Jazzlondonlive Oct 2018
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Piano Recital Prize and Arnold Schoenberg
1 Welcome to Summer 2015 at the RNCM As Summer 2015 approaches, the RNCM Our orchestral concerts are some of our most prepares for one of its most monumental concerts colourful ones, and more fairytales come to life to date. This is an historic moment for the College with Kodaly’s Hary Janos and Bartók’s Miraculous and I am honoured and thrilled to be welcoming Mandarin as well as with an RNCM Family Day, Krzysztof Penderecki to conduct the UK première where we join forces with MMU’s Manchester of his magnificent Seven Gates of Jerusalem Children’s Book Festival to bring together a feast at The Bridgewater Hall in June. This will be of music and stories for all ages with puppetry, the apex of our celebration of Polish music, story-telling, live music and more. RNCM Youth very kindly supported by the Adam Mickiewicz Perform is back on stage with Bernstein’s award- Institute, as part of the Polska Music programme. winning musical On the Town, and our Day of Song brings the world of Cabaret to life. In a merging of soundworlds, we create an ever-changing kaleidoscope of performances, We present music from around the world with presenting one of our broadest programmes to Taiko Meantime Drumming, Taraf de Haïdouks, date. Starting with saxophone legend David Tango Siempre, fado singer Gisela João and Sanborn, and entering the world of progressive singer songwriters Eddi Reader, Thea Gilmore, fusion with Polar Bear, the jazz programme at Benjamin Clementine, Raghu Dixit, Emily Portman the RNCM collaborates once more with Serious and Mariana Sadovska (aka ‘The Ukranian as well as with the Manchester Jazz Festival to Bjork’). -
Printmakers Presspack
THE PRINTMAKERS “In the old days, this band would have had the words “All-Stars” in their name. Every one of them is a leading figure in British contemporary jazz. Together, they create 10 evocative sound-pictures of places and times. It’s remarkable how just five instruments and voice can suggest space and depth as they do.” Dave Gelly, The Observer The word supergroup is common currency, especially in the rock world. Jazz, of course, has its fair share of supergroups too. Sometimes, one supergroup comes along that really is very special indeed. The Printmakers is such a group. The group formed at the instigation of Steve Mead at The Manchester Jazz Festival several years ago and since then has gone from strength to strength. Award winning Nikki Iles is one of the heroines of British jazz. She has made an invaluable contribution to the jazz scene in this country and beyond, while also making a very personal musical statement in many groups, not least her own superb Anglo-American trio with Rufus Reid and Jeff Williams. Grammy nominated and ECM recording artist Norma Winstone MBE, pioneering innovator of the voice, has been a leading light in European music for many years. She collaborated with Kenny Wheeler and John Taylor in Azimuth, described by Richard Williams as “one of the most imaginatively conceived and delicately balanced of all contemporary chamber jazz groups“. She has also worked with Fred Hersch, Steve Swallow, Jimmy Rowles, Mike Gibbs and Ralph Towner. She has had a resurgence recently, with three superb award winning ECM releases in collaboration with European musicians, Klaus Gesing and Glauco Venier. -
John Taylor Decipher
John Taylor Decipher MPS Records (LC00979) Vertrieb: Edel:Kultur (GER) Vinyl EAN: 4029759124252 Vinyl Kat.-Nr.: 0212425MSW Vinyl VÖ: 10. November 2017 CD EAN: 4029759124269 CD Kat.-Nr.: 0212426MSW CD VÖ: 10. November 2017 www.mps-music.de Info und Artwork: http://www.herzogpromotion.com Stichwörter: MPS Records, John Taylor (p), Chris Laurence (b), Tony Levin (dr), 1973, audiophile 180g vinyl, CD, Download „Einer der größten Bühnenmusiker im Jazz der Gegenwart”, urteilt die renommierte britische Tageszeitung The Guardian über den englischen Pianisten John Taylor. Als Hauspianist des legendären Jazzclubs Ronny Scott’s begleitete Taylor viele Jazzgrößen. Dabei bekam sein ganz eigener Stil einen Feinschliff, durch den er zu einer der wichtigsten Stimmen im europäischen Jazz avancierte. Die Auftritte und Einspielungen seiner eigenen Bands, seine über lange Dauer bestehende Verbindung zum Trompeter Kenny Wheeler, seine vielen Trio- Aufnahmen für ECM mit Peter Erskine und Palle Danielsson sowie Gruppen, die von Jan Garbarek oder John Surman geleitet wurden – all das hat Taylors Rang gefestigt. „Decipher”, Taylors Album für MPS aus dem Jahre 1973 featuret zwei Spitzeninterpreten: Perfekt ergänzen Bassist Chris Laurence und Drummer Tony Levin das breit gefächerte Spiel Taylors auf einem Album, das dem Hörer einen genussvollen Einblick in seine Kompositionen ermöglichen. Die virtuosen Läufe von „Cipher” münden in die abwechslungsreichen Tempi und Gefühlswelten von „Wait For Me”, während „Leaping” ein abstrakter Austausch des Trios mit pointillistischen Zügen ist. Der gefühlvolle Jazzwalzer „Speak To Me” entpuppt sich allmählich als magisches Kunststück, und „Song For a Child” trägt die Stimmung einer sanft ausgesungenen Ballade. „White Magic” schließlich dient mit der heilenden Kraft des Swing als regelrechtes Elixir. -
13 November 2009 Page 1 of 41
Radio 3 Listings for 7 – 13 November 2009 Page 1 of 41 SATURDAY 07 NOVEMBER 2009 4.42am Gombert, Nicolas (c.1495-c.1560): Benedicto mensae SAT 01:00 Through the Night (b00nkyd1) BBC Singers Including: Bo Holten (conductor) 1.00am 4.52am Sweelinck, Jan Pieterszoon (1562-1621): Christe qui lux es et Bizet, Georges (1838-1875): Andante molto (3rd mvt from the dies Symphonic Suite Roma) 1.05am Slovak Radio Symphony Orchestra, Bratislava Sweelinck: Echo Fantasia in D minor Oliver Dohnanyi (conductor) 1.10am Bull, John (c.1562-1628): Salvator mundi 5.01am 1.14am Massenet, Jules (1842-1912): Meditation (Thais) Sweelinck: Toccata in D minor Marie Berard (violin) 1.17am Canadian Opera Company Orchestra Scheidemann, Heinrich (c.1596-1663): Ballet in D minor Richard Bradshaw (conductor) (Klavierboek van Anna Maria van Eyl - 1671) 1.19am 5.07am Reinken, Johan Adamszoon (1643(?)-1722): Hollandische Caldara, Antonio (1670-1736): Pietro and Maddalena's duet: Vi Nachtigahl sento, o Dio; Chorus Di quel sangue (La Passione di Gesu 1.23am Christo - 1730) Reincken, Johann Adam (1643?-1722): Toccata in G minor Maddalena ...... Ann Monoyios (soprano) 1.29am Pietro ...... Michael Chance (countertenor) Reincken: Fuga in G minor Hugo Distler Chor 1.35am La Stagione Frankfurt Schildt, Melchior ? (1593-1667): Ach Gott, vom Himmel sieh' Michael Schneider (conductor) darein (choral fantasy) Pieter Dirksen (organ of Grote of St-Jan Baptistkerk in Wijk Bij 5.20am Duurstede, Netherlands - built by Albert Kiespenning c. 1615) Rameau, Jean-Philippe (1683-1764): L'entretien -
Varsity Jazz
Varsity Jazz Jazz at Reading University 1951 - 1984 By Trevor Bannister 1 VARSITY JAZZ Jazz at Reading University 1951 represented an important year for Reading University and for Reading’s local jazz scene. The appearance of Humphrey Lyttelton’s Band at the University Rag Ball, held at the Town Hall on 28th February, marked the first time a true product of the Revivalist jazz movement had played in the town. That it should be the Lyttelton band, Britain’s pre-eminent group of the time, led by the ex-Etonian and Grenadier Guardsman, Humphrey Lyttelton, made the event doubly important. Barely three days later, on 3rd March, the University Rag Committee presented a second event at the Town Hall. The Jazz Jamboree featured the Magnolia Jazz Band led by another trumpeter fast making a name for himself, the colourful Mick Mulligan. It would be the first of his many visits to Reading. Denny Dyson provided the vocals and the Yew Tree Jazz Band were on hand for interval support. There is no further mention of jazz activity at the university in the pages of the Reading Standard until 1956, when the clarinettist Sid Phillips led his acclaimed touring and broadcasting band on stage at the Town Hall for the Rag Ball on 25th February, supported by Len Lacy and His Sweet Band. Considering the intense animosity between the respective followers of traditional and modern jazz, which sometimes reached venomous extremes, the Rag Committee took a brave decision in 1958 to book exponents of the opposing schools. The Rag Ball at the Olympia Ballroom on 20th February, saw Ken Colyer’s Jazz Band, which followed the zealous path of its leader in keeping rigidly to the disciplines of New Orleans jazz, sharing the stage with the much cooler and sophisticated sounds of a quartet led by Tommy Whittle, a tenor saxophonist noted for his work with the Ted Heath Orchestra. -
Reggie Workman Working Man
APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne -
I Wasn't on Some Campaign to Change the World, I Was a Drummer in A
Contents Masthead The Off 07 Loic maurin Apesanteur [ZERO GRAVITY] 17 The Sum Of The Parts John Maher 28 Dropping Names Don Lombardi 35 Maximum Break Richard Colburn 44 Retirement Bill Bruford 49 Out On A Limb CONTENTS A conversation with Eddie Prevost Issue One, December 2012 57 Rhythm As A Medium Ben Martin 62 Tatsuya Amano クロスフェイス [CROSSFAITH] Subscriptions/Newsletter Editor: Tom Hoare [email protected] Art Director: Luke Douglas [email protected] Web Editor: Andrew Jones Contributors: Ben Martin, Iain Bellamy, Kate Darracott, Flora Hodson, Elspeth Leadbetter, John Maher, Julia Kaye, Jim Bevington Thanks: Tim Wilson, Rew Kubayashi, Ryan Richards, BGM Rhythms, John Williamson, James Walker, Greg & Julia, Alex Sayles, Crystalline Connolley, Papillon Zamprioli, Needham Avenue, Glen Thomson Contact: Editorial: [email protected] Advertising: [email protected] Cover: A preoccupation with time. Reading note: We’ve made this magazine to be readable online, without the need to zoom and MASTHEAD scroll. It looks best when viewed in full screen. Issue One, December 2012 www Copyright © The Drummer’s Journal 2012 The proprietors and contributors to The Drummer’s Journal have asserted their right under the Copyright Designs and Patens Act 1988 to be identified as the owners and authors of this work. THE OFF www welve months ago, the brief conversation which sowed the seeds for The Drummer’s Journal occurred. It was between a good friend and myself. Having dredged out an assorted collection of drum magazines from under my bed, he selected a copy and Tread it cover to cover. He then picked up another and did the same. -
“Cannonball” Adderley
Journal of Jazz Studies vol. 9, no. 1, pp. 101-106 (Summer 2013) Portrait of Cannonball: Cary Ginell's Walk Tall Dustin Mallory Walk Tall: The Music and Life of Julian “Cannonball” Adderley. By Cary Ginell. Milwaukee: Hal Leonard Books, 2013. 190 pp. $18.99. Very few jazz musicians can say that their band had a Top 20 single and a Top 20 album. Within that elite group of artists, only two men can state in the same breath that they also performed on jazz’s best-selling album of all time, Kind of Blue. One is Miles Davis and the other is Julian “Cannonball” Adderley. Cannonball’s success in album sales is just one measure of his achievements, albeit a tangible one. However, a casual stroll through the practice rooms of any jazz school in the country or jazz club in a city will aurally reveal the sheer volume of musicians that practice, perform, and revere the vocabulary that poured from Cannonball’s saxophone. Yet, despite the respect that Cannonball has been accorded over the years, both measureable and immeasurable, there is relatively little in the way of published biographical information. With the exception of the occasional feature in a periodical, an entry in The Encyclopedia of Jazz, a handful of scholarly works, and a few publications geared toward theory or discography,1 Mr. Adderley’s biography has gone largely unwritten. Furthermore, it can be said definitively that there is nothing in the marketplace that even closely resembles a comprehensive biography. Cary Ginell’s Walk Tall is one of the first publications that sets theory, analysis, and discography on the back burner in favor of history/biography. -
Flamenco Sketches”
Fyffe, Jamie Robert (2017) Kind of Blue and the Signifyin(g) Voice of Miles Davis. PhD thesis. http://theses.gla.ac.uk/8066/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten:Theses http://theses.gla.ac.uk/ [email protected] Kind of Blue and the Signifyin(g) Voice of Miles Davis Jamie Robert Fyffe Submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy School of Culture and Creative Arts College of Arts University of Glasgow October 2016 Abstract Kind of Blue remains one of the most influential and successful jazz albums ever recorded, yet we know surprisingly few details concerning how it was written and the creative roles played by its participants. Previous studies in the literature emphasise modal and blues content within the album, overlooking the creative principle that underpins Kind of Blue – repetition and variation. Davis composed his album by Signifyin(g), transforming and recombining musical items of interest adopted from recent recordings of the period. This thesis employs an interdisciplinary framework that combines note-based observations with intertextual theory. -
LONDON METROPOLITAN ARCHIVES BARBICAN CLA/072 Page
LONDON METROPOLITAN ARCHIVES Page 1 BARBICAN CLA/072 Reference Description Dates PRINTED REPORTS CLA/072/01/001 Scheme submitted by the New Barbican 2.12.1954 Committee for the Area North of Route 11. 1 pamphlet Former reference: A5/E COL/PLD/TP/05/008 CLA/072/01/002 Scheme submitted by the New Barbican 26.9.1955 Committee for the Area North of Route 11. 1 pamphlet Former reference: A13/J COL/PLD/TP/05/008 CLA/072/01/003 Confidential Report to the Town Clerk on Jun-55 proposed City Housing. 1 pamphlet Former reference: C90/A COL/PLD/TP/05/008 CLA/072/01/004 Speech made by Mr. Eric F. Wilkins in CoCo 17.11.1955 3rd Nov 1955, Mr. John Batty's Speech and a memorandum of the Town Clerk. Consideration of the Schemes for the development of the Barbican Area. 1 pamphlet Former reference: A7/C COL/PLD/TP/05/008 CLA/072/01/005 Report on residential development within the 31.5.1956 Barbican Area prepared on the instructions of the Special Committee by Chamberl in Powell and Bon Architects. 1 pamphlet Former reference: A89/H COL/PLD/TP/05/008 CLA/072/01/006 Supplementary Report addressed to the Oct. 1956 Conference of Deputations of the Improvements and Town Planning, Public HeaLTH, City of London Schools, Music and Special Committees. 1 pamphlet Former reference: A105/k COL/PLD/TP/05/008 CLA/072/01/007 Barbican Area, Martin - Mealand Scheme 2.4.1957 1 pamphlet Former reference: C90/K COL/PLD/TP/05/008 LONDON METROPOLITAN ARCHIVES Page 2 BARBICAN CLA/072 Reference Description Dates CLA/072/01/008 Redevelopment of the Barbican Area: 12.12.1957 engagement of Architects and other Consultants. -
Colleges, Departments and Language Schools
Displayed at over 500 points from the station to Headington and Folly Bridge to Summertown - all colleges, departments and language schools. EXHIBITIONS Queries 553377 (Mon-Fri 9-5)/423403 SERVICES OFFERED GIGS + NIGHTLIFE MEETINGS Adverts 554444 or via our website: VANOLOGY REMOVAL SERVICE. Reasonable rates. Sat 6th October Sat 6th October TRANSPOSITIONS:THE SOUND OF RECYCLING http://www.dailyinfo.co.uk Local and long distance. Reliable. Phone / fax John SHIKASTA / Psychedelic and Progressive Trance, £3 / / Musical Instruments made from Bicycle-spokes, Oxford’s Snail mail: 10 Kingston Road, Oxford OX2 6EF TREASURES OF THE ASHMOLEAN MUSEUM / 01865-243609. [email protected] 7.30pm-12.00 / Wheatsheaf, 129, High St Umbrella ribs etc / Ashmolean Museum, Beaumont Email: [email protected] Guided tour of selected objects. Meet at friends’ desk. BIG OR SMALL WE SHIP IT ALL, also 24-hour photo- Street. Opening times : Tues-Sat 10am-5pm, Sun Fax 559298 ZABADOO / Latin jazz / 11pm-2am / Freud’s, Walton £1.50. Booking: 278015 (9am-1pm) / 11am-12noon / copying, private mailing addresses (24 hour access 2pm-5pm (12pm-5pm June, July & August); Tel: 278000, Words@30p (min 10), display@£8/cm (min 3), Street; Tel: 311171, Fax: 311171 Ashmolean Museum, Beaumont Street. Opening times WEEKEND and forwarding worldwide), binding, fax bureau and Fax: 278018 all + VAT SKELETON CREW / Folk / early music at Through the : Tues-Sat 10am-5pm, Sun 2pm-5pm (12pm-5pm June, much more. Mail Boxes Etc. Summertown 01865 STONED AND SORTED / Fascinating results from 20 Looking Glass Fair. / 11am - 1pm / Wesley Memorial July & August); Tel: 278000, Fax: 278018 INFORMATION 514655, Headington 01865 741729 drawers / Pitt Rivers Museum, Parks Road. -
Walk Tall: the Music and Life of Julian Cannonball Adderley Free
FREE WALK TALL: THE MUSIC AND LIFE OF JULIAN CANNONBALL ADDERLEY PDF Cary Ginell | 192 pages | 15 Mar 2013 | Hal Leonard Corporation | 9781458419798 | English | Milwaukee, United States Walk Tall:The Music & Life Of Julian “Cannonball” Adderley by Cary Ginell - JazzTimes Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — Walk Tall by Cary Ginell. Cannonball Adderley introduces his recording of "Walk Tall," by saying, "There are times when things don't lay the way they're supposed to lay. Walk Tall: The Music and Life of Julian Cannonball Adderley regardless, you're supposed to hold your head up high and walk tall. His career began in with a Cinderella-like cameo in a New York nightclub, resulting in the jazz world's looking to him as "the New Walk Tall: The Music and Life of Julian Cannonball Adderley the successor to the late Charlie Parker. But Adderley refused to be typecast. His work with Miles Davis on the landmark Kind of Blue album helped further Walk Tall: The Music and Life of Julian Cannonball Adderley reputation as a unique stylist, but Adderley's greatest fame came with his own quintet's breakthrough engagement at San Francisco's Jazz Workshop inwhich launched the popularization of soul jazz in the s. With his loyal brother Nat by his side, along with stellar sidemen, such as keyboardist Joe Zawinul, Adderley used an engaging, erudite personality as only Duke Ellington had done before him.