Edward Arden and the Earl of Leicester
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“Powerful Arms and Fertile Soil”
“Powerful Arms and Fertile Soil” English Identity and the Law of Arms in Early Modern England Claire Renée Kennedy A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in History and Philosophy of Science University of Sydney 2017 ACKNOWLEDGEMENTS My greatest thanks and appreciation to Ofer Gal, who supervised my PhD with constant interest, insightfulness and support. This thesis owes so much to his helpful conversation and encouraging supervision and guidance. I have benefitted immensely from the suggestions and criticisms of my examiners, John Sutton, Nick Wilding, and Anthony Grafton, to whom I owe a particular debt. Grafton’s suggestion during the very early stages of my candidature that the quarrel between William Camden and Ralph Brooke might provide a promising avenue for research provided much inspiration for the larger project. I am greatly indebted to the staff in the Unit for History and Philosophy of Science: in particular, Hans Pols for his unwavering support and encouragement; Daniela Helbig, for providing some much-needed motivation during the home-stretch; and Debbie Castle, for her encouraging and reassuring presence. I have benefitted immensely from conversations with friends, in and outside the Unit for HPS. This includes, (but is not limited to): Megan Baumhammer, Sahar Tavakoli, Ian Lawson, Nick Bozic, Gemma Lucy Smart, Georg Repnikov, Anson Fehross, Caitrin Donovan, Stefan Gawronski, Angus Cornwell, Brenda Rosales and Carrie Hardie. My particular thanks to Kathryn Ticehurst and Laura Sumrall, for their willingness to read drafts, to listen, and to help me clarify my thoughts and ideas. My thanks also to the Centre for Editing Lives and Letters, University College London, and the History of Science Program, Princeton University, where I benefitted from spending time as a visiting research student. -
Image and Influence: the Political Uses of Music at the Court of Elizabeth I
Image and Influence: The Political Uses of Music at the Court of Elizabeth I Katherine Anne Butler Royal Holloway, University of London Submitted for the Degree of Doctor of Philosophy Acknowledgements With thanks to all the people who supported me throughout my research, especially: My supervisor, Stephen Rose, My advisors, Elizabeth Eva Leach and Anna Whitelock, The Arts and Humanities Research Council for funding this research, Royal Holloway Music Department for conference grants, My proofreaders, Holly Winterton, Sarah Beal, Janet McKnight and my Mum, My parents and my fiancé, Chris Wedge, for moral support and encouragement. Declaration of Authorship I, Katherine Butler, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: ______________________ Date: ________________________ 2 Abstract In their Cantiones sacrae (1575), court musicians William Byrd and Thomas Tallis declared that ‘music is indispensable to the state’ (necessarium reipub.). Yet although the relationship between Elizabethan politics and literature has been studied often, there has been little research into the political functions of music. Most accounts of court music consist of documentary research into the personnel, institutions and performance occasions, and generally assume that music’s functions were limited to entertainment and displays of magnificence. However, Elizabethans believed that musical concord promoted a social harmony that would ease the process of government; hence politics and music were seen as closely connected. This thesis is an interdisciplinary investigation into the role of music in constructing royal and courtly identities and influencing Elizabeth’s policies and patronage. -
Northamptonshire Past and Present, No 64
JOURNAL OF THE NORTHAMPTONSHIRE RECORD SOCIETY WOOTTON HALL PARK, NORTHAMPTON NN4 8BQ ORTHAMPTONSHIRE CONTENTS AST AND RESENT Page NP P Number 64 (2011) 64 Number Notes and News … … … … … … … … … … … … … … … … … … … … … 3 Eton’s First ‘Poor Scholars’: William and Thomas Stokes of Warmington, Northamptonshire (c.1425-1495) … … … … … … … … … 5 Alan Rogers Sir Christopher Hatton … … … … … … … … … … … … … … … … … … 22 Malcolm Deacon One Thing Leads to Another: Some Explorations Occasioned by Extracts from the Diaries of Anna Margaretta de Hochepied-Larpent … … … … 34 Tony Horner Enclosure, Agricultural Change and the Remaking of the Local Landscape: the Case of Lilford (Northamptonshire) … … … … 45 Briony McDonagh The Impact of the Grand Junction Canal on Four Northamptonshire Villages 1793-1850 … … … … … … … … … … … … … … … … … … … 53 Margaret Hawkins On the Verge of Civil War: The Swing Riots 1830-1832 … … … … … … … 68 Sylvia Thompson The Roman Catholic Congregation in Mid-nineteenth-century Northampton … … … … … … … … … … … … … … … … … … … … … 81 Margaret Osborne Labourers and Allotments in Nineteenth-century Northamptonshire (Part 1) … … … … … … … … … … … … … … … … … … … … … … … 89 R. L. Greenall Obituary Notices … … … … … … … … … … … … … … … … … … … … 98 Index … … … … … … … … … … … … … … … … … … … … … … … … 103 Cover illustration: Portrait of Sir Christopher Hatton as Lord Chancellor and Knight of the Garter, a copy of a somewhat mysterious original. Described as ‘in the manner of Marcus Gheeraerts the Younger’ it was presumably painted between Hatton’s accession to the Garter in 1588 and his death in 1591. The location and ownership of the original are unknown, and it was previously unrecorded by the National Portrait Gallery. It Number 64 2011 £3.50 may possibly be connected with a portrait of Hatton, formerly in the possession of Northamptonshire Record Society the Drake family at Shardeloes, Amersham, sold at Christie’s on 26 July 1957 (Lot 123) and again at Sotheby’s on 4 July 2002. -
Uniform Guide
UNIFORM GUIDE The Pyghtle, Wellingborough, Northamptonshire, NN8 4RP. Tel: 01933 226 077 Email: [email protected] Website: www.hattonacademy.org.uk HATTON ACADEMIES TRUST LTD. REGISTERED IN ENGLAND & WALES. COMPANY NUMBER: 07949111. REGISTERED OFFICE: THE PYGHTLE, WELLINGBOROUGH, NORTHAMPTONSHIRE, NN8 4RP Uniform Policy Pupils’ dress is an important aspect in reflecting our ethos of high standards of work and behaviour. Our distinctive uniform aims to give a corporate and shared appearance for pupils and sets the scene for a business like approach to the school day. We are proud of our students, their behaviour and appearance, both in and out of school and they are a credit to us. We intend to ensure that our standards are maintained. We request that parents/carers support our uniform expectations as detailed in this booklet, by ensuring that their child/children are appropriately dressed for school, and support us in the use of sanctions for non-compliance. Sir Christopher Hatton Academy UNIFORM GUIDE Compulsory Items In addition to plain black trousers/skirt and a plain white shirt/blouse (which can be purchased through a retailer of your choice), students are required to wear the following uniform, which must be purchased via the Sportswear International Direct to Parents Service as these items are no longer available to order through the school:- Compulsory Day Wear: Black Blazer—with embroidered logo Tie with house colour Compulsory PE Kit: Blue Polo Shirt with logo Black PE Shorts with logo Black PE Socks with logo Sir Christopher Hatton Academy UNIFORM GUIDE Optional Items Optional Day Wear: Black V Neck Jumper with the school logo (Please note only our jumpers with the school logo can be worn) White Polo Shirt with the school logo (Summer Term Only) Optional PE Kit: Black PE Fleece with the school logo Black PE Tracksuit Bottoms with the school logo Please visit our website hattonacademy.org.uk for full details of how to place an order via our supplier, Sportswear International. -
Mapmaking in England, Ca. 1470–1650
54 • Mapmaking in England, ca. 1470 –1650 Peter Barber The English Heritage to vey, eds., Local Maps and Plans from Medieval England (Oxford: 1525 Clarendon Press, 1986); Mapmaker’s Art for Edward Lyman, The Map- world maps maker’s Art: Essays on the History of Maps (London: Batchworth Press, 1953); Monarchs, Ministers, and Maps for David Buisseret, ed., Mon- archs, Ministers, and Maps: The Emergence of Cartography as a Tool There is little evidence of a significant cartographic pres- of Government in Early Modern Europe (Chicago: University of Chi- ence in late fifteenth-century England in terms of most cago Press, 1992); Rural Images for David Buisseret, ed., Rural Images: modern indices, such as an extensive familiarity with and Estate Maps in the Old and New Worlds (Chicago: University of Chi- use of maps on the part of its citizenry, a widespread use cago Press, 1996); Tales from the Map Room for Peter Barber and of maps for administration and in the transaction of busi- Christopher Board, eds., Tales from the Map Room: Fact and Fiction about Maps and Their Makers (London: BBC Books, 1993); and TNA ness, the domestic production of printed maps, and an ac- for The National Archives of the UK, Kew (formerly the Public Record 1 tive market in them. Although the first map to be printed Office). in England, a T-O map illustrating William Caxton’s 1. This notion is challenged in Catherine Delano-Smith and R. J. P. Myrrour of the Worlde of 1481, appeared at a relatively Kain, English Maps: A History (London: British Library, 1999), 28–29, early date, no further map, other than one illustrating a who state that “certainly by the late fourteenth century, or at the latest by the early fifteenth century, the practical use of maps was diffusing 1489 reprint of Caxton’s text, was to be printed for sev- into society at large,” but the scarcity of surviving maps of any descrip- 2 eral decades. -
The Details of English Fashions of the Sixteenth Century: Men's Clothing
The Details of English Fashions of the Sixteenth Century: Men’s Clothing Examined by Decade by Margaret Roe Also published online at http://www.margaretroedesigns.com/fashions.html © 2010 1 Overview 1500s Shirts, cuffs and collars The shirt of the 1500s was full in the body, gathered into the neckline, sometimes with a narrow collar and sometimes into a scoop-neckline. The sleeves are unseen, but are probably either gathered into a small cuff or simply hemmed. Blackwork is not yet seen at the edges of men's shirts. Breeches Breeches of this decade continued to be the joined hose and codpiece of the fifteenth century. Doublets and jerkins Both doublets and jerkins are worn at this time. The doublet usually had a narrow standing collar, no more than 1" high, whereas the jerkin had a low, round neckline. Both had long skirts, extending to the knees, and both were simplify trimmed. Sleeves Sleeves are often difficult to see under the overgown, but appear to be of two common styles: either narrow but loose sleeves, or narrow to just above the elbow and full to the shoulder, possibly stuffed or padded to maintain a full shape. Sleeves usually matched the doublet or jerkin and were probably sewn into it. Over garments Finally, overgowns are seen in most portraits. These gowns fall either to mid-calf or to the ankles. They most often have very full, long sleeves, but occasionally, the sleeves are only elbow-length or are turned back over the elbows. The collar is turned back around the neck to reveal a different colored lining, which was sometimes fur. -
THE COAT of ARMS an Heraldic Journal Published Twice Yearly by the Heraldry Society the COAT of ARMS the Journal of the Heraldry Society
Third Series Vol. VI Part 2 ISSN 0010-003X No. 220 Price £12.00 Autumn 2010 THE COAT OF ARMS an heraldic journal published twice yearly by The Heraldry Society THE COAT OF ARMS The journal of the Heraldry Society Third series Volume VI 2010 Part 2 Number 220 in the original series started in 1952 The Coat of Arms is published twice a year by The Heraldry Society, whose registered office is 53 High Street, Burnham, Slough SL1 7JX. The Society was registered in England in 1956 as registered charity no. 241456. Founding Editor +John Brooke-Little, C.V.O., M.A., F.H.S. Honorary Editors C. E. A. Cheesman, M.A., PH.D., Richmond Herald M. P. D. O'Donoghue, M.A., Bluemantle Pursuivant Editorial Committee Adrian Ailes, M.A., D.PHIL., F.S.A., F.H.S. Jackson W. Armstrong, B.A., M.PHIL., PH.D. Noel Cox, LL.M., M.Theol., PH.D., M.A., F.R.Hist.S. Andrew Hanham, B A., PH.D. Advertizing Manager John Tunesi of Liongam PLATE 3 Thomas Lant, The Funeral Procession of Sir Philip Sidney (1587-8). Above (a), plate 5. Below (b), plate 6. See pages 76-8. By permission of the Anne S. K. Brown Military Collection, Brown University Library. 4 E PLAT Arms, crest and non-heraldic banner of (a) Captain Edward Wingate and (b) Captain Fletwood, of the Parliamentary army, c. 1649. BL Add. Ms. 5247 ('Regimental Banners'), fos. 17 and 44. See page 78. © British Library Board. All rights reserved SOME ASPECTS OF THE 'CRISIS OF HERALDRY' Clive Cheesman My title comes from that of an important article of 1982 by the eminent French scholar of heraldry and symbols, Michel Pastoureau, identifying a phase in the early modern period when heraldry no longer satisfied the very classes who had developed it and with whom it was popularly associated, leading to the creation of new forms of personal and corporate symbolism.1 It is this phase and its manifestation in England that I want to look at. -
The Elizabethan Court Day by Day--1580
1580 1580 At WHITEHALL PALACE Jan 1,Fri New Year gifts. New Year Gift roll not extant, but Sir Gilbert Dethick, Garter King of Arms, gave the Queen a Book of Arms of the Knights of the Garter ‘made in the reign of Henry II and Richard I’. Also Jan 1: Edward Stafford at Whitehall after special embassy to France. Spanish Ambassador, Mendoza, to Philip II, Jan 13, London: On the 1st ‘Stafford arrived here, having been sent by Alençon with a letter to the Queen, in the sealing-wax of which was embedded an emerald worth 400 crowns...Stafford said that Alençon would soon be here; two persons of rank however would precede him. Alençon gave him a chain of a 1000 crowns, and as much more in jewels and buttons. The Queen sent a post to Alençon on the night Stafford arrived, and told the latter to make ready for his speedy return to France’. [Span.iii.1-2]. Also Jan 1: play: The Four Sons of Fabius, by Earl of Warwick’s Men. Revels provided: ‘Senators’ gowns; three head attires; women’s scarves and girdles; a city; a mount; six pair of gloves’. Jan 3,Sun play: Scipio Africanus, by the Children of Paul’s. Revels provided: ‘Triumphant ensigns and banners new made; scarves and garters; a city; a battlement; 18 pair of gloves’. Jan 6,Wed play, a history, by Earl of Leicester’s Men. Revels provided: ‘a city; a country house; seven pair of gloves’. Court news. Jan 12, London, Sir George Bowes to his brother Robert Bowes: ‘The marriage is on foot again’ and ‘her Highness seems as forward as ever’. -
Subject Indexes
Subject Indexes. p.4: Accession Day celebrations (November 17). p.14: Accession Day: London and county index. p.17: Accidents. p.18: Accounts and account-books. p.20: Alchemists and alchemy. p.21: Almoners. p.22: Alms-giving, Maundy, Alms-houses. p.25: Animals. p.26: Apothecaries. p.27: Apparel: general. p.32: Apparel, Statutes of. p.32: Archery. p.33: Architecture, building. p.34: Armada; other attempted invasions, Scottish Border incursions. p.37: Armour and armourers. p.38: Astrology, prophecies, prophets. p.39: Banqueting-houses. p.40: Barges and Watermen. p.42: Battles. p.43: Birds, and Hawking. p.44: Birthday of Queen (Sept 7): celebrations; London and county index. p.46: Calendar. p.46: Calligraphy and Characterie (shorthand). p.47: Carts, carters, cart-takers. p.48: Catholics: selected references. p.50: Census. p.51: Chapel Royal. p.53: Children. p.55: Churches and cathedrals visited by Queen. p.56: Church furnishings; church monuments. p.59: Churchwardens’ accounts: chronological list. p.72: Churchwardens’ accounts: London and county index. Ciphers: see Secret messages, and ciphers. p.76: City and town accounts. p.79: Clergy: selected references. p.81: Clergy: sermons index. p.88: Climate and natural phenomena. p.90: Coats of arms. p.92: Coinage and coins. p.92: Cooks and kitchens. p.93: Coronation. p.94: Court ceremonial and festivities. p.96: Court disputes. p.98: Crime. p.101: Customs, customs officers. p.102: Disease, illness, accidents, of the Queen. p.105: Disease and illness: general. p.108: Disease: Plague. p.110: Disease: Smallpox. p.110: Duels and Challenges to Duels. -
The Family of Piers Hatton of Kirstibriches
The Family of Piers Hatton of Kirstibriches Thus began the search by the future Sir Christopher Hatton for the “true petigre of my name” based on “suche Emblasons as serve to my purpose.”1 His correspondent, Ralph Dutton of Hatton, was the heir to the estates of the family of Hatton of Hatton and the senior representative of that family.2 It seems Dutton was not convinced of Christopher Hatton’s claims, as two years later Dutton’s brother-in-law, Henry Townsend, felt the need to advise him on the matter: The words “he cold not warrant theme, nor the colledge of the harrolds justly confirme theme” suggest Dutton’s doubts were justified. Townsend advised him to choose between “a worshipfull kinseman to be a piller to you and yors” or an enemy who “maye have just cause of mislike and unkindenes in yowe.” Dutton wisely accepted Hatton as a kinsman. Christopher Hatton’s researcher, Lawrence Bostock, completed his work and his research formed the basis of all later Hatton pedigrees. According to Bostock, the Hattons descended from “Ivon a noble man of Normandy [who] had 6 sons which came into England with William Conqueror.”3 1 According to Bostock, by the sixteenth century the family was represented by eight main branches. The eight branches were said to be descended from eight of the ten sons of Piers Hatton of Kirsty Birches and his first wife Margaret Bostock.4 Left: Hatton impaling Bostock as Hatton pedigrees claim them to have been 5 Right: Hatton impaling Bostock as depicted in 1640 6 Piers Hatton Piers or Peter Hatton was living in 38 Hen. -
Step Into the Frame: Tudor and Jacobean
STEP INTO THE FRAME A Resource for Teachers of History and other subjects at Key Stage 3 using Tudor and Jacobean portraits from the National Portrait Gallery, London, on loan to Montacute House, Somerset A Portrait Resource for Teachers at Key Stage 3 Queen Elizabeth I by or after George Gower, oil on panel, c.1588 (NPG 541) © National Portrait Gallery, London 2/37 A Portrait Resource for Teachers at Key Stage 3 Contents • Introduction . 3 • King Henry VIII . 4 • Thomas More and Thomas Cromwell . 9 • Queen Elizabeth I – the ‘Armada’ portrait . 16 • Sir Christopher Hatton and Sir Walter Ralegh . 20 • Sir Edward Hoby . 23 • The Duke of Buckingham and his Family . 27 • Additional Portraits for further investigation: Set of Kings and Queens . 33 Teachers’ Resource Step into the Frame National Portrait Gallery / National Trust 3/37 A Portrait Resource for Teachers at Key Stage 3 Introduction This resource for Secondary School Teachers focuses principally on a selection of the Tudor portraits usually on display at Montacute House in Somerset. Since the 1970s, Tudor and Jacobean portraits from the National Portrait Gallery’s collection have been on view in this beautiful Jacobean country house, as part of the Gallery's partnership with the National Trust. www .npg .org .uk/beyond/montacute-house .php www .nationaltrust .org .uk/main/w-vh/w-visits/w-findaplace/w-montacute The Learning Managers at both the National Portrait Gallery in London and at Montacute House have combined their expertise to produce this detailed and practical guide for using these portraits in the classroom. Each of the sections of this teachers’ resource looks at one or more portraits in depth. -
The Life of Sir Edward Coke
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com | ſſſſſſſſſſſſſſſſſſſſſſſſſſſſſſ ſiſili THE LIFE OF SIR EDWARD COKE, LORD CHIEF JUSTICE OF ENGLAND IN THE REIGN OF JAMES I. WITH MEMOIRS OF HIS CONTEMPORARIES BY CUTHBERT WILLIAM JOHNSON, Esq. OF GRAY'S INN, BARRISTER-AT-LAW. SECOND EDITION. VOL.11. 'V.:.\ ': " LONDON : HENRY COLBURN, PUBLISHER, GREAT MARLBOROUGH STREET. M.DCCCXLV. 1^ TO NEW YC?,K PUBLIC LIBRARY ASTOR, LENOX ANB TILDKN FOUNDATIONS CONTENTS OF THE SECOND VOLUME. CHAPTER I. 1616—1617. Coke anxious to be restored to the favour of the court — The quarrel between Secretary Winwood and the Chancellor Bacon — Proposes a marriage between his daughter Frances and Sir John Villiers. Buckingham's brother — Lady Hatton opposes the match — Carries her daughter off — Coke discovers her retreat, and recovers possession of her — Both Coke and his wife complain to the Privy Council — Memorial written for Lady Hatton — Lady Hatton a court beauty — Her conduct to Sir Edward Coke after his disgrace — Notices of them in the gossiping letters of that period — Letter of Lady Hatton to the Privy Council — Is out of favour at court — Petition to the King — Letters of Lady CONTENTS. Hatton to Buckingham — To the King — Again restored to favour at court — Ben Jonson's " Masque of Beauty" — Coke addresses a letter to Buckingham — — States the portion he intends to give his daughter and what Lady Hatton will give —Lady Hatton's letter to Buckingham.