KEY POINTS 2 Highlights 7 Spring/Summer 2019 31 Fall/Winter 2019 54 First Book Award 56 Special Editions 59 Stationery 60 Backlist 81 Reprints 82 Contacts and Distribution 83 Index ABOUT THE ARTIST BOOK SPECIFICATIONS 1 HIGHLIGHTS HIGHLIGHTS KEY POINTS I Know How Furiously Your Heart Is Beating Scene Museum of the Revolution TTP And Time Folds Photographs 1997–2017 Alec Soth Alex Majoli Guy Tillim Hayahisa Tomiyasu Vanessa Winship Hannah Starkey €55 £50 $65 €35 £30 $40 €35 £30 $40 €30 £27 $35 €40 £35 $45 €45 £40 $50 ISBN 978-1-912339-31-0 ISBN 978-1-912339-29-7 ISBN 978-1-912339-27-3 ISBN 978-1-912339-24-2 ISBN 978-1-910164-09-9 ISBN 978-1-912339-19-8 Showcaller The Island Position April Dawn Alison In Sardegna Colazione sull’erba Niagara Talia Chetrit John Lehr Erin O’Toole (ed.) Guido Guidi Luigi Ghirri Alec Soth €35 £30 $40 €35 £30 $40 €40 £35 $45 €70 £60 $80 €40 £35 $45 €45 £40 $50 ISBN 978-1-912339-41-9 ISBN 978-1-912339-32-7 ISBN 978-1-912339-43-3 ISBN 978-1-912339-40-2 ISBN 978-1-912339-07-5 ISBN 978-1-912339-259 ABOUT THE ARTIST BOOK SPECIFICATIONS Trails SLANT The Map and the Territory Public Matters Elf Dalia The Land In Between Takashi Homma Aaron Schuman Luigi Ghirri Janet Delaney Maja Daniels Ursula Schulz-Dornburg €35 £30 $40 €35 £30 $40 €45 £40 $50 €35 £30 $40 €35 £30 $40 €39 £35 $45 ISBN 978-1-912339-34-1 ISBN 978-1-912339-38-9 ISBN 978-1-912339-08-2 [English] ISBN 978-1-912339-02-0 ISBN 978-1-912339-37-2 ISBN 978-1-912339-10-5 [English] [German, Spanish and French available] ISBN 978-1-912339-15-0 [German] 3 HIGHLIGHTS HIGHLIGHTS KEY POINTS The Camera Domesticated Land Liberty Theater Pictures From Home Ravens Deep Springs Victor Burgin Susan Lipper Rosalind Fox Solomon Larry Sultan Masahisa Fukase Sam Contis €19 £17 $23 €40 £35 $45 €35 £30 $40 €45 £40 $50 €80 £75 $85 €40 £35 $45 ISBN 978-1-912339-06-8 ISBN 978-1-912339-03-7 ISBN 978-1-912339-22-8 ISBN 978-1-910164-78-5 ISBN 978-1-910164-83-9 ISBN 978-1-910164-86-0 a shimmer of possibility The Complete Essays 1973–1991 Ouarzazate The Whiteness of the Whale Fish Story Vandalism Paul Graham Luigi Ghirri Mark Ruwedel Paul Graham Allan Sekula John Divola €350 £300 $375 €19 £15 $25 €55 £50 $65 €65 £50 $75 €35 £30 $40 €35 £30 $40 ISBN 978-1-910164-17-4 ISBN 978-1-910164-14-3 ISBN 978-1-912339-26-6 ISBN 978-1-910164-32-7 ISBN 9978-1-912339-04-4 ISBN 978-1-912339-00-6 ABOUT THE ARTIST They were my Landscape American Winter The Polish Rider Sleeping by the Mississippi ZZYZX BOOK SPECIFICATIONSshe dances on Jackson Phoebe Kiely Gerry Johansson Anna Ostoya and Ben Lerner Alec Soth Gregory Halpern Vanessa Winship €30 £27 $35 €45 £40 $50 €35 £30 $40 €45 £40 $50 €40 £35 $50 €45 £40 $50 ISBN 978-1-912339-05-1 ISBN 978-1-912339-23-5 ISBN 978-1-912339-01-3 ISBN 978-1-910164-89-1 ISBN 978-1-910164-65-5-5 ISBN 978-1-907946-36-3 5 Talia Chetrit Showcaller KEY POINTS • Includes essays by Sahra Motalebi and Ruba Katrib • Follows an institutional solo exhibition at Kölnischer Kunstverein in Cologne, Germany Showcaller is the first book exploring the work of emerging artist Talia Chetrit. It brings together a broad range of her work made between 1994 and 2018 and is linked to a retrospective museum exhibition at the Kölnischer Kunstverein in early 2018. The title Showcaller is a theatrical term which references the performative aspects of Chetrit’s work, the power dynamic between subject and photographer, and, ultimately, between the photographer and her audience. The earliest works included were made when Chetrit was a teenager and she adroitly collapses and shuffles images from across 24 years, neutralising the space the space between family portraits, teenage friends, intimate sex pictures, self-portraits, staged murder pictures, still lifes, and street photographs, to name just a few of the subjects and genres her work adopts. Regardless of the subject matter or the technique with which the image is made, her focus lies on researching and unveiling the basic social, conceptual, and technical conditions of the genre of photography. Her work is imbued with a desire to control the physical and historical limitations of the camera, to trace its manipulative potential, and to question the relationship between photographer and subject. ABOUT THE ARTIST Talia Chetrit, born in Washington D.C. in 1982, lives and BOOK SPECIFICATIONS works in New York. Her work is represented by Sies + Höke, Düsseldorf, and Kaufmann Repetto, NY/Milan. OTA-bound paperback with flaps 138 pages, 29 x 22 cm €35 £30 $40 Publication date: January 2019 ISBN 978-1-912339-41-9 7 Alex Majoli Scene KEY POINTS • Italian fine art photographer and a leading photojournalist of Magnum Photos agency • Scene coincides with a solo exhibition at Le Bal, Paris from 22 February–28 April 2019 • Recipient of prestigious Guggenheim Fellowship • Keynote lecture at Aesthetica Symposium, York, UK, March 2019 ‘For eight years and across several continents, Alex Majoli has been photographing events and non-events. Political demon- strations, humanitarian emergencies, and quiet moments of everyday life. What holds all these images together is a sense of theatre. A sense that we are all actors, all playing the parts that history and circumstance demand of us. Majoli’s photographs result from his own performance. Entering a situation, he and his assistants slowly go about setting up a camera and lights. This activity is a kind of spectacle in itself, observed by those who will eventually be photographed. Majoli begins to shoot, offering no direction to the people before his camera. This might happen over twenty minutes. It might be an hour or so. Perhaps the people adjust their actions in anticipation of the image to come. Perhaps they refine their gestures in self- consciousness. Perhaps they do not. The representation of drama and the drama of representation become one. The camera flash is instantaneous and much stronger than day- light. But all this light plunges the world into night, or moonlight. The world appears as an illuminated stage. Everything seems to be happening at the end of the day. Just when the world should be sleeping, it offers a heightened performance of itself. We never really see people or places: we see the light they reflect. And the quality of that light affects how we understand them’. - David Campany ABOUT THE ARTIST Alex Majoli (b. 1971, Italy) is a photographer whose work has focused on the human condition and the theater within our daily lives. He has received many awards including the Guggenheim Fellowship (2015), the Eugene Smith Grant BOOK SPECIFICATIONS (2017), the Getty Images Grant For Editorial Photography Large-format paperback with jacket (2009) and the Infinity Award for Photojournalism (2003). Essays by David Campany and Corinne Rondeau He has been a member of Magnum Photos since 2001 and 126 pages, 38 x 22.5 cm is represented by Howard Greenberg Gallery, NY. €35 £30 $40 Publication date: February 2019 Co-published with Le Bal, Paris ISBN 978-1-912339-29-7 (English edition) English edition French edition ISBN 978-1-912339-30-3 (French edition) 9 Guy Tillim Museum of the Revolution KEY POINTS • Photographic luminary in South Africa who began his career as a media reporter during the apartheid era • Museum of the Revolution won the 2017 Henri Cartier-Bresson Award • Tillim’s work is celebrated for its novelistic documen- tary approach that moves away from the drama of photojournalism • Solo exhibition at Henri Cartier-Bresson Foundation, 21 February–1 June 2019 These photographs were made on long walks through the streets of African capitals, including Johannesburg, Durban, Maputo, Beira, Harare, Nairobi, Kigali, Kampala, Addis Ababa, Luanda, Libreville, Accra, Dakar and Dar es Salaam, and the series takes its title from the Museum of the Revolution in Maputo, Mozambique, which is situated on the Avenida 24 Julho. The 24th of July 1875 marked the end of an Anglo-Portuguese conflict for possession of the territory that was decided in favour of Portugal. One hundred years later the name of the avenue remained the same because Mozambique’s independence from Portugal was proclaimed in June 1975 and now the 24th of July is Nationalisation Day. In the Museum of the Revolution there is a panoramic painting produced by North Korean artists depicting the liberation of the capital from Portuguese colonial rule. It illustrates the rhetoric of a revolution as the leader and followers parade through the streets and avenues, laid out with grandeur by the colonial powers. These streets, named and renamed, function as silent witnesses to the ebb and flow of political, economic and social shifts of power and become a museum of the many revolutions that have taken place in African countries over the past 65 years. In Tillim’s photographs the streets of these African capitals reflect a new reality, distinct from the economic stagnation wrought by socialist policies that usually accompanied African nationalism, the reality of rebuilding and enterprise, and new sets of aspirations imbued with capitalistic values. ABOUT THE ARTIST Guy Tillim (b. 1962, Johannesburg) lives in Vermaaklikheid in the Western Cape. He has received many awards for his work including the Henri Cartier-Bresson Award in 2017, and the Robert Gardner Fellowship in Photography in 2006, among others.