAMM Presents brought nearly 4,500 guests from Miami and beyond for the museum’s signature art week bash, which kicked off PAMM's 35th Anniversary.
[Show full text]
Summerstage Season Announcement June 3 2021 Press Release
Capital One City Parks Foundation SummerStage Announces 2021 Season Lineup Free In-Person Shows Return June 17 in Central Park Featuring the Jazz at Lincoln Center Orchestra with Wynton Marsalis Followed By Summer Of Soul Juneteenth Celebration with Questlove in Marcus Garvey Park This Season will Feature New York-Centric Artists, Including Patti Smith and Her Band; Sun Ra Arkestra; Antibalas; Tito Nieves; Marc Rebillet; Armand Hammer & The Alchemist featuring Moor Mother, Fielded, and KAYANA; Complexions Contemporary Ballet and Parsons Dance; The Dom Salvador Samba Jazz Sestet; Erica Campbell; The Metropolitan Opera & More to be Announced Benefit Concerts Include Machine Gun Kelly, Dawes, Lake Street Dive, Indigo Girls with Ani DiFranco and Blue Note at SummerStage featuring George Clinton, Chris Botti and Galactic SummerStage in Coney Island Returns Featuring Gloria Gaynor, La India, Ginuwine, Funk Flex, A Michael Jackson Tribute & More Charlie Parker Jazz Festival Returns to Harlem this August Tickets will be Required for All Free & Benefit Show Performances NEW YORK, NY - June 3, 2021 – City Parks Foundation is thrilled to return to live, in-person performances this summer with the announcement of the shows planned for the 2021 season of Capital One City Parks Foundation SummerStage, New York City’s largest free outdoor performing arts festival. This year’s festival will showcase renowned artists and rising stars with an important tie to New York City. SummerStage shows will be returning to Rumsey Playfield in Central Park, Marcus Garvey Park in Harlem, Flushing Meadows-Corona Park in Queens, and The Coney Island Amphitheater, presenting distinctly New York genres including hip-hop, Latin, indie rock, contemporary dance, jazz, and global music.
[Show full text]
June-Oct 2021
JUNE-OCT FREE & BENEFIT 2021 PERFORMANCES SUMMERSTAGE.ORG SUMMERSTAGE NYCSUMMERSTAGE SUMMERSTAGENYC SUMMERSTAGE IS BACK More than a year after the first lockdown order, SummerStage is back, ready to once again use our city’s parks as gathering spaces to bring diverse and thriving communities together to find common ground through world-class arts and culture. We are committed to presenting a festival fully representing the city we serve - a roster of diverse artists, focused on gender equity and presenting distinct New York genres. This year, more than ever before, our festival will focus on renewal and resilience, reflective of our city and its continued evolution, featuring artists that are NYC-born, based, or inextricably linked to the city itself. Performers like SummerStage veteran Patti Smith, an icon of the city’s resilient rebelliousness, Brooklyn’s Antibalas, who have married afrobeat with New York City’s Latin soul, and hip hop duo Armand Hammer, two of today’s most important leaders of New York’s rap underground. And, as a perfect symbol of rebirth, Sun Ra’s Arkestra returns to our stage in this year of reopening, 35 years after they performed our very first concert, bringing their ethereal afro-futurist cosmic jazz vibes back to remind us of our ongoing mission and purpose. Our festival art this year also reflects our outlook -- bold, bright, powerful -- and was created by New Yorker Lyne Lucien, an award-winning Haitian artist based in Brooklyn. Lucien is an American Illustration Award Winner and a finalist for the Artbridge - Not a Monolith Residency. She has worked as a photo editor and art director at various publications including New York Magazine, The Daily Beast and Architectural Digest.
[Show full text]
Society for Ethnomusicology Abstracts
Society for Ethnomusicology Abstracts Musicianship in Exile: Afghan Refugee Musicians in Finland Facets of the Film Score: Synergy, Psyche, and Studio Lari Aaltonen, University of Tampere Jessica Abbazio, University of Maryland, College Park My presentation deals with the professional Afghan refugee musicians in The study of film music is an emerging area of research in ethnomusicology. Finland. As a displaced music culture, the music of these refugees Seminal publications by Gorbman (1987) and others present the Hollywood immediately raises questions of diaspora and the changes of cultural and film score as narrator, the primary conveyance of the message in the filmic professional identity. I argue that the concepts of displacement and forced image. The synergistic relationship between film and image communicates a migration could function as a key to understanding musicianship on a wider meaning to the viewer that is unintelligible when one element is taken scale. Adelaida Reyes (1999) discusses similar ideas in her book Songs of the without the other. This panel seeks to enrich ethnomusicology by broadening Caged, Songs of the Free. Music and the Vietnamese Refugee Experience. By perspectives on film music in an exploration of films of four diverse types. interacting and conducting interviews with Afghan musicians in Finland, I Existing on a continuum of concrete to abstract, these papers evaluate the have been researching the change of the lives of these music professionals. communicative role of music in relation to filmic image. The first paper The change takes place in a musical environment which is if not hostile, at presents iconic Hollywood Western films from the studio era, assessing the least unresponsive towards their music culture.
[Show full text]
File Type Pdf Music Program Guide.Pdf
MOOD:MEDIA 2020 MUSIC PROGRAM GUIDE 2 Pop Adult Contemporary Hitline* ‡ Current Adult Contemporary Hits Current Top Charting Hits Sample Artists: Bebe Rexha, Shawn Mendes, Maroon 5, Niall Sample Artists: Ariana Grande, Zedd, Bebe Rexha, Panic! Horan, Alice Merton, Portugal. The Man, Andy Grammer, Ellie At The Disco, Charlie Puth, Dua Lipa, Hailee Steinfeld, Lauv, Goulding, Michael Buble, Nick Jonas Shawn Mendes, Taylor Swift Hot FM ‡ Be-Tween Hot Adult Contemporary Hits Family-Friendly, Modern Pop Hits Sample Artists: Ed Sheeran, Alessia Cara, Maroon 5, Vance Sample Artists: 5 Seconds of Summer, Sabrina Carpenter, Joy, Imagine Dragons, Colbie Caillat, Andy Grammer, Shawn Alessia Cara, NOTD, Taylor Swift, The Vamps, Troye Sivan, R5, Mendes, Jess Glynne, Jason Mraz Shawn Mendes, Carly Rae Jepsen Metro ‡ Cashmere ‡ Chic Metropolitan Blend Warm Cosmopolitan Vocals Sample Artists: Little Dragon, Rhye, Disclosure, Jungle, Sample Artists: Emily King, Chaka Khan, Durand Jones & The Maggie Rogers, Roosevelt, Christine and The Queens, Flight Indications, Sam Smith, Maggie Rogers, The Teskey Brothers, Facilities, Maribou State, Poolside Diplomats of Solid Sound, Norah Jones, Jason Mraz, Cat Power Pop Style Youthful Pop Hits Divas Sample Artists: Justin Bieber, Taylor Swift, DNCE, Troye Sivan, Dynamic Female Vocals Ellie Goulding, Ariana Grande, Charlie Puth, Kygo, The Vamps, Sample Artists: Chaka Khan, Amy Winehouse, Aretha Franklin, Sabrina Carpenter Ariana Grande, Betty Wright, Madonna, Mary J. Blige, ZZ Ward, Diana Ross, Lizzo, Janelle Monae
[Show full text]
African Popular Music Ensemble Tuesdays (7:20 PM-9:10 PM) at the School of Music Dr
1 FALL 2021 MUN 1xxx - section TBA World Music Ensemble – African Popular Music Ensemble Tuesdays (7:20 PM-9:10 PM) at the School of Music Dr. Sarah Politz, [email protected] Office: Yon Hall 435 Office hours: TBA Credits: 1.0 credit hours The African Popular Music Ensemble will specialize in the popular music of the African continent, with a special focus on Afrobeat, highlife, soukous, African jazz, and the brass band traditions of Africa and the diaspora. Together we will listen to, perform, and arrange music from the works of Fela Kuti (Nigeria), Salif Keita (Mali), Hugh Masekela, Abdullah Ibrahim, Miriam Makeba (South Africa), Mulatu Astatke (Ethiopia), and the Gangbe Brass Band of Benin. Instrumentation will vary based on personnel each semester, and will typically include a rhythm section, horn section, and vocal soloists. The ensemble will also draw on the participation of faculty performers, as well as guest artists specializing in African popular music from the community and beyond. These collaborations will contribute to the diversity of musical and cultural experiences related to Africa that are available to students throughout the semester. Course Objectives The African Popular Music Ensemble is dedicated to learning African culture through musical performance. After completion of this course, students will be able to perform in a variety of African popular music styles on their instrument. These skills will be developed through a combination of listening to recordings, developing skills in listening and blending within the ensemble, and individual study and practice outside of rehearsals. Students who wish to develop their skills in improvisation will have many opportunities to do so.
[Show full text]
FEBRUARY 2020 Less Safe
SOUTHEAST EXAMINER Your Neighborhood News Source February 2020 Created and Powered by the Love of Community southeastexaminer.com Our 31st Year Vol 31 No 2 Portland, OR RIP Gains Traction Amid Calls for More Density BY MIDGE PIERCE ability, by allowing bonus units in lower income projects. Like it or not, quadplexes and possi- While elimination of single fam- bly six or eight plexes are likely coming ily neighborhoods is already mandated for soon to Portland’s single family neighbor- most Oregon cities, Portland’s proposal to hoods. allow quads, goes beyond state legislative That is the expectation following city allowance for duplexes. council testimony largely supportive of the After testimony, three of the four sit- long-simmering Residential Infill Proposal ting Commissioners signaled readiness to (RIP) to allow multiplex housing in resi- adopt RIP, possibly by the time you read Image courtesy of the Portland Water Bureau dential neighborhoods. this. Mayor Ted Wheeler said the longer At January’s two-day public hearing, Portland waits to implement upzoning, the PWB’s Pro-Filtration Position it was no longer a question of whether to longer neighborhoods remain exclusive. add multi-units, but how many. Commissioner Chloe Eudaly refer- A Deeper Affordability Bonus en- enced the need to end discriminatory zon- Examined dorsed by pro-densification groups calls ing. Commissioner Jo Ann Hardesty told for doubling the number of allowable units the chamber it was time to stop letting BY NANCY TANNLER Commissioner Fritz was initially op- from four to eight. Questions persist about income determine zip codes, despite an posed to building anything back in 2006 whether deep densification will improve earlier admission that RIP did not address Many people are not aware of the when the EPA first enforced the LT2 rul- affordability, slow demolition and lessen affordability.
[Show full text]
SLRAS Career Highlights
CAREER HIGHLIGHTS November, 2005 – Critically-acclaimed and multi-award winning documentary film Sierra Leone’s Refugee All Stars premiere’s at prestigious AFI Film Festival in Los Angeles, CA March, 2006 – SLRAS perform at SXSW in Austin, Texas marking their US debut performance June, 2006 – SLRAS perform at Bonnaroo music festival June, 2006 – SLRAS perform at Central Park SummerStage July, 2006 – SLRAS perform at Fuji Rock Festival in Japan September, 2006 – Debut album Living Like a Refugee released on Anti November, 2006 – SLRAS open for Aerosmith in Uncasville, CT December, 2006 – Major motion picture Blood Diamond starring Leonardo DiCaprio and featuring the song “Ankala” by SLRAS released December 15, 2006 – SLRAS appear on the Oprah Winfrey Show June, 2007 - SLRAS collaborate with Aerosmith on “Give Peace A Chance” for Amnesty International’s John Lennon tribute album - Instant Karma January, 2008 - SLRAS invited by United Nations High Commission for Refugees to perform at The World Economic Forum in Davos, Switzerland. April 1, 2008 - U2 tribute album In the Name of Love: Africa Celebrates U2 featuring SLRAS released March 23, 2010 – Second album, Rise & Shine, released on Cumbancha. The album was recorded in New Orleans and produced by Steve Berlin, a member of Los Lobos who has produced for Angélique Kidjo, Michelle Shocked, Jackie Green, Alex Ounsworth, Ozomatli, Rickie Lee Jones and many others. January 2011 - Rise & Shine selected as 2010 Album of the Year on the prestigious World Music Charts Europe. January, 2011 - SLRAS perform on Jam Cruise January, 2011 - CW’s Beverly Hills 90210 features SLRAS song “Respect The Dignity of Women” on episode titled “It’s Getting Hot in Here” May 31, 2011 – SLRAS featured on the song “Gimme Shelter” on Playing for Change 2: Songs Around the World June 4, 2011 – SLRAS open for Dispatch at Red Rocks Amphitheater in Colorado.
[Show full text]
Release Date 23
RELEASE DATE 07.03.11 THE LIBERATORS Self-titled Tracklisting: 1.Multiculture 2.Bulletproof 3.Rags To Riches 4.Let It Go feat. Roxie Ray 5.Self Reliance 6.Denga feat. Jojo Kuo 7.Monkeyface 8.Liberation feat. Afro Moses 9.Deleb * 10The Directive * track only appears on CD and not on LP CAT NO FORMAT & DP BARCODE GENRE: AFROBEAT/FUNK/JAZZ-DANCE RKX035 CD 5050580548619 Regional Bias: Sydney, AUSTRALIA RKX035 LP. 5050580548626 "It’s finally awakening in Sydney....this album feels and tastes great!” – Amayo (Antibalas Afrobeat Orchestra) Sydney-based new afro-funk formation THE LIBERATORS can certainly be said to be off to a smoldering start; with their debut gig taking place at Russ Dewbury’s famous Night At The Jazz Rooms, the liner notes of their debut album being written by Antibalas frontman Amayo (Daptone Records / Ropeadope / Afrosound Records), and the patronage of DJs such as Gilles Peterson (BBC 1), this group can count on some serious support! Not only does this 10 piece outfit include members of Dojo Cuts among its division, but for their first full-length they also call on the vocal talents of guests such as Jojo Kuo (Fela Kuti / Daktaris / Antibalas), Roxie Ray (Dojo Cuts / Underbelly) and Ghanian-born Afro Moses. The result is an incredible set of new afrobeat tunes and funky jazz-dance grooves proving the masterful musicianship of this band. The self-titled debut effort by The Liberators is a solid example of the type of new afro-inspired funk that is riva- ling the greatness of classics from 70s Africa.
[Show full text]
DV 8483 the PHARCYDE Runnin 12
Cyde A 1. Runnin’ (Jay Dee Extended Mix) 2. Runnin’ (Smooth Extended Mix) 3. Runnin’ (Jay Dee Instrumental) Cyde B 1. Drop (Extended Mix) 2. Drop (Instrumental) 3. Runnin’ (Acappella) ONE OF THE BEST SELLING SINGLES IN THE HISTORY OF TRAFFIC Delicious Vinyl and Traffic Entertainment Group presents to you the official reissue of “Runnin”, the first single off The Pharcyde’s second and critically acclaimed album Labcabincalifornia. The song, featuring all four members Imani, Slimkid Tre, Bootie Brown and Fatlip, peaked at #55 on the Billboard Hot 100 in 1995. There are four non-album versions of “Runnin”, including the “Jay Dee (of Slum Village) Extended Mix” and two non-album versions of “Drop”. The song “Drop” is best known for it’s incredible, totally backwards video directed by the one and only Spike Jones and the incredibly interesting cover art by designer Brent Rollins and photographer B+ which shows six different examples of things ‘running’. If you slept on this single the first time around, here’s your chance to own this classic, mid-nineties, two sided gem! RECORD HAS BEEN OUT OF PRINT AND UNAVAILABLE FOR YEARS ORDER CUT OFF DATE FOR THIS ITEM: MAR 30th Format: 12” Single Cat. No: DV 8483 Label: Delicious Vinyl Available: APRIL 20th Distributed in the USA by The Orchard, 23 E. 4th St, NY, NY 10003 • tel: 212-979-6410 • fax: 212-979-7372 1. Curtain Call 2. Table For Two feat. Jozeemo & Yahzarah 3. Tigallo For Dolo 4. Revenge feat. Truck North & Median 5. So Cold feat. Chaundon 6.
[Show full text]
New Tones” Street Date: 5/09/2006
NOMO “NEW TONES” STREET DATE: 5/09/2006 On New Tones, set for release May 9, ■ NOMO are performing at the 2006 2006 via Ubiquity Records, home-made SXSW conference and will perform live Detroit electronics and huge horn dates throughout the summer including opening for His Name Is sections blast big band funk and Alive. Bookings by Trey at Aero. riotous jazz. ■ Made URB's Next 100 list 2005 NOMO's roots are firmly planted in the fertile soil of African polyrhythm and American free jazz, and ■ “Nomo can get to the smoking funk of bandleader Elliot Bergman's tracks draw inspiration from the Africa 70 and Egypt 80, not unlike cultures and generations wildly different than his the way Jerry Gonzalez cut up his latin home setting. jazz and hard bop album Crossroads NOMO were signed to Ubiquity through interest in their with snippets of authentic, little-known self-titled debut album, and on the back of an percussion-only rumbas to take the onslaught of persuasive emails from their fans (including Sam Valenti IV of Ghostly fame) that the band puts on a listener to Cuba between Latin takes must-see live show. Raw propulsive rhythms and infectious on Monk and Mingus.” DUSTED MAGAZINE melodies carry a horn section and multilayered percussion that is part Tom Ze, M.I.A., Philip Cohran, P-Funk, Antibalas, FOR FANS OF: Tortoise and Harry Partch. TORTOISE, ANTIBALAS, KOKONO NO 1, YESTERDAYS NEW QUINTET FILE UNDER: Enigmatic Detroit producer Warn DeFever (His Name Is ELECTRONIC, ROCK/POP, JAZZ, AFROBEAT Alive) was charged with capturing the band's live energy, 5% DISCOUNT UP TO 1 WEEK AFTER STREET DATE (CD ONLY) and he shaped the sounds for maximum impact.
[Show full text]
Antibalas Biography.Pdf
ANTIBALAS BIO It’s hard to believe that more than twenty years have passed since Antibalas’s humble beginning as a neighborhood dance / protest band in the block parties and underground parties in pre-gentrified Williamsburg, Brooklyn. Over the past two decades they have evolved into what The Guardian called “one of the world’s finest Afrobeat bands” while enjoying equal renown for their cross-genre collaborations with legends of popular music. With a heavy balance of experience and new blood, the group leaps into 2020 with their new Daptone Records full- length “Fu Chronicles.” Founded in 1998 by saxophonist Martín Perna, early incarnations of the group included several members of The Dap-Kings including bassist / producer Gabriel Roth, guitarist Binky Griptite, keyboardist Victor Axelrod, conguero Fernando “Bugaloo Velez,” and trumpeter Anda Szilagyi. As the group expanded, it absorbed younger musicians from the Daptone family including bassist Nick Movshon (El Michels, Black Keys) and other musical natives and transplants from downtown Manhattan and North Brooklyn music scenes. In 1999, Perna and Roth dropped in at an atelier / dojo belonging to Duke Amayo. They invited him to a neighborhood concert and then reached out to him later as an emergency substitute for a show. Amayo soon became a fixture in the group, first on percussion, then later on vocals, vibraphone, and keyboards and moving to center stage as the group’s frontman and creating the Afro-Spot, the band’s headquarters as well as the home of the first Daptone Records studio. Over the next few years, the band performed several times a month throughout NYC at the Afro-Spot, at benefits, lofts, block parties, and at their Lower Manhattan weekly residency called “Africalia” with regular appearances by friends including Sharon Jones, Lee Fields, and The Sugarman Three.
[Show full text]