Focus on Kalevi Aho Tommie Haglund Festivals
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SUOMI – FINLAND 100 A CENTURY OF FINNISH CLASSICS SUOMI – FINLAND 100 A CENTURY OF FINNISH CLASSICS CD 1 74:47 FINNISH ORCHESTRAL WORKS I Jean Sibelius (1865–1957) 1 Andante festivo (1922, orch. Jean Sibelius, 1938) 3:44 Helsinki Philharmonic Orchestra & Leif Segerstam, conductor Robert Kajanus (1856–1933) 2 Overtura sinfonica (1926) 9:10 Helsinki Philharmonic Orchestra & Leif Segerstam, conductor Leevi Madetoja (1887–1947) 3 Sunday Morning (Sunnuntaiaamu) from Rural Pictures (Maalaiskuvia), Op. 77 (1936) [From music to the filmBattle for the House of Heikkilä] 4:20 Tampere Philharmonic Orchestra & John Storgårds, conductor Ernest Pingoud (1887–1942) 4 Chantecler (1919) 7:33 Finnish Radio Symphony Orchestra & Sakari Oramo, conductor Väinö Raitio (1891–1945) 5 Fantasia poetica, Op. 25 (1923) 10:00 Finnish Radio Symphony Orchestra & Jukka-Pekka Saraste, conductor 2 Uuno Klami (1900–1961) 6 Karelian Rhapsody (Karjalainen rapsodia), Op. 15 (1927) 14:24 Finnish Radio Symphony Orchestra & Sakari Oramo, conductor Erkki Melartin (1875–1937) Music from the Ballet The Blue Pearl (Sininen helmi), Op. 160 (1928–30) 7 II. Entrée avec pantomime 4:00 8 VIII. Scène (Tempête) 2:32 9 XIV. Pas de deux 3:07 Finnish Radio Symphony Orchestra & Hannu Lintu, conductor Aarre Merikanto (1893–1958) 10 Intrada (1936) 5:40 Helsinki Philharmonic Orchestra & Leif Segerstam, conductor Uuno Klami (1900–1961) 11 The Forging of the Sampo (Sammon taonta) from the Kalevala Suite (1943) 7:24 Helsinki Philharmonic Orchestra & John Storgårds, conductor Einar Englund (1916–1999) 12 The Reindeer Ride (Poroajot) (1952) Music from the filmThe White Reindeer (Valkoinen Peura) (1952) 1:24 Helsinki Philharmonic Orchestra & Leif Segerstam, conductor 3 CD 2 66:42 FINNISH ORCHESTRAL WORKS II Heikki Aaltoila (1905–1992) 1 Wedding Waltz of Akseli and Elina (Akselin ja Elinan häävalssi) (1968) 3:53 Music from the filmUnder the North Star (Täällä Pohjantähden alla) Tampere Philharmonic Orchestra & John Storgårds, conductor Aulis Sallinen (b. -
The Chamber Music Society of Lincoln Center
Concerts from the Library of Congress 2013-2014 THE DINA KOSTON AND ROGER SHAPIRO fUND fOR nEW mUSIC THE CHAMBER MUSIC SOCIETY oF LINCOLN CENTER Thursday, April 10, 2014 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building THE DINA KOSTON AND ROGER SHAPIRO FUND FOR NEW MUSIC Endowed by the late composer and pianist Dina Koston (1929-2009) and her husband, prominent Washington psychiatrist Roger L. Shapiro (1927-2002), the DINA KOSTON AND ROGER SHAPIRO FUND FOR NEW MUSIC supports commissions and performances of contemporary music. Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. Presented in association with: The Chamber Music Society’s touring program is made possible in part by the Lila Acheson and DeWitt Wallace Endowment Fund. Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Thursday, April 10, 2014 — 8 pm THE DINA KOSTON AND ROGER SHAPIRO fUND fOR nEW mUSIC THE CHAMBER MUSIC SOCIETY oF LINCOLN CENTER • Gilles Vonsattel, piano Nicolas Dautricourt, violin Nicolas Altstaedt, cello Amphion String Quartet Katie Hyun, violin David Southorn, violin Wei-Yang Andy Lin, viola Mihai Marica, cello Tara Helen O'Connor, flute Romie de Guise-Langlois, clarinet Jörg Widmann, clarinet Ian David Rosenbaum, percussion 1 Program PIERRE JALBERT (B. -
Festival Season, Here I Come!
BACHELOR THESIS Festival season, here I come! A study on the factors motivating Dutch techno-house music festival visitors for attending these music festivals N.E. Slager S1953346 Research Supervisor: Dr. T.J.L. van Rompay Communication Science Faculty of Behavioural, Management and Social Sciences University of Twente The Netherlands 25 June 2021 Abstract Background and purpose – As the competition in the music festival landscape increases, festival organisations need to differentiate themselves and need to obtain unique positionings in the festival market. It is of high relevance for festival organisations to better understand the factors that motivate festival visitors and gather insights in the benefits they seek. Therefore, this research explores the motivating factors of Dutch techno-house music festival visitors, using a festival-tailored framework combining the concept of the “experience economy” with social and technological factors. Furthermore, this study aims to analyse the applicability of the concept of the experience economy together with directions on how to differentiate in today’s competitive festival landscape. Methodology – Eleven semi-structured interviews were conducted to gain insights on attitudes, experiences and motivations of techno-house festival attendees. The interviews were combined with a short questionnaire in which the participants had to rate the different aspects of the framework on their importance. Results – Generally, the results of this study show that socialization is the most important motivating factor for visiting festivals. Additionally, the atmosphere of the festival is of high importance for the motivation to visit festivals. This atmosphere can be created by an overarching theme, to which the esthetics, entertainment and technological aspects need to be adapted. -
The Songs of Michael Head: the Georgian Settings (And Song Catalogue)
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1990 The onS gs of Michael Head: The Georgian Settings (And Song Catalogue). Loryn Elizabeth Frey Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Frey, Loryn Elizabeth, "The onS gs of Michael Head: The Georgian Settings (And Song Catalogue)." (1990). LSU Historical Dissertations and Theses. 4985. https://digitalcommons.lsu.edu/gradschool_disstheses/4985 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS The most advanced technology has been used to photograph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. -
Aulis Sallinen: a Catalogue of the Orchestral and Choral Music
AULIS SALLINEN: A CATALOGUE OF THE ORCHESTRAL AND CHORAL MUSIC 1956: Two Mythical Scenes for Orchestra, op.1: 12 minutes 1959-60: Concerto for Chamber Orchestra, op.3: 22 minutes 1961: Variations for Cello and Orchestra, op.5: 18 minutes 1962: Three Lyrical Songs of Death for baritone, male choir and chamber orchestra, op.6: 15 minutes “Mauermusik” for orchestra, op.7: 9 minutes + (cpo cd) 1963: Variations for Orchestra, op.8: 10 minutes + (BIS cd) 1964: Metamorphosen for Piano and Chamber Orchestra: 20 minutes 1967: Ballet “Variations sur Mallarme”, op. 16: 24 minutes 1968: Violin Concerto, op.18: 18 minutes + (BIS and cpo cds) 1969/1981: “Some Aspects of Peltoniemi Hintrik’s Funeral March” for string orchestra, op. 19: 12 minutes + (Finlandia and BIS cds) 1970: “Chorali” for winds, percussion, harp and celeste, op.22: 11 minutes + (BIS and cpo cds) 1971: Symphony No.1, op. 24: 16 minutes + (BIS and cpo cds) “Suite grammaticale” for children’s choir and chamber orchestra, op.28: 14 minutes + (Ondine cd) 1972: Symphony No.2 “Symphonic Dialogue” for percussion and orchestra, op. 29: 16 minutes + (BIS and cpo cds) 1972-73: Four Dream Songs (from the Opera “The Horseman”) for soprano and orchestra, op. 30: 12 minutes + (BIS cd) 1975: Symphony No.3, op.35: 23 minutes + (BIS and cpo cds) Chamber Music I for string orchestra, op.38: 11 minutes + (Finlandia and BIS cds) 1976: Chamber Music II for alto flute and string orchestra, op.41: 13 minutes + (BIS cd) Cello Concerto, op.44: 25 minutes + (Finlandia and cpo cds) 1976-78: “Simana Arhippaini’s -
POSITIVE Schnews
wake up! wake up! ITS YER CLIMATIC SchNEWSPrinted and Published in Brighton by Justice? Weekly Friday 16th June 2000 http://www.schnews.org.uk/ Issue 263 Free/Donation WEATHERCOCK -UP “The oil companies have already found government were asked to vote on what enough oil to cause dangerous climate issue they considered the biggest threat CRAP ARREST OF THE WEEK change. Yet they continue to look for more. to business over the next century. The re- * For trying to speak. Two people who The effects on the climate could be cata- sult? Global climate change. went to speak at a teach-in on the human strophic.” Greenpeace No, the real problem is how to try and rights and environmental impacts of the oil When we hear the words ‘climate stop it happening. As Mark Lynas of Cor- industry we’re arrested, detained, and de- change’ there’s a tendency for all of us to porate Watch points out: “The only realis- nied entry by Canadian immigration offi- find a large hole and stick our heads in it, tic way to confront both climate change cials at Calgary International Airport. The or to rave on about how we could do with a and the inequalities which create it is for officials told the two that they were de- bit more sunshine anyway, so what’s the ordinary people to organise globally and tained because of their involvement in ac- big deal. Which is understandable really tivities critical of the World Petroleum Con- create a new approach. If this seems ini- gress. -
The Dale Warland Singers, Sunday, February 13
THE DALE WARLAND SINGERS Dale Warland, Conductor First Covenant Church 1280 Arcade Street St. Paul, Minnesota Sunday, February 13, 1983 4:00 P.M. I AMERICANRELIGIOUS MlEIC Gloria (from The Masque of Angels) .........•... Dominick Argento Dominick Argento is a Regent's Professor of Music at the Univ~rsity of Minnesota, where he teaches Composition and the History of Opera. ~ He is a winner of the Pulitzer Prize for his 1975 song cyc l.e.,From the Diary of Virginia Woolf, and is a member of the American Academy and Institute of Arts and Letters. Ye Shall Have A Song (from The Peaceable Kingdom) ..... Randall Thompson Ye shall have a song, as in the night when a holy solemnity is kept, and gladness of heart as when one goeth with a pi~ to come into the mountain of the Lord. (Isaiah 30:29) II Suite de Lorca, Opus 72 (1976) •••• • Einojuhani Rautavaara (sung in Spanish) I. Cancion de jinete (Song of the Horseman) II. El grito (The Scream) III. La luna asomo (The Moon Rises) Carol Hofstad, soprano IV. Malaguena (Song of Malaga) An internationally-recognized Finnish composer, Rautavaara is cur- rently Professor of Composition at the Sibelius Academy in Helsinki. In the Lorca Suite he captures the melancholy of the four Lorca poems in a setting that reflects both the harsh sunlight and deep shadows of Spain. III Mass in G Minor (1923). • • • • • • • • ••••• Ralph Vaughan Williams (sung in Latin) Elizabeth Miller, soprano Roxanne L. Bentley, alto William Rollie, tenor Frank Steen, bass I. Kyrie II. Gloria III. Credo IV. Sanctus - Osanna I - Benedictus - Osanna II V. -
Dancecult Bibliography: Books, Articles, Theses, Lectures, and Films About Electronic Dance Music Cultures
City University of New York (CUNY) CUNY Academic Works Publications and Research CUNY Graduate Center 2010 Dancecult Bibliography: Books, Articles, Theses, Lectures, and Films About Electronic Dance Music Cultures Eliot Bates CUNY Graduate Center How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_pubs/408 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] archive.today Saved from http://www.dancecult.net/bibliography.php search 3 Sep 2013 05:47:40 UTC webpage capture history All snapshots from host www.dancecult.net Linked from en.wikipedia.org » Talk:Trance (music genre)/Archive 1 Webpage Screenshot share download .zip report error or abuse Electronic dance music cultures bibliography Help expand this bibliography by submitting new references to dancecult! Complete list [sort by document type] [printable] [new entries] Abreu, Carolina. 2005. Raves: encontros e disputas. M.A. Thesis (Anthropology), University of São Paulo. [view online] Albiez, Sean and Pattie, David (eds.). 2010. Kraftwerk: Music Non Stop. New York / London: Continuum. [view online] Albiez, Sean. 2003. "'Strands of the Future: France and the birth of electronica'." Volume! 2003(2), 99-114. Albiez, Sean. 2003. "Sounds of Future Past: from Neu! to Numan." In Pop Sounds: Klangtexturen in der Pop- und Rockmusik, edited by Phleps, Thomas & von Appen, Ralf. Bielefeld: Transcript Verlag, 129-152. Albiez, Sean. 2005. "Post Soul Futurama: African American cultural politics and early Detroit Techno." European Journal of American Culture 24(2), 131-152. -
Lucia Di Lammermoor GAETANO DONIZETTI MARCH 3 – 11, 2012
O p e r a B o x Teacher’s Guide table of contents Welcome Letter . .1 Lesson Plan Unit Overview and Academic Standards . .2 Opera Box Content Checklist . .9 Reference/Tracking Guide . .10 Lesson Plans . .12 Synopsis and Musical Excerpts . .44 Flow Charts . .49 Gaetano Donizetti – a biography .............................56 Catalogue of Donizetti’s Operas . .58 Background Notes . .64 Salvadore Cammarano and the Romantic Libretto . .67 World Events in 1835 ....................................73 2011–2012 SEASON History of Opera ........................................76 History of Minnesota Opera, Repertoire . .87 così fan tutte WOLFGANG AMADEUS MOZART The Standard Repertory ...................................91 SEPTEMBER 25 –OCTOBER 2, 2011 Elements of Opera .......................................92 Glossary of Opera Terms ..................................96 silent night KEVIN PUTS Glossary of Musical Terms . .101 NOVEMBER 12 – 20, 2011 Bibliography, Discography, Videography . .105 werther Evaluation . .108 JULES MASSENET JANUARY 28 –FEBRUARY 5, 2012 Acknowledgements . .109 lucia di lammermoor GAETANO DONIZETTI MARCH 3 – 11, 2012 madame butterfly mnopera.org GIACOMO PUCCINI APRIL 14 – 22, 2012 FOR SEASON TICKETS, CALL 612.333.6669 620 North First Street, Minneapolis, MN 55401 Kevin Ramach, PRESIDENT AND GENERAL DIRECTOR Dale Johnson, ARTISTIC DIRECTOR Dear Educator, Thank you for using a Minnesota Opera Opera Box. This collection of material has been designed to help any educator to teach students about the beauty of opera. This collection of material includes audio and video recordings, scores, reference books and a Teacher’s Guide. The Teacher’s Guide includes Lesson Plans that have been designed around the materials found in the box and other easily obtained items. In addition, Lesson Plans have been aligned with State and National Standards. -
THE MERRY WIDOW Music by Franz Lehar English Dialogue by Gershom Clark Morningstar Lyrics by Adrian Ross and Ronald Orenstein
THE MERRY WIDOW Music by Franz Lehar English Dialogue by Gershom Clark Morningstar Lyrics by Adrian Ross and Ronald Orenstein FEATURES OF THIS SHOW The Merry Widow was a major hit in the United States, two years after it opened in Vienna. It boasted an English translation by Adrian Ross, a major lyricist in England. Although other librettos have been written for it since, Ross’s lyrics hold up very well, when modified for modern audiences. They convey the language that marks the period that is so important for the style of the show. Gershom Morningstar was commissioned by the Guild to rework the dialog, which was the show's weakest feature. New elements were added for plot depth and to increase the humor Obviously a star vehicle for a soprano as the Widow, the tenor De Rosillon and the soprano Valencienne have glorious duet material. The role of Danilo is one of the few chances for a baritone to be the romantic lead. The character moving the plot is Baron Zeta, who may be primarily an actor, as he sings little. There are good opportunities for supporting characters as well. CAST REQUIREMENTS Widow Hanna Glavari, soprano Marquis Cascada, baritone Count Danilo Danilovitch, baritone M. St. Brioche, a dandy, tenor Baron Mirko Zeta, actor General Cromov, actor, chorus Betush, his secretary, male or female actor Olga, his wife, actor, chorus Valencienne, his wife, soprano General Bogdanovitch, actor, chorus Camille, her lover, tenor Sylvaine, his wife, actor, chorus Zozo, the lead grisette, mezzo-soprano Praskovia Pritschitz, actor, chorus Six Grizettes, dancers Folk dancers, act 2 Chorus of embassy officials and their wives MUSICAL NUMBERS Overture........................................................................................ -
ORCHESTRA 2001 Ann Crumb, Soprano & Patrick Mason, Baritone
Concerts from the Library of Congress 2012-2013 THE DINA KOSTON AND ROGER SHAPIRO FUND FOR NEW MUSIC ORCHESTRA 2001 Ann Crumb, soprano & Patrick Mason, baritone James Freeman, Conductor FRIDAY, May 3, 2013 8 o’clock in the EVENING Coolidge Auditorium Library of Congress, Thomas Jefferson Building THE DINA KOSTON AND ROGER SHAPIRO FUND FOR NEW MUSIC Endowed by the late composer and pianist Dina Koston (1929-2009) and her husband, prominent Washington psychiatrist Roger L. Shapiro (1927-2002), the DINA KOSTON AND ROGER SHAPIRO FUND FOR NEW MUSIC supports commissions and performances of contemporary music. In 1935 Gertrude Clarke Whittall gave the Library of Congress five Stradivari instruments and three years later built the Whittall Pavilion in which to house them. The GERTRUDE clarke whittall Foundation Thewas audio -visual equipment in the Coolidge Auditorium was funded in part by the Ira and Leonore Gershwin Fund in the Library of Congress. Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. Please take note: UNAUTHORIZED USE OF PHOTOGRAPHIC AND SOUND RECORDING EQUIPMENT IS STRICTLY PROHIBITED. PATRONS ARE REQUESTED TO TURN OFF THEIR CELLULAR PHONES, ALARM WATCHES, OR OTHER NOISE-MAKING DEVICES THAT WOULD DISRUPT THE PERFORMANCE. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. -
Concert & Recital Programs Concert & Recital Programs
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 4-30-2019 Concert: Spring Concert 2019 Ithaca College Madrigal Singers Ithaca College Women's Chorale Ithaca College Chorus Sean Linfors Janet Galván See next page for additional authors Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Ithaca College Madrigal Singers; Ithaca College Women's Chorale; Ithaca College Chorus; Linfors, Sean; Galván, Janet; and Rinaldi, Melodia Mae, "Concert: Spring Concert 2019" (2019). All Concert & Recital Programs. 6075. https://digitalcommons.ithaca.edu/music_programs/6075 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Authors Ithaca College Madrigal Singers, Ithaca College Women's Chorale, Ithaca College Chorus, Sean Linfors, Janet Galván, and Melodia Mae Rinaldi This program is available at Digital Commons @ IC: https://digitalcommons.ithaca.edu/music_programs/6075 Spring Concert 2019 Ithaca College Madrigal Singers Sean Linfors, conductor Ithaca College Women's Chorale Janet Galván, conductor Ithaca College Chorus Sean Linfors, conductor Raul Dominguez and Melodia Mae Rinaldi, graduate conductors Ford Hall Tuesday, April 30, 2019, 8:15 PM Ithaca College Madrigal Singers Sean Linfors, conductor Wachet auf, ruft uns die Stimme Johann Sebastian