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CLAUDIO MONTEVERDI

Stacy Capers

•May 15, 1567 – Nov 29, 1643 (died age 76) • Italian •Bridge between old and new musical practice •Pioneer of EARLY LIFE Born in , Child prodigy  Served as chorister under Marc Antonio Ingegneri at Cathedral in Cremona  Produced first music for publication by age 15 Took position as court musician in in 1590 for Gonzaga family  Began work as player and vocalist, promoted to conductor in 1602 Married court singer, Claudia de Cattaneis, in 1599 Two sons, Francesco and Massimiliano, and a daughter, Leonora (died in infancy) MUSICAL WORKS Some sacred music   Masses  MONTEVERDI AND THE

 Madrigal: secular vocal work, 2-8 voices, , word-painting  9 books  Cultivated a new, innovative Baroque style  Irregular dissonances, bold sonorities, beginnings of functional  Quinto Libro (5th book) became center of famous Monteverdi/Artusi Controversy  “Cruda Amarilli”  Music theorist, Giovanni Artusi attacks Monteverdi’s unusual practices Monteverdi’s response: division of musical practice—Prima pratica vs. MONTEVERDI AND OPERA  Created first great masterpieces in this genre  Most operas not completed or lost  3 surviving operas:  L’Orfeo  Il ritorno d’Ulisse in patria  L’incoronazione di Poppea  “Pur ti Miro” (Duet ; Act III, scene 7) L’ORFEO •AKA La favola d'Orfeo •Librettist: •Prologue and 5 Acts •First “great” modern opera, *but not first opera •Based on Greek legend of ’s descent to the underworld •Written for court performance during L’ORFEO (CONT.) •Monteverdi’s innovations: • Madrigal influences • Use of • Precedence of text over music • Dynamics • Quick tempo and harmonic changes • Shocking dissonances •“Tu se’ morta”, from Act II Sung by baritone, Florian Just • Orfeo learns of his bride, ’s death • Dissonance represents mourning LATER YEARS •Duke Vincenzo died 1612, Monteverdi dismissed from court by Francesco, his successor •Appointed as maestro of basilica di San Marco in • Trained court musicians, expanded repertoire •Age 65, entered priesthood •Died in Venice in 1643 ITALIAN TERMS •: () “continued ”; includes a bassline and played by a keyboard instrument •: “booklet”; the text of an opera or other long vocal work •Aria: “air”; a long, accompanied song for solo voice •Recitativo: “recitative”; narrative/dialogue parts of an opera sung to rhythm of ordinary speech •Maestro di capella: Master of /orchestra WORKS CITED http://www.oxfordmusiconline.com.libproxy.furman.edu/grovemusic/view/10.1093 /gmo/9781561592630.001.0001/omo-9781561592630-e- 0000044352?rskey=qzP1BY&result=1 http://www.newworldencyclopedia.org/entry/Claudio_Monteverdi https://courses.lumenlearning.com/musicapp_historical/chapter/claudio- monteverdi/ https://youtu.be/kEgLr-YVRvs https://youtu.be/Q_o1xDJyiOU https://youtu.be/6eA7aDYflc4