Susan Sontag Papers, Circa 1907-2009 LSC.0612
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Affective Strategies in Novels of the Spanish
Dr Stuart Davis, Girton College, Cambridge Reading beyond Cognitive Meaning: Affective Strategies in Novels of the Spanish “Memory Boom” The twenty-first century “memory boom” in Spain has resulted in a plethora of writing and fictions in which the civil war and the early years of Franco’s dictatorship feature prominently. Studies of these works have addressed representations of memory and trauma, recognizing how the authors reanimate the past and narrate stories of conflict and loss to a readership, distanced from the historical events. This essay explores four texts, identifying the strategies that have shaped their circulation in the current affective economy. Analysis pays particular attention to text, but also explores the image as formative in the reading experience. Durante el "boom de la memoria" del siglo XXI en España se han publicado una gran cantidad de libros y ficciones que han utilizado como fondo narrativo la guerra civil o los primeros años de la dictadura franquista. Los análisis de estas obras han abordado sus representaciones de las memorias y el trauma, reconociendo la tarea de los autores en recrear el pasado y en narrar a los lectores, lejanos de los acontecimientos históricos, historias del conflicto y de las pérdidas personales. Este trabajo examina cuatro textos, identificando las estrategias que han influido su circulación en una economía afectiva actual. El análisis presta atención al texto, pero también explora como la imagen informa la lectura de estas historias. During the recent “memory boom” of writing concerning the Spanish civil war and Francoist dictatorship many books have been sold and critical ink spilt as we examine the nature of the representation of the period, the recovery of memory and the ongoing need to engage with the trauma and repression of recent Spanish historical events. -
Juan E. De Castro. Mario Vargas Llosa. Public Intellectual in Neoliberal Latin America
Juan E. De Castro. Mario Vargas Llosa. Public Intellectual in Neoliberal Latin America. Tucson: University of Arizona Press, 2011. Print. 179 Pp. ──────────────────────────────── CARLOS AGUIRRE UNIVERSITY OF OREGON Mario Vargas Llosa, one of Latin America’s most important writers and intellectuals and the recipient of, among numerous other awards, the 2010 Nobel Prize in literature, is not only the author of an admirable corpus of novels, theater plays, and essays on literary criticism, but also somebody that has been at the center on countless political and literary controversies ever since he came into the literary and political spotlight in 1962 when he won the Biblioteca Breve award for his novel Time of the Hero at the age of twenty-six: the novel was received with great hostility in his home country, Peru, where prominent members of the military accused him of being a Communist and a traitor; in 1967, when he won the Rómulo Gallegos prize for his novel The Green House, he engaged in a dispute (at that time private) with Cuban officials such as Haydeé Santamaría who allegedly wanted him to make a fake donation of the cash prize to Che Guevara’s guerrilla movements; in 1971, he publicly and loudly denounced the Cuban government after the imprisonment and public recounting of Heberto Padilla and other writers accused of counter-revolutionary activities; in 1974, he criticized the confiscation of media in Peru by a military regime that he had hitherto supported and became the subject of a fierce polemic in his country; in 1976, he was -
Hilary Mantel Papers
http://oac.cdlib.org/findaid/ark:/13030/c8gm8d1h No online items Hilary Mantel Papers Finding aid prepared by Natalie Russell, October 12, 2007 and Gayle Richardson, January 10, 2018. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © October 2007 The Huntington Library. All rights reserved. Hilary Mantel Papers mssMN 1-3264 1 Overview of the Collection Title: Hilary Mantel Papers Dates (inclusive): 1980-2016 Collection Number: mssMN 1-3264 Creator: Mantel, Hilary, 1952-. Extent: 11,305 pieces; 132 boxes. Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org Abstract: The collection is comprised primarily of the manuscripts and correspondence of British novelist Hilary Mantel (1952-). Manuscripts include short stories, lectures, interviews, scripts, radio plays, articles and reviews, as well as various drafts and notes for Mantel's novels; also included: photographs, audio materials and ephemera. Language: English. Access Hilary Mantel’s diaries are sealed for her lifetime. The collection is open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Publication Rights The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities. The responsibility for identifying the copyright holder, if there is one, and obtaining necessary permissions rests with the researcher. -
2021 Creative Writing Exam Reading Lists
2021 Creative Writing Exam Reading Lists Fiction Kate Bernheimer, “Fairy Tale is Form, Form is Fairy Tale,” from The Writer’s Notebook: Craft Essays from Tin House Eudora Welty, The Eye of the Story Susan Sontag, “On Style” from Against Interpretation Donald Barthleme, “Not-Knowing” from Not Knowing: The Essays and Interviews of Donald Barthelme John C. Gardner, The Art of Fiction George Plimpton and Margaret Atwood, Women Writers at Work: The Paris Review Interviews, 3rd edition Francine Prose, Reading Like A Writer Jane Smiley, 13 Ways of Looking at the Novel James Baldwin, “The Art of Fiction Interview. No 78” In Paris Review Samuel Delany, About Writing Raymond Carver, ed. American Short Story Masterpieces Anthony Doerr and Heidi Pitlor, Best American Short Stories 2019 Laura Furman, The O. Henry PriZe Stories 100th Anniversary Edition (2019) Ben Marcus, ed. New American Stories Nonfiction/Memoir Adrienne Rich, “When We Dead Awaken”, in On Lies, Secrets, and Silence Jhumpa Laniri, In Other Words Claudia Rankine, CitiZen bell hooks, Remembered Rapture David Foster Wallace, “Consider the Lobster” Charles Johnson, “I Call Myself an Artist” in I Call Myself an Artist, edited by Rudolph P. Byrd Margot Singer and Nicole Walker, eds. Bending Genre “The Invention of Autobiography,” in Patricia Hampl, I Could Tell You Stories Karen Tei Yamashita, Letters to Memory Ta-Nehisi Coates, Between The World and Me Roland Barthes, RB RB Michael Downs, “Me, Myself, I: Idiosyncrasy and Structure in Nonfiction” in Triquarterly Jesmyn Ward, Men We Reaped Ander Monson, “The Designed Essay: Design as Essay” Jonathan Lethem, “The Ecstasy of Influence” Philip Lopate, editor, The Art of the Personal Essay John D’Agata, ed. -
Reading Groups Collection Multiple-Copy Titles Available for Loan Master List Revised May 2019
Reading Groups Collection Multiple-Copy Titles Available for Loan Master list revised May 2019 Susan ABULHAWA - Mornings in Jenin (2011, 352 pages) Palestine, 1948. A mother clutches her six-month-old son as Israeli soldiers march through the village of Ein Hod. In a split second, her son is snatched from her arms and the fate of the Abulheja family is changed forever. Forced into a refugee camp in Jenin , the family struggles to rebuild their world. Their stories unfold through the eyes of the youngest sibling, Amal, the daughter born in the camp who will eventually find herself alone in the United States; the eldest son who loses everything in the struggle for freedom; the stolen son who grows up as an Israeli, becoming an enemy soldier to his own brother. Mornings in Jenin is a novel of love and loss, war and oppression, and heartbreak and hope, spanning five countries and four generations of one of the most intractable conflicts of our lifetime. Ayobami ADEBAYO - Stay with me (2017, 298 pages) Yejide is hoping for a miracle, for a child. It is all her husband wants, all her mother-in-law wants, and she has tried everything - arduous pilgrimages, medical consultations, dances with prophets, appeals to God. But when her in- laws insist upon a new wife, it is too much for Yejide to bear. It will lead to jealousy, betrayal and despair. Unravelling against the social and political turbulence of '80s Nigeria, Stay with Me sings with the voices, colours, joys and fears of its surroundings. Ayobami Adebayo weaves a devastating story of the fragility of married love, the undoing of family, the wretchedness of grief and the all-consuming bonds of motherhood. -
THE REST I MAKE up a Film by Michelle Memran
Documentary Feature US, 2018, 79 minutes, Color, English www.wmm.com THE REST I MAKE UP A film by Michelle Memran The visionary Cuban-American dramatist and educator Maria Irene Fornes spent her career constructing astonishing worlds onstage and teaching countless students how to connect with their imaginations. When she gradually stops writing due to dementia, an unexpected friendship with filmmaker Michelle Memran reignites her spontaneous creative spirit and triggers a decade-long collaboration that picks up where the pen left off. The duo travels from New York to Havana, Miami to Seattle, exploring the playwright's remembered past and their shared present. Theater luminaries such as Edward Albee, Ellen Stewart, Lanford Wilson, and others weigh in on Fornes’s important contributions. What began as an accidental collaboration becomes a story of love, creativity, and connection that persists even in the face of forgetting. WINNER! Audience Award, Best Documentary: Frameline Film Festival 2018 WINNER! Jury Award for Best Documentary, Reeling: Chicago LGBTQ+ Int’l Film Festival WINNER! AARP Silver Image Award, Reeling: Chicago LGBTQ+ Int’l Film Festival WINNER! Jury Award for Best Documentary, OUTshine Film Festival Special Mention, Queer Porto 4 - International Queer Film Festival One of the “Best Movies of 2018” Richard Brody, THE NEW YORKER "A lyrical and lovingly made documentary." THE NEW YORK TIMES "Intimate and exhilarating...Fornes exerts a hypnotic force of stardom, while her offhanded yet urgent remarks resound with life-tested literary authority. " THE NEW YORKER "A story of spontaneity, creativity, genius and madness. It showcases the life, inspiration and virtuosity of Fornes." MIAMI HERALD "A tender exploration of Fornes’ life and the meaning of memory." CONDÉ NAST’S THEM "Fabulous. -
Photography &Am
Notes on Photography & Accident by Moyra Davey For a long time I’ve had a document on my desktop called “Photography & Accident.” It contains passages from Walter Benjamin’s “Short History of Photography,” Susan Sontag’s On Photography, and Janet Malcolm’s Diana & Nikon. All of the quotes hover around the idea that accident is the lifeblood of photography. Walter Benjamin: “The viewer [of the photograph] feels an irresistible compulsion to seek the tiny spark of accident, the here and now.” Susan Sontag: “Most photographers have always had an almost superstitious confidence in the lucky accident.” Janet Malcolm: “All the canonical works of photography retain some trace of the medium’s underlying, life-giving, accident-proneness.” Add to these exceptional writers on photography Roland Barthes and his notion of the punctum: that “cast of the dice . that accident which pricks” (Camera Lucida). Benjamin’s masterpiece is from 1931, Sontag and Malcolm were publishing their superlative prose in the mid-’70s in the New York Review of Books and the New Yorker respectively, Barthes’ Camera Lucida appeared in 1980. I have long been drawn to these writers, and I am fascinated by the ways their thinking overlaps. Some instances are well known, as in the homage paid by Sontag to Benjamin and Barthes, but other connections are more buried: Sontag’s references to the photograph as “memento mori” and “inventory of mortality” before Camera Lucida; Sontag and Malcolm circling around the same material in the ’70s (accident, surrealism, the vitality of the -
Title of Book/Magazine/Newspaper Author/Issue Datepublisher Information Her Info
TiTle of Book/Magazine/newspaper auThor/issue DaTepuBlisher inforMaTion her info. faciliT Decision DaTe censoreD appealeD uphelD/DenieD appeal DaTe fY # American Curves Winter 2012 magazine LCF censored September 27, 2012 Rifts Game Master Guide Kevin Siembieda book LCF censored June 16, 2014 …and the Truth Shall Set You Free David Icke David Icke book LCF censored October 5, 2018 10 magazine angel's pleasure fluid issue magazine TCF censored May 15, 2017 100 No-Equipment Workout Neila Rey book LCF censored February 19,2016 100 No-Equipment Workouts Neila Rey book LCF censored February 19,2016 100 of the Most Beautiful Women in Painting Ed Rebo book HCF censored February 18, 2011 100 Things You Will Never Find Daniel Smith Quercus book LCF censored October 19, 2018 100 Things You're Not Supposed To Know Russ Kick Hampton Roads book HCF censored June 15, 2018 100 Ways to Win a Ten-Spot Comics Buyers Guide book HCF censored May 30, 2014 1000 Tattoos Carlton Book book EDCF censored March 18, 2015 yes yes 4/7/2015 FY 15-106 1000 Tattoos Ed Henk Schiffmacher book LCF censored December 3, 2007 101 Contradictions in the Bible book HCF censored October 9, 2017 101 Cult Movies Steven Jay Schneider book EDCF censored September 17, 2014 101 Spy Gadgets for the Evil Genius Brad Graham & Kathy McGowan book HCF censored August 31, 2011 yes yes 9/27/2011 FY 12-009 110 Years of Broadway Shows, Stories & Stars: At this Theater Viagas & Botto Applause Theater & Cinema Books book LCF censored November 30, 2018 113 Minutes James Patterson Hachette books book -
Frankfurt Book Fair 2016
AITKEN ALEXANDER ASSOCIATES Frankfurt Book Fair 2016 1 For further information on all clients and titles in this catalogue, please contact: LISA BAKER France, Germany, Holland, Italy, and Scandinavia. Email: [email protected] NISHTA HURRY Bulgaria, Croatia, Czech Republic, Estonia, Hungary, Israel, Latvia, Lithuania, Poland, Romania, Slovenia, Serbia, Slovakia, Turkey and all Indian territories. Email: [email protected] ANNA WATKINS Brazil, China, Greece, Japan, Korea, Portugal, Russia, Spain and all Asian territories and all Arabic territories. Email: [email protected] Literary Agents Centre Tables 17A, 18A, 17B, 18B Film and Television Rights For information please contact: Lesley Thorne for dramatic rights [email protected] Leah Middleton for factual/documentary and stage rights [email protected] Aitken Alexander Associates Ltd. 291 Gray’s Inn Road London WC1X 8QJ Telephone (020) 7373 8672 www.aitkenalexander.co.uk @AitkenAlexander 2 Contents Page Fiction: A Line Made by Walking by Sara Baume…………………………………6 Harmless Like You by Rowan Hisayo Buchanan…………………...…….7 Addlands by Tom Bullough……………………………………………...8 The Earlie King and the Kid in Yellow by Danny Denton…………………...9 The Companion by Sarah Dunnakey……………………………………...10 In the Name of the Family by Sarah Dunant………………………………11 Bridget Jones’s Baby: The Diaries by Helen Fielding………………………..12 Monsoon Summer by Julia Gregson……………………………………….13 The Pier Falls and Other Stories by Mark Haddon…………………….…....14 Celine by Peter Heller…………………………………………………....15 -
Under the Sign of Saturn Susan Sontag
Under the Sign of Saturn Under the Sign of Saturn Susan Sontag VINTAGE BOOKS A DIVISION OF RANDOM HOUSE NEW YORK First Vintage Books Edition, October 1981 Copyright© 1972, 1973,1975, 1976, 1978, 1980 by Susan Sonla� All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Random House, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto. Originally published by Farrar, Straus & Giroux, New York, in 1980, and simultaneously in Canada by McGraw-1/ill, Ryerson Ltd., Toronto. The New York Review of Books first published, in a somewhat different or abridged form, "On Paul Gooaman" in Vol. XIX, No. 4 (Sept. 21, 1972); "Fascinating Fascism" in Vol. XXIJ, No.I (Feb. 6,1975); "Under the Sign of Saturn" in Vol. XXV, No.15 (0ct.l2,1978); "Syberberg's llitler" in Vol. XXVll, No. 2 (Feb. 21,1980); "Remembering Barthes'' in Vol. XXVIJ, No. 8 (May15, 1980); and "Mind as Passion" in Vol. XXVIJ, No.14 (Sept. 25,1980). "Approaching Artaud," written to introduce the Selected Writings of Antonin Artaud (Farrar, Straus and Giroux,1976) which 1 edited, first appeared in The New Yorker, May 19,1973. I am grateful, as always, to Robert Silves for encouragement and advice; and to Sharon DeLano for generous help in getting several of the essays into final form. s.s. Library of Congress Cataloging in Publication Data Sontag, Susan, 1933- Under the sign of Saturn. Reprint. Originally published: New York: Farrar, Straus & Giroux,J980. Contents: On Paul Goodman-Approaching Artaud -Fascinating Fascism-(etc.} 1. -
Scarica Articolo in Formato
Per amore del mondo 3 (2005) ISSN 2384-8944 http://www.diotimafilosofe.it Mariella Baldo Re-reading Susan Sontag Susan Sontag died in late December 2004, and with her we lost a woman able to write in a most vivid, compassionate and intelligent way about difficult subjects: war, art, poverty, freedom, the meaning of history, and human suffering. The actual topics of her essays concerned photography, literary criticism, diseases, radicalism; her two romances were set in the past, a love story in Naples circa 1770, and the epic of a Polish actress making it to America a century later. Underneath across the whole range of publications and political activism, it was easy to recognize her defiant look, self-assured reasoning, well-argued moral stand, and her courage to be an isolated voice; less evident was her deep emotional involvement with people far away from the comforts of intellectual New York both in space and time: victims of American wars, friends turned frail because of illness, sharecroppers in Depression America, persecuted writers, the poor everywhere. Yet, it was this compassion her ultimate strength, and the capacity to let compassion nurture the analysis her major achievement. Her famous comment on the 9/11/01 attack against New York and Washington, published shortly after in the New Yorker, infuriated most Americans - although it may appear less radical to Europeans – but was vindicated by later developments: “Where is the acknowledgment that this was not a 'cowardly' attack on 'civilization' or 'liberty' or 'humanity' or -
Notes on Photography & Accident by Moyra Davey for a Long Time I've
Notes on Photography & Accident by Moyra Davey For a long time I’ve had a document on my desktop called “Photography & Accident.” It contains passages from Walter Benjamin’s “Short History of Photography,” Susan Sontag’s On Photography, and Janet Malcolm’s Diana & Nikon. All of the quotes hover around the idea that accident is the lifeblood of photography. Walter Benjamin: “The viewer [of the photograph] feels an irresistible compulsion to seek the tiny spark of accident, the here and now.” Susan Sontag: “Most photographers have always had an almost superstitious confidence in the lucky accident.” Janet Malcolm: “All the canonical works of photography retain some trace of the medium’s underlying, life-giving, accident-proneness.” Add to these exceptional writers on photography Roland Barthes and his notion of the punctum: that “cast of the dice . that accident which pricks” (Camera Lucida). Benjamin’s masterpiece is from 1931, Sontag and Malcolm were publishing their superlative prose in the mid-’70s in the New York Review of Books and the New Yorker respectively, Barthes’ Camera Lucida appeared in 1980. I have long been drawn to these writers, and I am fascinated by the ways their thinking overlaps. Some instances are well known, as in the homage paid by Sontag to Benjamin and Barthes, but other connections are more buried: Sontag’s references to the photograph as “memento mori” and “inventory of mortality” before Camera Lucida; Sontag and Malcolm circling around the same material in the ’70s (accident, surrealism, the vitality of the