Making of the Royal Pavilion, Brighton : Designs and Drawings Pdf, Epub, Ebook
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Bargain Booze Limited Wine Rack Limited Conviviality Retail
www.pwc.co.uk In accordance with Paragraph 49 of Schedule B1 of the Insolvency Act 1986 and Rule 3.35 of the Insolvency (England and Wales) Rules 2016 Bargain Booze Limited High Court of Justice Business and Property Courts of England and Wales Date 13 April 2018 Insolvency & Companies List (ChD) CR-2018-002928 Anticipated to be delivered on 16 April 2018 Wine Rack Limited High Court of Justice Business and Property Courts of England and Wales Insolvency & Companies List (ChD) CR-2018-002930 Conviviality Retail Logistics Limited High Court of Justice Business and Property Courts of England and Wales Insolvency & Companies List (ChD) CR-2018-002929 (All in administration) Joint administrators’ proposals for achieving the purpose of administration Contents Abbreviations and definitions 1 Why we’ve prepared this document 3 At a glance 4 Brief history of the Companies and why they’re in administration 5 What we’ve done so far and what’s next if our proposals are approved 10 Estimated financial position 15 Statutory and other information 16 Appendix A: Recent Group history 19 Appendix B: Pre-administration costs 20 Appendix C: Copy of the Joint Administrators’ report to creditors on the pre- packaged sale of assets 22 Appendix D: Estimated financial position including creditors’ details 23 Appendix E: Proof of debt 75 Joint Administrators’ proposals for achieving the purpose of administration Joint Administrators’ proposals for achieving the purpose of administration Abbreviations and definitions The following table shows the abbreviations -
Picturesque Architecture 2Nd Term 1956 (B3.6)
Picturesque Architecture 2nd Term 1956 (B3.6) In a number of lectures given during the term Professor Burke has shown how during the 18th century, in both the decorative treatment of interiors and in landscape gardening, the principle of symmetry gradually gave way to asymmetry; and regularity to irregularity. This morning I want to show how architecture itself was affected by this new desire for irregularity. It is quite an important point. How important we can see by throwing our thoughts back briefly for a moment over the architectural past we have traced during the year. The Egyptian temple, the Mesopotamian temple, the Greek temple, the Byzantine church, the Gothic church, the Renaissance church, the Baroque church, the rococo country house and the neo- classical palace were all governed by the principle of symmetry. However irregular the Gothic itself became by virtue of its piecemeal building processes, or however wild the Baroque and the Rococo became in their architectural embellishments, they never failed to balance one side of the building with the other side, about a central axis. Let us turn for a moment to our time. Symmetry is certainly not, as we see in out next slide, an overriding rule of contemporary planning. If a symmetrical plan is chosen by an architect today, it is the result of a deliberate choice, chosen for being most suited for the circumstances, and not, as it was in the past, an accepted architectural presupposition dating back to the very beginnings of architecture itself. Today plans are far more often asymmetrical than symmetrical. -
The Industrial Revolution: 18-19Th C
The Industrial Revolution: 18-19th c. Displaced from their farms by technological developments, the industrial laborers - many of them women and children – suffered miserable living and working conditions. Romanticism: late 18th c. - mid. 19th c. During the Industrial Revolution an intellectual and artistic hostility towards the new industrialization developed. This was known as the Romantic movement. The movement stressed the importance of nature in art and language, in contrast to machines and factories. • Interest in folk culture, national and ethnic cultural origins, and the medieval era; and a predilection for the exotic, the remote and the mysterious. CASPAR DAVID FRIEDRICH Abbey in the Oak Forest, 1810. The English Landscape Garden Henry Flitcroft and Henry Hoare. The Park at Stourhead. 1743-1765. Wiltshire, England William Kent. Chiswick House Garden. 1724-9 The architectural set- pieces, each in a Picturesque location, include a Temple of Apollo, a Temple of Flora, a Pantheon, and a Palladian bridge. André Le Nôtre. The gardens of Versailles. 1661-1785 Henry Flitcroft and Henry Hoare. The Park at Stourhead. 1743-1765. Wiltshire, England CASPAR DAVID FRIEDRICH, Abbey in the Oak Forest, 1810. Gothic Revival Architectural movement most commonly associated with Romanticism. It drew its inspiration from medieval architecture and competed with the Neoclassical revival TURNER, The Chancel and Crossing of Tintern Abbey. 1794. Horace Walpole by Joshua Reynolds, 1756 Horace Walpole (1717-97), English politician, writer, architectural innovator and collector. In 1747 he bought a small villa that he transformed into a pseudo-Gothic showplace called Strawberry Hill; it was the inspiration for the Gothic Revival in English domestic architecture. -
Museum of Economic Botany, Kew. Specimens Distributed 1901 - 1990
Museum of Economic Botany, Kew. Specimens distributed 1901 - 1990 Page 1 - https://biodiversitylibrary.org/page/57407494 15 July 1901 Dr T Johnson FLS, Science and Art Museum, Dublin Two cases containing the following:- Ackd 20.7.01 1. Wood of Chloroxylon swietenia, Godaveri (2 pieces) Paris Exibition 1900 2. Wood of Chloroxylon swietenia, Godaveri (2 pieces) Paris Exibition 1900 3. Wood of Melia indica, Anantapur, Paris Exhibition 1900 4. Wood of Anogeissus acuminata, Ganjam, Paris Exhibition 1900 5. Wood of Xylia dolabriformis, Godaveri, Paris Exhibition 1900 6. Wood of Pterocarpus Marsupium, Kistna, Paris Exhibition 1900 7. Wood of Lagerstremia parviflora, Godaveri, Paris Exhibition 1900 8. Wood of Anogeissus latifolia , Godaveri, Paris Exhibition 1900 9. Wood of Gyrocarpus jacquini, Kistna, Paris Exhibition 1900 10. Wood of Acrocarpus fraxinifolium, Nilgiris, Paris Exhibition 1900 11. Wood of Ulmus integrifolia, Nilgiris, Paris Exhibition 1900 12. Wood of Phyllanthus emblica, Assam, Paris Exhibition 1900 13. Wood of Adina cordifolia, Godaveri, Paris Exhibition 1900 14. Wood of Melia indica, Anantapur, Paris Exhibition 1900 15. Wood of Cedrela toona, Nilgiris, Paris Exhibition 1900 16. Wood of Premna bengalensis, Assam, Paris Exhibition 1900 17. Wood of Artocarpus chaplasha, Assam, Paris Exhibition 1900 18. Wood of Artocarpus integrifolia, Nilgiris, Paris Exhibition 1900 19. Wood of Ulmus wallichiana, N. India, Paris Exhibition 1900 20. Wood of Diospyros kurzii , India, Paris Exhibition 1900 21. Wood of Hardwickia binata, Kistna, Paris Exhibition 1900 22. Flowers of Heterotheca inuloides, Mexico, Paris Exhibition 1900 23. Leaves of Datura Stramonium, Paris Exhibition 1900 24. Plant of Mentha viridis, Paris Exhibition 1900 25. Plant of Monsonia ovata, S. -
Annual Report 2004/5 Corrected
THE ROYAL COLLECTION TRUST Annual Report 201 0–2011 AIMS OF THE ROYAL COLLECTION TRUST In fulfilling the Trust’s objectives, the Trustees’ aims are to ensure that: • the Royal Collection (being the works of art held by The Queen in right of the crown and held in trust for her successors and for the nation) is subject to proper custodial control and that the works of art remain available to future generations; • the Royal Collection is maintained and conserved to the highest possible standards and that visitors can view the Collection in the best possible condition; • as much of the Royal Collection as possible can be seen by members of the public; • the Royal Collection is presented and interpreted so as to enhance public appreciation and understanding; • access to the Royal Collection is broadened and increased (subject to capacity constraints) to ensure that as many people as possible are able to view the Collection; • appropriate acquisitions are made when resources become available, to enhance the Collection and displays of exhibits for the public. When reviewing future activities, the Trustees ensure that these aims continue to be met and are in line with the Charity Commission’s General Guidance on public benefit. This report looks at the achievements of the previous 12 months and considers the success of each key activity and how it has helped enhance the benefit to the nation. FRONT COVER : Carl Haag (182 0–1915), Morning in the Highlands: the Royal Family ascending Lochnagar , 1853 (detail). A Christmas present from Prince Albert to Queen Victoria, the painting was included in the exhibition Victoria & Albert: Art & Love , at The Queen’s Gallery, Buckingham Palace, from March to December 2010. -
The Get Involved Group (GIG) Monthly Round-Up September 2019
The Get Involved Group (GIG) Monthly Round-Up September 2019 The Get Involved Group is a user-led group which aims to ensure disabled peoples’ voices are heard when services are planned and changed. We identify issues and plan the solutions. Our next GIG meet-up is: TOPIC: Diversity in Care Needs - from home care, direct payments and supported living to residential and nursing care WHERE: Friend’s Meeting House, Ship Street, Brighton, BN1 1AF WHEN: Thursday 3 October, 2pm – 4:30pm As you know, the Get Involved Group carries out engagement work with disabled adults, adults with long-term health conditions, carers, friends and family and other service providers. The engagement project this autumn is to gather as much information as we can about the diverse care needs across the city, focusing on adults under 70 with physical and neurological impairments. The information will be fed into the council’s Needs Assessment, so this is a great opportunity to have your say. We also hope to have a guest speaker – to be announced! We’ll have our usual 30 minutes break in the middle, a good chance to catch up, and share information. Meetings are open to all disabled people in the city, whether or not you've been a part of the Get Involved Group before. Friends, family, carers and PAs are also welcome! Please let us know if you can make it – we’d love to see you there! Email [email protected] Call 01273 20 89 34 or 07394 56 55 03! More information to follow at www.facebook.com/groups/PossabilityPeopleGIG And if anyone would like to suggest a new topic for us all to explore please get in touch at [email protected] . -
ROX-Brighton-Brochure.Pdf
COMBINING THE BEST IN DESIGN, SPECIFICATION, FACILITIES AND LOCATION, ROX IS CREATING A NEW LANDMARK FOR BRIGHTON. Built on the site of the derelict Astoria theatre building, the development will comprise a mixture of outstanding design-led new homes, residents’ amenities and flexible commercial spaces that will help transform this part of the city. The design concept and delivery of this incredible development will create an unrivalled combination for Brighton. Proof, if required, that in Brighton – life ROX. Left: The eye-catching facade of ROX Brighton HANCING THE ARTS IN CENTRAL BRIGHTON. ROX will create more than just new homes, with a striking double height atrium that will house a versatile events space that can be used for exhibitions and creative collaborations. Drawing upon Brighton’s rich heritage, ROX will revitalise the existing streetscape, becoming a vibrant hub of activity that will boost the local area and create long-term kerb appeal for generations to come. LOOKING TO THE FUTURE. From the billion pound investment on the seafront to the delivery of the New England Quarter, Brighton is a forward-thinking city with an appetite for growth. Proposals have been submitted for the multimillion pound re-landscaping of Valley Gardens, to create additional green spaces, a new square and improved walking and cycling links. All of this, on the doorstep of ROX. Above: The lobby and reception area of ROX Brighton Right: A balcony at one of the duplex apartments Above: A typical living and kitchen area of a two bedroom apartment, with an outstanding specification and finish REDEFINING CONTEMPORARY LIVING FOR BRIGHTON. -
Brighton and Hove City Council W Eekly List Of
BRIGHTON AND HOVE CITY COUNCIL W EEKLY LIST OF APPLICATIONS BRIGHTON AND HOVE CITY COUNCIL TOW N & COUNTRY PLANNING ACT 1990 PLANNING (LISTED BUILDINGS & CONSERVATION AREAS) REGULATIONS 1990 TOW N & COUNTRY PLANNING (GENERAL DEVELOPMENT PROCEDURE) ORDER 1995 PLEASE NOTE that the following planning applications were registered by the City Council during w/e 11/04/2008: (Notice under Article 8 and accompanied by an Environmental Statement where appropriate) a) Involving Listed Buildings or within a Conservation Area: BRUNSW ICK AND ADELAIDE BH2008/00502 22 Brunswick Terrace Hove BRUNSW ICK TOW N Remedial work in vaulted cellar to prevent collapse of road. Officer: Jason Hawkes 292153 Applicant: Mr Gary Sayers Agent: 4 Delivery Ltd Southern House Lewes Road Falmer Southern House Lewes Road Falmer BH2008/00504 24 Brunswick Terrace Hove BRUNSW ICK TOW N Emergency remedial works in vaulted cellar to prevent collapse of road above. Officer: Jason Hawkes 292153 Applicant: Mr Gary Sayers Agent: 4 Delivery Ltd Southern Hse Lewes Rd Falmer Southern Hse Lewes Rd Falmer BH2008/00876 Ground, 1st & 2nd Floor Flats 42 Brunswick Road Hove BRUNSW ICK TOW N Removal of existing back boilers and gas fires within the block and the installation of gas combination boilers of which flues exit the building via the rear elevations. Officer: Ray Hill 292323 Applicant: Mr Tom Green Agent: Brodie Plant Goddard Southern Housing Grp Holmbury Dorking Business Pk Station Rd Dorking Fleet Hse 59-61 Clerkenwell Rd London BH2008/00879 Ground, First and 2nd Floor Flats 42 Brunswick Road Hove BRUNSW ICK TOW N Removal of existing back boilers and gas fires within the block and the installation of gas combination boilers of which flues exit the building via the rear elevations. -
A Place for Music: John Nash, Regent Street and the Philharmonic Society of London Leanne Langley
A Place for Music: John Nash, Regent Street and the Philharmonic Society of London Leanne Langley On 6 February 1813 a bold and imaginative group of music professionals, thirty in number, established the Philharmonic Society of London. Many had competed directly against each other in the heady commercial environment of late eighteenth-century London – setting up orchestras, promoting concerts, performing and publishing music, selling instruments, teaching. Their avowed aim in the new century, radical enough, was to collaborate rather than compete, creating one select organization with an instrumental focus, self-governing and self- financed, that would put love of music above individual gain. Among their remarkable early rules were these: that low and high sectional positions be of equal rank in their orchestra and shared by rotation, that no Society member be paid for playing at the group’s concerts, that large musical works featuring a single soloist be forbidden at the concerts, and that the Soci- ety’s managers be democratically elected every year. Even the group’s chosen name stressed devotion to a harmonious body, coining an English usage – phil-harmonic – that would later mean simply ‘orchestra’ the world over. At the start it was agreed that the Society’s chief vehicle should be a single series of eight public instrumental concerts of the highest quality, mounted during the London season, February or March to June, each year. By cooperation among their fee-paying members, they hoped to achieve not only exciting performances but, crucially, artistic continuity and a steady momentum for fine music that had been impossible before, notably in the era of the high-profile Professional Concert of 1785-93 and rival Salomon-Haydn Concert of 1791-2, 1794 and Opera Concert of 1795. -
Brighton & Ho Ve City
The Creative Industries are at the heart of the UK’s competitive advantage. The ‘soft power’ influence of the sector means that it has a crucial role to play as we exit the European Union and create a global Britain. Government Industrial White Paper, 2018 Brighton & Hove City & Hove Brighton Photo: Simon Anderson Brighton & Hove is a cosmopolitan, Dynamic and supportive business networks dynamic city by the sea. On the edge of exist in the city to inspire and encourage the South Downs National Park, it is an ground-breaking ideas helping to take business inspiring place to live, work and visit. The to the next level. city has an internationally recognised Brighton & Hove city attracts the finest minds cultural offer and is a hotspot for creative and has a highly educated population. It talent and technological innovation. draws highly skilled people from across the UK and internationally, making it a world class From the annual Brighton Festival and Fringe, destination. iconic Royal Pavilion and premier league football team to UNESCO recognised coast and Open to change, ready for the future and countryside, attractive bars and restaurants and able to fuse excellence in the arts with the a thriving music scene, Brighton & Hove is the latest cutting-edge technology, Brighton & place to be for professionals looking for a better Hove is a well-connected, well-placed modern work-life balance. city where businesses can tap into a rich pool of talent dedicated to growing prosperity. The city is a hotspot for the Creative, Digital and IT sectors (CDIT) and Brighton & Hove is one of the few cities in the UK with a 5G testbed. -
BRIGHTON Address: Stafford House Brighton, 61 Western Road, Hove, BN3 1JD
Stafford House Summer Information Sheet STAFFORD HOUSE BRIGHTON Address: Stafford House Brighton, 61 Western Road, Hove, BN3 1JD Brighton is one of the UK’s most diverse Some of Brighton’s must-see highlights and liberal cities. A truly unique seaside include; playing arcade games on the iconic city located on the sunny South East coast Brighton Palace Pier, a visit to the elaborate of England. It’s a very warm and welcoming Royal Pavilion or hunting for world-class CLASSIC COURSE place for international victors. Each year street art in the bohemian North Laine it attracts up to 11 million tourists. It’s an quarter. London is also easy to reach from HOMESTAY ONLY equally popular place to live, especially for Brighton, just an hour away. young people, and is often referred to as the AGES 12-18* (GROUPS ONLY) “happiest place to live in the UK”. *18 year old students only accepted as part of a group where all students are returning to second- FACILITIES ary education in September 2021. 18 year olds must follow all school rules as minors. Total Capacity 100 Max. ratio of showers/toilets to beds 1:6 Ensuite Kitchen for Group Leader use Standard Laundry - service wash * Single Laundry - coin operated, self-service Twin WiFi access Multi-bed Drink making facilities Television Lounge Vending machines Common room Swimming pool Computer Room Coeliac / Special diets on request ** Towels provided Halal food on request ** * In host families ** Must be booked at least two months before arrival N.B. Maximum stay in homestay for under-16s is 27 nights -
'James and Decimus Burton's Regency New Town, 1827–37'
Elizabeth Nathaniels, ‘James and Decimus Burton’s Regency New Town, 1827–37’, The Georgian Group Journal, Vol. XX, 2012, pp. 151–170 TEXT © THE AUTHORS 2012 JAMES AND DECIMUS BURTON’S REGENCY NEW TOWN, ‒ ELIZABETH NATHANIELS During the th anniversary year of the birth of The land, which was part of the -acre Gensing James Burton ( – ) we can re-assess his work, Farm, was put up for sale by the trustees of the late not only as the leading master builder of late Georgian Charles Eversfield following the passing of a private and Regency London but also as the creator of an Act of Parliament which allowed them to grant entire new resort town on the Sussex coast, west of building leases. It included a favourite tourist site – Hastings. The focus of this article will be on Burton’s a valley with stream cutting through the cliff called role as planner of the remarkable townscape and Old Woman’s Tap. (Fig. ) At the bottom stood a landscape of St Leonards-on-Sea. How and why did large flat stone, locally named The Conqueror’s he build it and what role did his son, the acclaimed Table, said to have been where King William I had architect Decimus Burton, play in its creation? dined on the way to the Battle of Hastings. This valley was soon to become the central feature of the ames Burton, the great builder and developer of new town. The Conqueror’s table, however, was to Jlate Georgian London, is best known for his work be unceremoniously removed and replaced by James in the Bedford and Foundling estates, and for the Burton’s grand central St Leonards Hotel.