DOCSLIB.ORG

Download Lot Listing

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Download Lot Listing IMPRESSIONIST & MODERN ART POST-WAR & CONTEMPORARY ART Wednesday, November 15, 2017 NEW YORK IMPRESSIONIST & MODERN ART EUROPEAN & AMERICAN ART POST-WAR & CONTEMPORARY ART AUCTION Wednesday, November 15, 2017 at 11am EXHIBITION Saturday, November 11, 10am – 5pm Sunday, November 12, Noon – 5pm Monday, November 13, 10am – 6pm LOCATION Doyle New York 175 East 87th Street New York City 212-427-2730 www.Doyle.com Catalogue: $40 EUROPEAN ART INCLUDING PROPERTY CONTENTS FROM THE ESTATES OF IMPRESSIONIST & MODERN ART Elsie Adler European 1-58 Rhoda Blumberg American 59-87 Charles Austin Buck Helen Getler POST-WAR & CONTEMPORARY ART Dr. Paul Hershenson Post-War 88-132 Rita Hirsch Contemporary 133-159 Mary Kettaneh The Collection of Willa Kim and William Pène du Bois Eve G. Kingsland Glossary I Ellin Jane Krinsly Trust Conditions of Sale II Eugene M. Lang Terms of Guarantee IV Dorothy Lewis 2013 Irrevocable Trust Information on Sales & Use Tax V A New York Private Estate Buying at Doyle VI Harry Oppenheimer Selling at Doyle VIII A Private New York Estate Auction Schedule IX Miriam and Howard Rand, Beverly Hills, California Company Directory X Stanley Silverstein, New York Absentee Bid Form XII The I. A. Victor III Trust The James P. and Joan M. Warburg Collection INCLUDING PROPERTY FROM Formerly in the inventory of Berry-Hill Galleries, New York A New York Collection A New York Collector The Collection of Faith Stewart-Gordon Lot 12 1 3 Jean-Joseph Benjamin Constant Sir John Lavery, R.A. French, 1845-1902 British, 1856-1941 Lady with a Jewel Box (Prima Donna Marguerite in “Jewel Song” of Gounod’s ‘Faust’ Portrait of the Artist’s Wife Signed Benj. Constant (ul) Signed J. Lavery (lr) Oil on canvas Oil on canvasboard 38 3/4 x 24 1/4 inches (98.5 x 61.5 cm) 13 7/8 x 10 inches (35.3 x 25 cm) Provenance: Provenance: Berry-Hill Galleries, Inc., New York Ernest Brown & Phillips/The Leicester Galleries, London C Orgel & Co., $8,000-12,000 Private collection, CT, acquired from the above circa 1960, thence by descent in the family to the present owner C $8,000-12,000 2 John Brett British, 1831-1902 Some Fell on Stony Ground, 1890 4 Signed John Brett and dated 1890 (ll); inscribed by the artist on the canvas Leon-Augustin Lhermitte overlap Begun 7th day 90/ There is “a time to cast away stones”/Eccles French, 1844-1925 3/ some fell on stony ground, where it had not much earth.../”no end of Chemin Face à Chartèves, 1913 Stones”; inscribed John Brett/Putney/London on the stretcher Bears signature L. Lhermitte (ll); also inscribed Chartèves, Brouillard Oil on canvas on the backing 24 x 48 inches (61 x 122 cm) Pastel on paper laid down on linen 16 x 23 inches (40.7 x 58.4 cm) Provenance: Sale: Sotheby Parke-Bernet, New York, Oct. 30, 1990, lot 119 Provenance: Anderson Galleries, Chicago Bousson, Valadon & Cie. Sale: Christie’s East, New York, Oct. 29, 1985, lot 169 Sale, J.K. Newman, Anderson Galleries, American Art Association, Berry-Hill Galleries, Inc., New York Dec. 6, 1935, no. 7 Findlay Galleries Exhibited: London, The Royal Academy of Arts, 123rd Exhibition, 1891, no. 600, Literature: exhibited in Gallery VII Monique Le Pelley Fonteny, Leon Augustin Lhermitte (1844-1925), Birmingham, England, The Royal Birmingham Society of Artists (RBSA), Catalogue Raisonné, Paris, Cercle d’Art, 1991, p. 265, no. 607, illus. 1891, no. 110 3 Manchester, 1892, no. 283 The Comité Leon Lhermitte has confirmed the authenticity of this work, Chicago, The World’s Columbian Exposition, 1893, The British Section, no. 98 and a letter from the Comité dated Paris October 3, 2017 will be offered with this lot. Literature: C The Academy Notes, 1901, London, May 1901, no. 647 $20,000-30,000 1 Christiana Payne and Charles Brett, John Brett: Pre-Raphaelite Landscape Painter, New Haven/London, 2010, no. 1344. p. 236 C $8,000-12,000 2 6 DOYLE • NOVEMBER 15, 2017 • NEW YORK 4 BID ONLINE AT DOYLE.COM 7 6 Jules Breton French, 1827-1906 Jeune Femme Nourrissant ses Volailles, 1860, Signed Jules Breton and dated twice 1860 (lr) Oil on canvas 22 x 18 1/8 inches (55.8 x 46 cm) Provenance: M. Knoedler & Co., New York We kindly thank Annette Bourrut Lacouture for confirming the authenticity of this work, which she states is very characteristic of the artist's style in the 1860s. The painting will be included in her forthcoming Catalogue Raisonné of Jules Breton. C $15,000-25,000 6 5 5 7 Jean Baptiste Camille Corot Odilon Redon French, 1796-1875 French, 1840-1916 Passeur en Barque à la Rive Boisée avec une Femme et ses Deux Enfants, circa 1860-65 A Man Standing Beside the Sea Signed COROT (ll) Signed Odilon Redon (lr) Oil on canvas Graphite pencil on paper 18 1/4 x 15 inches (46.5 x 38.1 cm) 10 7/8 x 8 3/4 inches (27.4 x 22.2 cm) Provenance: Provenance: Musard Collection, Paris, 1877 The Estate of Alexander Bing III Cottier and Co., New York C Dr. Arthur Corwin, Chicago, 1920 $8,000-12,000 Thence by descent in the Corwin Family Newhouse Galleries, New York Acquired by the family of the present owner in 1975 from the above We are grateful to Claire Lebeau for confirming the authenticity of this work, which will be included in the forthcoming Supplement to the Robaut Catalogue Raisonné. It is probably related to a Corot work in the Metropolitan Museum of Art, Robaut 1728, entitled Passeur atterrissant avec deux paysannes dans sa barque. C $40,000-60,000 7 8 DOYLE • NOVEMBER 15, 2017 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 9 Property of a New York Collector 8 Jean-Louis-Ernest Meissonier French, 1815-1891 Midday Rest Monogramed EM (ul) Oil on panel 7 3/4 x 5 3/8 inches (19.7 x 13.7 cm) C $4,000-6,000 9 Luis Riccardo Falero Spanish, 1851-1896 Reclining Female Nude, 1893 Signed with conjoined first initials LFalero and dated 93 (ll) Oil on canvas 15 3/4 x 29 1/2 inches (40 x 75 cm) Provenance: Private collection, New York C $8,000-12,000 8 10 Property from the Estate of Harry Oppenheimer 10 Lovis Corinth German, 1858-1925 Portrait of a Man (possibly the artist Hermann Struck) Signed and dated Lovis Corinth/1918 (ul); also signed (lr) Oil on board 25 1/4 x 21 inches (84 x 53.3 cm) It has been suggested that the image on the reverse is of a peasant from Appenzell or the Black Forest. Hermann Struck, 1876-1942, was an artist from Berlin known primarily for his etchings and other graphic work. Among his students were Max Liebermann and Lovis Corinth. C 9 $8,000-12,000 10 DOYLE • NOVEMBER 15, 2017 • NEW YORK 11 Property from the Collection of Faith Stewart-Gordon 11 12 Hermann Max Pechstein Leon Schulman Gaspard German, 1881-1955 Russian/American, 1882-1964 Fischerboote an der Kurischen Nehrung Troops in Winter, 1914 (16?) Signed with initials and dated HMP 1911 (ur) Signed Leon Gaspard and indistinctly Colored crayons on paper inscribed and dated Russie 191... (lr) 6 1/2 x 8 inches (16.5 x 20.3 cm) Oil on canvas laid down on board 7 3/4 x 19 inches (19.7 x 48.2 cm) Exhibited: Berlin, Hochschule für bildende Künste, Provenance: Der Junge Pechstein, Feb. 1-Mar. 15, 1959, no. 123 Sale: Sotheby’s, NY, Apr. 23, 1998, lot 144 Berry Hill Galleries, Inc., New York Provenance: C Private Collection, Berlin $30,000-50,000 C $8,000-12,000 13 Property from the Ellin Jane Krinsly Trust 13 Natalia Sergeevna Goncharova Russian, 1881-1962 Untitled, circa 1910-1922 Signed and dated N. Gontcharova Moscou 1910 on the reverse, center; also dated 1910 and numbered 50 at top center, all in a later hand (ul) and faintly inscribed Mme Gontcharova on the reverse; [contemporary to the painting]; also stamped Verlag der Sturm on the reverse Oil on canvas 34 1/4 x 27 3/8 inches (87 x 69.5 cm) Exhibited: Berlin, Kunstausstellung Der Sturm Provenance: Roland, Browse and Delbanco, London Waddington Galleries, London, acquired June 25, 2002 C $150,000-250,000 12 DOYLE • NOVEMBER 15, 2017 • NEW YORK 12 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 13 14 14 Édouard Vuillard French, 1868-1940 Au Theatre Antoine, circa 1889 Stamped with initials E.V. (lr) Brush and ink on paper 16 9 7/8 x 13 3/8 inches (25 x 34 cm) Provenance: Paul Vallotton, Lausanne, Switzerland C $10,000-15,000 Property from the Estate of Eugene M. Lang 16 Jean Dufy 15 French, 1888-1964 Paul Signac Les Trois Fratellini au Cirque Medrano, 1927 French, 1863-1935 Signed Jean Dufy and dated 27 (lr); inscribed as titled on the reverse Notre Dame, Paris, 1910 Oil on canvas Signed P. Signac and dated 1910 (lr) 23 5/8 x 28 3/4 inches (60 x 73 cm) Watercolor and pencil heightened with white on paper Literature: 7 1/8 x 9 3/4 inches (18.1 x 24.8 cm) Jacques Bailly, Jean Dufy: Catalogue Raisonné de l’Oeuvre, 1888-1964, Paris, 2002, no. B. 497, p. 268, illus. (as Trio de Clowns Musiciens) This work was examined by Marina Ferretti and is accompanied The painting is accompanied by a photo-certificate of authenticity from by a certificate dated Paris, Madame Germaine Dufy, dated June 25, 1970.
Load more

Recommended publications
  • Collections Collections Privées
    Contact presse : Musée 13 septembre Claudine Colin Communication 2018 Christelle Maureau 3 rue de Turbigo 75001 Paris Marmottan Tél : 01 42 72 60 01 / 06 45 71 58 92 10 février [email protected] Monet 2019 www.claudinecolin.com COLLECTIONS UN VOYAGE DES PRIVÉES IMPRESSIONNISTES AUX FAUVES SOMMAIRE 03 I - Avant-propos 04 II - Communiqué de presse 05 III - Parcours de l’exposition 27 IV - Un ensemble d’œuvres « inédites » réunies à Paris 31 V - Autour de l’exposition 32 VI - Commissariat 34 VII - Visuels presse 37 VIII - Le musée Marmottan Monet 39 IX - Programmation 2018-2019 40 X - Informations pratiques I AVANT-PROPOS Ils sont trente, trente passionnés, trente amateurs à avoir à la suite de Paul Marmottan offert au musée qui porte son nom, les œuvres qu’ils chérissaient pour orner les salons de l’hôtel de la rue Louis Boilly : Emile Bastien-Lepage, André Billecocq, Vicky Colombet, Simonne Dalimier, Xie Dingwei, Victorine et Eugène Donop de Monchy, Cila Dreyfus, Philippe Garel, Mme du Payrat, Maurice Fenaille, Florence Gould, Marie et Roger Hauser, Antoine Jacquand, Berthe de Korewo, Jean-Paul Léon, Henri Le Riche, Françoise Marquet-Zao, Michel Monet, Angèle de Montholon, Marc Rauffet, Annie et Denis Rouart, Thérèse et Julien Rouart, Nelly Sargent-Duhem, Madeleine Siney, Henriette Vicens-Bouguereau, Daniel Wildenstein. Ces « particuliers », artistes, descendants d’artistes, amoureux des arts ont fondé nos collections qui comptent notamment les premiers fonds mondiaux d’œuvres de Claude Monet et Berthe Morisot. Grâce à eux, la demeure de Paul Marmottan est devenue le musée ou mieux encore la maison des collectionneurs.
    [Show full text]
  • March 1St-18Th, 2012
    www.oeta.tv KETA-TV 13 Oklahoma City KOED-TV 11 Tulsa KOET-TV 3 Eufaula KWET-TV 12 Cheyenne Volume 42 Number 9 A Publication of the Oklahoma Educational Television Authority Foundation, Inc. March 1ST-18 TH, 2012 MARCH 2012 THIS MONTH page page page page 2 4 5 6 Phantom of the Opera 60s Pop, Rock & Soul Dr. Wayne Dyer: Wishes Fulfilled Live from the Artists Den: Adele at Royal Albert Hall f March 6 & 14 @ 7 p.m. f March 5 @ 7 p.m. f March 30 @ 9w p.m. f March 7 @ 7 p.m. 2page FESTIVAL “The Phantom of the Opera” at the Royal Albert Hall f Wednesday March 7 at 7 p.m. Don’t miss a fully-staged, lavish 25th anniversary mounting of Andrew Lloyd Webber’s long-running Broadway and West End extravaganza. To mark the musical’s Silver Anniversary, Andrew Lloyd Webber and Cam- eron Mackintosh presented “The Phantom of the Opera” in the sumptuous Victorian splendor of London’s Royal Albert Hall. This dazzling restaging of the original production recreates the jaw-dropping scenery and breath- Under the Streetlamp taking special effects of the original, set to Lloyd Webber’s haunting score. f Tuesday March 13 at 7 p.m. The production stars Ramin Karimloo as The Phantom and Sierra Boggess Under the Streetlamp, America’s hottest new vocal group, as Christine, together with a cast and orchestra of more than 200, including performs an electrifying evening of classic hits from the special guest appearances by the original Phantom and Christine, Michael American radio songbook in this special recorded at the Crawford and Sarah Brightman.
    [Show full text]
  • A Tribute to Betty Price Thank You, Betty
    IMPROVING LIVES THROUGH THE ARTSNEWSLETTER OF THE OKLAHOMA ARTS COUNCIL FALL 2007 Thank You, Betty or 33 years, Betty Price has been the voice of the Oklahoma Arts Council. Recently retired Fas Executive Director, Price has been at the helm of this state agency for most of its existence. We couldn’t think of anyone more eloquent than her good friend, Judge Robert Henry to celebrate Betty and her passionate commitment to Oklahoma and to the arts. We join Judge Henry and countless friends in wishing Betty a long, happy and productive retirement. A Tribute to Betty Price From Judge Robert Henry ur great President John Fitzgerald Kennedy once noted: “To further the appreciation of Oculture among all the people, to increase respect for the creative individual, to widen participation by all the processes and fulfillments of art -- this is one of the fascinating challenges of these days.” Betty Price took that challenge more seriously than any other Oklahoman. And, it is almost impossible to imagine what Oklahoma’s cultural landscape would look like without her gentle, dignified, and incredibly Betty in front of the We Belong to the Land mural by Jeff Dodd. persistent vision. Photo by Keith Rinerson forMattison Avenue Publishing Interim Director. Finally, she was selected by the Council to serve as its Executive Director. Betty, it seems, has survived more Oklahoma governors than any institution except our capitol; she has done it with unparalleled integrity and artistic accomplishment. Betty and Judge Robert Henry during the dedication of the Ada Lois Sipuel Fisher portrait by Mitsuno Reedy.
    [Show full text]
  • Sobriety First, Housing Plus Meet the Man Who Runs a Homeless Program with a 93 Percent Success Rate and Why He Says Even He Couldn’T Solve San Francisco’S Crisis
    Good food and drink Travel tips The Tablehopper says get ready for hops Bay Area cannabis tours p.18 at Fort Mason p.10 Visiting Cavallo Point — Susan Dyer Reynolds’s favorite things p.11 The Lodge at the Golden Anthony Torres scopes out Madrone Art Bar p.12 Gate p.19 MARINATIMES.COM CELEBRATING OUR 34TH YEAR VOLUME 34 ISSUE 09 SEPTEMBER 2018 Reynolds Rap Sobriety first, housing plus Meet the man who runs a homeless program with a 93 percent success rate and why he says even he couldn’t solve San Francisco’s crisis BY SUSAN DYER REYNOLDS Detail of Gillian Ayres, 1948, The Walmer Castle pub near Camberwell School of Art, with Gillian Ayres (center) hris megison has worked with the home- and Henry Mundy (to the right of Ayres). PHOTO: COURTESY OF GILLIAN AYRES less for nearly three decades. He and his wife, Tammy, helped thousands of men get off the Cstreets, find employment, and earn their way back into Book review: ‘Modernists and Mavericks: Bacon, Freud, society. But it was a volunteer stint at a winter emergency shelter for families where they saw mothers and babies Hockney and The London Painters,’ by Martin Gayford sleeping on the floor that gave them the vision for their organization Solutions for Change. The plan was far from BY SHARON ANDERSON tionships — artists as friends, as photographs and artworks, Gayford traditional: Shelter beds, feeding programs, and conven- students and teachers, and as par- draws on extensive interviews with tional human services were replaced with a hybrid model artin gayford’s latest ticipants who combined to define artists to build an intimate history of where parents worked, paid rent, and attended onsite book takes on the history painting from Soho bohemia in the an era.
    [Show full text]
  • RECENT ACQUISITIONS Dear Friends and Collectors
    WALLY FINDLAY GALLERIES RECENT ACQUISITIONS Dear Friends and Collectors, Wally Findlay Galleries is pleased to present our most recent e-catalogue, Recent Acquisitions, featuring the newest additions to our collection. The catalogue features works by Aizpiri, Berthelsen, Brasilier, Cahoon, Calder, Cassignieul, Chagall, D’Espagnat, Jean Dufy, Gen Paul, Hambourg, Hervé, Indiana, Kluge, Leger, Le Pho, Miró, Outin, Sébire, Sipp-Green, Simbari, Simkohvitch, and Vu Cao Dam. For further information in regards to these works and the current collection, please contact the New York gallery. We look forward to hearing from you. WALLY FINDLAY GALLERIES 124 East 57th Street, New York, NY (212) 421 5390 [email protected] Aïzpiri Paul Aïzpiri (b. 1919) was born in Paris on May 14, 1919. Aïzpiri entered l’École Bulle to learn antique restoration, after his father insisted that he first learn a trade as a means of assuring his livelihood. After the course he entered the Beaux-Arts to study painting. Aïzpiri was certainly encouraged as a young painter in his early 20’s, during somber war-torn France, exhibiting amongst the painters of l’École Pont-Aven and the Nabis. He became a member of the Salon d’Automne in 1945, won Third Prize at the Salon de Moins de Trente Ans, of which he was a founding member and later showed at the Salon “Les Peintres Témoin de leur Temps”. In 1948, Aïzpiri won the Prix Corsica which allowed him to go to Marseilles. His stay there so impressed him, that he declared it was a turning point of his art. Not only did he find a whole new world to paint which was far different subjectively from any life he had known in Paris, but also a new world of color.
    [Show full text]
  • Impressionist & Modern
    IMPRESSIONIST & MODERN ART Thursday 1 March 2018 IMPRESSIONIST & MODERN ART Thursday 1 March 2018 at 5pm New Bond Street, London VIEWING ENQUIRIES Brussels Rome Thursday 22 February, 9am to 5pm London Christine de Schaetzen Emma Dalla Libera Friday 23 February, 9am to 5pm India Phillips +32 2736 5076 +39 06 485 900 Saturday 24 February, 11am to 4pm Head of Department [email protected] [email protected] Sunday 25 February, 11am to 4pm +44 (0) 20 7468 8328 Monday 26 February, 9am to 5pm [email protected] Cologne Tokyo Tuesday 27 February, 9am to 3pm Katharina Schmid Ryo Wakabayashi Wednesday 28 February 9am to 5pm Hannah Foster +49 221 2779 9650 +81 3 5532 8636 Thursday 1 March, 9am to 2pm Department Director [email protected] [email protected] +44 (0) 20 7468 5814 SALE NUMBER [email protected] Geneva Zurich 24743 Victoria Rey-de-Rudder Andrea Bodmer Ruth Woodbridge +41 22 300 3160 +41 (0) 44 281 95 35 CATALOGUE Specialist [email protected] [email protected] £22.00 +44 (0) 20 7468 5816 [email protected] Livie Gallone Moeller PHYSICAL CONDITION OF LOTS ILLUSTRATIONS +41 22 300 3160 IN THIS AUCTION Front cover: Lot 16 Aimée Honig [email protected] Inside front covers: Lots 20, Junior Cataloguer PLEASE NOTE THAT THERE IS NO 21, 15, 70, 68, 9 +44 (0) 20 7468 8276 Hong Kong REFERENCE IN THIS CATALOGUE Back cover: Lot 33 [email protected] Dorothy Lin TO THE PHYSICAL CONDITION OF +1 323 436 5430 ANY LOT.
    [Show full text]
  • Impressionist & Modern
    Impressionist & Modern Art New York | November 17, 2020 Impressionist & Modern Art New York | Tuesday November 17, 2020 at 5pm EST BONHAMS INQUIRIES BIDS COVID-19 SAFETY STANDARDS 580 Madison Avenue New York Register to bid online by visiting Bonhams’ galleries are currently New York, New York 10022 Molly Ott Ambler www.bonhams.com/26154 subject to government restrictions bonhams.com +1 (917) 206 1636 and arrangements may be subject Bonded pursuant to California [email protected] Alternatively, contact our Client to change. Civil Code Sec. 1812.600; Services department at: Bond No. 57BSBGL0808 Preeya Franklin [email protected] Preview: Lots will be made +1 (917) 206 1617 +1 (212) 644 9001 available for in-person viewing by appointment only. Please [email protected] SALE NUMBER: contact the specialist department IMPORTANT NOTICES 26154 Emily Wilson on impressionist.us@bonhams. Please note that all customers, Lots 1 - 48 +1 (917) 683 9699 com +1 917-206-1696 to arrange irrespective of any previous activity an appointment before visiting [email protected] with Bonhams, are required to have AUCTIONEER our galleries. proof of identity when submitting Ralph Taylor - 2063659-DCA Olivia Grabowsky In accordance with Covid-19 bids. Failure to do this may result in +1 (917) 717 2752 guidelines, it is mandatory that Bonhams & Butterfields your bid not being processed. you wear a face mask and Auctioneers Corp. [email protected] For absentee and telephone bids observe social distancing at all 2077070-DCA times. Additional lot information Los Angeles we require a completed Bidder Registration Form in advance of the and photographs are available Kathy Wong CATALOG: $35 sale.
    [Show full text]
  • Abstract and Figurative: Highlights of Bay Area Painting January 8 – February 28, 2009 John Berggruen Gallery Is Pleased to Pr
    Abstract and Figurative: Highlights of Bay Area Painting January 8 – February 28, 2009 John Berggruen Gallery is pleased to present Abstract and Figurative: Highlights of Bay Area Painting, a survey of historical works celebrating the iconic art of the Bay Area Figurative movement. The exhibition will occupy two floors of gallery space and will include work by artists Elmer Bischoff, Theophilus Brown, Richard Diebenkorn, Manuel Neri, Nathan Oliveira, David Park, Wayne Thiebaud, James Weeks, and Paul Wonner. Abstract and Figurative is accompanied by an illustrated catalogue with an introduction by art historian and Director of the Palm Springs Art Museum and former Associate Director and Chief Curator of the Fine Arts Museums of San Francisco, Steven A. Nash. Many of the works included in Abstract and Figurative are on loan from museums and private collections and have rarely been exhibited to the public. John Berggruen Gallery is proud to have this opportunity to bring these paintings together in commemoration of the creative accomplishments of such distinguished artists. Please join us for our opening reception on Thursday, January 8, 2009 between 5:30 and 7:30 pm. Nash writes, “There is no more fabled chapter in the history of California Art than the audacious stand made by Bay Area Figurative painters against Abstract Expressionism in the 1950s.” This regionalized movement away from the canon of the New York School (as championed by artists Jackson Pollock and Willem de Kooning, and critic Clement Greenberg, among others) finds its roots in 1949, when a young painter by the name of David Park “gathered up all his abstract- expressionist canvases and, in an act that has gone down in local legend, drove to the Berkeley city dump and destroyed them.”1 Disillusioned with the strict non-representational tenets of a movement that promoted the Greenbergian notion of “purity” in art towards a perpetually evolving abstraction, Park submitted Kids on Bikes (1950), a small figurative painting, to a 1951 competitive exhibition and won.
    [Show full text]
  • The Jamison Galleries Collection
    THE JAMISON GALLERIES COLLECTION BETTY W. AND ZEB B. CONLEY PAPERS New Mexico Museum of Art Library and Archives Dates: 1950 - 1995 Extent: 7.33 linear feet Contents Part One. Materials on Artists and Sculptors Part Two. Photographs of Works Part Three. Additional Material Revised 01/11/2018 Preliminary Comments The Jamison Galleries [hereafter referred to simply as “the Gallery”] were located on East Palace Avenue, Santa Fe, from August 1964 until January 1993, at which time it was moved to Montezuma Street. There it remained until December 1997, when it closed its doors forever. Originally owned by Margaret Jamison, it was sold by her in 1974 to Betty W. and Zeb B. Conley. The Library of the Museum of Fine Arts is indebted to the couple for the donation of this Collection. A similar collection was acquired earlier by the Library of the records of the Contemporaries Gallery. Some of the artists who exhibited their works at this Gallery also showed at The Contemporaries Gallery. Included in the works described in this collection are those of several artists whose main material is indexed in their own Collections. This collection deals with the works of a vast array of talented artists and sculptors; and together with The Contemporaries Gallery Collection, they comprise a definitive representation of southwestern art of the late 20th Century. Part One contains 207 numbered Folders. Because the contents of some are too voluminous to be limited to one folder, they have been split into lettered sub-Folders [viz. Folder 79-A, 79-B, etc.]. Each numbered Folder contains material relating to a single artist or sculptor, all arranged — and numbered — alphabetically.
    [Show full text]
  • July 10-16, 2015 202 E
    CALENDAR LISTING GUIDELINES •Tolist an eventinPasa Week,sendanemail or press release to [email protected] or [email protected]. •Send material no less than twoweeks prior to the desired publication date. •For each event, provide the following information: time,day,date, venue, venueaddress, ticket prices,web address,phone number,brief description of event(15 to 20 words). •All submissions arewelcome.However,eventsare included in Pasa Week as spaceallows. Thereisnocharge forlistings. •Return of photos and other materials cannotbeguaranteed. • Pasatiempo reservesthe righttopublish received information and photographs on The New Mexican website. •Toadd your eventtoThe New Mexican onlinecalendar,visit santafenewmexican.com and ARTS AND ENTERTAINMENT CALENDAR click on the Calendar tab. •For further information contactPamela Beach, [email protected], July 10-16, 2015 202 E. MarcySt., Santa Fe,NM87501, phone: 505-986-3019, fax: 505-820-0803. •Topurchase alisting in The New Mexican CommunityCalendar,contactClaudia Freeman, [email protected], 505-995-3841 CALENDAR COMPILED BY PAMELA BEACH FRIDAY 7/10 TGIF piano recital First Presbyterian Church of SantaFe, 208 GrantAve. Galleryand Museum Openings Pianist CharlotteRowe, music of Liszt, Brahms, Center for ContemporaryArts and Debussy, 5:30 p.m., donations accepted, 1050 Old PecosTrail,505-982-1338 505-982-8544, Ext. 16. The Implication of Form,architectural photographs In Concert by Hayley Rheagan, reception 5-7 p.m., through Oct. 4. Music at the Museum New MexicoMuseum of Art, 107W.PalaceAve., Counter CultureCafé 505-476-5072 930 Baca St., 505-995-1105 James Hornand KittyJoCreek,5:30-7:30 p.m. Group showofworks by members of Santa Fe on the patio,nocharge. Women in Photography, reception 5:30-7:30 p.m., through July 30.
    [Show full text]
  • In Turn-Of-The-Century Paris, an Explosion of Brash New Art
    1 In Turn-of-the-Century Paris, An Explosion of Brash New Art Dubbed 'les Fauves' (the wild beasts) for their uninhibited use of color, these artists boldly rearranged the imagery of nature By Helen Dudar, Smithsonian, October, 1990 The scandal of the Parisian art world in 1905 was Room VII of the third annual Salon d'Automne in the Grand Palais, its walls throbbing with raw color. Color squeezed straight out of tubes; color assaulting the eye and senses; color that sometimes seemed to have been flung upon the canvas; color that dared to tint human flesh pea green and tree trunks a violent Andre Derain, The Turning Road, L’Estaque, 1906 red; color that not only refused to imitate nature but actually had been used to suggest form and depth. The signatures on the paintings bore the names of men some of whom, surviving notoriety, would soon be more or less famous. Henri Matisse, the oldest of them and the unlikely center of this radical new style, would flourish into his 85th year as one of the masters of our century. Andre Derain would, for a time, produce works of breathtaking originality and virtuosity. Albert Marquet and Henri Manguin, less than household names in our day, would be the best-sellers of the group because they turned out tamer work that was gentler to the untutored eye. Maurice de Vlaminck, a larger-than-life figure and a devout fabulist, would claim with some exaggeration that he was really the first to engage with the new style, and then, the first to abandon it.
    [Show full text]
  • Teachers' Resource
    TEACHERS’ RESOURCE BECOMING PICASSO: PARIS 1901 CONTENTS 1: INTRODUCTION TO THE EXHIBITION 2: ‘I WAS A PAINTER AND I BECAME PICASSO’ 3:THE ARTIST AS OUTSIDER: THE HARLEQUIN IN PICASSO’S EARLY WORK 4: PAINTING LIFE AND DEATH: PICASSO’S SECULAR ALTARPIECE 5: THE SECRET LIFE OF A PAINTING 6: PAINTING THE FIGURE: A CONTEMPORARY PRACTICE PERSPECTIVE 7: PICASSO’S BELLE ÉPOQUE: A SUBVERSIVE APPROACH TO STYLE AND SUBJECT 8: GLOSSARY 9: TEACHING RESOURCE CD TEACHERS’ RESOURCE BECOMING PICASSO: PARIS 1901 Compiled and produced by Sarah Green Design by Joff Whitten SUGGESTED CURRICULUM LINKS FOR EACH ESSAY ARE MARKED IN ORANGE TERMS REFERRED TO IN THE GLOSSARY ARE MARKED IN PURPLE To book a visit to the gallery or to discuss any of the education projects at The Courtauld Gallery please contact: e: [email protected] t: 0207 848 1058 Cover image: Pablo Picasso Child with a Dove, 1901 Oil on canvas 73 x 54 cm Private collection © Succession Picasso/DACS, London 2013 This page: Pablo Picasso Dwarf-Dancer, 1901 Oil on board 105 x 60 cm Museu Picasso, Barcelona (gasull Fotografia) © Succession Picasso/DACS, London 2013 WELCOME The Courtauld is a vibrant international centre for the study of the history of art and conservation and is also home to one of the finest small art museums in the world. The Public Programmes department runs an exceptional programme of activities suitable for young people, school teachers and members of the public, whatever their age or background. We offer resources which contribute to the understanding, knowledge and enjoyment of art history based upon the world-renowned art collection and the expertise of our students and scholars.
    [Show full text]