Albert Welter, Curriculum Vitae
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Contents Transcriptions Romanization Zen 1 Chinese Chán Sanskrit Name 1.1 Periodisation Sanskrit Dhyāna 1.2 Origins and Taoist Influences (C
7/11/2014 Zen - Wikipedia, the free encyclopedia Zen From Wikipedia, the free encyclopedia Zen is a school of Mahayana Buddhism[note 1] that Zen developed in China during the 6th century as Chán. From China, Zen spread south to Vietnam, northeast to Korea and Chinese name east to Japan.[2] Simplified Chinese 禅 Traditional Chinese 禪 The word Zen is derived from the Japanese pronunciation of the Middle Chinese word 禪 (dʑjen) (pinyin: Chán), which in Transcriptions turn is derived from the Sanskrit word dhyāna,[3] which can Mandarin be approximately translated as "absorption" or "meditative Hanyu Pinyin Chán state".[4] Cantonese Zen emphasizes insight into Buddha-nature and the personal Jyutping Sim4 expression of this insight in daily life, especially for the benefit Middle Chinese [5][6] of others. As such, it de-emphasizes mere knowledge of Middle Chinese dʑjen sutras and doctrine[7][8] and favors direct understanding Vietnamese name through zazen and interaction with an accomplished Vietnamese Thiền teacher.[9] Korean name The teachings of Zen include various sources of Mahāyāna Hangul 선 thought, especially Yogācāra, the Tathāgatagarbha Sutras and Huayan, with their emphasis on Buddha-nature, totality, Hanja 禪 and the Bodhisattva-ideal.[10][11] The Prajñāpāramitā Transcriptions literature[12] and, to a lesser extent, Madhyamaka have also Revised Romanization Seon been influential. Japanese name Kanji 禅 Contents Transcriptions Romanization Zen 1 Chinese Chán Sanskrit name 1.1 Periodisation Sanskrit dhyāna 1.2 Origins and Taoist influences (c. 200- 500) 1.3 Legendary or Proto-Chán - Six Patriarchs (c. 500-600) 1.4 Early Chán - Tang Dynasty (c. -
Number 3 2011 Korean Buddhist Art
NUMBER 3 2011 KOREAN BUDDHIST ART KOREAN ART SOCIETY JOURNAL NUMBER 3 2011 Korean Buddhist Art Publisher and Editor: Robert Turley, President of the Korean Art Society and Korean Art and Antiques CONTENTS About the Authors…………………………………………..………………...…..……...3-6 Publisher’s Greeting…...…………………………….…….………………..……....….....7 The Museum of Korean Buddhist Art by Robert Turley…………………..…..…..8-10 Twenty Selections from the Museum of Korean Buddhist Art by Dae Sung Kwon, Do Kyun Kwon, and Hyung Don Kwon………………….….11-37 Korean Buddhism in the Far East by Henrik Sorensen……………………..…….38-53 Korean Buddhism in East Asian Context by Robert Buswell……………………54-61 Buddhist Art in Korea by Youngsook Pak…………………………………..……...62-66 Image, Iconography and Belief in Early Korean Buddhism by Jonathan Best.67-87 Early Korean Buddhist Sculpture by Lena Kim…………………………………....88-94 The Taenghwa Tradition in Korean Buddhism by Henrik Sorensen…………..95-115 The Sound of Ecstasy and Nectar of Enlightenment by Lauren Deutsch…..116-122 The Korean Buddhist Rite of the Dead: Yeongsan-jae by Theresa Ki-ja Kim123-143 Dado: The Korean Way of Tea by Lauren Deutsch……………………………...144-149 Korean Art Society Events…………………………………………………………..150-154 Korean Art Society Press……………………………………………………………155-162 Bibliography of Korean Buddhism by Kenneth R. Robinson…...…………….163-199 Join the Korean Art Society……………...………….…….……………………...……...200 About the Authors 1 About the Authors All text and photographs contained herein are the property of the individual authors and any duplication without permission of the authors is a violation of applicable laws. ALL RIGHTS RESERVED BY THE INDIVIDUAL AUTHORS. Please click on the links in the bios below to order each author’s publications or to learn more about their activities. -
Buddhist Studies
Journal of the International Association of Buddhist Studies Volume 24 • Number 1 • 2001 MINORUHARA In memoriam J.W. de Jong 1 JINHUA JIA Doctrinal Reformation of the Hongzhou School of Chan Buddhism 7 NADINE OWEN Constructing Another Perspective for Ajanta's Fifth-Century Excavations 27 PETER VERHAGEN Studies in Indo-Tibetan Buddhist Hermeneutics (1) Issues of Interpretation and Translation in the Minor Works of Si-tu Pan-chen Chos-kyi-'byun-gnas (16997-1774) 61 GLENN WALLIS The Buddha's Remains: mantra in the ManjusrTmulakalpa 89 BOOK REVIEW by ULRICH PAGEL Heinz Bechert [et al.]: Der Buddhismus I: Der Indische Buddhismus und seine Verzweigungen 127 Treasurer's Report 2000 135 JINHUA JIA Doctrinal Reformation of the Hongzhou School of Chan Buddhism* Hu Shi asserts that "Chinese" Chan proper first took on complete shape in the Hongzhou school.1 This assertion has been generally accepted, and the Hongzhou school is regarded as the beginning of "classical" or "golden-age" Chan. However, when discussing exactly what marks the beginning of this new type of Chan, or in other words, what kind of reformation Mazu Daoyi JSffill-- (709-88) brought to the Chan tradition, there have been quite different explanations. YANAGIDA Seizan |7PEBIIll[ posits that the m6st salient characteristic of the Hong zhou school is that it is a Chan of everyday life and a religion of humanity.2 IRIYA Yoshitaka A^ilfij regards the ideas, "function is identical with [Buddha-]nature" and "daily activities are wonderful functions," as the core of Daoyi's teaching.3 John McRAE assumes that "encounter dialogue" distinguishes the "classical" Chan of Mazu from the "pre-classical" Chan of the Northern, early Southern, and Niutou schools.4 Bernard FAURE takes the disappearance of one-practice samadhi (yixing sanmei — ffzLW) as "an indicator of the 'epistemologi- cal split' that opened between early Chan and the 'classical' Chan of the * I thank Professors Paul W. -
Critical Sermons of the Zen Tradition Dr Hisamatsu Shin’Ichi, at Age 87
Critical Sermons of the Zen Tradition Dr Hisamatsu Shin’ichi, at age 87. Photograph taken by the late Professor Hy¯od¯o Sh¯on¯osuke in 1976, at Dr Hisamatsu’s residence in Gifu. Critical Sermons of the Zen Tradition Hisamatsu’s Talks on Linji translated and edited by Christopher Ives and Tokiwa Gishin © Editorial matter and selection © Christopher Ives and Tokiwa Gishin Chapters 1–22 © Palgrave Macmillan Ltd. Softcover reprint of the hardcover 1st edition 2002 978-0-333-96271-8 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W1T 4LP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2002 by PALGRAVE MACMILLAN Houndmills, Basingstoke, Hampshire RG21 6XS and 175 Fifth Avenue, New York, N.Y. 10010 Companies and representatives throughout the world PALGRAVE MACMILLAN is the global academic imprint of the Palgrave Macmillan division of St. Martin’s Press, LLC and of Palgrave Macmillan Ltd. Macmillan® is a registered trademark in the United States, United Kingdom and other countries. -
Chan Teachings of Huineng
Chan Teachings of Huineng Buddhism in Every Step B1 Venerable Master Hsing Yun © 2014 Fo Guang Shan International Translation Center All rights reserved. Written by Venerable Master Hsing Yun Translated by the Fo Guang Shan International Translation Center Edited and proofread by Venerable Yi Chao, Jonathan Ko, and John Gill Table of Contents I. The Sixth Patriarch’s Platform Sutra 1 II. An Introduction to Chan 6 III. Teaching Methods of the Chan School 12 Chan Teachings of Huineng I. The Sixth Patriarch’s Platform Sutra Who was Huineng? The Sixth Patriarch’s Platform Sutra, often simpli- fied into the Platform Sutra, is a sacred text of the Chan, or meditation, School. Though of particular importance to the Chan School, the sutra’s influ- ence extends to many other Buddhist schools. It is also considered one of the finest works of Chinese literature. The Platform Sutra is a collection of Dharma talks given by Venerable Huineng, the Sixth Patriarch of the Chan School of Buddhism. Huineng’s fasci- nating life is something of a legend in itself. Though the Sixth Patriarch was said to be an illiterate wood- cutter, due to his store of merit from previous lives and his quick grasp of the Dharma, he quickly 1 achieved enlightenment under the guidance of the Fifth Patriarch and became a great master. His influ- ence can still be felt today. I would, however, like to take this opportunity to state that the Sixth Patriarch was far from illiter- ate. On the contrary, he was an extremely well read, and had profound insights regarding many Buddhist sutras. -
Dahui Zonggao and Zhang Shangying
Society for Song, Yuan, and Conquest Dynasty Studies Dahui Zonggao and Zhang Shangying: The Importance of a Scholar in the Education of a Song Chan Master Author(s): Miriam Levering Source: Journal of Song-Yuan Studies, No. 30 (2000), pp. 115-139 Published by: Society for Song, Yuan, and Conquest Dynasty Studies Stable URL: http://www.jstor.org/stable/23495825 . Accessed: 12/06/2014 21:21 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Society for Song, Yuan, and Conquest Dynasty Studies is collaborating with JSTOR to digitize, preserve and extend access to Journal of Song-Yuan Studies. http://www.jstor.org This content downloaded from 195.78.108.60 on Thu, 12 Jun 2014 21:21:24 PM All use subject to JSTOR Terms and Conditions Dahui Zonggao and Zhang Shangying: The Importance of a Scholar in the Education of a Song Chan Master Miriam Levering University of Tennessee In 1101 the future Dahui Zonggao 大慧宗呆(1089-1163) aban doned a classical education and decided to become a Buddhist monk.1 Three years later he was ordained. By the time he died in 1163 he had become the preeminent Chan abbot and teacher of the empire. -
Gongan Collections I 公案集公案集 Gongangongan Collectionscollections I I Juhn Y
7-1 COLLECTED WORKS OF KOREAN BUDDHISM 7-1 GONGAN COLLECTIONS I COLLECTIONS GONGAN 公案集公案集 GONGANGONGAN COLLECTIONSCOLLECTIONS I I JUHN Y. AHN JUHN Y. (EDITOR) JOHN JORGENSEN COLLECTED WORKS OF KOREAN BUDDHISM VOLUME 7-1 公案集 GONGAN COLLECTIONS I Collected Works of Korean Buddhism, Vol. 7-1 Gongan Collections I Edited by John Jorgensen Translated by Juhn Y. Ahn Published by the Jogye Order of Korean Buddhism Distributed by the Compilation Committee of Korean Buddhist Thought 45 Gyeonji-dong, Jongno-gu, Seoul, 110-170, Korea / T. 82-2-725-0364 / F. 82-2-725-0365 First printed on June 25, 2012 Designed by ahn graphics ltd. Printed by Chun-il Munhwasa, Paju, Korea © 2012 by the Compilation Committee of Korean Buddhist Thought, Jogye Order of Korean Buddhism This project has been supported by the Ministry of Culture, Sports and Tourism, Republic of Korea. ISBN: 978-89-94117-10-2 ISBN: 978-89-94117-17-1 (Set) Printed in Korea COLLECTED WORKS OF KOREAN BUDDHISM VOLUME 7-1 公案集 GONGAN COLLECTIONS I EDITED BY JOHN JORGENSEN TRANSLATED AND ANNOTATED BY JUHN Y. AHN i Preface to The Collected Works of Korean Buddhism At the start of the twenty-first century, humanity looked with hope on the dawning of a new millennium. A decade later, however, the global village still faces the continued reality of suffering, whether it is the slaughter of innocents in politically volatile regions, the ongoing economic crisis that currently roils the world financial system, or repeated natural disasters. Buddhism has always taught that the world is inherently unstable and its teachings are rooted in the perception of the three marks that govern all conditioned existence: impermanence, suffering, and non-self. -
Buddhist Nuns' Ordination in the Tibetan Canon
Buddhist Nuns’ Ordination in the Tibetan Canon Online Bibliography in Connection with the DFG Project compiled by Carola Roloff and Birte Plutat Part I: Author List February 2021 gefördert durch Gleichstellungsfonds des Asien-Afrika-Instituts der Universität Hamburg Nuns‘ Ordination in Buddhism – Bibliography. Part 1: Author / Title list February 2021 Abeysekara, Ananda (1999): Politics of Higher Ordination, Buddhist Monastic Identity, and Leadership in Sri Lanka. In Journal of the International Association of Buddhist Studies 22 (2), pp. 255–280. Abeysekara, Ananda (2002): Colors of the Robe. Religion, Identity, and Difference. Columbia: University of South Carolina Press. Adams, Vincanne; Dovchin, Dashima (2000): Women's Health in Tibetan Medicine and Tibet's "First" Female Doctor. In Ellison Banks Findly (Ed.): Women’s Buddhism, Buddhism’s Women. Tradition, Revision, Renewal. Boston: Wisdom Publications, pp. 433–450. Agrawala, V. S. (1966): Some Obscure Words in the Divyāvadāna. In Journal of the American Oriental Society 86 (2), pp. 67–75. Alatekara, Anata Sadāśiva; Radhakrishnan, Sarvepalli (Eds.) (1957): Felicitation Volume Presented to Professor Sripad Krishna Belvalkar. Banaras: Motilal Banarsidass. Ali, Daud (1998): Technologies of the Self. Courtly Artifice and Monastic Discipline in Early India. In Journal of the Economic and Social History of the Orient (Journal d'Histoire Economique et Sociale de l'Orient) 41 (2), pp. 159–184. Ali, Daud (2000): From Nāyikā to Bhakta. A Genealogy of Female Subjectivity in Early Medieval India. In Julia Leslie, Mary McGee (Eds.): Invented Identities. The Interplay of Gender, Religion, and Politics in India. New Delhi, New York: Oxford University Press, pp. 157–180. Ali, Daud (2003): Gardens in Early Indian Court Life. -
Contested Identities in Chan/Zen Buddhism: the “Lost” Fragments of Mazu Daoyi in the Zongjing Lu Albert Welter
20 Contested Identities in Chan/Zen Buddhism: The “Lost” Fragments of Mazu Daoyi in the Zongjing lu Albert Welter IntroduCtion: Mazu Daoyi and the Hongzhou FaCtion Mazu Daoyi , the founder of the Hongzhou faction is a major figure in the Chinese Chan, Korean Seon and Japanese Zen traditions.i He is especially credited with the unique Chan innovation known as “encounter dialogue.” Encounter dialogues (jiyuan wenda ) constitute one of the unique features of Chan yulu , and served as a defining feature of the Chan movement.ii Until recently, it was commonly assumed that yulu and encounter dialogue were the products of a unique Tang Chan culture, initiated by masters hailing form Chan’s so-called golden age.iii Recent work on the Linji lu exposed how dialogue records attributed to Linji were shaped over time into typical encounter dialogue events that did not reach mature form until the early Song.iv Regarding Mazu, Mario Poceski has shown how his reputation as an i Many of the prevailing assumptions regarding Mazu and the Hongzhou school have been challenged by the work of Mario Poceski, Everyday Mind as the Way: The Hongzhou School and the Growth of Chan Buddhism (New York and Oxford: Oxford University Press, 2007), and Jia Jinhua. The Hongzhou School of Chan Buddhism in Eighth- through Tenth-Century China (Albany, New York: State University of New York Press, 2006). ii It is important to note that the term jiyuan wenda to describe the phenomena known in English as “encounter dialogue” is a modern expedient devised by Yanagida Seizan , without precedent in original Chan sources. -
Chan Buddhism and the Chinese Ancestors Spring Term 2014 Seminary Class Sylabus
Chan Buddhism and the Chinese Ancestors Spring Term 2014 Seminary Class Sylabus The seminary class offering for the spring 2014 term will be Chan Buddhism and the Chinese Ancestors. This ten-week class series is scheduled for Tuesday evenings from February 4th through April 15th. During this class series, we will examine the stories and traditional teachings of and about our Chinese Dharma ancestors and other significant Chan masters from the time of Bodhidharma, through the Tang and Sung Dynasties to and including Tiantong Rujing. Through these stories, we experience the particular way in which we hold the memory of our lineage tradition. We will also follow the development of Chan as it gains color and additional meaning through the authenticity and uniqueness of each generation to become an important cultural force in Chinese and other East Asian societies. The primary text for the reading assignments for each class (listed below) is Zen's Chinese Heritage: The Masters and their Teachings by Andy Ferguson either the first (2000) edition or the expanded (2011) edition. Optional, supplemental text materials will include sections from (1) The Platform Sutra: The Zen Teaching of Hui-neng by Red Pine and (2) Zen Buddhism: A History: Volume 1, India and China by Heinrich Dumoulin. Texts may be purchased; however, copies of all three texts will be placed on reserve for this class in the DRZC library. The classes will be led by Fumyo Mishaga, Genko Rainwater, and Allison Shin'ei Brown. For Seminary credit, each student will be required to complete a written assignment. Also, class attendance will be considered a very important criterion. -
BSR Vol. 1-22 Book Reviews
Buddhist Studies Reviews book reviews, vols. 1-22, 1983-2005 Reviewers’ names in brackets 1.1 – 1983-84 Indianisme et Bouddhisme. Mélanges offerts à Mgr Étienne Lamotte, no editor listed (Sara Boin-Webb), p.53. The Discourse on the Root of Existence. The Mūlapariyāya Sutta and its Commentaries, Tr. Bhikkhu Bodhi (Russell Webb), p.59. El Dhammapada. La Sendera de la Perfecció, in Catalan, Joaquim Torres i Godori (Amadeo Solé-Leris), p.62 La Palabra del Buda, Nyāṇatiloka Mahāthera (rev.by Sara Boin-Webb), p.67 Milindapañha. La domande del re Milinda, Maria Angela Falà (Amadeo Solé-Leris), p.67. Three Worlds according to King Ruang. A Thai Buddhist Cosmology, Frank E. & Mani B. Reynolds (Phra Khantipālo), p.72. A Guide to the Threefold Lotus Sutra, Nikkyo Niwano (Jack Austin), p.76. Die Sprache der ältesten buddhistischen Überlieferung / The Language of the Earliest Buddhist Tradition, ed. Heinz Bechert (Russell Webb), p.78. The Threefold Refuge in the Theravāda Buddhist Tradition, ed. John Ross Carter (Phra Khantipālo), p.82. Buddhist and Western Philosophy, ed. Nathan Katz (Karel Werner), pp.83-7. 1.2 – 1983-84 Pāli Literature, including the Canonical Literature in Prakrit and Sanskrit of all the Hīnayāna Schools, ed. K.R.Norman (Maurice Walshe), p.172. Tibetan Dhammapada, tr. Gareth Sparham (Khantipālo Thera), p.173. Prajñāpāramitā-Hṛdaya-Sūtra – Das Sūtra vom Herzen der Volkommen Weisheit – The Heart Sūtra, ed. Ācārya Jên Wên (Bhikkhu Pāsādika), p.177. Kacchapa-Jātaka. Eine Erzählung von der Schildkröte und dem Kranz-winder, Akira Yuyama (Bhikkhu Pāsādika), p.179. Catalogue of Cambodian and Burmese Pāli Manuscripts, C.E.Godakumbura (K.R.Norman), p.183. -
M.A. Buddhist Studies Dissertation the Road to Nowhere
M.A. Buddhist Studies Dissertation June 2007 The Road to Nowhere Koans and the Deconstruction of the Zen Saga by Mary Jaksch Acknowledgements I am grateful to those who offered advice and criticism on preliminary versions of this dissertation. In particular I would like to thank Professor Dale S. Wright, Professor Victor Sōgen Hori, Nelson Foster, Roshi, and Arthur Wells, M.A.—all of whom offered detailed and trenchant comments. I also thank Professor Peter Harvey for his guidance and supervision. ii Contents Acknowledgements…………………………………………………………..…….ii Contents………………………………………………………………………...…iii Abstract………………………………………………………………………….....iv 1. Introduction…………………………………………………………………...….1 2. The master narrative of Zen…………………………………….………………..3 2.1. What is the master narrative?……………………………..……3 2.2. The problem of cultural bias…………………………………...6 3. The genesis of koans in the Tang and Song ..………………………………........7 3.1. The origins of the term ‘koan’……………………………...….7 3.2. Blueprints for koans…………………………………………....7 3.3. The Dunhuang find………………………………………….....9 3.4 The ‘Bodhidharma Anthology’…………………………...........9 3.5. ‘Record of the Masters and Disciples of the La≡kāvatāra’......12 3.6. The ‘Anthology of the Patriarchal Hall’………………….…...13 3.7. The ‘Jingde era of the Transmission of the Lamp’ ..………….14 3.8. The ‘Records of the Four Masters’.…………….…………......15 3.9. Did encounter dialogues happen in the Tang?…………….…..16 3.10. Dahui’s Kanhua Chan………………………………….…….22 4. Koan study in the Diamond Sangha……………………………………..…...….25 4.1. Contemporary views on koans ..………………………...….....25 4.2. Koans as paradoxes……………………………………..….….27 4.3. Koans and realisation…………………………………….……29 4.4. Resolving a koan ………………………………………….…. 33 4.5. The process of koan study ………………………………….…35 4.6. The initial koan……………………………………….………..35 4.7.