SOME INTERESTING PITTSBURGHERS, 1911-1941 Part Two
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31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
During Farewell Ceremonies Republicans in Turmoil
* * * FOR MAKE EVERY ICTORY PAYDAY BUY BOND DAY UNITED STATES VOL. VII.—No. 21 FORDS, N. J., FRIDAY, AUGUST 7, 1942 PRICE THREE CENTS I.W. Kelly Succumbs At 64 Mother Of Draftee Honored No Signs ' Democrats Seek New Terms; During Farewell Ceremonies Of Polio Republicans In Turmoil RARITAN TOWNSHIP — An Fritz Hokanson, of 183 Main WOODBRIDGE — The three and William Gery in the Third impressive send-off was given Street, Metuchen, whose son Carl Democratic encumbents on the Ward. Wednesday Tuesday to the largest contingent A. Hokanson, was leaving for; Epidemic Township Committee filed nomi- It was understood that there of selectees to be called by Draft Army service a second time. He nating petitions for re-election was an overflow of candidates for Long-Time Woodbridge Board No. 2 since the start of the is 44 years old and was a member last night with Township Clerk the Second Ward Republican Unit To Leave For war on the Municipal Building of Company H, 113th Infantry, One Case Reported; B. J. Dunigan, and the Republi- nomination, and apparently party Resident Succumbs At lawn. The unit included men 29th division, during the first- Children Should Avoid cans came up with one .candidate leaders in an effort to avoid a Newark For Physical from the Township, Metuchen and World War. Mrs. Hokanson, in the First Ward, three in the primary fight, convinced all the 64 In Lancaster, Pa. Highland Park. white-haired, occupied a seat of Crowds, Bailey Advises Third and none in the Second. aspirants to avoid filing a peti- Exams From Town Hall The group was addressed by honor in front of the assemblages. -
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158. -
Women's Basketball
WOMEN’S BASKETBALL 2016 ATLANTIC 10 CHAMPIONS • NINE STRAIGHT POSTSEASON APPEARANCES •REPRESENTING SEVEN COUNTRIES DUQUESNE (1-1) AT PITTSBURGH (2-0) 2017-18 SCHEDULE Nov. 16 • 7:00 PM • Pittsburgh, Pa.•Petersen Events Center (12, 508) 1-1, 0-0 ATLANTIC 10 DUQUESNE Dukes Pittsburgh Panthers Head Coach: Dan Burt Head Coach: Suzie McConnell-Serio DATE OPPONENT TIME/RESULT Record at DUQ: 89-47 (5th) Record at PITT: 59-67 (5th) GAME 3 11.10 at Charlotte L, 72-75 Overall: Same Overall: 182-135 (11th) 11.12 at Winthrop W, 81-54 11.16 at Pittsburgh 7:00 PROJECTED STARTERS 11.19 at ETSU 1:00 11.21 Iona 6:00 11.25 vs. NC A&T - 1 4:30 11.26 at Virginia - 1 3:30 Julijana Vojinovic 11.30 Saint Francis U 7:00 5-10 // JR // G 12.2 Central Connecticut 2:00 12.6 Toledo 5:30 Čačak, Serbia 12.9 Akron 3:00 14.0 ppg // 6.0 rpg 12.17 Central Michigan 2:30 12.22 vs. UConn - 2 7:00 13 12.31 Massachusetts* 1:00 1.4 at Davidson* 7:00 Chassidy Omogrosso 1.7 at VCU* 1:00 5-4 // JR // G 1.13 at George Washington* 12:00 Beaver Falls, Pa. 1.17 La Salle* 7:00 1.21 George Mason* 2:00 14.0 ppg // 1.5 rpg 1.24 at Saint Joseph’s* 7:00 2 1.28 St. Bonaventure* 4:00 1.31 at Dayton* 7:00 Conor Richardson 2.4 at Richmond* 12:00 2.7 VCU* 7:00 5-10 // JR // G 2.10 Saint Joseph’s* 2:30 Pittsburgh, Pa. -
Whether You're a Hockey Fan Or Not, If You Grew up in Pittsburgh, The
page 1 of 3 (Editorial Note: This was originally posted on ThePensandthepen.com. Whether you’re a hockey fan or not, if you grew up in Pittsburgh, the Civic Arena almost certainly resides in a special place within your memory. The shiny, stainless steel dome peeking out as you round the ramp to Center Ave., the aroma of popcorn that would hit you just as you crossed the threshold, and all of the historic events that took place within; there was always an electricity about it, no matter what the event was. It’s an iconic place that symbolizes Pittsburgh. It’s not flashy or Time’s Up. The Last Regular Season Game at Mellon Arena high-end. It is what it is; it’s utilitarian. It has done its job for 50 years, and it’s still cool in its own way. Now, after all of the history, after all of the memories, after all of the excitement and emotion that the concerts and hockey games, circuses and political events engendered beneath its dome, its fate is unknown. It sits there, fenced off, dark and silently looking towards its replacement: the bright, spacious, state-of-the-art Consol Energy Center (CEC). The two buildings couldn’t be any more different. But then again, they couldn’t be more A Postgame Goodbye to my Second Home: E17 Row C Seats 5&6 similar. They are both loved and hated. The Civic Arena was cramped, dingy and sorely outdated. But, it had character - a personality all its own - and a soul that all of the old hockey barns, like Boston Garden and the Montreal Forum had. -
ABSTRACT Title of Document: from the BELLY of the HUAC: the RED PROBES of HOLLYWOOD, 1947-1952 Jack D. Meeks, Doctor of Philos
ABSTRACT Title of Document: FROM THE BELLY OF THE HUAC: THE RED PROBES OF HOLLYWOOD, 1947-1952 Jack D. Meeks, Doctor of Philosophy, 2009 Directed By: Dr. Maurine Beasley, Journalism The House Un-American Activities Committee, popularly known as the HUAC, conducted two investigations of the movie industry, in 1947 and again in 1951-1952. The goal was to determine the extent of communist infiltration in Hollywood and whether communist propaganda had made it into American movies. The spotlight that the HUAC shone on Tinsel Town led to the blacklisting of approximately 300 Hollywood professionals. This, along with the HUAC’s insistence that witnesses testifying under oath identify others that they knew to be communists, contributed to the Committee’s notoriety. Until now, historians have concentrated on offering accounts of the HUAC’s practice of naming names, its scrutiny of movies for propaganda, and its intervention in Hollywood union disputes. The HUAC’s sealed files were first opened to scholars in 2001. This study is the first to draw extensively on these newly available documents in an effort to reevaluate the HUAC’s Hollywood probes. This study assesses four areas in which the new evidence indicates significant, fresh findings. First, a detailed analysis of the Committee’s investigatory methods reveals that most of the HUAC’s information came from a careful, on-going analysis of the communist press, rather than techniques such as surveillance, wiretaps and other cloak and dagger activities. Second, the evidence shows the crucial role played by two brothers, both German communists living as refugees in America during World War II, in motivating the Committee to launch its first Hollywood probe. -
Appendix A: 1976 Clown College and 1977 Blue Unit Route
A p p e n d i x A : 1 9 7 6 C l o w n College and 1977 Blue Unit Route There’s nothing so dangerous as sitting still. You’ve only got one life, one youth, and you can let it slip through your fingers; nothing easier. Willa Cather, The Bohemian Girl CHAPTER 1 • ROMANCE OF THE RED NOSE Clown College, Ringling Arena, Venice, Sep.–Nov. 1976 CHAPTER 2 • BOWL OF CHERRIES Rehearsals and first performances, Ringling Arena, Venice, Jan. 10–Feb. 2 CHAPTER 3 • RUBBER NOSE MEETS THE ROAD Lakeland Civic Center, Feb. 4–6 Atlanta Omni, Feb. 9–20 Savannah Civic Center, Feb. 22–23 Asheville Civic Center, Feb. 25–27 Raleigh, Dorton Arena, Mar. 1–6 Fayetteville, Cumberland County Memorial Arena, Mar. 8–9 Columbia, Carolina Coliseum, Mar. 11–13 Charlotte Coliseum, Mar. 15–20 CHAPTER 4 • THE SHOW BUSINESS Knoxville, Civic Coliseum, Mar. 22–27 Cincinnati, Riverfront Coliseum, Mar. 30–Apr. 3 168 Appendix A Washington, DC, Armory, Apr. 6–17 Largo, Capital Centre, Apr. 20-May 1 CHAPTER 5 • LOVE ‘EM & LEAVE ‘EM Binghamton, Broome County Veterans Memorial Arena, May 4–8 Hartford, Civic Center, May 10–15 Portland, Cumberland County Civic Center, May 17–22 CHAPTER 6 • GOOD OL’ DAYS? Troy, RPI Field House, May 25–30 Providence Civic Center, June 1–5 Niagara Falls, International Convention Center, June 8–12 Wheeling Civic Center, June 15–19 Charleston Civic Center, June 21–22 Memphis, Mid-South Coliseum, June 24–26 CHAPTER 7 • RODEO ROUTE Little Rock, T.H. Barton Coliseum, June 28–29 Huntsville, von Braun Civic Center, July 1–4 Dallas, Convention Center, July 6–11 New Orleans, Superdome, July 14–17 Houston, Summit, July 20–31 Abilene, Taylor County Expo Center, August 2–3 Lubbock, Civic Center, August 5–7 CHAPTER 8 • SPIRIT OF ST. -
Cinematic Contextual History of High Noon (1952, Dire Fred Zinnemann) J. M. CAPARROS-LERA SERGIO ALEGRE
Cinematic Contextual History of High Noon (1952, dire Fred Zinnemann) J. M. CAPARROS-LERA SERGIO ALEGRE Cinema must be seen as one of the ways of ideologies of our Century because it shows very well the mentality of men and women who make films. As well as painting, literature and arts, it helps us to understand our time. (Martin A. JACKSON) 0. T.: High Noon. Production: Stanley Kramer Productions, Inc./United Artists (USA,1952). Producers: Stanley Kramer & Carl Foreman. Director: Fred Zinnemann. Screenplay: Carl Foreman, from the story The Tin Star, by John W. Cunningham. Photography: Floyd Crosby. Music: Dimitri Tiomkin. Song: Do Not Forsake Me Oh My Darlin', by Dimitri Tiomkin and Ned Washington; singer: Tex Ritter. Art Director: Rudolph Sternad. Editor: Elmo Williams. Cast: Gary Cooper: (Will Kane), Thomas Mitchell (Jonas Henderson), Lloyd Bridges (Harvey Pell), Katy Jurado (Helen Ramirez), Grace Kelly (Amy Kane), Otto Kruge: (Percy Metrick), Lon Chaney, Jr. (Martin Howe), Henry Morgan (Sam Fuller), Ian MacDonald (Frank Miller), Eve McVeagh (Milfred Fuller) Harry Shannon (Cooper), Lee Van Cleef (Jack Colby), Bob Wilke (James Pierce), Sheb Wooley (Ben Miller), Tom London (Sam), Larry Blake (Gillis), Jeanne Blackford (Mrs: Henderson), Guy Beach (Fred), Virginia Christine (Mrs. Simpson), Jack Elam (Charlie), Virginia Farmer (Mrs. Fletcher), Morgan Farley (Priest),Paul Dubov (Scott), Harry Harvey (Coy), Tin Graham (Sawyer), Nolan Leary (Lewis), Tom Greenway (Ezra), Dick Elliot (Kibbee), John Doucete (Trumbull). B/W -85 min. Video distributor: Universal. The post-war American atmosphere and the never well-seen social problem cinema -especially thriller film noir- are the major reasons to understand why during the Forties Hollywood was purged by the self- called the most liberal and democratic government of the world.* Truman's executive order was published in May 12, 1947. -
Mountain Men on Film Kenneth Estes Hall East Tennessee State University, [email protected]
East Tennessee State University Digital Commons @ East Tennessee State University ETSU Faculty Works Faculty Works 1-1-2016 Mountain Men on Film Kenneth Estes Hall East Tennessee State University, [email protected] Follow this and additional works at: https://dc.etsu.edu/etsu-works Part of the American Film Studies Commons, and the Film and Media Studies Commons Citation Information Hall, Kenneth Estes. 2016. Mountain Men on Film. Studies in the Western. Vol.24 97-119. http://www.westernforschungszentrum.de/ This Article is brought to you for free and open access by the Faculty Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in ETSU Faculty Works by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. Mountain Men on Film Copyright Statement This document was published with permission from the journal. It was originally published in the Studies in the Western. This article is available at Digital Commons @ East Tennessee State University: https://dc.etsu.edu/etsu-works/596 Peter Bischoff 53 Warshow, Robert. "Movie Chronicle: The Western." Partisan Re- view, 21 (1954), 190-203. (Quoted from reference number 33) Mountain Men on Film 54 Webb, Walter Prescott. The Great Plains. Boston: Ginn and Kenneth E. Hall Company, 1931. 55 West, Ray B. , Jr., ed. Rocky Mountain Reader. New York: E.P. Dutton, 1946. 56 Westbrook, Max. "The Authentic Western." Western American Literatu,e, 13 (Fall 1978), 213-25. 57 The Western Literature Association (sponsored by). A Literary History of the American West. Fort Worth: Texas Christian University Press, 1987. -
Journalism 375/Communication 372 the Image of the Journalist in Popular Culture
JOURNALISM 375/COMMUNICATION 372 THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Journalism 375/Communication 372 Four Units – Tuesday-Thursday – 3:30 to 6 p.m. THH 301 – 47080R – Fall, 2000 JOUR 375/COMM 372 SYLLABUS – 2-2-2 © Joe Saltzman, 2000 JOURNALISM 375/COMMUNICATION 372 SYLLABUS THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Fall, 2000 – Tuesday-Thursday – 3:30 to 6 p.m. – THH 301 When did the men and women working for this nation’s media turn from good guys to bad guys in the eyes of the American public? When did the rascals of “The Front Page” turn into the scoundrels of “Absence of Malice”? Why did reporters stop being heroes played by Clark Gable, Bette Davis and Cary Grant and become bit actors playing rogues dogging at the heels of Bruce Willis and Goldie Hawn? It all happened in the dark as people watched movies and sat at home listening to radio and watching television. “The Image of the Journalist in Popular Culture” explores the continuing, evolving relationship between the American people and their media. It investigates the conflicting images of reporters in movies and television and demonstrates, decade by decade, their impact on the American public’s perception of newsgatherers in the 20th century. The class shows how it happened first on the big screen, then on the small screens in homes across the country. The class investigates the image of the cinematic newsgatherer from silent films to the 1990s, from Hildy Johnson of “The Front Page” and Charles Foster Kane of “Citizen Kane” to Jane Craig in “Broadcast News.” The reporter as the perfect movie hero. -
North Shore Development Phase III North Shore Drive, Pittsburgh NORTH SHORE PHASE III
North Shore Development Phase III North Shore Drive, Pittsburgh NORTH SHORE PHASE III About the North Shore Since its time as home to Three Rivers Stadium, the North Shore has become one of Pittsburgh’s most popular entertainment and retail destinations. Now home to PNC Park (Pittsburgh Pirates) and Heinz Field (Pittsburgh Steelers and Pitt Panthers), the North Shore is so much more than just game days. Local attractions include Stage AE, Rivers Casino, Bettis 36 Grille, Burgato- ry, Hyde Park Prime Steak House, Bar Louie, Southern Tier, Tequila Cowboy, McFadden’s and many other with more restaurants and retail being added at all times. Join King Street Grill! With over 14,000 square feet available, Phase III of the North Shore Development is the chance to give your restaurant or retail business the big splash it needs to become the next hot spot. Aerial View Site Plan 1 2 3 4 5 6 7 8 198'-3 1/2" OVERALL 22'-0" 30'-0" 30'-0" 30'-0" 30'-0" 30'-0" 22'-0" 4'-2" 8" 16'-8" 8" 4'-0" 1'-4" 23'-4" 1'-4" 4'-11 3/8" 24'-9 7/8" 4'-2 1/8" 1'-4" 23'-4" 1'-4" 4'-0" 1'-4" 23'-4" 1'-4" 4'-0" 1'-4" 23'-4" 1'-4" 4'-0" 8" 16'-8" 8" 4'-2" 4'-1 1/2" A 4'-2" 5'-5 7/8" 5'-5 7/8" 8" 8" 2 1 2 1 2 1 54'-7 3/8" 3'-5/8" 19'-11 1/4" 2'-11" 60'-1" 54'-5 3/4" 14'-8" 14'-8" 1 8" 8" 38'-4" 37'-7 1/2" 4'-0" 4'-0" 42'-0" 8" 8" AVAILABLE Retail Tenant 1 AVAILABLE 37'-7 3/4" Retail Tenant 2 Retail Tenant 3 Office Shell 39'-2 3/4" 6,6756,675 SQ. -
The Stadium Game Pittsburgh Style
Marquette Sports Law Review Volume 10 Article 8 Issue 2 Spring The tS adium Game Pittsburgh Style: Observations on the Latest Round of Publicly Financed Sports Stadia in Steel Town, U.S.A.; and Comparisons with 28 Other Major League Teams Kevin Clark Forsythe Follow this and additional works at: http://scholarship.law.marquette.edu/sportslaw Part of the Entertainment and Sports Law Commons Repository Citation Kevin Clark Forsythe, The Stadium Game Pittsburgh Style: Observations on the Latest Round of Publicly Financed Sports Stadia in Steel Town, U.S.A.; and Comparisons with 28 Other Major League Teams, 10 Marq. Sports L. J. 237 (2000) Available at: http://scholarship.law.marquette.edu/sportslaw/vol10/iss2/8 This Symposium is brought to you for free and open access by the Journals at Marquette Law Scholarly Commons. For more information, please contact [email protected]. THE STADIUM GAME PITTSBURGH STYLE: OBSERVATIONS ON THE LATEST ROUND OF PUBLICLY FINANCED SPORTS STADIA IN STEEL TOWN, U.S.A.; AND COMPARISONS WITH 28 OTHER MAJOR LEAGUE TEAMS KEvIN CLARK FORSYTHE* I. INTRODUCTION Few domestic policy issues generated more debate in the closing dec- ade of the twentieth-century than the propriety, nature, and extent of public subsidies for major league sports franchises. My city, Pittsburgh, Pennsylvania: "Steel Town, U.S.A." was no exception. Ages ago, in November of 1997, to be exact, the General Assembly of the Keystone State graciously granted the voters in ten southwestern Pennsylvania counties the opportunity to impose an additional 0.5% sales tax upon themselves, their fortunes, and their sacred honors; the proceeds to be used in part to fund the construction of two new stadiums for the Pittsburgh Pirates and Steelers.