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April 2020 • Issue 2 PROSPERO
The newspaper for retired BBC Pension Scheme members • April 2020 • Issue 2 PROSPERO REMEMBERING A GOLDEN AGE OF FILM PAGE 8 PENSION SCHEME | BBC PENSIONS PAUL BOHAN AT 100: ‘A REMARKABLE MAN’ Former BBC broadcast engineer Paul Bohan recently celebrated his 100th birthday, and BBC Volunteer Visitor Arthur Masson caught up with him to talk about the interesting times – and places – he’s seen in his long life. aul was born in Bishop Auckland, County He arrived at Stoney Cross and joined a unit servicing Durham, on 24 November 1919. aircraft, for approximately a year. He was then transferred to RAF Marham, and then to RAF PHe was educated at a council school in Byers Mildenhall. Eventually, with his service completed, Green village, where he obtained the first of many he was released in March 1947. (It is perhaps worth ‘accomplishments’, his 11-plus certificate! He was then posted to Meldrum and completed noting that, as he had passed the Commission 12 years as a TV engineer. He left school at 16 and joined the RAF, completing an examinations, if he had remained in service he would 18-month course at Cranwell as a wireless operator, then, have been a Commissioned Officer.) He was offered early retirement, which he accepted after successfully qualifying, went to RAF Thornaby. at the ‘ripe old age’ of 58 and joined Aberdeen After leaving the RAF he joined BOAC, which was the University Language Laboratory as their recording After one year, he went back to Cranwell for another state airline, and was posted to Sudan (Wadi-Halfa). -
Managing the BBC's Estate
Managing the BBC’s estate Report by the Comptroller and Auditor General presented to the BBC Trust Value for Money Committee, 3 December 2014 BRITISH BROADCASTING CORPORATION Managing the BBC’s estate Report by the Comptroller and Auditor General presented to the BBC Trust Value for Money Committee, 3 December 2014 Presented to Parliament by the Secretary of State for Culture, Media & Sport by Command of Her Majesty January 2015 © BBC 2015 The text of this document may be reproduced free of charge in any format or medium providing that it is reproduced accurately and not in a misleading context. The material must be acknowledged as BBC copyright and the document title specified. Where third party material has been identified, permission from the respective copyright holder must be sought. BBC Trust response to the National Audit Office value for money study: Managing the BBC’s estate This year the Executive has developed a BBC Trust response new strategy which has been reviewed by As governing body of the BBC, the Trust is the Trust. In the short term, the Executive responsible for ensuring that the licence fee is focused on delivering the disposal of is spent efficiently and effectively. One of the Media Village in west London and associated ways we do this is by receiving and acting staff moves including plans to relocate staff upon value for money reports from the NAO. to surplus space in Birmingham, Salford, This report, which has focused on the BBC’s Bristol and Caversham. This disposal will management of its estate, has found that the reduce vacant space to just 2.6 per cent and BBC has made good progress in rationalising significantly reduce costs. -
Breathtaking Stories of Extreme Filming. Read the Full Story on Page 6
The newspaper for BBC pensioners - with highlights from Ariel Heights, Camera, Action Breathtaking stories of extreme filming. Read the full story on page 6. June 2011 • Issue 4 Yes, Prime Lord Patten Minister back takes the helm Sounds better? on stage Page 2 Page 7 Page 12 NEWS • LifE aftEr auNtiE • CLaSSifiEdS • Your LEttErS • obituariES • CroSPEro 02 uPdatE froM thE bbC Patten takes helm at BBC Trust On 3 May, Lord Patten began his appointment as chairman of the BBC Trust – with an interesting first day spent taking questions from staff in a ringmain session. Quality First) should be all about and I hope we’ll be able to discuss options with the Executive during the summer.’ 2011 pay offer It is also apparent that the new chairman is ready and willing to deal with the – an update repercussions of the less popular decisions to be taken, and those which will not always Further to requests by the unions for all be accepted gladly by the licence fee payer. staff in bands 2-11 to be awarded a pay ‘I hope we won’t be talking about closing increase which is ‘substantially above services but, whatever we are talking about inflation’, the BBC has offered a 2% doing, if the Trust and the Executive are increase – which falls far short of the agreed it is the best way of using the money Retail Prices Index (RPI) figures on which then we have to stand by the consequences. If it is intended to be based (5.2% as at that involves answering thousands of emails, April 2011). -
One Man's Personal Campaign to Save the Building – Page 8
The newspaper for BBC pensioners – with highlights from Ariel online Goodbye TVC One man’s personal campaign to save the building – page 8 April 2013 • Issue 2 bbC expenses regional dance band down television drama memories Page 2 Page 6 Page 7 NEWS • MEMoriES • ClaSSifiEdS • Your lEttErS • obituariES • CroSPEro 02 baCk at thE bbC Pollard Review findings On 22 February, acting director general Tim Davie sent the following email to all staff, in advance of the publication of the Nick Pollard. Pollard Review evidence: hen the Pollard Review was made clearer to ensure all entries meet BBC published back in December, Editorial standards. we said that we would The additional papers we’ve published Club gives tVC a great release all the evidence that today don’t add to Nick Pollard’s findings, send off WNick Pollard provided to us when he they explain the factual basis of how he (where a genuine and identifiable interest of delivered his report. Today we are publishing arrived at them. We’ve already accepted the BBC is at stake). Thank you to all the retired members and all the emails and documents that were the review in full and today’s publication There will inevitably be press interest and ex-staff who joined us for our ‘Goodbye to appended to the report together with the gives us no reason to revisit that decision as you would expect we’re offering support to TVC’ on 9 March. The day started with a transcripts of interviews given to the review. or the actions we are already taking. -
Tv Uk Freesat
Tv uk freesat loading Skip to content Freesat Logo TV Guide Menu. What is Freesat · Channels · Get Freesat · THE APP · WHAT'S ON · Help. Login / Register. My Freesat ID. With over channels - and 13 in high definition - it's not hard to find unbelievably good TV. With Freesat's smart TV Recorders you can watch BBC iPlayer, ITV Hub*, All 4, Demand 5 and YouTube on your TV. Tune into our stellar line-up of digital radio channels and get up to date Get Freesat · What's on · Sport. If you're getting a new TV, choose one with Freesat built in and you can connect directly to your satellite dish with no need for a separate box. You can now even. With a Freesat Smart TV Recorder you can enjoy the UK's favourite Catch Up services: BBC iPlayer, ITV Hub*, All 4 & Demand 5, plus videos on YouTube. Freesat TV Listings. What's on TV now and next. Full grid view can be viewed at Freesat is a free-to-air digital satellite television joint venture between the BBC and ITV plc, . 4oD launched on Freesat's Freetime receivers on 27 June , making Freesat the first UK TV platform to host the HTML5 version of 4oD. Demand Owner: BBC and ITV plc. Freesat, the satellite TV service from the BBC and ITV, offers hundreds of TV and radio channels to watch Lifestyle: Food Network UK, Showcase TV, FilmOn. FREESAT CHANNEL LIST - TV. The UK IPTV receiver now works on both wired internet and WiFi which , BET Black Entertainment TV, Entertainment. -
Ivision and the BBC: Building Public Value
Observatorio (OBS*) Journal, 5 (2008), 041-055 1646-5954/ERC123483/2008 041 iVision and the BBC: Building Public Value Michael Klontzas, City University, London, UK Abstract Breaking with conventional wisdom that sees public service broadcasters as conveyors of content in line with historically shaped socio-political ideals, centred on quality, access, diversity and independence, evidence suggests that PSB is often the driving force behind key technological innovations serving public policy aims. In the drive towards wholesale digitalisation and the accelerated introduction of an information society, this hitherto understated function is now deemed critical and comes to the fore. More specifically, recent public policy initiatives in the UK, culminating to the 2006 White Paper, openly assign the mission of contributing to the process of ‘building digital Britain’ to the BBC, the flagship public service broadcaster. This vision of digitalisation is defined in broad terms in the policy discourse, as involving all platforms indiscriminately. The BBC’s contribution, designed to entice users to a digital future and simultaneously cement the continued relevancy of the institution in the 21st century, finds expression in a variety of implemented and proposed digital services deliverable over a range of digital platforms, including television and radio, the internet and mobile networks. This paper seeks to interrogate the host of controversial and closely scrutinised internet services offered by the BBC in the light of the digital vision articulated in the public policy discourse. These services shift the emphasis away from the time-honoured broadcasting paradigm to a more interactive approach. Through widespread application of emerging Web 2.0 practices, the users are now invited to participate, and generate and share their own content. -
The Bbc and the 'Radio Cartoon'
Jackson, V. (2019). ‘What do we get from a Disney film if we cannot see it?’: The BBC and the “Radio Cartoon” 1934-1941. Historical Journal of Film, Radio and Television, 39(2), 290-308. https://doi.org/10.1080/01439685.2018.1522789 Publisher's PDF, also known as Version of record License (if available): CC BY-NC-ND Link to published version (if available): 10.1080/01439685.2018.1522789 Link to publication record in Explore Bristol Research PDF-document This is the final published version of the article (version of record). It first appeared online via Taylor & Francis at https://doi.org/10.1080/01439685.2018.1522789 . Please refer to any applicable terms of use of the publisher. University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ Historical Journal of Film, Radio and Television ISSN: 0143-9685 (Print) 1465-3451 (Online) Journal homepage: https://www.tandfonline.com/loi/chjf20 ‘What Do We Get from a Disney Film if We Cannot See It?’: The BBC and the ‘Radio Cartoon’ 1934–1941 Victoria Jackson To cite this article: Victoria Jackson (2019): ‘What Do We Get from a Disney Film if We Cannot See It?’: The BBC and the ‘Radio Cartoon’ 1934–1941, Historical Journal of Film, Radio and Television, DOI: 10.1080/01439685.2018.1522789 To link to this article: https://doi.org/10.1080/01439685.2018.1522789 © 2018 The Author(s). -
Help BBC Worldwide (International Site) Do You Need Further Help? Do
3/11/2015 www.bbc.com/travel/columns/worldwideweird Cookies on the BBC website We use cookies to ensure that we give you the best experience on our website. If you continue without changing your settings, we'll assume that you are happy to receive all cookies on the BBC website. However, if you would like to, you can change your cookie settings at any time. Continue Change settings Find out more News Sport Weather iPlayer TV Radio More Menu Help BBC Worldwide (International Site) We're sorry but this site is not accessible from the UK as it is part of our international service and is not funded by the licence fee. It is run commercially by BBC Worldwide, a whollyowned subsidiary of the BBC, the profits made from it go back to BBC programme makers to help fund great new BBC programmes. You can find out more about BBC Worldwide and its digital activities at www.bbcworldwide.com. Do you need further help? If you need help with something else, please see our fully searchable FAQs. If you can't find what you're looking for, you'll be able to contact us from there. Do you want to comment? Let us know what you think at our: Blogs Message boards News debates Do you want information? What's on the BBC http://www.bbc.com/travel/columns/worldwideweird 1/5 3/11/2015 www.bbc.com/travel/columns/worldwideweird Free tickets to BBC shows How to visit the BBC How to be on a BBC show Transcripts, recordings and reuse of programmes How to get digital channels Help receiving BBC TV and radio The history of the BBC Your licence fee and how it's spent Sending -
The Creation of the Television Arts Documentary
University of Warwick institutional repository: http://go.warwick.ac.uk/wrap This paper is made available online in accordance with publisher policies. Please scroll down to view the document itself. Please refer to the repository record for this item and our policy information available from the repository home page for further information. To see the final version of this paper please visit the publisher’s website. Access to the published version may require a subscription. Author(s): Mary M. Irwin Article Title: Monitor: The Creation of the Television Arts Documentary Year of publication: 2011 Link to published article: http;//dx.doi.org/10.3366/jbctv.2011.0042 Publisher statement: © Cambridge University Press Citation information: Journal of British Cinema and Television. Volume 8, Page 322-336 DOI 10.3366/jbctv.2011.0042, ISSN 1743-4521, Available Online October 2011 Monitor: The Creation of the Television Arts Documentary Mary M. Irwin Monitor (BBC, 1958–65), a series which showcased the arts and their creators and was presented by Huw Wheldon, is now remembered as the flagship of late 1950s and early 1960s arts documentary television broadcasting. In Arts TV: A History of Arts Television in Britain, John Walker describes Monitor as ‘a crucially important early series’ (1993: 45), arguing that ‘no one could deny its ground-breaking achievements’ (ibid.: 49). John Wyver, in Vision On: Film, Television and the Arts in Britain, called Monitor ‘among the BBC’s most celebrated contributions to “good broadcasting’’ ’ (2007: 27).1 In the edited collection Experimental British Te l e v i s i o n , Jamie Sexton refers to Monitor as the ‘BBC’s critically acclaimed arts series’ (Mulvey and Sexton 2007: 90), while Kay Dickinson, in the same collection, refers to it as a ‘well respected fortnightly Sunday arts magazine programme’, pointing out that this was where Ken Russell first made his name (ibid.: 70). -
Annual Review 2020
Annual Review 2020 Helping Communities Across Greater Bristol to Thrive Society of Merchant Venturers | Annual Review 2020 Society of Merchant Venturers | Annual Review 2020 Ross Ancell at the newbuild site for Merchants’ Academy Primary and Venturers’ Academy; with pupils Benji (left) and Conner (centre) As the severity of the pandemic escalated the Society, like the rest Our activities in the Social Enterprise space are increasing. Bristol of the UK, went into lockdown, closing the Hall, curtailing many & Bath Regional Capital (BBRC), of which SMV was one of the activities and causing our business to be conducted virtually. founding members, continues to evolve and grow, with its 162- The effect of Covid-19 on the Society’s Education activities, unit Dunmail social housing scheme in Southmead on the point where we educate 4,600 young people across nine schools, was of opening and the City Funds initiative growing to over £10m of dramatic. I wish to extend a special thank you to our magnificent capital to be invested in local social enterprises. teaching and support staff; as well as the leadership teams across We continue as the Endowment Trustee for the St Monica Trust, both Venturers Trust and Colston’s School for their response responsible for nearly £300m of their assets in agricultural estates to the pandemic and their tireless work to continue to provide and financial assets, a challenging task with the financial upheaval education and support to pupils and their families throughout. of a pandemic. Understandably, the completion of the new school buildings in Withywood for Venturers’ Academy and Merchants’ Academy The other defining event for SMV in 2020 was the toppling of Primary has been delayed into 2021. -
BBC One's the Pale Horse Begins Sunday 9Th February After Filming At
BBC One’s The Pale Horse begins Sunday 9th February after filming at The Bottle Yard Studios and on location in Bristol & surrounding region Watch cast interviews recorded on set at The Bottle Yard and on location at Ashton Court, Arnos Cemetery & Sheldon Manor BRISTOL, 6 February 2020: Brand new Agatha Christie thriller The Pale Horse begins on BBC One on Sunday night, after filming at The Bottle Yard Studios and on location in Bristol and the surrounding region. (Left) Rufus Sewell stars in The Pale Horse. (Right) Rufus Sewell & Henry Lloyd Hughes on set at The Bottle Yard Studios. Images courtesy Mammoth Screen / Agatha Christie Ltd / BBC Starring Rufus Sewell, Kaya Scoledario, the two part-part drama produced by Mammoth Screen and Agatha Christie Limited for BBC One is adapted by Sarah Phelps (The ABC Murders, Ordeal By Innocence) from the 1961 Agatha Christie novel of the same name. It filmed between July to September last year on set at The Bottle Yard Studios and on location in Bristol with support from Bristol Film Office. A major Chelsea apartment set was built at the Studios where a large proportion of filming took place, whilst the six week shoot also used a host of Bristol locations. (Left) Filming in Clifton Bristol. Image courtesy Tony Stiles (Right) Rufus Sewell filming on location (image courtesy Mammoth Screen / Agatha Christie Ltd / BBC) Ashton Court Estate and Arnos Cemetery feature prominently, whilst a host of Bristol’s central streets also create the backdrop of 1960’s London. Frogmore Street and Cave Street double as the East End, Denmark Street stands in for the Soho district, properties overlooking St Nicholas market were brought to life as period police station interiors, Queen’s Square doubles as a Chelsea apartment block and Clifton Village’s picturesque West Mall doubles as the Capital’s iconic King’s Road. -
Sci-Fi Sisters with Attitude Television September 2013 1 LOVE TV? SO DO WE!
April 2021 Sky’s Intergalactic: Sci-fi sisters with attitude Television www.rts.org.uk September 2013 1 LOVE TV? SO DO WE! R o y a l T e l e v i s i o n S o c i e t y b u r s a r i e s o f f e r f i n a n c i a l s u p p o r t a n d m e n t o r i n g t o p e o p l e s t u d y i n g : TTEELLEEVVIISSIIOONN PPRROODDUUCCTTIIOONN JJOOUURRNNAALLIISSMM EENNGGIINNEEEERRIINNGG CCOOMMPPUUTTEERR SSCCIIEENNCCEE PPHHYYSSIICCSS MMAATTHHSS F i r s t y e a r a n d s o o n - t o - b e s t u d e n t s s t u d y i n g r e l e v a n t u n d e r g r a d u a t e a n d H N D c o u r s e s a t L e v e l 5 o r 6 a r e e n c o u r a g e d t o a p p l y . F i n d o u t m o r e a t r t s . o r g . u k / b u r s a r i e s # R T S B u r s a r i e s Journal of The Royal Television Society April 2021 l Volume 58/4 From the CEO It’s been all systems winners were “an incredibly diverse” Finally, I am delighted to announce go this past month selection.