Kenyon Collegian College Archives
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Of ABBA 1 ABBA 1
Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7. -
Venturing in the Slipstream
VENTURING IN THE SLIPSTREAM THE PLACES OF VAN MORRISON’S SONGWRITING Geoff Munns BA, MLitt, MEd (hons), PhD (University of New England) A thesis submitted for the degree of Doctor of Philosophy of Western Sydney University, October 2019. Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. .............................................................. Geoff Munns ii Abstract This thesis explores the use of place in Van Morrison’s songwriting. The central argument is that he employs place in many of his songs at lyrical and musical levels, and that this use of place as a poetic and aural device both defines and distinguishes his work. This argument is widely supported by Van Morrison scholars and critics. The main research question is: What are the ways that Van Morrison employs the concept of place to explore the wider themes of his writing across his career from 1965 onwards? This question was reached from a critical analysis of Van Morrison’s songs and recordings. A position was taken up in the study that the songwriter’s lyrics might be closely read and appreciated as song texts, and this reading could offer important insights into the scope of his life and work as a songwriter. The analysis is best described as an analytical and interpretive approach, involving a simultaneous reading and listening to each song and examining them as speech acts. -
Starmaking Turn Oscar-Winning ‘Juno’ Makes Page a Household Name
Page 20 In Tune The Daily News WEDNESDAY, APRIL 16, 2008 IT Starmaking turn Oscar-winning ‘Juno’ makes Page a household name By DAVID GERMAIN AP Movie Writer “Juno” Teen pregnancy becomes less of a burden when the mother involved is the coolest, sharpest-tongued kid in school and sets out to find the perfect adoptive parents for the baby she’s hatching. Ellen Page earned a best-actress Academy Award nomination as the title character, an almost impossibly glib teenager whose support crew includes a best-friend beau (Michael Cera), a sym- pathetic dad (J.K. Simmons), bold stepmom (Allison Janney) and a seemingly ideal couple (Jennifer Garner and Jason Bateman) looking to adopt. The movie comes in single- DVD, two-disc DVD and Blu- ray high-definition releases that include 11 deleted scenes, plus commentary with direc- tor Jason Reitman and writer Diablo Cody, who won the Oscar for original screenplay. The two-disc set and Blu-ray disc also have digital copies of the film for portable media players and a handful of fea- turettes, among them seg- ments on Reitman and Cody. Single DVD, $29.98; two-disc DVD set, $34.98; Blu-ray, $39.98. (20th Century Fox) “Aliens Vs. Predator: Requiem” The clash of the space beasts resumes in this second movie in a series that revived two long-dead sci-fi franchises by making the creatures fight each other. This one sets the relent- less aliens loose in Colorado after a space ship crashes there, Ellen Page, second from left, earned an Oscar nomination for best actress for her portrayal of the titular “Juno” in one of the year’s sleeper hits. -
Van Morrison from Wikipedia, the Free Encyclopedia
Van Morrison From Wikipedia, the free encyclopedia Background information Birth name George Ivan Morrison Also known as Van the Man, The Belfast Cowboy Born 31 August 1945 (age 69) Origin Belfast, Northern Ireland Genres Rock, blues, rhythm and blues, folk, blue-eyed soul, Celtic, rock and roll, jazz, pop, soft rock, country, skiffle, gospel Occupation(s) Singer-songwriter, musician Instruments Vocals, guitar, harmonica, saxophones, keyboards, drums, tambourine, ukulele Years active 1958–present Labels Decca, Bang, Warner Bros., London, Mercury, Exile/Polydor, Verve, Point Blank, Virgin, Universal, Blue Note, Lost Highway, Listen to the Lion/EMI, Manhattan, RCA (2014-present) George Ivan "Van" Morrison, OBE (born 31 August 1945) is a Northern Irish singer-songwriter and musician. Some of his recordings, such as the studio albums Astral Weeks and Moondance and the live album It's Too Late to Stop Now, are critically acclaimed. He has received six Grammy Awards, the Brit Award for Outstanding Contribution to Music, been inducted into both the Rock and Roll Hall of Fame and the Songwriters Hall of Fame. Known as "Van the Man" to his fans, Morrison started his professional career when, as a teenager in the late 1950s, he played a variety of instruments including guitar, harmonica, keyboards and saxophone for various Irish showbands covering the popular hits of the day. He rose to prominence in the mid-1960s as the lead singer of the Northern Irish R&B band Them, with whom he recorded the garage band classic "Gloria". His solo career began under the pop-hit oriented guidance of Bert Berns with the release of the hit single "Brown Eyed Girl" in 1967. -
Ded Fundsg , Or Moitey Budrted
_ _ I _I_ I _ __·_ ___I__·I_ MIT, CAMBRIDGE, VOLUME 92 NUMBER 32 MASSACHUSETTS TUESD", SEPTEMBER __ FIVE CENTS __ IC ___ ____· ____ Y I I_ 19,1972 ____I __ ~~a~~8a~~a~~B~ ~~ ~~-9a~~ie ~~ ~i~ata;Eala a By Lee Gigu was interested in science while in high school, Hahham received Profese r of History Harld his college degrees in Hffistory, Han~ham of HurarW r~eP-vd the and also has a strong background approval of the Executive com- in English and French. mittee of the Caroratmfioa Fri- Questioned about the prob- day a the Dean-/egnatt of the lems in the School of HumaMi- School of Humanities and S¢oial -ties and Socia Science (which science~ He must -st!il be ' ap- includes the Departments of proved by the full carporation at Economics, Foreign Literatures its next meeting on October 6. and Linguistics, - Humanities, Hahham will succfed De=n Philosophy, Political Science and Rober Bishop, ulho is leaving Psychology), Hahhamn put them the post he has hel for eight in perspective by pointing out years to retura to esearcah amd that the d/fficulties of what he teaching in the fied of termed a "small liberal arts col- econovdc& lege at MIT" are "nothing com- Bishop" LaoV~vr, Ntvi stay on pared to tthe problems] small the job until the spring, when liberl arts colleges have." Hahham wH rturaw fm a- Hanham told The Tech that Guggenheim Traveling he hid been briefed on NIT's tight money problem, and that which Hahham feels he is quali- that youv'e got something to lie suggested that they would ""The rfe~s of h/avig beent he expected, to be able to live fied for) for specific programs. -
Syllabus for San Francisco Rock of the 1960S Instructor: Richie Unterberger, [email protected] OLLI Berkeley at Lafayette
Syllabus for San Francisco Rock of the 1960s Instructor: Richie Unterberger, [email protected] OLLI Berkeley at Lafayette Week 1 I. The Roots of the San Francisco Sound A. Blues, soul, rock'n'roll, jazz, and folk are recorded in the Bay Area throughout the 1940s and 1950s, without establishing a strong regional identity for San Francisco popular music. Key artists include: Lowell Fulson, Jimmy McCracklin, Vince Guaraldi, Bobby Freeman, Barbara Dane, and the Kingston Trio. B. San Francisco radio DJ Tom Donahue helps establish a rock label, Autumn Records, that gets one of the first Beatles-styled national hits by an American group with the Beau Brummels. Key artists: The Beau Brummels, the Mojo Men, the Vejtables. C. Kingston Trio manager Frank Werber handles We Five, who have one of the first folk-rock hits with "You Were on My Mind" in 1965. Meanwhile, the Beau Brummels mature from British Invasion imitators into a folk-rock sound of their own. Key artists: We Five, the Beau Brummels. Other themes: the growth of independent record labels and studios in the Bay Area; the power of local radio DJs and AM radio stations. II. The Birth of Underground San Francisco Rock A. Young adults and students start to populate the Haight-Ashbury neighborhood, bringing with them a new counterculture and a hunger to create art without commercial restrictions. Key artists: the Charlatans, the Great Society, Big Brother & the Holding Company. B. Jefferson Airplane's founder and singer, Marty Balin, opens the Matrix Club in the Marina for the band to play in summer 1965. -
'Til) I Kissed You (2:20
(‘Til) I kissed you (2:20) - The Everly Brothers (All I Can Do Is) Dream You (3:38) - Roy Orbison (At The) Woodchoppers Ball (7:48) - Ten Years After (Back Home) In Indiana (2:54) - Julie London (Back to the) Heartbreak Kid (3:50) - Restless Heart (Beat by) Jealousy (3:23) - Heart (Before We) Think (4:19) - King Biscuit Boy (Believed You Were) Lucky (3:34) - Til Tuesday (Between A) Rock And A Hard Place (3:46) - Cutting Crew (Can I) Find The Right Words (To Say) (3:07) - Blondie (Can’t Believe) This Is Me (4:45) - Jennifer Lopez (Come ‘Round Here) I’m the One You Need (2:30) - Smokey Robinson & the Miracles (Da Le) Yalleo (5:53) - Santana (Do The) Instant Mash (3:11) - Joe Jackson (Don’t Gimme That) Once Over (3:50) - Shania Twain (Don’t Go Back To) Rockville (4:32) - R.E.M. (Don’t Take Her) She’s All I Got (3:02) - Johnny Paycheck (Don’t You Mess Around With) My Little Sister (2:38) - Michelle Shocked (Everything I Do) I Do It for You (4:08) - Brandy (Everything I Do) I Do It for You (6:34) - Bryan Adams (Get Your Kicks On) Route 66 ( (live) (2:42) - The Rolling Stones (Get Your Kicks On) Route 66 (2:50) - Asleep At The Wheel (Get Your Kicks On) Route 66 (4:11) - Asleep At The Wheel (Ghost) Riders In The Sky (3:47) - Johnny Cash (Ghost) Riders in the Sky [Live) (7:05) - The Outlaws (Goin’) Wild for You Baby (5:25) - Bonnie Raitt (Good Old Electric) Washing Machine (Circa 1943) (2:08) - John Hartford (Gotta Get A) Meal Ticket (4:01) - Elton John (Honey) It’s Tight Like That (2:38) - Tampa Red (How Will I Know) I’m Falling In Love Again