NEREUS Spec Sheet

Total Page:16

File Type:pdf, Size:1020Kb

NEREUS Spec Sheet NEREUS/Odyssey II A self-contained underwater mass-spectrometer system SPECIFICATIONS Length: 2.2 m (87 inches) Diameter: 0.58 m (23 inches) Weight in Air: ~200 kg (441 lbs) Buoyancy:~+0.5 kg (+1lbs.) Depth Rating: max: 3000m {limitation: batt (200m)} About NEREUS/Odyssey II Speed: 1-3 knots Range / Endurance: 44 km / NEREUS (novel, efficient, rapid evaluation of underwater spectra) is a self-contained 8 hours underwater mass-spectrometer system capable of continuous measurements of gases and Batteries: LiPoly , 2.0 kWh - vapors dissolved in the water column. Rapid in-situ measurement minimizes or elimi- Bluefin Battery nates artifacts that are often a problem when collecting and storing samples for analysis of volatile constituents, and provides higher spatial and temporal resolution of chemical EKF Navigation: accuracy < 3% of distance traveled patterns than is possible with conventional techniques. Communications: freewave NEREUS has been integrated with an MIT Sea Grant Odys- ISM-band radio; WHOI sey class submersible to create the Nereus/Odyssey II. The acoustic modem, 25 kHz vehicle, in turn, has been integrated into an underwater data Chemical Sensors: NEREUS network (the NEREUS network) to obtain real-time chemi- mass spectrometer; Hydrolab cal data. Underwater mass spectrometers such as NEREUS multiprobe (D.O., pH, CTD, have wide application to many practical problems, such as ORP, Turbidity pollution monitoring and energy production, as well as to MIT Sea Grant AUV Lab fundamental Earth systems research. Dedicated to the development and application of autonomous NEREUS, developed in the lab of Leonhard Professor of Civil and Environmental Engi- underwater vehicles since 1989, neering, Harold Hemond, has been supported in part by MIT Sea Grant and developed MIT Sea Grant's AUV Lab is a in cooperation with the MIT Sea Grant AUV Lab. leading developer of advanced unmanned marine robots. Because our vehicles can function without tethers, cables, or remote control, they have a multitude of applications in oceanography, environmental monitoring, and underwater resource studies. The laboratory also serves as a training ground for students, visiting engineers, and scientists, from around the world, who learn from and contribute to the Lab's MIT Sea Grant AUV Lab 292 Main St, E38-300 Cambridge, MA 02142 Phone: 617 253-3402 Fax: 617 258-5730 e-mail: [email protected] web: http://auvlab.mit.edu MITSG 10‐4 .
Recommended publications
  • Hesiod Theogony.Pdf
    Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on.
    [Show full text]
  • Greek Mythology and Genesis
    Greek Mythology and Genesis Agenda • Overview of Early Genesis • World Cultures and Early Genesis • Greek Art/Greek Mythology – Noah/Nereus in Greek Art – Herakles/Nimrod – Zeus/Adam – Athena/Naamah • East Pediment of Parthenon – Understanding – Characters 2 Genesis (1-10) • Days of Creation (resting on the 7th) • The Creation of Adam and Eve • The Fall of Man • Cain and Abel – Cain’s descendants • Descendants of Adam • The Corruption of Mankind • The Flood • The Flood Subsides • Covenant of the Rainbow • Descendants of Noah – Shem – Japheth – Ham -Cush -Nimrod 3 Genesis in Cultures from Around the World Sagaiye Ottawa Lake of Llion Shang Ti Choctaw Gilgamesh Santal Tanzania Inca (Peru) Bunjil 4 ADAM AND EVE (ZEUS AND HERA) KAIN SETH (ARES) (HEPHAISTOS) Noah (Nereus) 5 ZEUS HERA Noah to Nimrod Shem Japheth 6 7 Did the Greeks Know Who Noah Was? 8 9 10 11 Noah’s Flood 12 13 HERAKLES’ REBELLION AGAINST NOAH 14 On this vase-painting, Herakles threatens Noah with his club. 15 Here, Herakles pushes Noah aside. And here, the vase-artist depicts Herakles bringing Noah and his rule to a halt. 16 17 18 Herakles’ first 11 labors and his other battles all had one objective—embodied in his 12th and final labor—getting back to the serpent-entwined tree in the ancient garden for another bite of 19 the serpent’s apple. Athena Nereus Kentaur Herakles 20 And Athena rewarded the great hero after he had pushed Noah and his God out of the picture and reestablished the way of Kain. 21 12 Labors of Herakles Temple of Zeus 22 Herakles Herakles Athena Geryon Atlas 23 Zeus/Adam at Olympia 24 Parthenon 26 27 • Displays the Greek ―story‖ of Genesis • Man’s ―triumph‖ over God • Reflection of Eden • Triumph of the Serpent • Deifies real people of history 28 29 30 31 Chrysothemis Lipara Hygeia Asterope The Greek poets and playwrights traced Zeus and Hera back to an ancient paradise they called the Garden of the Hesperides.
    [Show full text]
  • Apollo's Gallic Muses?
    Apollo’s Gallic Muses? In book three of the Chorographia (3.48), Pomponius Mela describes an oracular cult overseen by nine maritime priestesses (the Gallizenae: the Gauls of Sena). The nine women serve a Gallic divinity off the Ossismican coasts at the island of Sena (Sein, Pointe du Raz, Finistère, off the coast of Brittany), a known hazard for mariners owing to the currents for which the area is notorious (raz is Brettanic for “sea-current”) together with reefs that extend thirty or so miles westward from the island into the Chaussée de Sein. Remarkable for their virginity and purity, the priestesses are able to rouse the seas and winds with their chants, and they can transmogrify into “whatever animals they wish.” In addition, they allegedly can heal “whatever is incurable among other peoples.” Furthermore, the unnamed Gallic deity, to whom the Gallizenae are devoted, oversees a pilgrim cult to which sailors and others come in order to consult the priestesses. The Gallizenae subsequently share their proprietary knowledge only with pilgrims who make the dangerous journey by sea to their abode. Mela’s maritime priestesses are otherwise unattested (Silberman 1988: ad loc.). Attempts to link the Gallizenae with Druidism, however, have been posited but uniformly lack documentation and are unconvincing (e.g. MacKillop 2004: s.v. Gallizenae). Their number and chastity, nonetheless, evoke the tradition of Apollo, the poetic god closely associated with the nine muses, minor deities of poetic inspiration, who accompany him at Mt. Helicon. Like the god of Sena, Apollo was an oracular deity who spoke through undefiled women (e.g., the Pythia at Delphi, the Cumaean Sibyl, and Cassandra).
    [Show full text]
  • Symbolism of the Apple in Greek Mythology Highgate Private School Nicosia, CYPRUS
    Symbolism of the Apple in Greek Mythology Highgate Private School Nicosia, CYPRUS Apples appear throughout numerous world religions and mythologies as a common symbol and motif. It is important to note though that in Middle English as late as the 17th century, the word ‘apple’ was used as a generic term to describe all fruit other than berries, so the appearance of apples in ancient writings may not actually be the apples known today. The etymology of 'apple' is an interesting one. That aside, Greek mythology presents several notable apples: the Golden Apples in the Garden of Hesperides, different golden apples associated with Atalanta, and of course the golden Apple of Discord. Each appearance of apples presents unique examples of symbolism. The Golden Apples in the Garden of Hesperides were a wedding gift to Hera from Gaia and were protected by a great serpent called Ladon. The Apples as well as the rest of the life in the Garden were tended by the Hesperides, minor earth goddesses or nymphs and daughters of the Titan, Atlas. The Garden itself rested in an inaccessible spot near the edge of the world under the power of the Olympians. For his Eleventh Labor, Hercules was sent to the Garden to retrieve three Golden Apples for King Eurystheus. The exact location of the Garden and the Apples was unknown and Hercules had to pry the information from Nereus, the Old Man of the Sea. Along the way, he also encountered and freed Prometheus who told not to try pick the Golden Apples himself, but to ask Atlas.
    [Show full text]
  • Radar Observations and a Physical Model of Asteroid 4660 Nereus, a Prime Space Mission Target ∗ Marina Brozovic A, ,Stevenj.Ostroa, Lance A.M
    Icarus 201 (2009) 153–166 Contents lists available at ScienceDirect Icarus www.elsevier.com/locate/icarus Radar observations and a physical model of Asteroid 4660 Nereus, a prime space mission target ∗ Marina Brozovic a, ,StevenJ.Ostroa, Lance A.M. Benner a, Jon D. Giorgini a, Raymond F. Jurgens a,RandyRosea, Michael C. Nolan b,AliceA.Hineb, Christopher Magri c, Daniel J. Scheeres d, Jean-Luc Margot e a Jet Propulsion Laboratory, California Institute of Technology, Pasadena, CA 91109-8099, USA b Arecibo Observatory, National Astronomy and Ionosphere Center, Box 995, Arecibo, PR 00613, USA c University of Maine at Farmington, Preble Hall, 173 High St., Farmington, ME 04938, USA d Aerospace Engineering Sciences, University of Colorado, Boulder, CO 80309-0429, USA e Department of Astronomy, Cornell University, 304 Space Sciences Bldg., Ithaca, NY 14853, USA article info abstract Article history: Near–Earth Asteroid 4660 Nereus has been identified as a potential spacecraft target since its 1982 Received 11 June 2008 discovery because of the low delta-V required for a spacecraft rendezvous. However, surprisingly little Revised 1 December 2008 is known about its physical characteristics. Here we report Arecibo (S-band, 2380-MHz, 13-cm) and Accepted 2 December 2008 Goldstone (X-band, 8560-MHz, 3.5-cm) radar observations of Nereus during its 2002 close approach. Available online 6 January 2009 Analysis of an extensive dataset of delay–Doppler images and continuous wave (CW) spectra yields a = ± = ± Keywords: model that resembles an ellipsoid with principal axis dimensions X 510 20 m, Y 330 20 m and +80 Radar observations Z = 241− m.
    [Show full text]
  • Mythology, Greek, Roman Allusions
    Advanced Placement Tool Box Mythological Allusions –Classical (Greek), Roman, Norse – a short reference • Achilles –the greatest warrior on the Greek side in the Trojan war whose mother tried to make immortal when as an infant she bathed him in magical river, but the heel by which she held him remained vulnerable. • Adonis –an extremely beautiful boy who was loved by Aphrodite, the goddess of love. By extension, an “Adonis” is any handsome young man. • Aeneas –a famous warrior, a leader in the Trojan War on the Trojan side; hero of the Aeneid by Virgil. Because he carried his elderly father out of the ruined city of Troy on his back, Aeneas represents filial devotion and duty. The doomed love of Aeneas and Dido has been a source for artistic creation since ancient times. • Aeolus –god of the winds, ruler of a floating island, who extends hospitality to Odysseus on his long trip home • Agamemnon –The king who led the Greeks against Troy. To gain favorable wind for the Greek sailing fleet to Troy, he sacrificed his daughter Iphigenia to the goddess Artemis, and so came under a curse. After he returned home victorious, he was murdered by his wife Clytemnestra, and her lover, Aegisthus. • Ajax –a Greek warrior in the Trojan War who is described as being of colossal stature, second only to Achilles in courage and strength. He was however slow witted and excessively proud. • Amazons –a nation of warrior women. The Amazons burned off their right breasts so that they could use a bow and arrow more efficiently in war.
    [Show full text]
  • Apollo / Artemis Crossword Puzzle
    APOLLO / ARTEMIS Apollo / Artemis Crossword Puzzle This exercise covers material in d’Aulaires’ Book of Greek Myths , pp. 42-49 Across Down 1. The giant who wanted to marry Artemis 1. Son of Poseidon who could walk on water 3. Creatures that pulled Artemis' chariot 2. The priestess of the oracle 6. What Orion became after his death 4. Woman whom Python had tried to devour 11. What Niobe was changed into 5. Number of children that Niobe had 12. Mountain where Delphi is located 7. Creature that killed Orion 13. Location of Apollo's oracle 8. The giant who wanted to marry Hera 16. Place where the giant brothers put Ares 9. Weapon that killed Otus and Ephialtes 18. God who killed Python 10. What Artemis and Orion enjoyed most 19. Creatures that Zeus gave to Artemis 14. Dragon who guarded the oracle 20. Goddess who killed Niobe's daughters 15. Grandfather of Niobe 22. Creatures that pulled Apollo's chariot 17. Mortal who saw Artemis bathing 23. Number of children that Leto had 21. Creature that Actaeon became 24. Queen of Thebes 25. Original owner of the oracle of Delphi 116 Copyright 2007 American Classical League May be reproduced for classroom use APOLLO / ARTEMIS Word Bank for Apollo/Artemis Crossword Actaeon Leto Apollo Niobe Artemis Orion constellation Otus Delphi Parnassus Ephialtes Python fourteen rock Gaea scorpion hinds sibyl hounds stag hunting swans jar two javelin Zeus Teacher’s Key Apollo/Artemis Crossword Puzzle 117 Copyright 2007 American Classical League May be reproduced for classroom use APOLLO / ARTEMIS Apollo Word Pieces This exercise covers material in d’Aulaires’ Book of Greek Myths , p.
    [Show full text]
  • Divine Riddles: a Sourcebook for Greek and Roman Mythology March, 2014
    Divine Riddles: A Sourcebook for Greek and Roman Mythology March, 2014 E. Edward Garvin, Editor What follows is a collection of excerpts from Greek literary sources in translation. The intent is to give students an overview of Greek mythology as expressed by the Greeks themselves. But any such collection is inherently flawed: the process of selection and abridgement produces a falsehood because both the narrative and meta-narrative are destroyed when the continuity of the composition is interrupted. Nevertheless, this seems the most expedient way to expose students to a wide range of primary source information. I have tried to keep my voice out of it as much as possible and will intervene as editor (in this Times New Roman font) only to give background or exegesis to the text. All of the texts in Goudy Old Style are excerpts from Greek or Latin texts (primary sources) that have been translated into English. Ancient Texts In the field of Classics, we refer to texts by Author, name of the book, book number, chapter number and line number.1 Every text, regardless of language, uses the same numbering system. Homer’s Iliad, for example, is divided into 24 books and the lines in each book are numbered. Hesiod’s Theogony is much shorter so no book divisions are necessary but the lines are numbered. Below is an example from Homer’s Iliad, Book One, showing the English translation on the left and the Greek original on the right. When citing this text we might say that Achilles is first mentioned by Homer in Iliad 1.7 (i.7 is also acceptable).
    [Show full text]
  • Apokatanidis Katerina.Pdf (669.1Kb)
    Gender Interplay in Nonnos’ Dionysiaka The cases of Deriades and Aura by Katerina Apokatanidis A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Master of Arts in Classical Studies Waterloo, Ontario, Canada, 2018 © Katerina Apokatanidis 2018 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This thesis presents the relation between the gendered language of Nonnos and the ironic undertones he employs to describe two main plot points in the Dionysiaka. I focus on Dionysos’ battle with Deriades, the Indian king, and Aura, the titan goddess of the breeze. In my first section, I argue that the irony employed to describe the death of Deriades is based on misperceptions of gender identity as he understands the world. Due to his fixity on the masculine extreme of the gender spectrum, Deriades has created a skewed view of the world which led to his demise by the gender-fluid Dionysos. His false perception is reflected in the text when Athena disguises herself as Morrheus, Deriades’ son-in-law, and comes to taunt him for fleeing the battle with Dionysos. Athena is herself a gender-fluid goddess as the masculine virgin goddess of Truth/Wisdom. Her disguise symbolises the loss of true understanding. For my second section, I examine the implications of the total loss of gender identity as experienced by Aura.
    [Show full text]
  • The Mystical Initiations Or Hymns of Orpheus
    The Mystical Initiations or Hymns of Orpheus Translated from the original Greek by Thomas Taylor Wisdom of the Ages Series www.universaltheosophy.com Preface There is doubtless a revolution in the literary, correspondent to that of the natural world. The face of things is continually changing and the perfect, and perpetual harmony of the universe, subsists by the mutability of its parts. In conse!uence of this fluctuation, different arts and sciences have flourished at different periods of the world" but the complete circle of human knowledge has I believe, never subsisted at once, in any nation or age. #here accurate and profound researches, into the principles of things have advanced to perfection there, by a natural conse!uence, men have neglected the dis!uisition of particulars" and where sensible particulars have been the general object of pursuit, the science of universals has languished, or sunk into oblivion and contempt. Thus wisdom, the object of all true philosophy, considered as e%ploring the causes and principles of things, flourished in high perfection among the &gyptians first, and afterwards in Greece. Polite literature was the pursuit of the (omans and e%perimental en!uiries, increased without end, and accumulated without order, are the employment of modern philosophy. Hence we may $ustly conclude, that the age of true philosophy is no more. In conse!uence of very e%tended natural discoveries, trade and commerce have increased while abstract investigations, have necessarily declined" so that modern en!uiries, never rise above sense and every thing is despised, which does not in some respect or other, contribute to the accumulation of wealth the gratification of childish admiration or the refinements of corporeal delight.
    [Show full text]
  • The Realm of Nymphs
    MUSEUM FRIDAY FEATURE The Realm of Nymphs he Olympian gods are well- Tknown to enthusiasts of mythology, but the complete ancient Greek pantheon was astoundingly vast, including thousands of supernatural beings inhabiting the earth, the seas, and the Underworld. Among the most populous of these beings were nymphs, who formed several groups including Oceanids, Nereids, Naiads, Dryads, and Oreads. Their actual numbers were mind-boggling, and ancient authors Anonymous (Italian, 17th century) clearly confused them, with names Sea Deities sometimes overlapping across Ink on paper Gift of Drs. Saul S. and Gladys D. Weinberg in memory of Bernard Weinberg (73.273) groups. The mighty Titan Oceanus, who embodied the great ocean encircling Mother Earth, was said to have sired 3,000 daughters and 3,000 sons (by one goddess, unbelievably). Some authors associated Oceanus’ daughters with saltwater, while others implied that they inhabited freshwater as well, making them overlap with Naiads. In his Theogony, our requisite go-to for origins of Greek gods, Hesiod gave up after naming only forty- one Oceanids, and summed up by saying they were “dispersed far and wide.” We might be grateful that no ancient Greek author set about to name all 3,000 Oceanids, but a few were significant. Metis was the actual mother of Athena, but Zeus swallowed her before she could give birth, fearing that she would bear a son more powerful than he. Athena thus sprung out of Zeus rather than out of Metis. Doris, wife of the ancient sea god Nereus, gave birth to fifty daughters known as the Nereids.
    [Show full text]
  • Three Women Sharing a Mantle in 6Th Century BCE Greek Vase-Painting: Plurality, Unity, Family, and Social Bond
    arts Article Three Women Sharing a Mantle in 6th Century BCE Greek Vase-Painting: Plurality, Unity, Family, and Social Bond Valérie Toillon Département d’histoire de l’art et d’études cinématographiques, Université de Montréal, Montréal, QC H3T 1J4, Canada; [email protected] Received: 30 May 2019; Accepted: 22 October 2019; Published: 25 October 2019 Abstract: The motif of three women sharing the same mantle is pictured on about a dozen vases dating from the first half of the sixth century BCE. Among these vases, the so-called “François Vase” and a dinos signed by Sophilos (now in London, British Museum) are of particular interest. The wedding of Thetis and Peleus is pictured on both vases. This theme is well-adapted to the representation of a procession of deities in which the Charites, Horai, Moirai, and Muses take part. The main feature of these deities is a shared mantle, which covers and assembles them, emphasizing that these deities are plural by definition. The main study on this iconographical theme remains that by Buchholz, who documented most of the depictions of the “shared-mantle” in ancient Greek vase-painting and small terracottas. The shared-mantle motif has been interpreted successively as a reference to the sacred peplos (in relation to the wedding), a simplification from the painter to avoid painting all the mantles, a sign of emotional/sexual union, a religious gesture, and a depiction of choruses. The present study aims to consider in more detail the “shared-mantle” as an iconographic sign that involves the idea of community, shared identity, and emotional bond.
    [Show full text]