Eric Lamaze in the in Good Standing
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FEI Regulations for Equestrian Events at the Olympic Games
FEI Fédération Equestre Internationale FEI Regulations for Equestrian Events at the Olympic Games 24th Edition, Effective for the Olympic Games Tokyo 2020 23 July-8 August 2021 Fédération Equestre Internationale t +41 21 310 47 47 HM King Hussein I Building f +41 21 310 47 60 Chemin de la Joliette 8 www.fei.org 1006 Lausanne Switzerland Printed in Switzerland Copyright © 2018 Fédération Equestre Internationale 7 December 2018 Updated on 21 December 2018 Updated on 30 December 2018 Updated on 18 April 2019 Updated on 3 October 2019 Updated on 24 June 2020 Updated on 16 June 2021 FEI Regulations for Equestrian Events Tokyo (JPN) 2020 Olympic Games TABLE OF CONTENTS THE FEI CODE OF CONDUCT FOR THE WELFARE OF THE HORSE .................................. 4 CHAPTER I GENERAL .................................................................................................. 6 ARTICLE 600 – INTRODUCTION .................................................................................................. 6 ARTICLE 601 –COMPETITIONS .................................................................................................... 6 ARTICLE 602 – COMPETITION SCHEDULE .................................................................................... 7 ARTICLE 603 – CLASSIFICATION, MEDALS & PRIZES..................................................................... 7 ARTICLE 604 – QUOTA .............................................................................................................. 8 ARTICLE 605 - AP ALTERNATE ATHLETES, RESERVE HORSES, -
List of Horse Breeds 1 List of Horse Breeds
List of horse breeds 1 List of horse breeds This page is a list of horse and pony breeds, and also includes terms used to describe types of horse that are not breeds but are commonly mistaken for breeds. While there is no scientifically accepted definition of the term "breed,"[1] a breed is defined generally as having distinct true-breeding characteristics over a number of generations; its members may be called "purebred". In most cases, bloodlines of horse breeds are recorded with a breed registry. However, in horses, the concept is somewhat flexible, as open stud books are created for developing horse breeds that are not yet fully true-breeding. Registries also are considered the authority as to whether a given breed is listed as Light or saddle horse breeds a "horse" or a "pony". There are also a number of "color breed", sport horse, and gaited horse registries for horses with various phenotypes or other traits, which admit any animal fitting a given set of physical characteristics, even if there is little or no evidence of the trait being a true-breeding characteristic. Other recording entities or specialty organizations may recognize horses from multiple breeds, thus, for the purposes of this article, such animals are classified as a "type" rather than a "breed". The breeds and types listed here are those that already have a Wikipedia article. For a more extensive list, see the List of all horse breeds in DAD-IS. Heavy or draft horse breeds For additional information, see horse breed, horse breeding and the individual articles listed below. -
George Snow Scholarship Fund Tops 7Th Annual Great Charity Challenge
WEEK 5 February 10-14, 2016 EDITOR: JENNIFER WOOD George Snow Scholarship Fund Eric Lamaze and Check Picobello Tops 7th Annual Great Charity ® Challenge, Presented by Z Capture $216,000 Ariat Fidelity Investments® Grand Prix CSI 4* Cindy and Timothy Snow of the George Snow Scholarship Fund accept their Eric Lamaze and Check Picobello Z won both grand prix events at WEF 4, including winning check for $150,000 with team riders Kaely Tomeu, Shane Sweetnam, the $216,000 Ariat® Grand Prix CSI 4*. © Sportfot and Lindsay Tomeu. © Sportfot Horses and riders braved pouring rain in braved some incredible weather Concluding the fourth week of competition at the 2016 Winter Equestrian Festival the name of giving on Saturday night as conditions for this special event. We (WEF), Eric Lamaze (CAN) and Check Picobello Z jumped to victory in the $216,000 the 7th Annual Great Charity Challenge, can’t thank them enough. We know Ariat® Grand Prix CSI 4*. presented by Fidelity Investments® how much of an impact the GCC has (GCC), was featured during week four for Palm Beach County charities, and Forty entries competed and five jumped clear over the Guilherme Jorge (BRA) of the 2016 Winter Equestrian Festival for everyone to stick through it means designed course. With three double clears, Lamaze won in 43.65 seconds. Nick (WEF). Shane Sweetnam, Kaely Tomeu, so much. Congratulations to all of our Skelton (GBR) and Untouched finished second in 45.52 seconds, and Marilyn Little and Lindsay Tomeu were the winning riders, charities, and sponsors for a (USA) and Corona 93 placed third in 46.20 seconds. -
Treatment of Equine Sarcoid with the Mistletoe Extract ISCADOR® P
Pferdeklinik der Vetsuisse-Fakultät der Universität Bern (Leiter: PD. Dr. V. Gerber) Arbeit unter der Leitung von PD Dr. V. Gerber und Prof. Dr. R. Straub Treatment of Equine Sarcoid with the mistletoe extract ISCADOR® P (viscum album austriacus) - a double-blind placebo controlled study Inaugural-Dissertation zur Erlangung der Doktorwürde der Vetsuisse-Fakultät der Universität Bern vorgelegt von Ophélie Clottu von Cornaux und Neuchâtel 2008 1 Von der Vetsuisse-Fakultät der Universität Bern auf Antrag von Prof. Dr. R. Straub als Dissertation genehmigt. Bern, den Der Dekan der Vetsuisse-Fakultät der Universität Bern 2 Treatment of Equine Sarcoid with the mistletoe extract ISCADOR® P (viscum album austriacus) - a double-blind placebo controlled study Summary Background: The Equine Sarcoid (ES) is the most common skin tumour in horses. It is difficult to treat: recurrence rate is high and no single universally effective treatment for ES is known. Viscum album extracts (VAE) are used as adjunct in the treatment of some human cancers without known side effects. Hypothesis: We hypothesized that the long-term therapy with VAE (Iscador® P) is effective in Equine Sarcoids as a single treatment or as an adjunct treatment to selective surgical excision. Material and methods: Of 53 horses with ES, 42 were treated solely with VAE as monotherapy and 11 were treated after selective excision of ES. Horses were randomly assigned to the treatment group (VAE; n=32) or control group (Placebo; n=21). The horses received rising concentrations of Iscador® P extract from 0.1 mg per ml to 20 mg per ml or physiological NaCl solution 3 times a week over 105 days s.c. -
1 Nature of Horse Breeds
1 Nature of Horse Breeds The horse captures our imagination because of its beauty, power and, most of all, its personality. Today, we encounter a wide array of horse breeds, developed for diverse purposes. Much of this diversity did not exist at the time of domestication of the horse, 5500 years ago (Chapter 2). Modern breeds were developed through genetic selection and based on the variety of uses of horses during the advance of civilization. Domestication of the horse revolutionized civilization. A rider could go farther and faster than people had ever gone before. Horses provided power to till more land and move heavier loads. Any sort of horse could provide these benefits, as long as it could be domesticated. However, over time people became more discern- ing about the characteristics of their horses. The intuitive and genetic principle that “like begat like” led people to choose the best horses as breeding stock. At the same time, people in different parts of the world used different criteria when select- ing horses. The horses were raised in different climates, fed different rations, exposed to different infectious diseases, and asked to do different types of work. Genetic differences could and did have a large impact on these traits. Over time, selection led to the creation of diverse types of horse around the world. We use a variety of terms to describe the genetic diversity among groups of animals, both to distinguish horses from other animals and examine differences among the different types of horses. Those terms include genus, species, popula- tion, landrace, and breed. -
Qualification Conditions for Grand Prix Competitions at 2021 CSI Events
IMPORTANT NOTICE TO CSI ORGANISING COMMITTEES AND COMPETITORS Automatically qualified for the Grand Prix Competition at CSI Events If qualification conditions for Athletes are scheduled for the Grand Prix at a CSI Event, it is compulsory that the formula given below is referred to. This does not apply to CSI Events that are part of a Series approved by the FEI Board. In accordance with Article 261.4.2 of the Jumping Rules, the following athletes are automatically qualified for the Grand Prix Competition at CSI Events, if present: Art. 261.4.2.1 • For the Grand Prix at a CSI3*/CSI4*/CSI5* Event, the winner of that Event’s Grand Prix the previous year is eligible to participate, providing the previous year’s Event was the same star level or a higher star level. • For the Grand Prix at a CSI1*/CSI2* Event, the winner of that Event’s Grand Prix the previous year is eligible to participate, regardless of the star level of the previous year’s Event. Art. 261.4.2.2 • The current National Jumping Champion of the host country. Art. 261.4.2.3 • Individual Medal Winners of Rio Olympic Games 2016: 1. Nick SKELTON GBR 2. Peder FREDRICSON SWE 3. Eric LAMAZE CAN • Individual Medal Winners of World Championships 2018: 1. Simone BLUM GER 2. Martin FUCHS SUI 3. Steve GUERDAT SUI • The winner in the last FEI Jumping World Cup™ Final (season 2018-2019): 1. Steve GUERDAT SUI • Individual Medal Winners of Pan American Games 2019: 1. Marlon MODOLO ZANOTELLI BRA 2. José Maria (jr) LAROCCA ARG 3. -
Sedation and Anesthesia in Military Horses and Mules. Review And
S S E E L L C C Sedation and Anesthesia in Military Horses and Mules. I I T T R R Review and Use in the Swiss Armed Forces. A A By S. MONTAVON∑, C. BAUSSIERE∏, C. SCHMOCKER∏ and M. STUCKI∏. Switzerland Stéphane MONTAVON Colonel Stéphane MONTAVON has been the Chief Veterinary Officer of the Swiss Army since 2003. He obtained his veterinary degree and completed his doctoral thesis at the Vetsuisse veterinary faculty in Bern. He was successively head of clinic at the Federal Army Horse Reserve in Bern, head of clinic at the National Stud in Avenches, resident and clinician at the Veterinary Medical Teaching Hospital at UC Davis (USA). He is a long-time member of the American Association of Equine Practitioners (AAEP). He specializes in equine sports medicine and is an excellent rider and an official veterinarian of the (FEI) Federation Equestre Internationale. RESUME Sédation et anesthésie chez les chevaux et mules militaires. Revue et utilisation dans l'armée suisse. L'armée suisse utilise depuis plus de 100 ans différents types de chevaux pour des missions spéciales. Trois races sont utilisées : Les chevaux de race demi-sang suisse pour l'équitation, les chevaux Franches-Montagnes et les mulets comme « chevaux de bât » pour le transport. Cet article passe en revue les substances, dosages et voies d'administration qui permettent de réaliser des sédations et des anesthésies simples chez le cheval comme sur le mulet, dans le terrain et dans un contexte militaire. Cette contribution est aussi destinée aux autres armées qui utilisent des mulets dans la mesure où la littérature n'est pas très riche dans ce domaine. -
International Jumping Festival Grand Prix Field Wednesday, September 18, 2019
INTERNATIONAL JUMPING FESTIVAL GRAND PRIX FIELD WEDNESDAY, SEPTEMBER 18, 2019 *Horses showing in the USEF Talent Search Finals may only show in class #229 1.15m Jumpers on Wednesday. 8:00 a.m. – Classes #221. 1.00m Jumpers Table II, Sec. 2(d) 11:00 a.m. – Classes #229. 1.15m Jumpers Table II, Sec. 2(d)* *Open water will be an option 1:00 p.m. – Class #250. 1.20m Jumpers Table II, Sec. 2(d) 3:15 p.m. – Class #305. 1.40m Jumpers Table II, Sec. 1 Cancelled – Class #309. 1.45m Jumpers Table II, Sec. 1 [Finish: 3:50 p.m.] Class #221 - 1.00m Jumpers # HORSE RIDER ELVIS 284 HOLSTEINER, 2010, G, 1 542 LARIMAR x WINTERA JAVIER ABAD 8:00:00 CANTINA TRAKEHNER, 2013, G, 2 262 UNKNOWN x UNKNOWN JOHN BRAGG 8:02:30 BOUJEE SELLE FRANCAIS, 2010, G, 3 464 UNKNOWN x UNKNOWN JOSH MADGWICK 8:05:00 CAMPITELLO 5 HANOVERIAN, 2007, G, 4 581 CATOKI x GINA EMMA CATHERINE REICHOW 8:07:30 NEWTON HOLSTEINER, 2013, G, 5 326 NARRADO x SEESTERMUEHE JENNY KARAZISSIS 8:10:00 KANNAN LOVER WARMBLOOD, 2002, G, 6 232 KANNAN x PENNY LOVER EMILY ESAU WILLIAMS 8:12:30 MLB CLAIR DE LUNE UNKNOWN, 2013, M, 7 379 INDOCTRO x ALLURE MICHELLE PARKER 8:15:00 CAZZ C DUTCH WARMBLOOD, 2007, 8 136 G, UNKNOWN x UNKNOWN JACKIE LEFAVE 8:17:30 DEBUT HANOVERIAN, 2011, G, 9 532 DAMSEY x GENOVEVA LEXI WEDEMEYER 8:20:00 ANAKIN DUTCH WARMBLOOD, 2012, G, VAN HELSING x DYTHERA 10 295 H BROOKE MOSTMAN 8:22:30 S & L TECHNICOLOR DUTCH WARMBLOOD, 2006, 11 393 G, CHIN CHIN x UNKNOWN ALYSIA LYNCH-SHERARD 8:25:00 HANDS UP DUTCH WARMBLOOD, 2012, 12 383 G, INDOCTRO x SUZANNA LAUREN KATZENELLENBOGEN 8:27:30 -
XV Olympic Winter Games Organizing Committee (XVOWGOC) Was
PREFACE The City of Calgary Archives is a section of the City Clerk's Department. The Archives was established in 1981. The descriptive system currently in use was established in 1991. The Archives Society of Alberta has endorsed the use of the Bureau of Canadian Archivists' Rules for Archival Description as the standard of archival description to be used in Alberta's archival repositories. In acting upon the recommendations of the Society, the City of Calgary Archives will endeavour to use RAD whenever possible and to subsequently adopt new rules as they are announced by the Bureau. The focus of the City of Calgary Archives' descriptive system is the series level and, consequently, RAD has been adapted to meet the descriptive needs of that level. RAD will eventually be used to describe archival records at the fonds level. The City of Calgary Archives creates inventories of records of private agencies and individuals as the basic structural finding aid to private records. Private records include a broad range of material such as office records of elected municipal officials, records of boards and commissions funded in part or wholly by the City of Calgary, records of other organizations which function at the municipal level, as well as personal papers of individuals. All of these records are collected because of their close relationship to the records of the civic government, and are subject to formal donor agreements. The search pattern for information in private records is to translate inquiries into terms of type of activity, to link activity with agencies which are classified according to activity, to peruse the appropriate inventories to identify pertinent record series, and then to locate these series, or parts thereof, through the location register. -
Canadian Show Jumping Team
CANADIAN SHOW JUMPING TEAM 2020 MEDIA GUIDE Introduction The Canadian Show Jumping Team Media Guide is offered to all mainstream and specialized media as a means of introducing our top athletes and offering up-to-date information on their most recent accomplishments. All National Team Program athletes forming the 2020 Canadian Show Jumping Team are profiled, allowing easy access to statistics, background information, horse details and competition results for each athlete. We have also included additional Canadian Show Jumping Team information, such as past major games results. The 2020 Canadian Show Jumping Team Media Guide is proudly produced by the Jumping Committee of Equestrian Canada, the national federation responsible for equestrian sport in Canada. Table of Contents: Introduction 2 2020 Jumping National Team Program Athletes 3 Athlete Profiles 4 Chef d’équipe Mark Laskin Profile 21 Major Games Past Results 22 Acknowledgements: For further information, contact: Editor Karen Hendry-Ouellette Jennifer Ward Manager of Sport - Jumping Starting Gate Communications Inc. Equestrian Canada Phone (613) 287-1515 ext. 102 Layout & Production [email protected] Starting Gate Communications Inc. Photographers Equestrian Canada Arnd Bronkhorst Photography 11 Hines Road ESI Photography Suite 201 Cara Grimshaw Kanata, ON R&B Presse K2K 2X1 Sportfot CANADA Starting Gate Communications Phone (613) 287-1515 Toll Free 1 (866) 282-8395 Fax (613) 248-3484 On the Cover: www.equestrian.ca Beth Underhill and Count Me In 2019 Canadian Show Jumping Champions by Starting Gate Communications 2020 Jumping National Team Program Athletes The following horse-and-rider combinations have been named to the 2020 Jumping National Team Program based on their 2019 results: A Squad 1 Nicole Walker ...................................................................... -
Rcmp-Rrcmp-1965-Eng.Pdf
ARCHIVED - Archiving Content ARCHIVÉE - Contenu archivé Archived Content Contenu archivé Information identified as archived is provided for L’information dont il est indiqué qu’elle est archivée reference, research or recordkeeping purposes. It est fournie à des fins de référence, de recherche is not subject to the Government of Canada Web ou de tenue de documents. Elle n’est pas Standards and has not been altered or updated assujettie aux normes Web du gouvernement du since it was archived. Please contact us to request Canada et elle n’a pas été modifiée ou mise à jour a format other than those available. depuis son archivage. Pour obtenir cette information dans un autre format, veuillez communiquer avec nous. This document is archival in nature and is intended Le présent document a une valeur archivistique et for those who wish to consult archival documents fait partie des documents d’archives rendus made available from the collection of Public Safety disponibles par Sécurité publique Canada à ceux Canada. qui souhaitent consulter ces documents issus de sa collection. Some of these documents are available in only one official language. Translation, to be provided Certains de ces documents ne sont disponibles by Public Safety Canada, is available upon que dans une langue officielle. Sécurité publique request. Canada fournira une traduction sur demande. CANADA Report of the ROYAL CANADIAN MOUNTED POLICE Fiscal Year Ended March 31, 1965 CANADA Report of the ROYAL CANADIAN MOUNTED POLICE Fiscal Year Ended March 31, 1965 99876-1 , ROGER DUHAMEL, F.Ft.S.C. Queen's Printer and Controller of Stationery Ottawa, 1967 Cat. -
PART THREE Visual Transactions
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sussex Research Online PART THREE Visual Transactions Kenneally&Sloan_123.indd 123 14/09/2010 9:57:32 PM Kenneally&Sloan_123.indd 124 14/09/2010 9:57:32 PM 8 Into the Labyrinth: Phantasmagoria at Expo 67 ben highmore One of the notable characteristics of the pavilions at Expo 67 was the preponder- ance of multi-screened film presentations. But, as journalist Robert Fulford noted, this was not a new feature of international exhibitions: By now the multi-screen cinema was no surprise to anyone. At Expo it was every- where. There had been multi-screen before – not only at New York but at Brussels in 1958 and at earlier fairs, including one in Paris three decades before, and in a few isolated feature films – but this time multi-screen was a dominant factor rather than a special attraction. This time, we were present not at the introduction but at the devel- opment of a new cinematic language.1 Among the pavilions using multiple screen displays the most popular, according to the Expo Corporation’s rough-and-ready surveys,2 was the Telephone Associa- tion of Canada with the ‘film’ Canada 67 (see plate 16). This display was by Walt Disney Studios and used their ‘Circle-Vision 360°’ film technique, ‘in which the screens completely surround the viewer [and] gives him [sic] the feeling of actu- ally participating in such typically Canadian events as a National Hockey League game, the RCMP [Royal Canadian Mounted Police] Musical Ride, the Calgary Stampede, the Quebec Winter Carnival, etc.’3 For Fulford this was a ‘cinematic hymn to the glories of Canada, so blatant in its chauvinism that one could hardly imagine Canadians producing it.’4 Already it is worth noting that the commentary on expanded cinema at Expo routinely emphasizes the paucity of a display’s con- tent (in terms of images and ideas), which is seen in marked contrast to the power, excitement, and effectiveness of its phenomenal form.