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VORTEX Playing Mrs Constance Clarke
THE BIG FINISH MAGAZINE MARCH 2021 MARCH ISSUE 145 DOCTOR WHO: DALEK UNIVERSE THE TENTH DOCTOR IS BACK IN A BRAND NEW SERIES OF ADVENTURES… ALSO INSIDE TARA-RA BOOM-DE-AY! WWW.BIGFINISH.COM @BIGFINISH THEBIGFINISH @BIGFINISHPROD BIGFINISHPROD BIG-FINISH WE MAKE GREAT FULL-CAST AUDIO DRAMAS AND AUDIOBOOKS THAT ARE AVAILABLE TO BUY ON CD AND/OR DOWNLOAD WE LOVE STORIES Our audio productions are based on much-loved TV series like Doctor Who, Torchwood, Dark Shadows, Blake’s 7, The Avengers, The Prisoner, The Omega Factor, Terrahawks, Captain Scarlet, Space: 1999 and Survivors, as well as classics such as HG Wells, Shakespeare, Sherlock Holmes, The Phantom of the Opera and Dorian Gray. We also produce original creations such as Graceless, Charlotte Pollard and The Adventures of Bernice Summerfield, plus the THE BIG FINISH APP Big Finish Originals range featuring seven great new series: The majority of Big Finish releases ATA Girl, Cicero, Jeremiah Bourne in Time, Shilling & Sixpence can be accessed on-the-go via Investigate, Blind Terror, Transference and The Human Frontier. the Big Finish App, available for both Apple and Android devices. Secure online ordering and details of all our products can be found at: bgfn.sh/aboutBF EDITORIAL SINCE DOCTOR Who returned to our screens we’ve met many new companions, joining the rollercoaster ride that is life in the TARDIS. We all have our favourites but THE SIXTH DOCTOR ADVENTURES I’ve always been a huge fan of Rory Williams. He’s the most down-to-earth person we’ve met – a nurse in his day job – who gets dragged into the Doctor’s world THE ELEVEN through his relationship with Amelia Pond. -
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS in SCIENCE FICTION and FANTASY (A Series Edited by Donald E
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS IN SCIENCE FICTION AND FANTASY (a series edited by Donald E. Palumbo and C.W. Sullivan III) 1 Worlds Apart? Dualism and Transgression in Contemporary Female Dystopias (Dunja M. Mohr, 2005) 2 Tolkien and Shakespeare: Essays on Shared Themes and Language (ed. Janet Brennan Croft, 2007) 3 Culture, Identities and Technology in the Star Wars Films: Essays on the Two Trilogies (ed. Carl Silvio, Tony M. Vinci, 2007) 4 The Influence of Star Trek on Television, Film and Culture (ed. Lincoln Geraghty, 2008) 5 Hugo Gernsback and the Century of Science Fiction (Gary Westfahl, 2007) 6 One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L’Engle and Orson Scott Card (Marek Oziewicz, 2008) 7 The Evolution of Tolkien’s Mythology: A Study of the History of Middle-earth (Elizabeth A. Whittingham, 2008) 8 H. Beam Piper: A Biography (John F. Carr, 2008) 9 Dreams and Nightmares: Science and Technology in Myth and Fiction (Mordecai Roshwald, 2008) 10 Lilith in a New Light: Essays on the George MacDonald Fantasy Novel (ed. Lucas H. Harriman, 2008) 11 Feminist Narrative and the Supernatural: The Function of Fantastic Devices in Seven Recent Novels (Katherine J. Weese, 2008) 12 The Science of Fiction and the Fiction of Science: Collected Essays on SF Storytelling and the Gnostic Imagination (Frank McConnell, ed. Gary Westfahl, 2009) 13 Kim Stanley Robinson Maps the Unimaginable: Critical Essays (ed. William J. Burling, 2009) 14 The Inter-Galactic Playground: A Critical Study of Children’s and Teens’ Science Fiction (Farah Mendlesohn, 2009) 15 Science Fiction from Québec: A Postcolonial Study (Amy J. -
The Right to Remain Silent: Abortion and Compelled Physician Speech
Boston College Law Review Volume 62 Issue 6 Article 8 6-29-2021 The Right to Remain Silent: Abortion and Compelled Physician Speech J. Aidan Lang Boston College Law School Follow this and additional works at: https://lawdigitalcommons.bc.edu/bclr Part of the Constitutional Law Commons, First Amendment Commons, Health Law and Policy Commons, Litigation Commons, and the Medical Jurisprudence Commons Recommended Citation J. A. Lang, The Right to Remain Silent: Abortion and Compelled Physician Speech, 62 B.C. L. Rev. 2091 (2021), https://lawdigitalcommons.bc.edu/bclr/vol62/iss6/8 This Notes is brought to you for free and open access by the Law Journals at Digital Commons @ Boston College Law School. It has been accepted for inclusion in Boston College Law Review by an authorized editor of Digital Commons @ Boston College Law School. For more information, please contact [email protected]. THE RIGHT TO REMAIN SILENT: ABORTION AND COMPELLED PHYSICIAN SPEECH Abstract: Across the country, courts have confronted the question of whether laws requiring physicians to display ultrasound images of fetuses and describe the human features violate the First Amendment to the U.S. Constitution. On April 5, 2019, in EMW Women’s Surgical Center, P.S.C. v. Beshear, the U.S. Court of Appeals for the Sixth Circuit joined the Fifth Circuit and upheld Ken- tucky’s law, thus rejecting a physician’s free speech challenge. The Supreme Court declined to review this decision without providing an explanation. The Sixth Circuit became the third federal appellate court to rule on such regulations, often referred to as “ultrasound narration laws” or “display and describe laws,” and joined the Fifth Circuit in upholding such a law against a First Amendment challenge. -
Illuminating the Darkness: the Naturalistic Evolution of Gothicism in the Nineteenth-Century British Novel and Visual Art
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: Department of English English, Department of 8-2013 Illuminating the Darkness: The Naturalistic Evolution of Gothicism in the Nineteenth-Century British Novel and Visual Art Cameron Dodworth University of Nebraska-Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/englishdiss Part of the Literature in English, British Isles Commons Dodworth, Cameron, "Illuminating the Darkness: The Naturalistic Evolution of Gothicism in the Nineteenth- Century British Novel and Visual Art" (2013). Dissertations, Theses, and Student Research: Department of English. 79. https://digitalcommons.unl.edu/englishdiss/79 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. ILLUMINATING THE DARKNESS: THE NATURALISTIC EVOLUTION OF GOTHICISM IN THE NINETEENTH- CENTURY BRITISH NOVEL AND VISUAL ART by Cameron Dodworth A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: English (Nineteenth-Century Studies) Under the Supervision of Professor Laura M. White Lincoln, Nebraska August, 2013 ILLUMINATING THE DARKNESS: THE NATURALISTIC EVOLUTION OF GOTHICISM IN THE NINETEENTH- CENTURY BRITISH NOVEL AND VISUAL ART Cameron Dodworth, Ph.D. University of Nebraska, 2013 Adviser: Laura White The British Gothic novel reached a level of very high popularity in the literary market of the late 1700s and the first two decades of the 1800s, but after that point in time the popularity of these types of publications dipped significantly. -
Dr Who Pdf.Pdf
DOCTOR WHO - it's a question and a statement... Compiled by James Deacon [2013] http://aetw.org/omega.html DOCTOR WHO - it's a Question, and a Statement ... Every now and then, I read comments from Whovians about how the programme is called: "Doctor Who" - and how you shouldn't write the title as: "Dr. Who". Also, how the central character is called: "The Doctor", and should not be referred to as: "Doctor Who" (or "Dr. Who" for that matter) But of course, the Truth never quite that simple As the Evidence below will show... * * * * * * * http://aetw.org/omega.html THE PROGRAMME Yes, the programme is titled: "Doctor Who", but from the very beginning – in fact from before the beginning, the title has also been written as: “DR WHO”. From the BBC Archive Original 'treatment' (Proposal notes) for the 1963 series: Source: http://www.bbc.co.uk/archive/doctorwho/6403.shtml?page=1 http://aetw.org/omega.html And as to the central character ... Just as with the programme itself - from before the beginning, the central character has also been referred to as: "DR. WHO". [From the same original proposal document:] http://aetw.org/omega.html In the BBC's own 'Radio Times' TV guide (issue dated 14 November 1963), both the programme and the central character are called: "Dr. Who" On page 7 of the BBC 'Radio Times' TV guide (issue dated 21 November 1963) there is a short feature on the new programme: Again, the programme is titled: "DR. WHO" "In this series of adventures in space and time the title-role [i.e. -
The Historian-Filmmaker's Dilemma: Historical Documentaries in Sweden in the Era of Häger and Villius
ACTA UNIVERSITATIS UPSALIENSIS Studia Historica Upsaliensia 210 Utgivna av Historiska institutionen vid Uppsala universitet genom Torkel Jansson, Jan Lindegren och Maria Ågren 1 2 David Ludvigsson The Historian-Filmmaker’s Dilemma Historical Documentaries in Sweden in the Era of Häger and Villius 3 Dissertation in History for the Degree of Doctor of Philosophy presented at Uppsala University in 2003 ABSTRACT Ludvigsson, David, 2003: The Historian-Filmmaker’s Dilemma. Historical Documentaries in Sweden in the Era of Häger and Villius. Written in English. Acta Universitatis Upsalien- sis. Studia Historica Upsaliensia 210. (411 pages). Uppsala 2003. ISSN 0081-6531. ISBN 91-554-5782-7. This dissertation investigates how history is used in historical documentary films, and ar- gues that the maker of such films constantly negotiates between cognitive, moral, and aes- thetic demands. In support of this contention a number of historical documentaries by Swedish historian-filmmakers Olle Häger and Hans Villius are discussed. Other historical documentaries supply additional examples. The analyses take into account both the produc- tion process and the representations themselves. The history culture and the social field of history production together form the conceptual framework for the study, and one of the aims is to analyse the role of professional historians in public life. The analyses show that different considerations compete and work together in the case of all documentaries, and figure at all stages of pre-production, production, and post-produc- tion. But different considerations have particular inuence at different stages in the produc- tion process and thus they are more or less important depending on where in the process the producer puts his emphasis on them. -
Levinthal Workiewicz
Are Two Heads Better than One? A Formal Investigation into the Efficacy of Multi-authority Hierarchies in Coordinating Action in Complex Organizations. Dan Levinthal (Wharton) and Maciej Workiewicz (INSEAD) Background and motivation The task environment – hierarchical complex system Results: steady state fitness levels for the three organizational structures • As organizations grow larger, the task of coordinating distributed and complex simple interdependent action (or projects) becomes increasingly difficult. easy executive’s problem hard Executive’s problem (Penrose, 1959; Burton, Obel, DeSanctis, 2011) Executive Level • Understanding the effects of an organizational structure on performance is one of the central concerns of theoretical and empirical work in strategic management and organizational theory. autonomous (Chandler, 1962; Lawrence, Lorsch 1967; Miller et al. 2009). ( design , manufacturing , financing , advertising ) one boss Manager’s Manager’s problem matrix • There have been different approaches to the challenge of organizing: Unit Managers’ Level asy e • Complexity is best answered with a simple organizational structures with small, only high level only lower level one boss matrix auton. autonomous units (Hamel, Prahalad, 1996; Christensen, 1997) matters matters “Most important is clarity and to some extent simplicity. I am absolutely willing to trade in a 100% perfect – academically perfect – but complex organization for only [a] 70% perfect organization that is simple and easy to understand.” former CEO of ABB (Galbraith, 2009) Manager’s Manager’s problem • employ equally complex organizational structure, like the matrix form Connecting the two levels – an example (Ashby 1956; Nadler, Tushman, 1997; Galbraith, 2009) hard Connecting the two levels Less hierarchy More hierarchy Executive (vehicle type) (SPORT) or (SUV) Level Robustness checks (higher and lower levels are hard) wheels autonomous No bosses One Boss Matrix Structure 1. -
JORIS IVENS' "THE SPANISH EARTH" Author(S): Thomas Waugh Source: Cinéaste , 1983, Vol
"Men Cannot Act in Front of the Camera in the Presence of Death": JORIS IVENS' "THE SPANISH EARTH" Author(s): Thomas Waugh Source: Cinéaste , 1983, Vol. 12, No. 3 (1983), pp. 21-29 Published by: Cineaste Publishers, Inc. Stable URL: http://www.jstor.com/stable/41686180 JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms Cineaste Publishers, Inc. is collaborating with JSTOR to digitize, preserve and extend access to Cinéaste This content downloaded from 95.183.180.42 on Sun, 19 Jul 2020 08:17:33 UTC All use subject to https://about.jstor.org/terms "Men Cannot Act in Front of the Camera in the Presence of Death" JORIS IVENS' THE SPANISH EARTH by Thomas Waugh The first installment of this article burning , churches and the like - as which Jocussed on the political and well as expensive and difficult to piy artistic background to the production out of the notoriously reactionary oj Joris Ivens' Spanish Earth, newsreel companies. The group then appeared in our Vol. XII , No. 2 issue.decided to finish the project as quickly and cheaply as possible, which Van Dongen did using a Dos Passos com- mentary and relying on Soviet footage that the Franco rebellion posed of the front. -
Technologies Journal of Research Into New Media
Convergence: The International Journal of Research into New Media Technologies http://con.sagepub.com Doctor Who and the Convergence of Media: A Case Study in `Transmedia Storytelling' Neil Perryman Convergence 2008; 14; 21 DOI: 10.1177/1354856507084417 The online version of this article can be found at: http://con.sagepub.com/cgi/content/abstract/14/1/21 Published by: http://www.sagepublications.com Additional services and information for Convergence: The International Journal of Research into New Media Technologies can be found at: Email Alerts: http://con.sagepub.com/cgi/alerts Subscriptions: http://con.sagepub.com/subscriptions Reprints: http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.co.uk/journalsPermissions.nav Citations http://con.sagepub.com/cgi/content/refs/14/1/21 Downloaded from http://con.sagepub.com by Roberto Igarza on December 6, 2008 021-039 084417 Perryman (D) 11/1/08 09:58 Page 21 Convergence: The International Journal of Research into New Media Technologies Copyright © 2008 Sage Publications London, Los Angeles, New Delhi and Singapore Vol 14(1): 21–39 ARTICLE DOI: 10.1177/1354856507084417 http://cvg.sagepub.com Doctor Who and the Convergence of Media A Case Study in ‘Transmedia Storytelling’ Neil Perryman University of Sunderland, UK Abstract / The British science fiction series Doctor Who embraces convergence culture on an unprecedented scale, with the BBC currently using the series to trial a plethora of new technol- ogies, including: mini-episodes on mobile phones, podcast commentaries, interactive red-button adventures, video blogs, companion programming, and ‘fake’ metatextual websites. In 2006 the BBC launched two spin-off series, Torchwood (aimed at an exclusively adult audience) and The Sarah Jane Smith Adventures (for 11–15-year-olds), and what was once regarded as an embarrass- ment to the Corporation now spans the media landscape as a multi-format colossus. -
The Word Became Flesh: an Exploratory Essay on Jesus's
Marquette University e-Publications@Marquette Dissertations (2009 -) Dissertations, Theses, and Professional Projects The orW d Became Flesh: An Exploratory Essay on Jesus’s Particularity and Nonhuman Animals Andy Alexis-Baker Marquette University Recommended Citation Alexis-Baker, Andy, "The orW d Became Flesh: An Exploratory Essay on Jesus’s Particularity and Nonhuman Animals" (2015). Dissertations (2009 -). Paper 596. http://epublications.marquette.edu/dissertations_mu/596 THE WORD BECAME FLESH: AN EXPLORATORY ESSAY ON JESUS’S PARTICULARITY AND NONHUMAN ANIMALS by Andy Alexis-Baker A Dissertation submitted to the Faculty of the Graduate School, Marquette University, in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Milwaukee, Wisconsin December 2015 ABSTRACT THE WORD BECAME FLESH: AN EXPLORATORY ESSAY ON JESUS’S PARTICULARITY AND NONHUMAN ANIMALS Andy Alexis-Baker Marquette University, 2015 In this exploratory work I argue that Jesus’s particularity as a Jewish, male human is essential for developing Christian theology about nonhuman animals. The Gospel of John says that the Word became “flesh” not that the Word became “human.” By using flesh, John’s Gospel connects the Incarnation to the Jewish notion of all animals. The Gospel almost always uses flesh in a wider sense than meaning human. The Bread of Life discourse makes this explicit when Jesus compares his flesh to “meat,” offending his hearers because they see themselves as above other animals. Other animals are killable and consumable; humans are not. The notion that the Word became flesh has gained prominence in ecotheology, particularly in theologians identifying with deep Incarnation. Unless this notion is connected to Jesus’s particularity, however, there is danger in sacrificing the individual for the whole. -
Doctor Who: Auton Invasion
In this, the first adventure of his third 'incarnation', DOCTOR WHO, Liz Shaw and the Brigadier grapple with the nightmarish invasion of the AUTONS - living, giant-sized, plastic-modelled 'humans' with no hair and sightless eyes; waxwork replicas and tailors' dummies whose murderous behaviour is directed by the NESTENE CONSCIOUSNESS - a malignant, squid-like monster of cosmic proportions and indescribably hideous appearance. ISBN 0 426 11295 4 DOCTOR WHO AND THE AUTON INVASION Based on the BBC television serial Doctor Who and the Spearhead from Space by Robert Holmes by arrangement with the British Broadcasting Corporation TERRANCE DICKS published by The Paperback Division of W. H. Allen & Co. Ltd CONTENTS 1 Prologue: Exiled to Earth 2 The Mystery of the Meteorites 3 The Man from Space 4 The Faceless Kidnappers 5 The Hunting Auton 6 The Doctor Disappears 7 The Horror in the Factory 8 The Auton Attacks 9 The Creatures in the Waxworks 10 The Final Battle A Target Book Published in 1974 by the Paperback Division of W. H. Allen & Co. Ltd. A Howard & Wyndham Company 44 Hill Street, London W1X 8LB Novelisation copyright © Terrance Dicks Original script copyright © Robert Holmes 1970 W. H. Allen & Co. Ltd illustrations copyright © 1974 'Doctor Who' series copyright © British Broadcasting Corporation 1970, 1974 Printed and bound in Great Britain by Anchor Brendon Ltd, Tiptree, Essex ISBN 0426 10313 0 This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher's prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. -
Doctor Who: Dragons Claw Vol. 2 Pdf, Epub, Ebook
DOCTOR WHO: DRAGONS CLAW VOL. 2 PDF, EPUB, EBOOK Clayton Hickman,Dave Gibbons,Steve Moore,Steve Parkhouse | 212 pages | 18 Dec 2012 | Panini Publishing Ltd | 9781904159810 | English | Tunbridge Wells, United Kingdom Doctor Who: Dragons Claw Vol. 2 PDF Book Cologne, Germany: Taschen. Sometimes, the many names in the books are confusing, especially in the later books. Comics historian Les Daniels noted that Watchmen "called into question the basic assumptions on which the super hero genre is formulated". Titles published by Dark Horse include:. Guinness World Records. Even emotions are different, especially in romance. Three employees of Torchwood are manipulated to open the breach, which breaks down and causes millions of the ghosts to appear worldwide and shift into their true form of the Cybermen from the parallel universe. He did return to the United States briefly in where he discovered the amnesic Sub-Mariner in San Francisco, attempting to subvert Namor to his cause. Knowing that use of his powers weakened Wade, Claw offered him Vitamin X, which he claimed would revitalize Barnaby's strength. The Claw next began to work with Captain Rak, who introduced him to the Screamies , seagulls mutated into intelligent humanoid forms by early atomic tests in the Pacific. DVD box set cover art. Once you get to the future, a new and scary world that seems to have gone fairly pear-shaped in seven years, Saria remains a constant, one of the only characters who've not undergone significant changes. Rose, working as a dinner lady , notices the cafeteria's chips have an adverse effect on other members of the kitchen staff, while the Doctor notes the chips seem to make the students more intelligent.