Screen Nsw Announces Two Aurora Script Development Projects

Total Page：16

File Type：pdf, Size：1020Kb

SCREEN NSW ANNOUNCES TWO AURORA SCRIPT DEVELOPMENT PROJECTS Aurora, Screen NSW’s intensive script development program, has selected two projects for 2013‐14. This year’s Aurora format differs from previous years. In place of the week‐long workshop, the two projects have been selected for intensive one‐on‐one development support from a world‐class mentor, in a process specifically tailored to the projects’ needs. The two feature projects and their teams are: BABYTEETH, a bittersweet comedy about how good it is not to be dead yet and how far we will go for love, written by Rita Kalnejais and produced by Academy Award®‐nominated producer Jan Chapman, Katherine Slattery and Alex White. The mentor for Babyteeth is Andrew Bovell. Andrew’s most recent film is the feature adaptation of the John Le Carre novel A Most Wanted Man for director Anton Corbijn, due for release in 2014. The film stars Phillip Seymour Hoffman, Rachel McAdams and Robin Wright. Other film credits include Edge of Darkness starring Mel Gibson, Blessed (Winner of Best Screenplay at San Sebastian Film Festival), the multi‐award winning Lantana, directed by Ray Lawrence, Head On, directed by Ana Kokkinos and Strictly Ballroom directed by Baz Lurhmann. Andrew’s most recent play is The Secret River adapted from Kate Grenville’s novel which premiered at the Sydney Theatre in 2013. BIRDBRAIN, about a man’s whose obsessive addiction to birdwatching almost destroys his family, by writer Stephen Abbott, director Warren Coleman and producer Amanda Higgs (The Secret Life of Us). The mentor for Birdbrain is John Collee, creative director in charge of script development at Hopscotch Features. John’s screenwriting credits include the Oscar‐nominated Master and Commander written with director Peter Weir (2003) and the Oscar‐winning Happy Feet written with George Miller, Warren Coleman and Judy Morris (2006). His film Creation about the domestic life of Charles Darwin opened the Toronto Film Festival in 2009 and his $85M children’s animation based on the BBC’s Walking With Dinosaurs will be released over Christmas this year. Wolf Totem, set during the Chinese Cultural Revolution, is currently filming in Mongolia with Jean Jacques Annaud co‐writing and directing. Some of the successes of the Aurora program over the past decade have included the films Animal Kingdom, Somersault, Wish You Were Here and Little Fish. In 2014‐15, Aurora will once again be offered as a workshop for up to four teams. Aurora is presented with the support of Screen Australia and the Australian Film, Television and Radio School (AFTRS). Media enquiries: Tracey Mair TM Publicity for Screen NSW Ph 02 8333 9066 or 0419 221 493 .

Copy Link

Recommended publications

Australian Films
AUSTRALIAN FILMS: The Rage in Placid Lake Just out of prep school -- where he was the target of tyrannical bullies -- misfit teen Placid Lake (Ben Lee) yearns to be a regular Joe. When a mishap lands Placid in a body cast for months, he formulates a plan to reinvent himself by donning a suit and taking a job as a drone at an insurance agency. But he soon discovers that conformity isn't what it's cracked up to be in this offbeat Aussie comedy from rookie director Tony McNamara. Strictly Ballroom This quirky, tenderly hilarious romantic comedy is sure to leave you tapping your toes. Directed by Baz Luhrmann, Strictly Ballroom is the off-beat story of a championship ballroom dancer (Paul Mercurio) who breaks all the rules by choosing an ugly duckling dancing partner (Tara Morice). Sweet, funny and original, this is one you won't forget quickly. The Castle When plans for an airport expansion threaten the home of Darryl Kerrigan (Michael Caton) and his family, the patriarch refuses to move from his "castle" -- in actuality, a shabby suburban tract house. Darryl rallies the troops and takes his battle to the highest court in Australia. This irreverent, warm-hearted comedy is frequently compared to The Full Monty. The Dish July 1969. Neil Armstrong is about to walk on the moon, and everyone's eyes are riveted to their TV screens. In Parkes, Australia, a radio dish antenna is slated to receive Apollo 11's video feed and send that historic sight out to the world … that is, if the Australian staff (including pipe-smoking, absent-minded scientist Sam Neill) and their NASA supervisor (the tense, by-the-book Patrick Warburton) don't make any mistakes! Rabbit Proof Fence Australia's aboriginal integration program of the 1930s broke countless hearts -- among them, those of young Molly (Evelyn Sampi), Gracie (Laura Monaghan) and Daisy (Tiana Sansbury), who were torn from their families and placed in an abusive orphanage.
[Show full text]
Maquette 2016
Éditos page 4 L’association Cannes Cinéma page 8 Les Rencontres de Cannes page12 Cannes Cinéphiles page 21 Cannes Écrans Juniors page 24 Les événements spéciaux page 27 Trois jours avec... Philippe Le Guay page 28 En avant les premières page 31 Premier Festival du Cinéma italien de Cannes page 31 Les Mercredis de l’Image page 32 Cannes Cinéma et les événements de la ville de Cannes page 33 Les Jeudis de Cannes Cinéma page 35 Le Lundi, c’est blockbuster ou comédie ! page 43 Les ciné-conférences avec Cannes Université page 49 La saison du Cinéma Bel Âge - Voir et revoir sur grand écran page 53 La saison du Film Club de Cannes page 67 Cannes Filmécole page 81 Les lieux de projection de Cannes Cinéma page 85 Calendrier des projections page 88 Remerciements page 94 3 Éclairer l’obscurité Créateur de vies, d’émotions, source d’évasion et de réflexion, témoin de tant de naissances et de révélations… Le cinéma est un art particulier. Un art qu’il faut choyer, respecter et encourager. Un art à partager, autour duquel discuter, et avec qui il est agréable et conseillé de passer du temps, quelques heures par semaines, ou plus si affinités. Septième art, le cinéma arrive toujours premier à Cannes, où il est comme chez lui. Un fait confirmé chaque année grâce au travail et à la programmation de Cannes Cinéma, que je tiens à saluer et à féliciter, tout comme le Film Club, le cinéma Bel Âge et Filmécole. Projections d’avant- premières et d’inédits, invitations à des débats et rencontres, soirées dédiées à de grands distributeurs ou à un genre spécifique… Avec Cannes Cinéma, les activités ne manquent pas.
[Show full text]
A Dark New World : Anatomy of Australian Horror Films
A dark new world: Anatomy of Australian horror films Mark David Ryan Faculty of Creative Industries, Queensland University of Technology A thesis submitted in fulfillment of the degree Doctor of Philosophy (PhD), December 2008 The Films (from top left to right): Undead (2003); Cut (2000); Wolf Creek (2005); Rogue (2007); Storm Warning (2006); Black Water (2007); Demons Among Us (2006); Gabriel (2007); Feed (2005). ii KEY WORDS Australian horror films; horror films; horror genre; movie genres; globalisation of film production; internationalisation; Australian film industry; independent film; fan culture iii ABSTRACT After experimental beginnings in the 1970s, a commercial push in the 1980s, and an underground existence in the 1990s, from 2000 to 2007 contemporary Australian horror production has experienced a period of strong growth and relative commercial success unequalled throughout the past three decades of Australian film history. This study explores the rise of contemporary Australian horror production: emerging production and distribution models; the films produced; and the industrial, market and technological forces driving production. Australian horror production is a vibrant production sector comprising mainstream and underground spheres of production. Mainstream horror production is an independent, internationally oriented production sector on the margins of the Australian film industry producing titles such as Wolf Creek (2005) and Rogue (2007), while underground production is a fan-based, indie filmmaking subculture, producing credit-card films such as I know How Many Runs You Scored Last Summer (2006) and The Killbillies (2002). Overlap between these spheres of production, results in ‘high-end indie’ films such as Undead (2003) and Gabriel (2007) emerging from the underground but crossing over into the mainstream.
[Show full text]
Let Me Just Add That While the Piece in Newsweek Is Extremely Annoying
From: Michael Oppenheimer To: Eric Steig; Stephen H Schneider Cc: Gabi Hegerl; Mark B Boslough; [email protected]; Thomas Crowley; Dr. Krishna AchutaRao; Myles Allen; Natalia Andronova; Tim C Atkinson; Rick Anthes; Caspar Ammann; David C. Bader; Tim Barnett; Eric Barron; Graham" "Bench; Pat Berge; George Boer; Celine J. W. Bonfils; James A." "Bono; James Boyle; Ray Bradley; Robin Bravender; Keith Briffa; Wolfgang Brueggemann; Lisa Butler; Ken Caldeira; Peter Caldwell; Dan Cayan; Peter U. Clark; Amy Clement; Nancy Cole; William Collins; Tina Conrad; Curtis Covey; birte dar; Davies Trevor Prof; Jay Davis; Tomas Diaz De La Rubia; Andrew Dessler; Michael" "Dettinger; Phil Duffy; Paul J." "Ehlenbach; Kerry Emanuel; James Estes; Veronika" "Eyring; David Fahey; Chris Field; Peter Foukal; Melissa Free; Julio Friedmann; Bill Fulkerson; Inez Fung; Jeff Garberson; PETER GENT; Nathan Gillett; peter gleckler; Bill Goldstein; Hal Graboske; Tom Guilderson; Leopold Haimberger; Alex Hall; James Hansen; harvey; Klaus Hasselmann; Susan Joy Hassol; Isaac Held; Bob Hirschfeld; Jeremy Hobbs; Dr. Elisabeth A. Holland; Greg Holland; Brian Hoskins; mhughes; James Hurrell; Ken Jackson; c jakob; Gardar Johannesson; Philip D. Jones; Helen Kang; Thomas R Karl; David Karoly; Jeffrey Kiehl; Steve Klein; Knutti Reto; John Lanzante; [email protected]; Ron Lehman; John lewis; Steven A. "Lloyd (GSFC-610.2)[R S INFORMATION SYSTEMS INC]"; Jane Long; Janice Lough; mann; [email protected]; Linda Mearns; carl mears; Jerry Meehl; Jerry Melillo; George Miller; Norman Miller; Art Mirin; John FB" "Mitchell; Phil Mote; Neville Nicholls; Gerald R. North; Astrid E.J. Ogilvie; Stephanie Ohshita; Tim Osborn; Stu" "Ostro; j palutikof; Joyce Penner; Thomas C Peterson; Tom Phillips; David Pierce; [email protected]; V.
[Show full text]
Spark Festival Uk Green Film Festival
15 BOX OFFICE — 0116 242 2800 phoenix.org.uk MAY CINEMA / ART / CAFÉ BAR PHOENIX 8 – 14 May NEW FILMS — FAR FROM THE MADDING CROWD A GIRL WALKS HOME THIS MONTH — ALONE AT NIGHT SPARK FESTIVAL Creative fun for all the family STONES FOR THE RAMPART UK GREEN FILM FESTIVAL FORCE MAJEURE We join cinemas nationwide to celebrate environmental films SAMBA MAY AT A GLANCE FAR FROM THE MADDING CROWD P4 <MultipleINTERSECTING LINKS > <MULTIPLEINTERSECTING LINKS> Box Office242 2800 0116 — GOOD KILL P4 CHILD 44 P6 FORCE MAJEURE P5 Book Online — www.phoenix.org.uk BEVERLEY + MAKING OF DOC P5 <MultipleINTERSECTING LINKS > <MULTIPLEINTERSECTING LINKS> JOHN WICK P6 STONES FOR THE RAMPART P5 PHOENIX P6 THE VOICES P7 <MultipleINTERSECTING LINKS > <MULTIPLEINTERSECTING LINKS> THE WATER DIVINER P7 THE FALLING P10 A ROYAL NIGHT OUT P7 WOMAN IN GOLD P10 8 1/2 P10 COMING IN JUNE CLOUDS OF SILS MARIA MR HOLMES TIMBUKTU 2 – 3 DISCOVER FILM DISCOVER PHOENIX FIND WELCOME It’s Spark Festival time again! Leicester is home to the biggest children’s arts festival in the country, and at Phoenix our programme is jam–packed with digital fun for all ages. Experiment with new technologies in a short workshop; catch a family film; or create your own ‘light art’ in our Cube Gallery with Water Light Graffiti, an amazing wall embedded with thousands of LEDs that light up when you paint on it with water. A huge thank you to everyone who filled in our annual customer survey last month: we got over 950 responses. We’re currently looking through all your comments to see how we can make things better for you, and shape Phoenix’s future as we continue to adapt to pressures on public funding.
[Show full text]
Strictly Ballroom Download Movie
1 / 4 Strictly Ballroom Download Movie Download the Redbox App. Rent From Anywhere. Use of this service and this website constitutes acceptance of our: Privacy Policy|CA Privacy Notice|Do Not .... Brave new steps put Scott's career in jeopardy. With a new partner and determination, can he still succeed?. May 16, 2019 — Based on Baz Luhrmann's much-loved 1992 film that became a global sensation, Strictly Ballroom The Musical breathes gleeful new theatrical .... Download File: ... Santa Barbara Independent, Inc. Reproduction of material from any Independent.com pages without written permission is strictly prohibited.. Movie - Mohra Song - Tu Chiz Badi hai Mast Mast Banjo Cover Ustad Yusuf ... of as a strictly hillbilly instrument, the banjo is enjoying newfound popularity today. ... Banjo Snapback Hat 25. png Hillbilly banjo - download this royalty free Stock ... Topics: Cornmeal, Bluegrass, Beachland Ballroom Source: Zoom h5 sbd/aud .... Oct 8, 2017 — Posted 2 years ago . Dani. This movie is funny, corky and has some sort of Flamenco dance which .... Aug 11, 2017 — ... podcast – to help us pitch sequels to Baz Luhrmann's Strictly Ballroom. ... Hunter's wig in this movie may actually have been possessed of a demon… ... Download RadioPublic for iPhone Download RadioPublic for Android. Watch Strictly Ballroom starring Paul Mercurio in this Drama on DIRECTV. It's available to watch on TV, online, tablets, phone.. Australian romance about a headstrong ballroom dancer (Paul Mercurio) who teams up with a love-struck amateur (Tara Morice) to compete for a national .... Latest 2021 Nollywood Movies, Latest 2021 Action Movies, Latest 2021 Nigerian Movies, Latest 2021 American Movies, Latest 2021 Love Movies, Latest 2021 ...
[Show full text]
David Stratton's Stories of Australian Cinema
David Stratton’s Stories of Australian Cinema With thanks to the extraordinary filmmakers and actors who make these films possible. Presenter DAVID STRATTON Writer & Director SALLY AITKEN Producers JO-ANNE McGOWAN JENNIFER PEEDOM Executive Producer MANDY CHANG Director of Photography KEVIN SCOTT Editors ADRIAN ROSTIROLLA MARK MIDDIS KARIN STEININGER HILARY BALMOND Sound Design LIAM EGAN Composer CAITLIN YEO Line Producer JODI MADDOCKS Head of Arts MANDY CHANG Series Producer CLAUDE GONZALES Development Research & Writing ALEX BARRY Legals STEPHEN BOYLE SOPHIE GODDARD SC SALLY McCAUSLAND Production Manager JODIE PASSMORE Production Co-ordinator KATIE AMOS Researchers RACHEL ROBINSON CAMERON MANION Interview & Post Transcripts JESSICA IMMER Sound Recordists DAN MIAU LEO SULLIVAN DANE CODY NICK BATTERHAM Additional Photography JUDD OVERTON JUSTINE KERRIGAN STEPHEN STANDEN ASHLEIGH CARTER ROBB SHAW-VELZEN Drone Operators NICK ROBINSON JONATHAN HARDING Camera Assistants GERARD MAHER ROB TENCH MARK COLLINS DREW ENGLISH JOSHUA DANG SIMON WILLIAMS NICHOLAS EVERETT ANTHONY RILOCAPRO LUKE WHITMORE Hair & Makeup FERN MADDEN DIANE DUSTING NATALIE VINCETICH BELINDA MOORE Post Producers ALEX BARRY LISA MATTHEWS Assistant Editors WAYNE C BLAIR ANNIE ZHANG Archive Consultant MIRIAM KENTER Graphics Designer THE KINGDOM OF LUDD Production Accountant LEAH HALL Stills Photographers PETER ADAMS JAMIE BILLING MARIA BOYADGIS RAYMOND MAHER MARK ROGERS PETER TARASUIK Post Production Facility DEFINITION FILMS SYDNEY Head of Post Production DAVID GROSS Online Editor
[Show full text]
Master and Commander Ficha Didáctica CLIL
IES Pintor Juan Lara Recursos Didácticos: Cine y Didáctica Departamento: Geografía e Historia Nivel: 4º ESO Social Sciences, History CLIL ORIGINAL TITLE: Master and Commander: The Far Side of the World YEAR: 2003 RUNNING TIME: 137 min. COUNTRY: USA. DIRECTOR: Peter Weir SCREENWRITER: Peter Weir & John Collee (Novels: Patrick O'Brian) COMPOSER: Christopher Gordon, Iva Davies, Richard Tognetti CINEMATOGRAPHER: Russell Boyd CAST: Russell Crowe (Capt. Jack Aubrey) , Paul Bettany (Doctor Stephen Maturin, surgeon), Lee Ingleby (Hollom, Midshipman ), David Threlfall (Preserved Killick, Captain’s Steward) , James D'Arcy (1st . lt. Tom Pullings) , Edward Woodall (2 nd .lt William Mowett), Ian Mercer (Mr Hoar, Boatswain), Robert Pugh (Mr. Allen, Master), Billy Boyd (Barrett Bonden, Coxswain), Richard McCabe (Mr. Higgins, Surgeon Mate), Chris Larkin (Capt. Howard, Royal Marines), George Innes (Joe Plaice, Able Seaman), Mark Lewis Jones (Mr. Hogg, Whaler), Bryan Dick (Joseph Nagle, Carpenter’s Mate), Joseph Morgan (William Warley, Cpt. of Mizzentop), Alex Palmer (Nehemiah Slade, Able Seaman), John DeSantis (Padeen, Loblolly Boy), Patrick Gallagher (Awkward Davies, Able Seaman), Max Pirkis (Blakeney, Midshipman), Max Benitz (Calamy, Midshipman) PLOT During the Napoleonic Wars, Lucky Jack Aubrey captains the crew of the H.M.S. Surprise . When the ship is suddenly attacked by a superior enemy, it is badly damaged and much of his crew is injured. In a bold and dangerous move, Aubrey decides to set sail in a high stakes chase across two oceans to intercept and capture their foe. It's a mission that can decide the fate of a nation--or destroy Lucky Jack and his crew. INTERESTING FACTS Master and Commander was the first Patrick O’Brian novel based on the exploits of Jack Aubrey and his friend Stephen Maturin.
[Show full text]
Guide to the Papers of the Capri Community Film Society
Capri Community Film Society Papers Guide to the Papers of the Capri Community Film Society Auburn University at Montgomery Archives and Special Collections © AUM Library Written By: Rickey Best & Jason Kneip Last Updated: 2/19/2008 TABLE OF CONTENTS Content Page # Collection Summary 2 Administrative Information 2 Restrictions 2-3 Index Terms 3 Agency History 3-4 1 of 64 Capri Community Film Society Papers Scope and Content 5 Arrangement 5-10 Inventory 10- Collection Summary Creator: Capri Community Film Society Title: Capri Community Film Society Papers Dates: 1983-present Quantity: 6 boxes; 6.0 cu. Ft. Identification: 92/2 Contact Information: AUM Library Archives & Special Collections P.O. Box 244023 Montgomery, AL 36124-4023 Ph: (334) 244-3213 Email: [email protected] Administrative Information Preferred Citation: Capri Community Film Society Papers, Auburn University Montgomery Library, Archives & Special Collections. Acquisition Information: The collection began with an initial transfer on September 19, 1991. A second donation occurred in February, 1995. Since then, regular donations of papers occur on a yearly basis. Processed By: Jermaine Carstarphen, Student Assistant & Rickey Best, Archivist/Special Collections Librarian (1993); Jason Kneip, Archives/Special Collections Librarian. Samantha McNeilly, Archives/Special Collections Assistant. 2 of 64 Capri Community Film Society Papers Restrictions Restrictions on access: Access to membership files is closed for 25 years from date of donation. Restrictions on usage: Researchers are responsible for addressing copyright issues on materials not in the public domain. Index Terms The material is indexed under the following headings in the Auburn University at Montgomery’s Library catalogs – online and offline.
[Show full text]
Uk Films for Sale in Cannes 2009
UK FILMS FOR SALE IN CANNES 2009 Supported by Produced by 1234 TMoviehouse Entertainment Cast: Ian Bonar, Lyndsey Marshal, Kieran Bew, Mathew Baynton Gary Phillips Genre: Drama Rés. Du Grand Hotel 47 La Croisette, 6Th Director: Giles Borg Floor Producer Simon Kearney Tel: +33 4 93 38 65 93 Status : Completed [email protected] Home Office Tel: +44 20 7836 5536 Synopsis Ardent musician Stevie (guitar, vocals) endures a day-job he despises and can't find a girlfriend but... at least he has his music! With friend Neil (drums) he's been kicking around for a while not achieving much but when the pair of misfits team-up with the more-experienced Billy (guitar) and his cute pal Emily (bass) the possibility they might be on to something really good presents itself. For Stevie this is the opportunity he's been waiting for with the band and just maybe... Emily too! 13 Hrs TEyeline Entertainment Cast: Isabella Calthorpe, Gemma Atkinson, Tom Felton, Joshua Duncan Napier-Bell Bowman Lerins Stand R10 Genre: Horror Tel: +33 4 92 99 33 02 Director: Jonathan Glendening [email protected] Writer: Adam Phillips Home Office Tel: +44 20 8144 2994 Producer Nick Napier-Bell, Romain Schroeder, Tom Reeve Status : Post-Production Synopsis A full moon hangs in the night sky and lightning streaks across dark storm clouds. Sarah Tyler returns to her troubled family home in the isolated countryside, for a much put-off visit. As the storm rages on, Sarah, her family and friends shore up for the night, cut off from the outside world.
[Show full text]
Sydney Film Festival 6-17 June 2012 Program Launch
MEDIA RELEASE Wednesday 9 May, 2012 Sydney Film Festival 6-17 June 2012 Program Launch The 59th Sydney Film Festival program was officially launched today by The Hon Barry O’Farrell, MP, Premier of NSW. “It is with great pleasure that I welcome the new Sydney Film Festival Director, Nashen Moodley, to present the 2012 Sydney Film Festival program,” said NSW Premier Barry O’Farrell. “The Sydney Film Festival is a much-loved part of the arts calendar providing film-makers with a wonderful opportunity to showcase their work, as well as providing an injection into the State economy.” SFF Festival Director Nashen Moodley said, “I’m excited to present my first Sydney Film Festival program, opening with the world premiere of the uplifting Australian comedy Not Suitable for Children, a quintessentially Sydney film. The joy of a film festival is the breadth and diversity of program, and this year’s will span music documentaries, horror flicks and Bertolucci classics; and the Official Competition films made by exciting new talents and masters of the form, will continue to provoke, court controversy and broaden our understanding of the world.” “The NSW Government, through Destination NSW, is proud to support the Sydney Film Festival, one of Australia’s oldest films festivals and one of the most internationally recognised as well as a key event on the NSW Events Calendar,” said NSW Minister for Tourism, Major Events and the Arts, George Souris. “The NSW Government is committed to supporting creative industries, and the Sydney Film Festival firmly positions Sydney as Australia’s creative capital and global city for film.” This year SFF is proud to announce Blackfella Films as a new programming partner to jointly curate and present the best and newest Indigenous work from Australia and around the world.
[Show full text]
Mckee, Alan (1996) Making Race Mean : the Limits of Interpretation in the Case of Australian Aboriginality in Films and Television Programs
McKee, Alan (1996) Making race mean : the limits of interpretation in the case of Australian Aboriginality in films and television programs. PhD thesis. http://theses.gla.ac.uk/4783/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Making Race Mean The limits of interpretation in the case of Australian Aboriginality in films and television programs by Alan McKee (M.A.Hons.) Dissertation presented to the Faculty of Arts of the University of Glasgow in fulfilment of the requirements for the Degree of Doctor of Philosophy University of Glasgow March 1996 Page 2 Abstract Academic work on Aboriginality in popular media has, understandably, been largely written in defensive registers. Aware of horrendous histories of Aboriginal murder, dispossession and pitying understanding at the hands of settlers, writers are worried about the effects of raced representation; and are always concerned to identify those texts which might be labelled racist. In order to make such a search meaningful, though, it is necessary to take as axiomatic certain propositions about the functioning of films: that they 'mean' in particular and stable ways, for example; and that sophisticated reading strategies can fully account for the possible ways a film interacts with audiences.
[Show full text]