Artistes a Admiral Bailey Agent Sasco Aidonia Alaine Alexx a Game B Barrington Levy Beenie Man Bling Dawg Bugle Busy

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Artistes a Admiral Bailey Agent Sasco Aidonia Alaine Alexx a Game B Barrington Levy Beenie Man Bling Dawg Bugle Busy

Artistes Q A G Gospel Queen Ifrica Admiral Bailey General Degree Carlene Davis Agent Sasco Govana Sister Marion Hall R Aidonia Gyptian Lt. Stitchie Raging Fyah Alaine Papa San Raine Seville Alexx A Game Prodigal Son I Richie Spice Rondell Positive Iba Mahr Richie Stephenson B Ikaya Romain Virgo Barrington Levy Disc Jockeys I-Octane Rygin King Beenie Man Code Red Irie Souljah Bling Dawg Coppershot Ishawna S Bugle DJ Denvo Samory I Busy Signal DJ Nicco J Sanchez Buju Banton DJ Richie Ras Jada Kingdom Sean Paul DJ Kurt Riley Jah Cure Shaggy C Nikki Z Jah Lex Shaneo Stone Love Cameal Davis Jahmiel Shenseea ZJ Liquid Cecile Jesse Royal Short Boss ZJ Sparks Chalice Julian Marley Shuga Cherine Anderson Sizzla Bands Christopher Martin K Spice Kaushan Chronixx Kabaka Pyramid Spiritual Riddim 2000 Clymaxx Karen Smith Spragga Benz Ruff Kut Craigy T and Bay C Keida Steel Pulse Silver Birds Capleton Kelissa Stephen Marley Warrior Love Cham Ken Boothe Symatic Charly Black Kiprich Violinist Chi Ching Ching Konshens T Jessica Yap Chino Kymani Marley Tanice Morrison Coco T Tanto Blacks Cutty Ranks L MCs Tarrus Riley Fae Ellington L.U.S.T Third World D Leroy Sibbles Francois St. Juste Dalton Harris Tanya Stephens Kiki Loyal Flames Tessanne Chin Darrio Luciano Lady Renae dBURNZ Tosh Alexander Miss Kitty Demarco M Paula-Anne Devin Di Dakta V Porter-Jones Marcia Griffiths Verlando Small Damian Marley Maxi Priest Terri Karelle Denyque Voicemail Morgan Heritage Dexta Daps Mr. Lexx Regional Artistes Ding Dong W Bunji Garlin Mr. Vegas Warm & Easy DMEDZ Denise Belfon Dre Island Wayne Wonder Fayann Lyons N Duane Stephenson Nadine Sutherland Kes and the Band Y Lil Rick Nesbeth Yanique Curvy Diva E Nickiesha Barnes Machel Montano Ernie Smith Yellow Man Skinny Fabulous Etana P Z Pluto Shervington Zagga F Pressure Fantan Mojah Professor Nuts Freddie McGregor Protoje Updated April 8, 2019 .

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New Roots Jamaican Ontologies of Blackness from Africa to the Ghetto
African Diaspora 7 (2014) 234–259 brill.com/afdi New Roots Jamaican Ontologies of Blackness from Africa to the Ghetto Wayne Modest National Museum of World Cultures, The Netherlands [email protected] Rivke Jaffe Department of Human Geography, Planning and International Development Studies University of Amsterdam, The Netherlands [email protected] Abstract This article explores contemporary ontologies of blackness in the Caribbean island of Jamaica. Approaching blackness as an ontological issue – an issue that pertains to the being, or the existence, of a category of people – we emphasize the spatial dimension of such ontologies. Drawing on Jamaican contemporary art and popular music, we pro- pose that the site of blackness, as it is imagined in Jamaica, has shifted from Africa towards ‘the ghetto.’ Tracing changing Jamaican perspectives on race and nation, the article discusses how self-definitions of ‘being black’ and ‘being Jamaican’ involve the negotiation of historical consciousness and transnational connectivity. During much of the twentieth century, various Jamaican social and political movements looked pri- marily to the African continent as a referent for blackness. In the twenty-first century, the urban space of the ghetto has become more central in Jamaican social commentary and critique. By tracing the historical shifts of the spatial imaginary onto which racial belonging and authenticity are projected, we seek to foreground the mutability of the relation between blackness and Africanness. Keywords Jamaica – contemporary art – dancehall – ontologies of race – spatial imaginary © wayne modest and rivke jaffe, 2014 | doi: 10.1163/18725465-00702004 This is an open access article distributed under the terms of the Creative Commons Attribution-Noncommercial 3.0 Unported (CC-BY-NC 3.0) License.
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1 Burning Spear by Ras Haile Mecael. Contact Ras Haile Mecael on Facebook or via the Art of Rastafari group on Facebook for other heart works. 2 Editorial Dub Cover photo – Instrument Of Jah mandala, Dubshack tent, One Love Festival 2018. Painting on slate by Mystys Myth, photo by Dan-I Dear Reader, Welcome to issue 28 for the month of Dan. Firstly, apologies to our regular writer Eric Denham, whose Alton Ellis piece should have appeared in the singer’s birth month of September. Afrikan History Season swings into full gear this month in Oxfordshire, with the opening of the Windrush Years exhibition at the Museum of Oxford and the conference on the legacies of Emperor Haile Selassie I. A huge thank you to the organisers of the One Love Festival and all the artists and performers for making us feel truly welcome. I hope the reviews do the event justice. As for local events, Reggae On Tap goes from strength to strength and new venture Enjoy Yourself starts this month at The Swan in Eynsham on a regular basis thanks to long time The Dub contributor Richie Roots. Finally a big thank you to Prince Jamo and Messenger Douglas for a pair of fantastic interviews, tune in next month for the first in our Tales From Birmingham. Welcome to The Dub Editor – Dan-I [email protected] The Dub is available to download for free every month at reggaediscography.blogspot.co.uk and rastaites.com The Dub magazine is not funded and has no sponsors. While this allows for artistic freedom, it also means that money for printing is very limited.
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