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DOLCI MIEI SOSPIRI Tra Ferrara E Venezia Fall 2016
DOLCI MIEI SOSPIRI Tra Ferrara e Venezia Fall 2016 Monday, 17 October 6.00pm Italian Madrigals of the Late Cinquecento Performers: Concerto di Margherita Francesca Benetti, voce e tiorba Tanja Vogrin, voce e arpa Giovanna Baviera, voce e viola da gamba Rui Staehelin, voce e liuto Ricardo Leitão Pedro, voce e chitarra Dolci miei sospiri tra Ferrara e Venezia Concerto di Margherita Francesca Benetti, voce e tiorba Tanja Vogrin, voce e arpa Giovanna Baviera, voce e viola da gamba Rui Staehelin, voce e liuto Ricardo Leitão Pedro, voce e chitarra We express our gratitude to Pedro Memelsdorff (VIT'04, ESMUC Barcelona, Fondazione Giorgio Cini Venice, Utrecht University) for his assistance in planning this concert. Program Giovanni Girolamo Kapsberger (1580-1651), Toccata seconda arpeggiata da: Libro primo d'intavolatura di chitarone, Venezia: Antonio Pfender, 1604 Girolamo Frescobaldi (1583-1643), Voi partite mio sole da: Primo libro d'arie musicali, Firenze: Landini, 1630 Claudio Monteverdi Ecco mormorar l'onde da: Il secondo libro de' madrigali a cinque voci, Venezia: Gardane, 1590 Concerto di Margherita Giovanni de Macque (1550-1614), Seconde Stravaganze, ca. 1610. Francesca Benetti, voce e tiorba Tanja Vogrin, voce e arpa Luzzasco Luzzaschi (ca. 1545-1607), Aura soave; Stral pungente d'amore; T'amo mia vita Giovanna Baviera, voce e viola da gamba da: Madrigali per cantare et sonare a uno, e due e tre soprani, Roma: Verovio, 1601 Rui Staehelin, voce e liuto Ricardo Leitão Pedro, voce e chitarra Claudio Monteverdi (1567-1463), T'amo mia vita da: Il quinto libro de' madrigali a cinque voci, Venezia: Amadino, 1605 Luzzasco Luzzaschi Canzon decima a 4 da: AAVV, Canzoni per sonare con ogni sorte di stromenti, Venezia: Raveri, 1608 We express our gratitude to Pedro Memelsdorff Giaches de Wert (1535-1596), O Primavera gioventù dell'anno (VIT'04, ESMUC Barcelona, Fondazione Giorgio Cini Venice, Utrecht University) da: L'undecimo libro de' madrigali a cinque voci, Venezia: Gardano, 1595 for his assistance in planning this concert. -
Timothy Burris—Baroque Lute
Early Music in the Chapel at St Luke's Les Goûts Réunis Timothy Neill Johnson—tenor & Timothy Burris—Lute with Michael Albert—violin & Eliott Cherry—'cello So wünsch ich mir zu guter letzt ein selig Stündlein J.S. Bach (1685 - 1750) Jesu, meines Herzens Freud Bist du bei mir Der Tag ist hin Et è per dunque vero Claudio Monteverdi (1567 - 1643) Sonata seconda Dario Castello (c. 1590 – c. 1658) Prelude Amila François Dufaut (1600 – 1671) Tombeau de Mr Blanrocher Music for a while Henry Purcell (1659 – 1695) Evening Hymn Sweeter than roses Domine, Dominus noster André Campra (1660 – 1744) The Composers J.S. Bach The three chorales with figured bass included here are from the Gesangbuch published by Georg Christian Schemelli in 1736. The 69 pieces attributed to Bach in the mammoth Gesangbuch (which contains no fewer than 950 pieces!) are marked by quiet and pious sentiments, unobtrusive and effortless harmonies. The aria “Bist du bei mir” (BWV 508) was part of Gottfried Heinrich Stölzel's opera Diomedes, oder die triumphierende Unschuld that was performed in Bayreuth on November 16, 1718. The opera score is lost. The aria had been part of the Berlin Singakademie music library and was considered lost in the Second World War, until it was rediscovered in 2000 in the Kiev Conservatory. The continuo part of BWV 508 is more agitated and continuous in its voice leading than the Stölzel aria; it is uncertain who provided it, as the entry in the Notebook is by Anna Magdalena Bach herself. Claudio Monteverdi Claudio Monteverdi, the oldest of five children, was born in Cremona, where he was part of the cathedral choir and later studied at the university. -
Central Reference CD List
Central Reference CD List January 2017 AUTHOR TITLE McDermott, Lydia Afrikaans Mandela, Nelson, 1918-2013 Nelson Mandela’s favorite African folktales Warnasch, Christopher Easy English [basic English for speakers of all languages] Easy English vocabulary Raifsnider, Barbara Fluent English Williams, Steve Basic German Goulding, Sylvia 15-minute German learn German in just 15 minutes a day Martin, Sigrid-B German [beginner’s CD language course] Berlitz Dutch in 60 minutes Dutch [beginner’s CD language course] Berlitz Swedish in 60 minutes Berlitz Danish in 60 minutes Berlitz Norwegian in 60 minutes Berlitz Norwegian phrase book & CD McNab, Rosi Basic French Lemoine, Caroline 15-minute French learn French in just 15 minutes a day Campbell, Harry Speak French Di Stefano, Anna Basic Italian Logi, Francesca 15-minute Italian learn Italian in just 15 minutes a day Cisneros, Isabel Latin-American Spanish [beginner’s CD language course] Berlitz Latin American Spanish in 60 minutes Martin, Rosa Maria Basic Spanish Cisneros, Isabel Spanish [beginner’s CD language course] Spanish for travelers Spanish for travelers Campbell, Harry Speak Spanish Allen, Maria Fernanda S. Portuguese [beginner’s CD language course] Berlitz Portuguese in 60 minutes Sharpley, G.D.A. Beginner’s Latin Economides, Athena Collins easy learning Greek Garoufalia, Hara Greek conversation Berlitz Greek in 60 minutes Berlitz Hindi in 60 minutes Berlitz Hindi travel pack Bhatt, Sunil Kumar Hindi : a complete course for beginners Pendar, Nick Farsi : a complete course for beginners -
Introduction
Introduction During the first half of the eighteenth century, the principalities of the Holy Roman Empire of the German Nation witnessed a remarkable efflorescence of palace fresco painting executed largely by Italian artists.1 Beginning in the Austrian and Czech lands in the late seventeenth century and spreading to the German territories by 1700, large-scale Italian ceiling paintings soared in popularity as Catholic and Protestant nobles of all ranks competed with one another to produce ever more lavish decorative schemes that expressed their claim to princely power and political authority. Drawing upon various picto- rial styles and iconographic programs from Italy and across Europe, frescoists and decorators developed new types of imagery that uniquely embodied their patrons’ ambitions and cultural aspirations.2 A synthesis of predominantly Italian and French styles and forms per- vaded Austro-German baroque culture and society in this period and critically shaped the evolution of their visual and performing arts.3 Although this book concentrates on Italy’s primary contribution to the production of these monu- mental fresco cycles, it is important to acknowledge that French culture under Louis XIV (1638–1714) and Louis XV (1710–1774) played an equally crucial role in influencing Imperial palace design and decoration as well as court music and theater. In the past, scholars sometimes viewed the presence of these two 1 Starting in the Early Middle Ages under Charlemagne and Otto I and continuing until Napoleon’s dissolution of the Empire in 1806, rulers and authors referred to the loose federation of states overseen by an imperial monarch as the “Heilige Römische Reich Deutscher Nation.” These lands consisted of present-day Austria, Germany, and the Czech Republic as well as parts of France, Poland, and Italy. -
Este Libro Es De Don Luis Rossi Monteverdi Bassani De Macque Trabaci Gesualdo
ESTE LIBRO ES DE DON LUIS ROSSI MONTEVERDI BASSANI DE MACQUE TRABACI GESUALDO ENSEMBLE POÏESIS MARION FOURQUIER MENU TRACKLIST TEXTE EN FRANÇAIS ENGLISH TEXT DEUTSCH KOMMENTAR ALPHA COLLECTION 67 ESTE LIBRO ES DE DON LUIS ROSSI MONTEVERDI, BASSANI, DE MACQUE, TRABACI, GESUALDO 1 FRANCESCO LAMBARDO (1587-1642) HARP TOCCATA 2’17 2 JACOPO PERI (1561-1633) TENOR, HARP, LIRONE TU DORMI 6’32 3 GIOVANNI DE MACQUE (c.1550-1614) HARP SECONDE STRAVAGANZE 1’54 4 CARLO GESUALDO (1566-1613) HARP CANZON FRANCESE DEL PRINCIPE 5’21 5 ORAZIO BASSANI, DETTO ORAZIO DELLA VIOLA (c.1540/1550-1615, AFTER ORLANDE DE LASSUS) VIOL, HARP SUSANNA UN GIORNO 6’38 6 GIOVANNI DE MACQUE HARP, LIRONE PRIMA STRAVAGANZE 1’45 7 CLAUDIO MONTEVERDI (1567-1643) SOPRANO, VIOL, HARP, LIRONE LAMENTO D’OLIMPIA 9’47 4 ESTE LIBRO ES DE DON LUIS ROSSI MENU MONTEVERDI, BASSANI, DE MACQUE, TRABACI, GESUALDO 8 GIOVANNI MARIA TRABACI (c.1575-1647, AFTER ARCADELT) HARP ANCIDETEMI PUR PER L’ARPA* 7’33 9 FABRITIO FILLIMARINO (?-1594) HARP CANZON CROMATICA 3’50 10 ANONYMOUS TENOR, VIOL, HARP, LIRONE DEL BEL ORIENTE 4’16 11 ORAZIO BASSANI, DETTO ORAZIO DELLA VIOLA (c.1540/1550-1615, AFTER GIACHES DE WERT) VIOL, HARP, LIRONE CARA LA VITA MIA 8’46 12 GIOVANNI DE MACQUE HARP CAPRICCIO SOPRA RÈ, FÀ, MI, SOL 5’37 13 CLAUDIO MONTEVERDI SOPRANO, HARP LAMENTO D’ARIANNA 9’37 * PIECE NOT INCLUDED IN MANUSCRIPT ADD. 30491 TOTAL TIME: 75’05 5 ENSEMBLE POÏESIS MARION FOURQUIER TRIPLE HARP AND DIRECTION CRISTIANA PRESUTTI SOPRANO LUCIEN KANDEL TENOR MARTIN BAUER VIOLA DA GAMBA PAULINA VAN LAARHOVEN LIRONE MENU « TOUS CES FRANÇAIS COMPOSITEURS Dès que fut signalée son existence, NOUS RAMÈNENT AUX Il libro de don Luis Rossi fut considéré par CERCLES NAPOLITAINS les spécialistes comme une source de FRÉQUENTÉS PAR première importance pour la musique ita- JEAN DE MACQUE, lienne du début du XVIIe siècle. -
Festive Cantatas Tafelmusik Baroque Orchestra a Monteverdi Christmas Vespers
J.S. BACH: THE CIRCLE OF CREATION FESTIVE CANTATAS TAFELMUSIK BAROQUE ORCHESTRA A MONTEVERDI CHRISTMAS VESPERS Alison Mackay creator, writer, programmer Elisa Citterio director Kevin Bundy narrator David Fallis music director “In these hands, Bach’s music feels more alive than ever.” The Globe and Mail AT VANCOUVER PLAYHOUSE JAN25 This concert is generously supported by the Nemetz Foundation THE KING’S SINGERS ROYAL BLOOD: MUSIC FOR HENRY VIII AT THE CHAN CENTRE “The superlative vocal sextet.” The Times (London) DEC23 AT THE CHAN CENTRE FEB09 This concert is generously supported by Janette McMillan & Douglas Graves, Birgit Westergaard & Norman Gladstone Tickets from $36 | earl ymusic.bc.ca | 604.822.2697 This concert is generously supported by the Drance Family and Sharon E. Kahn 18.EarlyMusicAd 2018-10-23 11:33 AM Page 1 ODLUMBROWN.COM Odlum Brown Limited is Proud to Support Early Music Vancouver’s Festive Cantatas – A Monteverdi Christmas Vespers For over 95 years, Odlum Brown Limited has been one of BC’s most respected investment firms by helping investors achieve their financial goals for generations. Odlum Brown is a full-service investment firm providing disciplined investment advice and objective research with a singular focus on clients. For all your investment needs including financial, retirement and estate planning,* call 604-669-1600 or toll free at 1-888-886-3586, or visit odlumbrown.com for more information. *Offered through our wholly owned subsidiary, Odlum Brown Financial Services Limited. Wishing everyone a wonderful holiday season, and a joyous new year! Odlum Brown Limited Odlum Brown Community @Odlum_Brown OdlumBrown Member-Canadian Investor Protection Fund 2 | EMV Masterworks Series 2018/19 Festive Cantatas: A Monteverdi Christmas Vespers [email protected] the artists a monteverdi christmas vespers David Fallis Claudio Monteverdi music director (1567-1643) sopranos — I — Arwen Myers Versicle: Deus in adiutorium Danielle Sampson Response: Domine ad adiuvandum me festina (Alessandro Grandi) altos Vicki St. -
Carlo GESUALDO Da Venosa Madrigals Book 1 Delitiæ Musicæ • Marco Longhini
570548 bk Gesualdo US 29/1/10 13:06 Page 12 Carlo GESUALDO da Venosa Madrigals Book 1 Delitiæ Musicæ • Marco Longhini Marco Longhini Photo: Agnes Spaak 8.570548 12 570548 bk Gesualdo US 29/1/10 13:06 Page 2 Carlo * Danzan le ninfe oneste * The honest nymphs and shepherds dance GESUALDO – Seconda parte – Part Two da Venosa (Torquato Tasso) (1566-1613) Danzan le ninfe oneste e i pastorelli The honest nymphs and shepherds dance e i susurranti augelli in fra le fronde and amid the leaves the birds softly sing THE FIRST BOOK OF MADRIGALS, 1594 al mormorar dell’onde e vaghi fiori above the murmuring water, and the Graces IL PRIMO LIBRO DE’ MADRIGALI, 1594 donan le grazie ai pargoletti amori. give pretty flowers to the little cupids. 1 Baci soavi e cari (part 1) (a, b, d, e, f) 3:36 ( Son sì belle le rose ( The roses nature gave you 2 Quanto ha di dolce amore (part 2) (a, b, d, e, f) 3:15 (Livio Celiano) 3 Madonna, io ben vorrei (a, b, c, d, f) 3:35 Son sì belle le rose The roses nature gave you 4 Come esser può ch’io viva? (a, b, c, e, f) 2:41 che in voi natura pose are as beautiful 5 Gelo ha madonna in seno (a, b, c, d, f) 2:39 come quelle che l’arte as those that art 6 Mentre madonna (part 1) (b, c, d, e, f) 2:39 nel vago seno ha sparte. has strewn on your fair breast. -
Vocal Music 1600-1650
Chapter 8 Vocal Music 1600-1650 Sunday, October 21, 12 Secular Song Italy: The Madrigal • through-composed setting of freely structured verse • a cappella settings; and newer monodies for solo voice and basso continuo • concertato madrigals - any number of voices combined with instruments Sunday, October 21, 12 Secular Song Italy: The Madrigal • Claudio Monteverdi (1567-1643) - published nine books of madrigals - reflect all manifestations of the genre - used unconventional musical techniques, asserting the text demanded it Sunday, October 21, 12 Secular Song Italy: The Madrigal • Monteverdi Cruda Amarilli - “Cruel Amaryllis” - part of the seconda prattica - Monteverdi traced this new style to Cipriano de Rore and Adrian Willaert - text painting used as the rationalization for the dissonances and breaking of the older Renaissance rules for dissonances - Artusi (Italian composer and theorist) objected to the improper treatment of dissonances - see m. 12: F and F# used in close proximity - see m. 13: the A in the canto is unprepared against the basso’s G Sunday, October 21, 12 Secular Song Italy: The Madrigal • Monteverdi T’amo mia vita (1605) - “I love you, my life” - concertato madrigal (madrigals with a mix of voices and basso continuo) - far more homophonic texture Sunday, October 21, 12 Secular Song Italy: The Madrigal • Monteverdi Zefiro torna e di soavi accenti (1630) - “The west wind returns and with soft accents” - concertato madrigal - by 1630 the concertato madrigal was quite elaborate Sunday, October 21, 12 Secular Song Italy: -
A Musical Journey Through Italian Renaissance with Monteverdi
ON THE OCCASION OF THE 20TH ANNIVERSARY OF LE POÉME HARMONIQUE A musical journey through Italian Renaissance withIl Monteverdi, Viaggio Castaldi & Uccellini Eva Zaïcik Le Poème Harmonique conducted by Vincent Dumestre Palazzo Farnese, Rome A musical journey through Italian Renaissance Ilwith Monteverdi,Viaggio Castaldi & Uccellini Luigi Rossi Sinfonia Bellerofonte Castaldi La lettera d’Heleazaria Bellerofonte Castaldi Francese lamentevole Giovanni Battista Buonamente Aria di Fiorenza Bellerofonte Castaldi Echo notturno Marco Uccellini Sinfonia La gran battaglia Marco Uccellini La Bergamasca Girolamo Frescobaldi Ti lascio anima mia Claudio Monteverdi Addio Roma from L’Incoronazione di Poppea Vincent Dumestre and his ensemble Le Poème Harmonique take Claudio Monteverdi Oblivion soave us on a musical journey through the music of the Italian Renais- from L’Incoronazione di Poppea sance to the beautiful Palazzo Farnese in Rome. th Claudio Monteverdi Voglio di vita uscir On the occasion of its 20 anniversary, the baroque ensemble Bellerofonte Castaldi Chi vidde più lieto together with French mezzo-soprano Eva Zaïcik pays homage Bellerofonte Castaldi Dolci miei martiri to the unique musicality and sensitivity of Bellerofonte Castaldi and his contemporaries Monteverdi and Frescobaldi, as well as Rossi, Buonamente and Uccellini. A wandering poet and Mezzo-soprano Eva Zaïcik Orchestra Le Poème Harmonique composer exiled from Modena for a revenge murder, Castaldi’s Conductor Vincent Dumestre life may be the ideal subject for a novel, but his music remained more or less unknown. Video Director Jean-Pierre Loisil This extensive programme not only testifies to Le Poème Harmo- nique’s unbroken curiosity for little played repertoire, but also to its fondness for fabulous musical journeys. -
Madrigals of War and Love by Claudio Monteverdi Department of Music, University of Richmond
University of Richmond UR Scholarship Repository Music Department Concert Programs Music 3-16-2009 Madrigals of War and Love by Claudio Monteverdi Department of Music, University of Richmond Follow this and additional works at: https://scholarship.richmond.edu/all-music-programs Part of the Music Performance Commons Recommended Citation Department of Music, University of Richmond, "Madrigals of War and Love by Claudio Monteverdi" (2009). Music Department Concert Programs. 463. https://scholarship.richmond.edu/all-music-programs/463 This Program is brought to you for free and open access by the Music at UR Scholarship Repository. It has been accepted for inclusion in Music Department Concert Programs by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. L: ---'"iliflli~~~~~~i~lllilil~~~iili' -------- 3 3082 01023 6551 THE UNIVERSITY OF RICHMOND DEPARTMENT OF MUSIC Presents Madrigali Guerrieri et Amorosi (Madrigals of War and Love) by Claudio Monteverdi Gigi Paddock, Emily Riggs, soprano Jennifer Cable, Lynn Kotrady, alto William Ferguson, Michael Kotrady, Jeffrey Riehl, tenor Jim Smith-Parham, baritone Susan Bedell, Jennifer Myer, violin Carol Holmes, Tom Stevens, viola Ulysses Kirksey, viola da gamba Teresa Bjornes, cello Kenneth Merrill, Music Director, harpsichord Walter Schoen, Reader MARCH 16, 2009 7:30P.M. CAMP CONCERT HALL .-----·- ~rogram CKotcs In this evening's performance, the theme of war will be considered through a number of media: music, art, poetry, and personal reflections from those who were touched by war-those on the front lines, and those left at home. We will reflect upon the consequences of war through an emotional lens, ranging between glory and fulfillment, and horror and bitter defeat. -
November 2, 2008 2691St Concert
For the convenience of concertgoers the Garden Cafe remains open until 6:oo pm. The use of cameras or recording equipment during the performance is not allowed. Please be sure that cell phones, pagers, and other electronic devices are turned off. Please note that late entry or reentry of the East Building after 6:30 pm is not permitted. The Sixty-seventh Season of The William Nelson Cromwell and F. Lammot Belin Concerts National Gallery of Art Music Department 2,691st Concert National Gallery of Art Sixth Street and Constitution Avenue nw National Gallery Vocal Arts Ensemble Washington, DC and Mailing address National Gallery Chamber Players 2000b South Club Drive Presented in honor of the exhibition Landover, md 20785 Jan Lievens: A Dutch Master Rediscovered www.nga.gov November 2, 2008 Sunday Evening, 6:30 pm West Building, West Garden Court Jan Lievens, Lute Player, c. 1627, revised c. 1628, The Walters Art Museum, Baltimore, Maryland, Gift of the Dr. Francis D. Mumaghan Fund, 1973 Admission free Program INTERMISSION Jan Pieterszoon Sweelinck (1562-1621) Orlando di Lasso (1532-1594) Psalm 150 Bonjour, mon coeur Quand mon mari vient de dehors Clemens non Papa (1500-1556) Matona mia cara Ave Maria Andries Pevernage (1543-1591) Giaches de Wert (1535-1596) Clio, chantons disertement Peccavi super numerum From Praise of Antwerp John Bull (1567-1628) Sweelinck Fantasia ex g Fascia, Filli, mia cara Constantijn Huygens (1596-1687) Pevernage From Pathodia Sacra (1647) Bonjour, mon coeur Psalm 3: Multi dicunt animae meae Psalm 129: Deprofundis Carolus Hacquart (c. 1640-1701) Psalm 143: Memorfui Sonata quinta a tre From Harmonia Pamassia sonatarum, op. -
Claudio Monteverdi
CLAUDIO MONTEVERDI Stacy Capers CLAUDIO MONTEVERDI •May 15, 1567 – Nov 29, 1643 (died age 76) •Baroque Italian composer •Bridge between old and new musical practice •Pioneer of opera EARLY LIFE Born in Cremona, Italy Child prodigy Served as chorister under Marc Antonio Ingegneri at Cathedral in Cremona Produced first music for publication by age 15 Took position as court musician in Mantua in 1590 for Gonzaga family Began work as viola player and vocalist, promoted to conductor in 1602 Married court singer, Claudia de Cattaneis, in 1599 Two sons, Francesco and Massimiliano, and a daughter, Leonora (died in infancy) MUSICAL WORKS Madrigals Operas Some sacred music Motets Masses Vespers MONTEVERDI AND THE MADRIGAL Madrigal: secular vocal work, 2-8 voices, a cappella, word-painting 9 books Cultivated a new, innovative Baroque style Irregular dissonances, bold sonorities, beginnings of functional tonality Quinto Libro (5th book) became center of famous Monteverdi/Artusi Controversy “Cruda Amarilli” Music theorist, Giovanni Artusi attacks Monteverdi’s unusual practices Monteverdi’s response: division of musical practice—Prima pratica vs. Seconda pratica MONTEVERDI AND OPERA Created first great masterpieces in this genre Most operas not completed or lost 3 surviving operas: L’Orfeo Il ritorno d’Ulisse in patria L’incoronazione di Poppea “Pur ti Miro” (Duet aria; Act III, scene 7) L’ORFEO •AKA La favola d'Orfeo •Librettist: Alessandro Striggio •Prologue and 5 Acts •First “great” modern opera, *but not first opera •Based on