DOCSLIB.ORG

Telemundo Telenovela in Wpb Ssof Now Open for Entries

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Telemundo Telenovela in Wpb Ssof Now Open for Entries The Newsletter of the Palm Beach County Film and Television Commission | NOVEMBER 2016 IN THIS ISSUE EMMY AWARD-WINNING SERIES IN THE PALM BEACHES The Palm Beaches is like a giant personal aquarium, with incredible underwater assets lining 1 SCUBANATION IN PBC our 47 miles of shoreline. Off the coast, divers and snorkelers can find some of the most diverse species in the world with extraordinary wreck and reef sites. The Emmy Award-winning series 2 TELEMUNDO’S NEW HIT ScubaNation is now in production on an episode dedicated to the incredi- ble submerged features of our region. The show will capture our dive 3 SSOF CALL FOR ENTRIES sites, unique fish species, and topside local attractions like restaurants and breweries. “When people ask me what's my favorite place to go scu- 4 CELEBRATING A LEGACY ba diving, The Palm Beaches is at the top of my list. Being so close to the Billy Catoggio “On Set” Gulf Stream it is adrenaline diving at its best,” said Executive Producer 5 SWEDEFEST’S BEST WORST Billy Catoggio. The show recently dove down to capture the Ana Cecilia ship sunk off the coast of Riviera Beach, as well as the annual goliath grouper LOCATION SPOTLIGHT: 6 Marinas and Boating spawning season in Jupiter. The goliath groupers are a spectacularly unique feature to The Palm Beaches; spawns take place every year like nowhere 7 EDUCATION CORNER: In Sanity at G-Star else in the world. The show also plans to film at local attractions such as Food Shack and PonTiki in Jupiter, as well as Saltwater Brewery in Delray Beach. These local hot spots round out the show to give viewers an idea of Goliath Grouper what they can experience once they emerge from their underwater adventure. ScubaNation is the highest rated TV show dedicated to the exploration of 1555 Palm Beach Lakes Blvd., Suite 900 our oceans through the sport of recreational scuba diving. The show aims to 561.233.1000 pbfilm.com entertain and educate in a fun and fast-paced style never before seen on a scuba diving show. The Palm Beaches-centered episode is expected to air April 14-23, 2016 on Fox Sports Sun. Get a glimpse of the series at scubanation.com. TELEMUNDO TELENOVELA IN WPB SSOF NOW OPEN FOR ENTRIES Telemundo’s newest telenovela is La The 22nd Annual Student Showcase of Fan, the tale of Valentina, a young woman Films (SSOF) is now open for submissions from whose life becomes unexpectedly inter- Florida high school and college students. The twined with that of her favorite famous soap largest student competition and award show in opera star. Angélica Vale returns to televi- the state recognizes outstanding filmmakers, sion screens as Valentina Perez after more writers, graphic designers and digital media art- than a decade away from telenovelas. Also starring in this new ists by presenting more than $12,000 in awards comedy are Juan Pablo Espinosa, Scarlet Ortiz, and well-known in the following categories: Feature/Short, Documentary, Animation, Colombian actor Miguel Varoni as the director of the story. Commercial/PSA, Music Video, Screenwriting, Poster Design, Men- tal Health Awareness, Environmental PSA and Audience Award. Production brought the show to CityPlace in West Palm Beach, chosen to simulate the look Honoring Burt Reynolds, the SSOF also awards a scholarship bear- of Los Angeles. A representative from produc- ing his name along with a Sara Fuller Scholarship through its part- tion said, “Our production enjoys how film- ners at Film Florida. “The impact this event has on these young friendly everyone is while filming in Palm Beach minds and the opportunity they are being given is priceless,” said Mr. County.” Telemundo hopes to bring a new format to the Hispanic Burt Reynolds. Submissions are judged by industry professionals market through comedy. La Fan is expected to air in 2017 to from around the globe with finalists to be showcased at the red car- Telemundo’s prime-time audience of 1.4 million people. For up- pet award show on March 10, 2017 at Lynn University in Boca dates on the show, visit telemundo.com. Raton. For more, visit pbfilm.com/student-showcase. FOCUS ON FILM CLASSICS MAKE A COMEBACK KANYE PARODY PULLS BIG VIEWS Get a taste of the cinematic experience The Daily Mulligan and Killer you’ve been missing out on at Boca Raton’s Whale Productions teamed up to Willow Theatre in Sugar Sand Park. The produce Kanye in the Park, a paro- Sounds of the Silent Screen film series in- dy of Kanye West’s controversial cludes upcoming screenings of 1923’s The N.Y. Fashion Week show. The pro- Hunchback of Notre Dame on November 3 and duction company chose Meyer Am- 1928’s Steamboat Bill, Jr on December 15. Pe- phitheatre in West Palm Beach to double for Franklin D. Roose- ter Tavalin improvises musical accompaniment Peter Tavalin velt Four Freedoms Park, a popular filming location in downtown on a synthesizer. “His timing and talent immerse N.Y.C. “Aside from it being a simply beautiful location to film at, you into the film and cause you to forget that there’s a man play- the Meyer Amphitheatre was the perfect fit for our Kanye in the ing live music just a couple feet away from you,” said Marketing Park concept. Additionally, we think it's awesome when we're Coordinator Carter Bogush. “Classic silent films shown the way able to showcase a landmark location from our hometown in our you’d have seen them at a movie house a century ago was too work,” said Killer Whale Productions’ Chris Waddington. Kanye good to pass up,” said Bogush. “You certainly don’t want to forgo in the Park boasts 2.5 million views online with viewership the opportunity to see them.” Tickets are $7 per film. Get tickets steadily increasing. “View count numbers like that really push us at willowtheatre.org/sounds-of-the-silent-screen. to strive towards maintaining and increasing our viewership for future projects.” Gear was provided by South Florida multimedia MAMA ALWAYS SAID I WAS A WINNER company Afflux Studios. Watch the parody at dailymulligan.com. Mama always said, “Politicians was like a box of chocolates. NED VENTURES THE GLOBE You never know what you’re gonna get.” At least that’s what For- rest Trump’s mama told him in this year’s best worst film at Family fun feature-length comedy Ned Swede Fest™ Palm Beach. The three-minute movie, directed Venture, which filmed throughout West by Mary Stucchi, was shrouded in topical humor and parodied Palm Beach, Jupiter and Boynton Beach the 1994 classic Forrest Gump. Stucchi, a West Palm Beach in 2012 and premiered in 2015, is now native, produced the hilariously bad remake for less than $20 and sharing its story with a worldwide audience! shot it in just one day and 10 minutes. The film went global at the Singapore World International When asked what inspired her, Stucchi said, “Forrest Gump is Film Festival and will continue to screen at festivals in Los An- near and dear to my heart… and it just so happens that it rhymes geles, Rome, Moscow, Kuala Lumpur, and more. “During our with Trump.” This year’s Swede Fest, hosted by the Palm Beach visit to Singapore, we brought the Ned Venture banner around Film Society, was once again a sold-out event. People lined up and photographed Ned visiting some of the key city landmarks, outside The Kelsey Theater in Lake Park hoping to score a last- which we will continue to do on our tour across the world,” said minute ticket. Those lucky enough to make it Creator/Director Ron Stone. The film inside were relegated to the standing-room also strives to give back to the commu- only section. However, that’s where the Kel- nity, hosting a charity event in October sey Theater’s bar is located, so it was a win- at the Los Angeles screening through win for those who waited until the last mi- the Dream Center of L.A. to benefit nute. Watch this year’s winning swede at homeless families. Follow Ned Venture youtu.be/w2qWihC57cg. at facebook.com/nedventurethemovie. SILVER PALM AWARDED TO STANDOUT ENSEMBLE Congratulations are in order for FTC Board Member Marcie Gorman of MNM Productions as a recipient of The South Florida Silver Palm Theatre Awards! Founded nine years ago to honor theatrical excellence in South Florida, the awards are presented each year to 28 individuals and organizations. Marcie Gorman-Althof and Michael Lifshitz were honored for their new theatre company and the outstanding en- semble of The World Goes ‘Round at the Kravis Center for the Performing Arts. “I've al- ways defined success as just doing what you think is right. I'm delighted that we have casted so well and chosen our directors and other staff as well as we have!” said Gorman. The World Goes ‘Round is the fourth major musical pro- duced by MNM Productions over the last two years, following A Chorus Line, Side By Side By Sondheim and HAIR. The company predominantly performs at the Rinker Playhouse at the Kravis Center. “I am really honored, delighted and excited,” Gorman shared. For more info, visit facebook.com/groups/MNMproductions. 2 Silver Palm Award FOCUS ON FILM CELEBRATING A LEGACY MARINE LIFE AMBASSADOR ABROAD In honor of one of Palm Beach County’s Jim Abernethy continues to be an influential media pioneers, the FTC celebrates the life of voice for conservation worldwide, while acting Murray Green, who passed away in October as an ambassador for local marine life in The and is survived by a loving family.
Load more

Recommended publications
  • The Centrality of Telenovelas in Latin America's
    The centrality of telenovelas in Latin America’s everyday life: Past tendencies, current knowledge, and future research Antonio C. La Pastina Texas A&M University [email protected] Cacilda M. Rego University of Kansas [email protected] Joseph D. Straubhaar University of Texas at Austin [email protected] Every evening, millions of viewers throughout Latin America tune in their television sets to watch telenovelas. For more than thirty years now telenovelas have dominated primetime programming on most of the region’s television. And here Latin America refers to more than a geographic area: it covers a culturally constructed region that goes from the southern tip of South America to the United States, where one can watch daily telenovelas on the two Hispanic networks, Univision and Telemundo,[i] and Canada. In the last few decades Brazilian and Mexican telenovelas, and to a lesser extent Venezuelan, Colombian, Argentineans and others, have been exported to more than a hundred nations around the world (Melo, 1988). In this increasingly international scenario, Latin American telenovelas have been aired in other Portuguese and Spanish speaking markets, and in dubbed and sometimes edited versions in many different national contexts (Allen, 1995; McAnany, 1984; Melo, 1988; Sinclair, 1996; Straubhaar, 1996). This international presence has challenged the traditional debate of cultural imperialism and North-South flow of media products (Sinclair, 1996; Wilkinson, 1995). Telenovelas’ popularity has lead to its increased scrutiny among scholars and the media industry, and yet it seems that not everyone is talking about the same thing. A number of arguments start with the contention that Latin American telenovela is a mere showcase for “bourgeois society” with the pernicious effect of mitigating – through the illusion of abundance – the unfulfilled material aspirations of its audience, all the while legitimating a way of life that takes consumerism to the extreme (Oliveira, 1993).
    [Show full text]
  • Redalyc.Testing the Effectiveness of an Entertainment-Education Health
    Investigación & Desarrollo ISSN: 0121-3261 [email protected] Universidad del Norte Colombia Arroyave, Jesús Testing the effectiveness of an entertainment-education health-focused soap opera: exposure and post-discussion in colombian young adults Investigación & Desarrollo, vol. 16, núm. 2, 2008, pp. 232-261 Universidad del Norte Barranquilla, Colombia Available in: http://www.redalyc.org/articulo.oa?id=26816204 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative testing the effectiveness of an entertainment-education health-focused soap opera: exposure and post-discussion in colombian young adults Jesús Arroyave jesús arroyave cabrera ph. d. en comunicaciones, univeristy of miami, usa master in communication and information studies, rutgers university, usa. magíster en educación, universidad javeriana – norte. profesor asistente, universidad del norte. [email protected] investigación y desarrollo vol. 16, n° 2 (2008) - issn 0121-3261 232 abstract Entertainment-Education interventions were evaluated using quantitative and qualitative methodologies to assess what specific variables may make communication strategy more effective. Varia- bles including length of the Entertainment-Education serial dra- ma and the post-viewing discussion sessions in their relation to cognitive, attitudinal and behavioral intentional outcomes were examined using experimental design and focus group discussions. It was concluded that the length of the Education-Entertainment serial drama did not produce significant change in the overall efficacy of the intervention. Overall the goal of this paper is to extend the research on a promising form of health intervention that has the potential to make the difference in our society.
    [Show full text]
  • Telenovela, Reception and Social Debate1 Telenovela, Recepción Y Debate Social
    AMIGO, B., BRAVO, M. y OSORIO, F. Soap operas, reception and social debate CUADERNOS.INFO Nº 35 ISSN 0719-3661 Versión electrónica: ISSN 0719-367x http://www.cuadernos.info doi: 10.7764/cdi.35.654 Received: 10-15-2014 / Accepted: 11-25-2014 Telenovela, reception and social debate1 Telenovela, recepción y debate social BERNARDO AMIGO, Universidad de Chile, Santiago, Chile ([email protected]) MARÍA CECILIA BRAVO, Universidad de Chile, Santiago, Chile ([email protected]) FRANCISCO OSORIO, Universidad de Chile, Santiago, Chile ([email protected]) ABSTRACT RESUMEN The essay summarises qualitative empirical research El artículo sintetiza un conjunto de investigaciones on Chilean television carried out between 2007 and empíricas cualitativas sobre la ficción televisiva en 2014. The article focuses on the interactive mecha- Chile, realizadas entre 2007 y 2014. Específicamente, nism that mutually influences television and viewers se centra en los mecanismos de interacción que se through fiction (telenovela). It concludes that the configuran entre la televisión y los telespectadores a dynamic of social debate can influence the symbo- través del género televisivo de la telenovela. Concluye lic conditions for the production of television dis- que las dinámicas del debate social pueden influir course, argument that opposes the classic thesis of en las condiciones simbólicas para la producción de television direct effects on society. discursos en la televisión, argumento que es contrario a la tesis clásica de los efectos directos de la televisión en la sociedad. Keywords: Telenovela, identification, media representa- Palabras clave: Telenovela, identificación, representación tion, social uses, gender. mediática, usos sociales, género. •How to cite: Amigo,CUADERNOS.INFO B., Bravo, M.
    [Show full text]
  • Glocalized Telenovelas and National Identities A
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Ghent University Academic Bibliography Glocalized telenovelas and national identities A ‘textual cum production’ analysis of the ‘telenovelle’ Sara, the Flemish adaptation of Yo soy Betty, la fea Fien Adriaens & Daniel Biltereyst Abstract This article examines the globalization of the telenovela format in relation to issues of adaptation, proximities and national identities. As a case study of glocalized telenovelas, it deals with the domestic adaptation of one of the most popular Latin American telenovelas, Yo soy Betty, la fea (1999-2001) into the „telenovelle‟ Sara (2007-08), which takes place in a Belgian (more specifically Flemish) context. Therefore, this article specifically asks how Flemish identities are represented through the production process of Sara. While examining the international flow of telenovelas and the cross-cultural adaptation of the telenovela format, this case study considers an additional geopolitical and cultural context, as well as confronts and combines thematic textual analysis with expert interviews. Considering the successful export of „canned‟ telenovelas and the adaptation of this format within the framework of national identity and identification, this paper deals with the emergence of the „telenovelle‟ as a local genre that is inspired by, and modifies, the Latin American original format. 1 Introduction This article focuses on the globalization of the telenovela format in relation to issues of adaptation and national identities. It deals with the question of how the telenovela format is successfully adapted to regions outside Latin America, particularly in Western Europe. Since a television format‟s success is closely tied to the local and national culture, and domestic television programs play a crucial role in the construction and reproduction of national identities (Biltereyst, 1991; Straubhaar, 1991; Waisbord, 2004), we question whether and how national identities are represented through production decisions in the creation process.
    [Show full text]
  • How Telemundo Articulates Blackness Within the Latin American Panethnic Identity
    Journal of Latin American Communication Research 7 (1-2) Being Black and Latin@: How Telemundo Articulates Blackness within the Latin American Panethnic Identity Ser negro y latin@: cómo Telemundo Articula la Negrura Dentro de la Identidad Pan- étnica Latinoamericana Ser negro e latin@: como Telemundo Articula a Negritude na Identidade Pan-étnica Latino-americana Yadira Gricel Nieves-Pizarro Universidad Interamericana de Puerto Rico Puerto Rico [email protected] Juan Mundel DePaul University Estados Unidos [email protected] Abstract: The representation of minorities in United States Latino media is scarce, as market forces push Latino panethnicity to appeal to a heterogeneous Spanish speaking audience in the country and in Latin America. Nonetheless, the biographical series “Celia” aired by Telemundo in 2015 featured an Afro Latino cast to depict the life of Cuban salsa singer Celia Cruz. This study examines the portrayal of Afro Latinos and Latinas through a content analysis of the telenovela. Even though, Afro Latino characters were depicted in a positive light, they were still portrayed as something other than panethnic. This research contributes an empirical analysis of the representation of minorities in Latino media. Keywords: Latino panethnicity, Afro Latinos and Latinas, Afro Cuban, Latino media, Content Analysis Resumen: La representación de las minorías en los medios latinos de los Estados Unidos es escasa, ya que las fuerzas del mercado presionan a la pan-etnicidad latina para atraer a una audiencia heterogénea de habla hispana en el país y en América Latina. No obstante, la serie biográfica “Celia” transmitida por Telemundo en 2015 presentó un elenco afro latino para representar la vida de la cantante de salsa cubana Celia Cruz.
    [Show full text]
  • Merchandising Social Na Telenovela Brasileira: Notas Sobre a Promoção Da Sustentabilidade Ambiental Em Velho Chico
    Merchandising social na telenovela brasileira: notas sobre a promoção da sustentabilidade ambiental em Velho Chico Social merchandising in a Brazilian telenovela: notes on the promotion of environmental sustainability in Velho Chico Merchandising social en la telenovela brasileña: notas sobre la promoción de la sostenibilidad medioambiental en Velho Chico DOI: 10.1590/1809-58442018310 Gisela G. S. Castro1 https://orcid.org/0000-0003-0662-3770 Beatriz Braga Bezerra1 http://orcid.org/0000-0002-0443-0492 1(Escola Superior de Propaganda e Marketing de São Paulo, Pró-Reitoria de Pesquisa e Pós-Graduação Stricto Sensu, Programa de Pós-Graduação em Comunicação e Práticas do Consumo. São Paulo – SP, Brasil). Resumo A telenovela é uma das principais narrativas audiovisuais no cenário midiático nacional. A Rede Globo, líder no setor, firma como grande característica de suas tramas a presença de temáticas de cunho social que ajudam a promover a conscientização e o debate entre os telespectadores. Esse artigo pretende discutir as inserções sociais, chamadas de merchandising social, examinando como a temática da sustentabilidade ambiental foi trabalhada em Velho Chico. Lopes e Orozco Gómez (2009), Trindade (2007), Blessa (2006) e Baccega (2003) são alguns dos autores que dão suporte teórico a esse estudo. Como recorte empírico, são analisadas cenas selecionadas evidenciando os conteúdos abordados e as características desse tipo de construção narrativa que visa, sobretudo, fomentar a interação com a telenovela por meio da identificação do momento vivido com a trama elaborada para o espetáculo. Palavras-chave: Comunicação. Telenovela. Merchandising social. Sustentabilidade ambiental. Abstract Telenovela is one of the main audiovisual narratives in Brazilian television.
    [Show full text]
  • The Public Manifestations of the Audience
    The public manifestations of the audience Roger de la Garde 1 Abstract Mobile communication has confirmed our entry in the Post-Network Era (in particular, but not exclusively, through television programming). This state of affairs has not only challenged the economics of the television industry by rendering the “capture” of audiences (principally through programming) more complex, and random, but also the basic notion of audience itself. In so doing, this Post-Network Era has re-activated, but in a more dialectical fashion, the earlier debate that accompanied the spread of cultural industries and the introduction of the Network Era, when and where “audiences” became a substitute for “publics”, “ratings” for “popular approval”, and “opinion polls” for “public debates”. The present Era offers the occasion to reflect on how “audiences” were and are constructed, how they manifest themselves, and what impact these constructions and manifestations have held on our conception, and research, of “publics” (as in the French tradition of “les publics” and “auditoire”), of “mass” and “mob”. Keywords: audience, publics, crowds, mass, cultural industries. As to the question “Why are we here?” the answer will or will not become apparent at the closing session. But I can say at this very moment why I am here. First, because of an invitation for which I am most honored, but also, and mainly, because you are here. In a very self-centered viewpoint I saw this gathering as a rare opportunity to share a growing personal concern with what Martin A. Schwartz, Department of Microbiology, University of Virginia, observes as the vanishing “importance of stupidity in scientific research” (2008).
    [Show full text]
  • Two Original Dramas from Disney MD LA at NATPE
    NATPE 2017 DAY 2 January 18, 2017 My 2 Cents: Miami is Two Original Dramas from Telemundo’s a ‘cool’ place, bring Disney MD LA at NATPE Roc Stars Gather scarves and ski gloves Page 3 rama in a boxing ring and To Celebrate Dthe secret surrounding World: Sports TV rights Mexican-American singer very year, the Telemundo in the E.U. The power Selena’s death round out Disney team works to up their Media Distribution Latin America’s E game when it comes to their of football leagues original production line-up here at annual NATPE screening and party. NATPE. Page 8 Last night’s event managed to pull Selena’s Secret (El secreto de off the intended mission, with Selena) is a 13-episode series based around 500 guests, and 80 stars of on the 1997 book by Puerto Rican NATPE Visuals: Scenes Telemundo’s new and upcoming journalist and three-time Emmy While DMDLA is the from the suites and the winner Maria Celeste Arrarás. series in attendance. The cast of the international distributor, the series Selena Quintanilla-Pérez was a company’s newest series, romantic exhibition floor is a co-production of Disney with popular American singer of Mexican comedy La Fan, was there for the Miami-based LatinWe and Mexico’s Page 17 ancestry murdered in 1995. The screenings held at Eden Roc and series includes what the 1997 movie BTF Media. Onboard as broadcasters the subsequent red carpet event, starring Jennifer Lopez in the role are TNT for Latin America and TV as were representatives from all of of the Tejano music star, left out.
    [Show full text]
  • Latin American Melodrama: Passion, Pathos, and Entertainment, Ed and Intro by Darlene J
    Fairfield University DigitalCommons@Fairfield Modern Languages & Literature Faculty Publications Modern Languages & Literature Department 6-2011 Book Review: Latin American Melodrama: Passion, Pathos, and Entertainment, ed and intro by Darlene J. Sadlier Michelle Leigh Farrell Fairfield University, [email protected] Follow this and additional works at: https://digitalcommons.fairfield.edu/modernlanguagesandliterature- facultypubs Copyright 2011 Johns Hopkins University Press for American Association of Teachers of Spanish and Portuguese Repository Citation Farrell, Michelle Leigh, "Book Review: Latin American Melodrama: Passion, Pathos, and Entertainment, ed and intro by Darlene J. Sadlier" (2011). Modern Languages & Literature Faculty Publications. 23. https://digitalcommons.fairfield.edu/modernlanguagesandliterature-facultypubs/23 Published Citation Farrell, Michelle Leigh. Review of Latin American Melodrama: Passion, Pathos, and Entertainment, ed and intro by Darlene J. Sadlier. Hispania, 94(2) June 2011: 373-375. This item has been accepted for inclusion in DigitalCommons@Fairfield by an authorized administrator of DigitalCommons@Fairfield. It is brought to you by DigitalCommons@Fairfield with permission from the rights- holder(s) and is protected by copyright and/or related rights. You are free to use this item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses, you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Reviews 373 narrated voice of the semifictional protagonist Candelario Navarro in the pseudo-testimonial novel Canto de sirena (1977) by Gregorio Martínez (b. 1942).
    [Show full text]
  • Novela in Brazil
    Novelas, Novelinhas, Novelões: The Evolution of the (Tele)Novela in Brazil Cacilda M. Rêgo The University of Kansas [email protected] Abstract This paper traces the evolution of the novela in both radio and television forms, and shows how the Brazilian telenovela, while remaining faithful to the traditions of the genre, has modernized itself, in both thematic and aesthetic terms. Part of the success of this strategy rests on the concerned intention of novela writers and producers to create a new form of dramatic expression aimed at a wide audience both at home and abroad. Although not confining its discussions to the Globo novelas, this paper also shows that the Brazilian novela stand for Globo novela, which is widely seen around the world. Every evening, from Monday to Saturday, millions of Brazilians tune in their television sets to watch novelas[i] — the centerpiece of Globo network’s prime time hours, and reputedly the most popular television programs in Brazil. But while novelas have enjoyed massive popularity since the 1960s, the novela is not a genre specific to Brazilian television or, as is sometimes thought, “a Globo and even a Brazilian invention” (Dalevi, 2000, p. 3). Without the pretense of exhausting the topic in this brief essay, I would like to look at the evolution of the novela in Brazil, where it first appeared in the medium of television in 1951. Titled Sua vida me pertence (Your Life Belongs to Me), it caused great commotion among contemporary viewers by featuring the first kiss on Brazilian television (Borelli, 2000, p.139). This first novela and many more that followed were influenced by the (radio)novela (serialized radio melodrama), which was hugely popular in Brazil during the 1940s (Federico, 1982; Belli, 1980).
    [Show full text]
  • 300 Libros Iberoamericanos Para Niños Y Jóvenes
    PRESIDENTA DE LA NACIÓN Dra. Cristina Fernández de Kirchner MINISTRO DE EDUCACIÓN Prof. Alberto Sileoni SECRETARIA DE EDUCACIÓN Prof. María Inés Abrile de Vollmer JEFE DE GABINETE Lic. Jaime Perczyk SUBSECRETARIA DE EQUIDAD Y CALIDAD EDUCATIVA Lic. Mara Brawer PLAN NACIONAL DE LECTURA María Florencia Fossat Edición, diseño y corrección COORDINACIÓN EDITORIAL Natalia Volpe DIRECTORA Margarita Eggers Lan DISEÑO GRÁFICO Elizabeth Sánchez COORDINADORAS Juan Salvador de Tullio Graciela Bialet Mariana Monteserin LIBROS Silvia Contín Natalia Porta ILUSTRACIONES IBEROAMERICANOS Mario Lillo Onaire - Colectivo gráfico Adriana Del Vitto Alicia Diéguez Jéssica Presman PARA NIÑOS Y JÓVENES, Adriana Redondo RECOMENDADOS POR PRODUCCIÓN Y COORDINACIÓN DE CONTENIDOS EL PLAN NACIONALONAL Graciela Bialet DE LECTURARA · 2 ASISTENTE DE PRODUCCIÓN DE CONTENIDOS MINISTERIO DE EDUCACIÓN Secretaría de Educación Pizzurno 935. (C1020ACA) - Ciudad Aut. de Buenos Aires - Tel: (011) 4129-1075/1127 Consultas: [email protected] - www.planlectura.educ.ar República Argentina, 2011 2011 PRÓLOGO El PLAN NACIONAL DE LECTURA de la Argentina tie- y programas permanentes de promoción del libro y la lectu- ne como premisa fundamental provocar acciones donde ra”, se nos hizo necesario ir por más. textos, lectoras y lectores se encuentren y dialoguen. Se Cuando se lee más, se requiere de más dispositivos para entremezclen en sentidos, sensaciones y sentimientos. que los textos circulen. Porque un libro, en el formato que Profundizar políticas de lectura que contemplen el acce- tenga, solo es un objeto si no está atravesado por la lectura so al derecho a ser lector de cada ciudadano argentino es un sagaz de alguien necesitado de palabras, ideas e historias.
    [Show full text]
  • La Literatura Fantástica En La Prensa Del Romanticismo Estudios Universitarios
    MONTSERRAT TRANCÓN LAGUNAS es licencia­ da en Filología Hispánica por la Universidad de Salamanca y doctora en Filología por la Universidad de Valencia. Sus investigaciones científicas se centran en el estudio de la litera­ tura fantástica en el siglo XIX, campo en el que ha publicado diversos artículos y libros. Sus estudios sobre el relato fantástico en el Romanticismo en España han contribuido a cambiar la perspectiva existente sobre lo fan­ tástico romántico. Compagina su labor investigadora con la ense­ ñanza y ejerce la docencia en el Instituto Profesor José Viguer de Valencia. Imagen de la portada: ilustración de Contes bruns, diseñada por Tony Johannot y grabada por Thompson Diseño de la cubierta: Vicent Ferri LA LITERATURA FANTÁSTICA EN LA PRENSA DEL ROMANTICISMO ESTUDIOS UNIVERSITARIOS 83 MONTSERRAT TRANCON LAGUNAS LA LITERATURA FANTÁSTICA EN LA PRENSA DEL ROMANTICISMO ^QW% ¿ 2000 © Montserrat Trancón Lagunas 2000 © De esta edición Diputació de Valencia Institució Alfons el Magnánim, 2000 ISBN: 84-7822-331-2 Depósito Legal: V-4789 -2000 Impresión: Gráficas Papallona, sdad. coop. v. A Delia "Mi nombre es Acacia..." ÍNDICE RELACIÓN DE PERIÓDICOS Y REVISTAS 10 PRELIMINAR 13 I. EN TORNO A LO FANTÁSTICO 17 1. Antecedentes y precursores 17 2. La literatura fantástica en lengua castellana 20 3. Rasgos caracterizadores de lo fantástico 24 II. EL PERIODISMO LITERARIO 29 1. Una nueva visión de lo sobrenatural 29 2. El Romanticismo en la prensa 33 3. Géneros en lo que se manifiesta lo fantástico 42 4. Influencias extranjeras 47 5. Teorías sobre lo fantástico 57 6. El cuento fantástico en la prensa 62 7.
    [Show full text]