Building a Career Development Model for Women in Engineering
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Levinas and the New Woman Writers: Narrating the Ethics of Alterity
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English 12-10-2018 Levinas and the New Woman Writers: Narrating the Ethics of Alterity Anita Turlington Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Turlington, Anita, "Levinas and the New Woman Writers: Narrating the Ethics of Alterity." Dissertation, Georgia State University, 2018. https://scholarworks.gsu.edu/english_diss/210 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. LEVINAS AND THE NEW WOMAN WRITERS: NARRATING THE ETHICS OF ALTERITY by ANITA TURLINGTON Under the Direction of Leeanne Richardson, PhD ABSTRACT This study applies the ethical theories of Emmanuel Levinas to the novels and short stories of the major New Woman novelists of the fin de siècle in England. Chapter One introduces the study and its theoretical framework. Chapter Two discusses how New Woman writers confront their protagonists with ethical dilemmas framed as face-to-face encounters that can be read as the moment of ethics formation. They also gesture toward openness and indeterminacy through their use of carnivalesque characters. In Chapter Three, Levinas’s concepts of the said and the saying illuminate readings of polemical passages that interrogate the function of language to oppress or empower women. Chapter Four reads dreams, visions, allegories, and proems as mythic references to a golden age past that reframe the idea of feminine altruism. -
Rūta Stanevičiūtė Nick Zangwill Rima Povilionienė Editors Between Music
Numanities - Arts and Humanities in Progress 7 Rūta Stanevičiūtė Nick Zangwill Rima Povilionienė Editors Of Essence and Context Between Music and Philosophy Numanities - Arts and Humanities in Progress Volume 7 Series Editor Dario Martinelli, Faculty of Creative Industries, Vilnius Gediminas Technical University, Vilnius, Lithuania [email protected] The series originates from the need to create a more proactive platform in the form of monographs and edited volumes in thematic collections, to discuss the current crisis of the humanities and its possible solutions, in a spirit that should be both critical and self-critical. “Numanities” (New Humanities) aim to unify the various approaches and potentials of the humanities in the context, dynamics and problems of current societies, and in the attempt to overcome the crisis. The series is intended to target an academic audience interested in the following areas: – Traditional fields of humanities whose research paths are focused on issues of current concern; – New fields of humanities emerged to meet the demands of societal changes; – Multi/Inter/Cross/Transdisciplinary dialogues between humanities and social and/or natural sciences; – Humanities “in disguise”, that is, those fields (currently belonging to other spheres), that remain rooted in a humanistic vision of the world; – Forms of investigations and reflections, in which the humanities monitor and critically assess their scientific status and social condition; – Forms of research animated by creative and innovative humanities-based -
The Spectral Voice and 9/11
SILENCIO: THE SPECTRAL VOICE AND 9/11 Lloyd Isaac Vayo A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2010 Committee: Ellen Berry, Advisor Eileen C. Cherry Chandler Graduate Faculty Representative Cynthia Baron Don McQuarie © 2010 Lloyd Isaac Vayo All Rights Reserved iii ABSTRACT Ellen Berry, Advisor “Silencio: The Spectral Voice and 9/11” intervenes in predominantly visual discourses of 9/11 to assert the essential nature of sound, particularly the recorded voices of the hijackers, to narratives of the event. The dissertation traces a personal journey through a selection of objects in an effort to seek a truth of the event. This truth challenges accepted narrativity, in which the U.S. is an innocent victim and the hijackers are pure evil, with extra-accepted narrativity, where the additional import of the hijacker’s voices expand and complicate existing accounts. In the first section, a trajectory is drawn from the visual to the aural, from the whole to the fragmentary, and from the professional to the amateur. The section starts with films focused on United Airlines Flight 93, The Flight That Fought Back, Flight 93, and United 93, continuing to a broader documentary about 9/11 and its context, National Geographic: Inside 9/11, and concluding with a look at two YouTube shorts portraying carjackings, “The Long Afternoon” and “Demon Ride.” Though the films and the documentary attempt to reattach the acousmatic hijacker voice to a visual referent as a means of stabilizing its meaning, that voice is not so easily fixed, and instead gains force with each iteration, exceeding the event and coming from the past to inhabit everyday scenarios like the carjackings. -
A Multi-Level Perspective Analysis of the Change in Music Consumption 1989-2014
A multi-level perspective analysis of the change in music consumption 1989-2014 by Richard Samuels Thesis submitted for the Degree of Doctor of Philosophy School of Geography and Planning Cardiff University 2018 i Abstract This thesis seeks to examine the historical socio-technical transitions in the music industry through the 1990s and 2000s which fundamentally altered the way in which music is consumed along with the environmental resource impact of such transitions. Specifically, the investigation seeks to establish a historical narrative of events that are significant to the story of this transition through the use of the multi-level perspective on socio-technical transitions as a framework. This thesis adopts a multi-level perspective for socio-technical transitions approach to analyse this historical narrative seeking to identify key events and actors that influenced the transition as well as enhance the methodological implementation of the multi-level perspective. Additionally, this thesis utilised the Material Intensity Per Service unit methodology to derive several illustrative scenarios of music consumption and their associated resource usage to establish whether the socio-technical transitions experienced by the music industry can be said to be dematerialising socio-technical transitions. This thesis provides a number of original empirical and theoretical contributions to knowledge. This is achieved by presenting a multi-level perspective analysis of a historical narrative established using over 1000 primary sources. The research identifies, examines and discusses key events, actors and transition pathways denote the complex nature of dematerialising socio-technical systems as well as highlights specifically the influence different actors and actor groups can have on the pathways that transitions take. -
Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology
Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology. Doctoral thesis, Goldsmiths, University of London [Thesis] https://research.gold.ac.uk/id/eprint/28228/ The version presented here may differ from the published, performed or presented work. Please go to the persistent GRO record above for more information. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Goldsmiths, University of London via the following email address: [email protected]. The item will be removed from the repository while any claim is being investigated. For more information, please contact the GRO team: [email protected] Hybrids and Fragments Music, Genre, Culture and Technology Author Supervisor Justin Mark GAGEN Dr. Christophe RHODES Thesis submitted for the degree of Doctor of Philosophy in Computer Science GOLDSMITHS,UNIVERSITY OF LONDON DEPARTMENT OF COMPUTING November 18, 2019 1 Declaration of Authorship I, Justin Mark Gagen, declare that the work presented in this thesis is entirely my own. Where I have consulted the work of others, this is clearly stated. Signed: Date: November 18, 2019 2 Acknowledgements I would like to thank my supervisors, Dr. Christophe Rhodes and Dr. Dhiraj Murthy. You have both been invaluable! Thanks are due to Prof. Tim Crawford for initiating the Transforming Musicology project, and providing advice at regular intervals. To my Transforming Musicology compatriots, Richard, David, Ben, Gabin, Daniel, Alan, Laurence, Mark, Kevin, Terhi, Carolin, Geraint, Nick, Ken and Frans: my thanks for all of the useful feedback and advice over the course of the project. -
Byrne & Fatboy Slim a Toys Orchestra
digital magazine APRILE 2010 N.66 Lost in Musical BYRNE & FAT BOY SLIM Caribou Fucked Up Cobblestone Jazz A Toys Orchestra Adi Newton/Clock DVA Santo Barbaro // Vessel // Temperatures // Kuupuu // Evy Arnesano // Ikonika Sentireascoltare n.66 TURN ON p. 4 Santo Barbaro 5 Vessel 6 Temperatures 7 Kuupuu 8 Evy Arnesano TUNE IN 10 Ikonika 12 Caribou 16 Cobblestone Jazz 20 Fucked Up DROP OUT 24 A Toys Orchestra 30 Lost in Musical RECENSIONI 36 Balaclavas, Caribou, Crookers, Extra Life, Ikonika, MGMT... Rearview Mirror 90 Jawbox, Adi Newton, ZU... Rubriche 86 Gimme Some Inches 88 Re-boot SentireAscoltare online music magazine Registrazione Trib.BO N° 7590 del 28/10/05 Editore: Edoardo Bridda 102 Giant Steps Direttore responsabile: Antonello Comunale Provider NGI S.p.A. Copyright © 2009 Edoardo Bridda. 103 Classic Album Tutti i diritti riservati.La riproduzione totale o parziale, in qualsiasi forma, su qualsiasi supporto e con qualsiasi mezzo, 104 La Sera della Prima è proibita senza autorizzazione scritta di SentireAscoltare DIRETTORE : Edoardo Bridda DIRETTORE RESPONSABILE : Antonello Comunale UFFICIO STAMPA : Teresa Greco COOR D INAMENTO : Gaspare Caliri PROGETTO GRAFICO E IMPAGINAZIONE : Nicolas Campagnari RE D AZIONE : Antonello Comunale, Edoardo Bridda, Gaspare Caliri, Nicolas Campagnari, Stefano Solventi, Teresa Greco. HANNO COLLABORATO : Giancarlo Turra, Marco Braggion, Gabriele Marino, Leonardo Amico, Fabrizio Zampighi, Luca Barachetti, Stefano Pifferi, Andrea Napoli, Filippo Bordignon, Luca Barachetti, Salvatore Borrelli. GU I D A SPIRIT U ALE : Adriano Trauber (1966-2004) IN COPERTINA : Lost in Musical (David Byrne+Fatboy Slim) 2 Santo n n O Vessel O Barbaro Turn Turn Turn —Setacciare la verità— —Next pop queen— Il gruppo bolognese cerca una rifondazione delle parole Due parti di Giardini di Miro' e all'insegna della purezza e della una parte di Pitch. -
I at the Vanguard of Vinyl: a Cultural History of the Long-‐‑Playing
At the Vanguard of Vinyl: A Cultural History of the Long-Playing Record in Jazz by Darren Mueller Department of Music Duke University Date:_______________________ Approved: ___________________________ Louise Meintjes, Supervisor ___________________________ Paul F. Berliner ___________________________ Mark Anthony Neal ___________________________ Philip Rupprecht ___________________________ Jacqueline Waeber Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in The Graduate School of Duke University 2015 i v ABSTRACT At the Vanguard of Vinyl: A Cultural History of the Long-Playing Record in Jazz by Darren Mueller Department of Music Duke University Date:_______________________ Approved: ___________________________ Louise Meintjes, Supervisor ___________________________ Paul F. Berliner ___________________________ Mark Anthony Neal ___________________________ Philip Rupprecht ___________________________ Jacqueline Waeber An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in The Graduate School of Duke University 2015 Copyright by Darren Mueller 2015 Abstract At the Vanguard of Vinyl investigates the jazz industry’s adoption of the long-playing record (LP), 1948–1960. The technological advancements of the LP, along with the incipient use of magnetic tape recording, made it feasible to commercially issue recordings running beyond the three-minute restrictions of the 78-rpm record. LPs began to feature extended improvisations, musical mistakes, musicians’ voices, and other moments of informal music making, revolutionizing the standard recording and production methods of the previous recording era. As the visual and sonic modes of representation shifted, so too did jazz’s relationship to white mainstream culture, Western European musical aesthetics, US political structures, and streams of Afro-modernism. -
Queer Performativity and Grieving Through Music in the Work of Rufus Wainwright
TRUE LOVES, DARK NIGHTS: QUEER PERFORMATIVITY AND GRIEVING THROUGH MUSIC IN THE WORK OF RUFUS WAINWRIGHT Stephanie Salerno A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2016 Committee: Jeremy Wallach, Advisor Christian Coons Graduate Faculty Representative Kimberly Coates Katherine Meizel © 2016 Stephanie Salerno All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This dissertation studies the cultural significance of Canadian-American singer/songwriter Rufus Wainwright’s (b. 1973) album All Days Are Nights: Songs for Lulu (Decca, 2010). Lulu was written, recorded, and toured in the years surrounding the illness and eventual death of his mother, beloved Québécoise singer/songwriter Kate McGarrigle. The album, performed as a classical song cycle, stands out amongst Wainwright’s musical catalogue as a hybrid composition that mixes classical and popular musical forms and styles. More than merely a collection of songs about death, loss, and personal suffering, Lulu is a vehicle that enabled him to grieve through music. I argue that Wainwright’s performativity, as well as the music itself, can be understood as queer, or as that which transgresses traditional or expected boundaries. In this sense, Wainwright’s artistic identity and musical trajectory resemble a rhizome, extending in multiple directions and continually expanding to create new paths and outcomes. Instances of queerness reveal themselves in the genre hybridity of the Lulu song cycle, the emotional vulnerability of Wainwright’s vocal performance, the deconstruction of gender norms in live performance, and the circulation of affect within the performance space. -
Adi Newton (Clock Dva/TAG/TAGC) Interviste Selezionate 1990 - 2018 Appendix :: Selected Interviews 1990 - 2018 English Version
Adi Newton (Clock Dva/TAG/TAGC) interviste selezionate 1990 - 2018 Appendix :: Selected Interviews 1990 - 2018 English version collana i forti 17 DELL’AVVENIRE Adi Newton (Clock Dva/TAG/TAGC) interviste selezionate 1990 - 2018 Appendix :: Selected Interviews 1990 - 2018 English version collana SF017 it i forti 17 DELL’AVVENIRE La collana editoriale «I forti dell’avvenire» si occupa di filosofie accelerazioniste e, in particolar modo, del pensiero che si fonda sull’asse Nietzsche, Klossowski, Bataille e il gruppo di Acèphale, Deleuze, Guattari, Foucault, Lyotard. Uscite: SF001 :: OBSOLETE CAPITALISM, I forti dell’avvenire (luglio 2016) SF002 :: OBSOLETE CAPITALISM, Accelerazione, rivoluzione e moneta nell’Anti-Edipo di Deleuze e Guattari (agosto 2016) SF003 :: EDMUND BERGER, Accelerazionismo grunge (settembre 2016) SF004 :: OBSOLETE CAPITALISM, Deleuze e l’algoritmo della rivoluzione (ottobre 2016) SF005 :: SIMON REYNOLDS - KATJA DIEFENBACH, Technodeleuze e Mille Plateaux. Interviste con Achim Szepanski 1994-1996 (novembre 2016) SF006 :: SARA BARANZONI - PAOLO VIGNOLA, Biforcare alla radice. Su alcuni disagi dell’accelerazione (gennaio 2017) SF007 :: LAPO BERTI, Fantasie Accelerate (marzo 2017) SF008 :: EDMUND BERGER, Flussi sotterranei. Una microstoria di iperstizione e resistenza esoterica (aprile 2017) SF009 :: OBSOLETE CAPITALISM, Dromologia, bolidismo, accelerazionismo marxista. Frammenti di comunismo tra al-Khwarizmi e Mach (maggio 2017) SF010 :: NETWORK ENSEMBLE, Selected Network Studies (giugno 2017) SF011 :: OBSOLETE CAPITALISM