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Kvs Auctions Berlin Auction Nr. 3 8 July 2020 Contemporary Art from Berlin Galleries and Studios

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Kvs Auctions Berlin Auction Nr. 3 8 July 2020 Contemporary Art from Berlin Galleries and Studios KvS Contemporary art Auction Nr. 3 Auctions from Berlin galleries 8 July 2020 Berlin and studios Eine Auktion für Berlin Wir freuen uns, Ihnen mit diesem Katalog eindrucksvolle Kunstwerke aus Berliner Ateliers und Galerien zu präsentieren! Berlin ist glücklicher Weise mit Weltklasse-Künstlern so gesegnet, dass wir mit diesem Format der Galerien-Auktion die etablierten Grenzen zwischen Primär- und Sekundärmarkt überschreiten. Dafür möchte ich mich ganz besonders bei den teilnehmenden Künstler*innen und Galerist*innen bedanken, denn Veränderungen erfordern immer auch ein wenig Mut. Ein weiterer, ebenso herzlicher Dank gilt Julia Stoschek. In ihre Sammlung in der Leipziger Straße dürfen wir Sie zur Vorbesichtigung und zur Auktion einladen. Danke! Wir sehen uns also in der Julia Stoschek Collection. Wenn Sie verhindert sind, können Sie natürlich auch online oder per Telefon an der Auktion teilnehmen. Bitte registrieren Sie sich dafür möglichst bald bei uns. Mit herzlichen Grüßen Ihr Kilian von Seldeneck P.S.: Um den Ankauf von zeitgenössischer Kunst durch die Nationalgalerie zu beflügeln, werden Galerist*innen und das Auktionshaus 5 % der Einnahmen an die Stiftung des Vereins der Freunde der Nationalgalerie für zeitgenössische Kunst spenden. WWW.JSC.ART Vorbesichtigung: Stiftung der Freunde der Nationalgalerie Vor fast genau fünfzehn Jahren haben die Freunde der Nationalgalerie mit dem 25. Juni – 8. Juli 2020 überraschenden Gewinn aus der MoMA-Ausstellung in Höhe von 6 Mio.€ die „Stiftung des Vereins der Freunde der Nationalgalerie für zeitgenössische Kunst“ 12:00 – 18:00 Uhr gegründet. Mit dieser Stiftung, die den großen Erfolg der MoMA-Ausstellung dauerhaft bleiben lässt, sollte der Dialog zwischen den Verantwortlichen der Nationalgalerie und der jungen aktuellen internationalen Kunst intensiviert und Auktion: die Möglichkeit geschaffen werden, Kunstwerke der Gegenwart zum Zeitpunkt ihrer Entstehung zu erwerben. 8. Juli 2020 Im ersten Jahr hat die Stiftung allein über 24 Arbeiten erworben, darunter ein großes Sammlungskonvolut des Künstlers Hans-Peter Feldmann, das durch eine Empfang ab 18:00 Uhr großzügige Schenkung von Paul Maenz begleitet wurde. Insgesamt wurden in den vergangenen Jahren 90 Arbeiten von Künstlerinnen und Künstlern erworben, Auktion um 19:00 Uhr mit denen die Sammlung der Nationalgalerie um wesentliche künstlerische Positionen und Werke erweitert werden konnte. Darunter Werke von Alfredo Jarr, Susan Philipsz, Rosa Barba, Roman Ondák, Sergej Jensen, Christoper Williams, Julia Stoschek Collection Nairy Baghramian oder Nevin Aladag, um nur einige zu nennen. Dazu sind in den letzten Jahren vermehrt großzügige Schenkungen gekommen, so z. B. „Statue of Liberty“ von Elgreen & Dragset oder „Three solids, 1993“ von Attila Csörgö. Leipziger Straße 60 Welche Werke erworben werden, wird von einer unabhängigen, auf jeweils zwei Jahre gewählten Ankaufskommission entschieden. (Eingang Jerusalemer Straße) Mit der Gründung der Stiftung und dem im Zweijahresrhythmus vergebenen „Preis der Nationalgalerie für junge Kunst“ haben die Freunde der Nationalgalerie 10117 Berlin nicht nur einen deutlichen Akzent in der zeitgenössischen Kunst gesetzt, sondern immer wieder auch die Bedeutung Berlins als Produktionsort von Kunst betont. Es ist uns deshalb heute besondere Freude und Ehre, dass unsere Stiftung einen Anteil des Auktionserlöses erhält, um so weitere Ankäufe zeitgenössischer Kunst für die Sammlung der Nationalgalerie auch in diesen schwierigen Zeiten zu realisieren und damit ein positives Signal für die Kunststadt Berlin zu setzen. H.-G. Jan Oelmann Vorsitzender Stiftung des Vereins der Freunde der Nationalgalerie für zeitgenössische Kunst Aufgrund der Corona-Verordnung kann es zu Limitierungen kommen. Melden Sie sich gern vorab bei uns an: [email protected] Conny Maier Lot 1 Bunny Rogers Lot 2 Der Vergleich 4, 2017 Self-Portrait as clone of Jeanne d’Arc, 2014 Conny Maier Conny Maier’s works reflect socio- In her large-format paintings, Oil on canvas Bunny Rogers With Self-Portrait as Clone of Using the cartoon character as a sur- Selected solo exhibitions: Kunsthaus Born in Berlin, Germany. cultural topics such as poverty, geometrical forms, colorful surfac- 160 × 120 cm Born 1990 in Houston, TX. Jeanne d’Arc Bunny Rogers offers a rogate of herself, Rogers spins a web Bregenz, Bregenz (2020); Museum Lives and works in Berlin solitude and social conflict. es and comfortable elements with Unique Lives and works in New York, NY. gateway into the mythology of her of associations that are both subjec- für Moderne Kunst, Frankfurt (2019); and Baleal, Portugal. She humorously and cautiously abstract components blend together. generation. Employing erasure not tive and relatable. In her practice, Marciano Art Foundation, Los reveals social systems and their The boundaries between poverty as a literal gesture but rather as a Rogers often references the world Angeles (2018); Whitney Museum constructions. and wealth become blurry. What playful, rhetorical figure, Rogers of online gaming and the malleable of Art, New York (2017); and Musée The artist acts as a silent spectator remains are collages of society. removes her own image as the sub- identities endemic to role-playing d’Art Moderne, Paris (2015). within the entity as well as a part Conny Maier has had shows in ject of self-portraiture and replaces and fantasy communities while of the whole while she confronts Berlin, Paris, Lisbon, Cologne, it with an adopted persona – the exploring themes of alienation, vio- herself with critical questions Memmingen, Ulm, Vienna and angsty Joan of Arc from MTV’s cult lence, desire, and the elastic notion and analysis of her own behavior. Los Angeles. A work of this artist has been hit Clone High, an animated series of self that is present in contem- Fine Art Print on Hahnemühle Maier’s stories are suffuse with the acquired by the Stiftung des Vereins that aired between 2002-2003. porary life and mediated society. PhotoRag Ultrasmooth 305 g, documentary narratives. The idea Exhibitions: der Freunde der Nationalgalerie Blown up to monumental propor- Using her character as a proxy, the artist frame for her works are gathered while 2020: Domestic, König Galerie | für zeitgenössische Kunst in 2017 tions, Roger’s serial self-portrait artist also reflects on the complexity 36 × 31 × 3 cm traveling the world. She constantly Chapel; 2019: I didn’t mean to burn features her alter ego in fifteen of adolescent femininity – and its Edition: 3 + 2AP and spontaneously scetches people the woods. Solo show curated by different positions and situations, inherent angst, ferocity, desire, and Further information: and situations on notebooks and Office Impart. SMAC, Berlin; Further information: including a plethora of symbols and narcissism. König Galerie pieces of paper, and these snapshots 2019: Im Trüben , Solo show. Starting bid: Société references drawn from her personal Starting bid: www.koeniggalerie.com later find their way onto canvas. Ruttkowski;68, Cologne € 3.000.– www.societeberlin.com life and pop culture. € 5.000.– Umut Yasat Lot 3 Hannah Sophie Dunkelberg Lot 4 Der Stapel 35, 2019 U live ur life as if its real no. 2, 2019 Umut Yasat Between 2009 and 2015 Umut these sculptures until they reach his Plastic, aluminum, lacquer, stainless Hannah Sophie Dunkelberg Hannah Sophie Dunkelberg’s Hannah Sophie Dunkelberg Reliefpanel, Pet-g Born 1988, lives and works in studied in the Staatliche Akademie own height. This is a self-imposed steel, sugar, cardboard, paper, Born 1987 in Bonn, Germany. works play with the intersection graduated at UDK in Berlin 2019. 230 × 145 cm Karlsruhe, Germany. der Bildenden Künste in Karlsruhe limit to an endless process, since, ink, felt-tip pencil, pencil, crayon, Lives and works in Berlin. of materialities and imagery while with Gustav Kluge, Jonas Burgert if it were possible, there would be copper, silver, gold, glass, foam, deliberately staging painting and Selected exhibitions: and Marcel van Eeden. He started only one, incredibly high Stapel. steel, glue, iron, wood, tobacco, drawing in the sculptural field. 2020: Ein gern gesehener Gast, to work on Der Stapel in 2014. At As a vertical chronological line concrete The desire for drawing reveals Hannah Sophie Dunkelberg / Simon first this process encompassed tiding Der Stapel is a materialization and itself in the moment of struggling Modersohn, Åplus Gallery and all of the artist’s previous works a way to visualize of time. Yasat’s 175 × 88 × 74 cm for its volatility. The moment when Office Impart, Berlin (duo), together but later it evolved into the works are currently on view in the 69 × 34 2/3 × 29 1/4 in drawing becomes a model – the 2019: Link in Bio. Art after Social agglomeration of not only works exhibition City Life at Kunstmuseum beauty in the failure of surfaces. Media, MdbK Leipzig; Set in Scene, of art but several of the artist’s Arnhem, NL. The starting point for Dunkelberg’s Haus am Lützowplatz, 2019 everyday objects – both meaningful work is always a drawing or a and trivial. As Der Stapel evolves painting, which she then develops the artist becomes more radical, further either in analogue or digital in his latest works getting rid of form. In her artistic practice she literally every possesion such as deals with space, surface and Further information: his washing machine, his bed and Further information: material and rethinks the idea of GNYP Gallery the only souvenir remaining from Starting bid: Office Impart an image on several levels. Starting bid: www.gnypgallery.com his grandfather. Yasat works on € 3.500.– www.officeimpart.com € 6.000.– Kaspar Müller Lot 5 Jeremy Shaw Lot 6 Mandala 3, 2020 Towards Universal Pattern Recognition (National Day of Prayer, 1992), 2017 Kaspar Müller During a quiet period at home through the medium of one of the then performed another layer of Jeremy Shaw Shaw’s practice is an in-depth ex- Upcoming Exhibitions: Collections: Born 1983 in Schaffhausen, earlier this year, Kaspar Müller’s most banal household staples. intervention by adding his own floral Born 1977 in North Vancouver, ploration of the conditions of media- 2020: Phase Shifting Index, Swiss Museum of Modern Art, New York, Switzerland.
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