The Free Font Movement
THEFREEFONTMOVEMENT david crossland Dissertation submitted in partial fulfilment of the requirements for the MA Typeface Design, University of Reading, 2008 Copyright © 2008 David Crossland This document is licensed under a ‘Creative Commons Attribution – No Derivative Works 3.0 Unported’ license. Verbatim copying and redistribution of this entire document is permitted worldwide, without royalty, in any medium, provided this notice is preserved. Full terms are available at http://creativecommons.org/licenses/by-nd/3.0/ Typeset on September 15, 2008 at 11:23, containing 13,739 words. Dedicated to +Fravia In the study of ideas, it is necessary to remember that insistence on hard-headed clarity issues from sentimental feeling, as it were a mist, cloaking the perplexities of fact. Insistence on clarity at all costs is based on sheer superstition as to the mode in which human intelligence functions. Our reasonings grasp at straws for premises and float on gossamers for deductions. — A. N. Whitehead, "Adventures in Ideas."(McLuhan, 1967) ACKNOWLEDGMENTS Many thanks to Ben Weiner, Nicolas Spalinger, Richard Stallman, Karl Berry, Benjamin Mako Hill, Jim Blandy, Raph Levien, Femke Pierre and Harrison at OSP, Bruce Perens, Pierre Marchand, Peter Linnel, Louis Dejardin, Miles Metcalfe, Ian Forrester, Bahi Para, Gus- tavo Ferreira, Andy Fitzsimon, Andy Ellis, Alexandre Prodoukine, Jon Philips, Ed Trager, Liam Quin, Rob Savoye, MJ Ray, Tom Lord, and Canny Kwok. iv ABSTRACT This dissertation examines the emerging free font movement, a small part of the larger free software and free culture movements. Part A provides an overview of key concepts in the free software and culture movements.
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