The Sound of Music Tourism
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AGENDA SPECIAL FESTIVALS Gratuit / Juillet - Août - Septembre 2017 / Numéro Spécial Été
WWW.TECKYO.COM Jr RODRIGUEZ: photo by Felicia Malecha INTERVIEW Jr RODRIGUEZ CITIZEN KAIN 20SYL DOLMA REC AGENDA SPECIAL FESTIVALS Gratuit / Juillet - Août - Septembre 2017 / Numéro spécial été TECKYO.COM Edito Sommaire 3 Pour cette édition spécial été 2017, je ne vais pas faire un édito classique. En effet, je tiens à rendre hommage à Kaosspat, instigateur de la première heure de ce projet fou que représente Teckyo et qui nous a quitté en Décembre dernier. Pour la première fois depuis presque 20 ans, je ne peux compter sur son aide précieuse. Je suis seule face à cette absence et me revient en mémoire sa bonne humeur, son soutien indéfectible, son humour ainsi que sa folie si particulière. Quand, en 1999, Lucie Association nous a proposé de sortir un fanzine spécialisé en musique électronique, il a, sans hésitation, voulu relever le défi. Il s’est investi sans compter, il a passé un temps précieux au développement du magazine et quand il a fallu faire face à diverses difficultés, il s’est naturellement proposé pour créer le site www.tec- kyo.com. Ceux qui l’ont côtoyé ou croisé en soirées ou en festivals, ont pu mesurer son amour pour la fête et la musique et tous en gardent un souvenir ému. Il aimait à dire : « the show must go on ». Alors continuons à vivre et à profiter pleinement des bons moments que la vie nous offre... Vous trouverez dans cette nouvelle parution, l’interview de Rodrigez Jr que nous suivons depuis le début de son ascension. Citizen Kain et 20syl ont accepté de nous détailler leur projet respectif, étant tous les deux omniprésents dans les soirées et festivals estivaux. -
Pais Vasco 2018
The País Vasco Maribel’s Guide to the Spanish Basque Country © Maribel’s Guides for the Sophisticated Traveler ™ August 2018 [email protected] Maribel’s Guides © Page !1 INDEX Planning Your Trip - Page 3 Navarra-Navarre - Page 77 Must Sees in the País Vasco - Page 6 • Dining in Navarra • Wine Touring in Navarra Lodging in the País Vasco - Page 7 The Urdaibai Biosphere Reserve - Page 84 Festivals in the País Vasco - Page 9 • Staying in the Urdaibai Visiting a Txakoli Vineyard - Page 12 • Festivals in the Urdaibai Basque Cider Country - Page 15 Gernika-Lomo - Page 93 San Sebastián-Donostia - Page 17 • Dining in Gernika • Exploring Donostia on your own • Excursions from Gernika • City Tours • The Eastern Coastal Drive • San Sebastián’s Beaches • Inland from Lekeitio • Cooking Schools and Classes • Your Western Coastal Excursion • Donostia’s Markets Bilbao - Page 108 • Sociedad Gastronómica • Sightseeing • Performing Arts • Pintxos Hopping • Doing The “Txikiteo” or “Poteo” • Dining In Bilbao • Dining in San Sebastián • Dining Outside Of Bilbao • Dining on Mondays in Donostia • Shopping Lodging in San Sebastián - Page 51 • Staying in Bilbao • On La Concha Beach • Staying outside Bilbao • Near La Concha Beach Excursions from Bilbao - Page 132 • In the Parte Vieja • A pretty drive inland to Elorrio & Axpe-Atxondo • In the heart of Donostia • Dining in the countryside • Near Zurriola Beach • To the beach • Near Ondarreta Beach • The Switzerland of the País Vasco • Renting an apartment in San Sebastián Vitoria-Gasteiz - Page 135 Coastal -
The Rise of International Festivals and the Example (Case Study) of Sziget
The Rise of International Festivals and the example (Case Study) of Sziget DEZSŐ DÉR PhD, assoc. prof, Budapest Metropolitan University E-mail: [email protected] ÁRPÁD PAPP-VÁRY PhD, dean, college professor, Budapest Metropolitan University E-mail: [email protected] ALEXANDRE ÁRPÁD SZIGETHY student, commerce and marketing bachelor program, Budapest Metropolitan University E-mail: [email protected] Abstract (The Rise of International Festivals and the Example (Case Study) of Sziget) The touristic importance of music festivals is increasing throughout Europe. More than a thousand festivals of international interest exist on the continent, and their creative concepts are also increasingly important. Only events with a program including unique elements of international interest can stand out from the crowd. In addition to the creative concept, determinant factors include accommodation options, accessibility, price level, and country/city image. The organizational background of these events is also important: programming, marketing, sponsorships, technological/technical and fi nancial divisions all play an important role in the international character of a festival. What is more, internationalism also needs to appear in the corporate structure. The authors address this topic not only through an analysis of international literature, but also through a case study based on an in- depth interview research performed with the management of the Sziget Festival. The aim of the study is to show music festival organisers and future festival organizers how to build and operate an international festival and enrich the relevant literature, creating a solid theoretical base. Keywords music festival; international communication; festival tourism; Sziget Festival Rezumat (Creșterea popularităţii festivalurilor internaţionale. Studiu de caz: Festivalul Sziget) Importanţa turistică a festivalurilor muzicale este în creștere în toată Europa. -
Russian Red in San Francisco SAN FRANCISCO
MUSIC Russian Red in San Francisco SAN FRANCISCO Thu, October 16, 2014 8:00 pm Venue The Independent, 628 Divisadero St, San Francisco, CA 94117 View map Phone: 415-771-1421 Admission Buy tickets. Doors open at 7:30 pm- More information Russian Red Credits The Spanish singer tours the U.S. and Canada to present her U.S. tour organized by The Windish third album ‘Agent Cooper.’ Agency, Charco and Sony Music Entertainment España S.L. Image courtesy of the artist. During the last few years Russian Red has become one of the most renowned artists in the Spanish music scene. Russian Red’s singer, Lourdes Hernández, has an exceptional voice and an innate ability to communicate and captivate a variety of audiences. She broke through the music scene in 2008 and became THE indie phenomenon with her debut album I Love Your Glasses (achieving a Gold record in Spain) and soon began performing on the main Spanish stages (Primavera Sound Festival, FIB, Jazzaldia, among many others), and reaching audiences in the USA, Mexico, Colombia, Venezuela, Argentina, Costa Rica, Germany, Holland, Belgium, etc. In 2011 she released her second LP, Fuerteventura (with Sony Music) thus taking a big leap forward in her career. Produced by Tony Doogan (Belle & Sebastian, Mogwai, David Byrne, etc.) and recorded with Stevie Jackson, Bob Kildea and Richard Colburn from Belle & Sebastian, Fuerteventura debuted at #2 on the topselling albums charts in Spain, where it stood for over 39 weeks, consolidating her position as one of the most outstanding and international Spanish artists. Russian Red rounded the year off taking home the MTV EMA Award as “Best Spanish Artist.” Fuerteventura was not only a great success in Spain, but it also launched Russian Red onto the international scene, placing her in the international bands spectrum. -
CHAPTER 2 ‘From the Night and the Light, All Festivals Are Golden’: the Festivalization of Culture in the Late Modernity1,2
CHAPTER 2 ‘From the night and the light, all festivals are golden’: The festivalization of culture in the late modernity1,2 Paula Guerra Abstract Festivals have been stated as important forms of social and cultural participation. In the twenty‐first century, all countries have been faced with a number of annual2 festivals, but also by diversifying the type of festivals, its location and its audiences. The festival model has expanded all over the world and became globalize. With this model emerged the so‐ called ‘festivalization of culture’. Portugal was no different in this phenomenon. The main purpose of this chapter is to explore the Portuguese festival dynamics. These dynamics have the function of globalization coding, marketing and culture of media coverage, mobilizing thousands of actors on the supply side, in mediation and on the demand side. There are several elements that prove this in Portugal: unprecedented evolution in the number of festivals over the past two decades; the spread of festivals around the country, especially in its Atlantic coast and in metropolitan areas; the exponential increase of the habitués; the weight of the turnover of the festivals in the statement of accounts culture and cultural industries; the importance of festivals for the launch and projection of the bands; and, above all, the design of a new way of life in an environment marked by consumptions, appropriations and embodiments of practices, associated with experience and sociability of the festival. 1 This chapter result of an intensive research carried out since 2005, anchored in three projects. The first, developed between 2005 and 2009, Urban cultures and youth lifestyles: Scenery, sounds and aesthetic in contemporary Portuguese (SFRH / BD / 24614/2005), at the Institute of Sociology of the University of Porto (IS‐UP), coordinated by the author of this article and funded by the Science and Technology Foundation (FCT). -
Facilitating Music Tourism for Scotland's
Facilitating Music Tourism for Scotland’s Creative Economy AHRC Creative Economy Engagement Fellowship Report Dr Matthew Ord Dr Adam Behr Contents Table of Contents Acknowledgements ................................................................................................................... i List of Abbreviations ............................................................................................................... ii Executive Summary ............................................................................................................... iii Summary of Key findings .............................................................................................................. iii Key recommendations ..................................................................................................................... v Further research .............................................................................................................................. vi Introduction: music tourism in Scotland ............................................................................... 1 What is music tourism? What is a music tourist? ........................................................................... 3 Methodology ................................................................................................................................... 4 Chapter 1. Connecting music and tourism: knowledge and networks ............................... 5 Introduction .................................................................................................................................... -
Music Festivals in Catalonia in a European Context. Factors of Competitiveness of a Dynamic Creative Industry
MUSIC FESTIVALS IN CATALONIA IN A EUROPEAN CONTEXT. FACTORS OF COMPETITIVENESS OF A DYNAMIC CREATIVE INDUSTRY. by Maria Ruiz de Cossío Advisor: Paloma Fernández Pérez Degree in International Business Faculty of Economics and Business University of Barcelona Academic year 2017-2018 2 FESTIVALES EN CATALUÑA EN UN CONTEXTO EUROPEO. FACTORES DE COMPETITIVIDAD DE UNA INDUSTRIA CREATIVA DINÁMICA. Este estudio pretende identificar el contexto y las características de los festivales de música en Cataluña, especialmente en un contexto geográfico más amplio, con el objetivo de evaluar hasta qué grado este modelo encaja dentro del marco europeo. Estos eventos se encuentran en una fase de crecimiento y popularidad entre el público sin precedentes, que ha sido facilitada por las nuevas tendencias turísticas, empresariales y de ocio y los ha llevado a ser los eventos culturales más populares en Europa. Son puntos clave en estrategias culturales y turísticas alrededor de Europa, dan trabajo a miles de personas y funcionan como dinamizadores económicos en las regiones donde se celebran. Este estudio analizará el contexto histórico y económico de los festivales Catalanes y Europeos, sus características y tendencias en la actualidad (estado del arte), el efecto que algunos fenómenos han tenido sobre ellos (como las tecnologías digitales, la recesión económica y el crecimiento en popularidad) y las diferencias que separan ambos ecosistemas y los hacen únicos. Palabras clave: Festivales de música, Industrias creativas, Gestión cultural, Gestión de eventos, Eventos culturales, Tendencias de ocio, Tendencias turísticas, Macro-eventos MUSIC FESTIVALS IN CATALONIA IN A EUROPEAN CONTEXT. FACTORS OF COMPETITIVENESS OF A DYNAMIC CREATIVE INDUSTRY. This study aims to identify the context and features of music festivals in Catalonia, especially in a broader geographical context, in order to assess the extent to which our model fits in the European framework. -
White+Paper+Music+10.Pdf
In partnership with COPYRIGHT INFORMATION This white paper is written for you. Wherever you live, whatever you do, music is a tool to create connections, develop relationships and make the world a little bit smaller. We hope you use this as a tool to recognise the value in bringing music and tourism together. Copyright: © 2018, Sound Diplomacy and ProColombia Music is the New Gastronomy: White Paper on Music and Tourism – Your Guide to Connecting Music and Tourism, and Making the Most Out of It Printed in Colombia. Published by ProColombia. First printing: November 2018 All rights reserved. No reproduction or copying of this work is permitted without written consent of the authors. With the kind support of the World Tourism Organization (UNWTO). The opinions expressed in this publication are those of the authors. They do not purport to reflect the opinions or views of the UNWTO or its members. The designations employed and the presentation of material in this publication do not imply the expression of any opinions whatsoever on the part of the Secretariat of the World Tourism Organization concerning the legal status of any country, territory, city or area, or of its authorities or concerning the delimitation of its frontiers or boundaries. Address Sound Diplomacy Mindspace Aldgate, 114 Whitechapel High St, London E1 7PT Address ProColombia Calle 28 # 13a - 15, piso 35 - 36 Bogotá, Colombia 2 In partnership with CONTENT MESSAGE SECRETARY-GENERAL, UNWTO FOREWORD EXECUTIVE SUMMARY 1. INTRODUCING MUSIC TOURISM 1.1. Why Music? 1.2. Music as a Means of Communication 1.3. Introducing the Music and Tourism Industries 1.3.1. -
La Gran Festa De Primavera Sound, El 2022
Enderrock | Redacció | Actualitzat el 25/05/2021 a les 11:30 La gran festa de Primavera Sound, el 2022 El festival ha descobert bona part del cartell de la pròxima edició, que se celebrarà del 2 al 12 de juny | Hi actuaran Antònia Font, Maria del Mar Bonet, Manel, Bad Gyal, Rigoberta Bandini, Tarta Relena o Renaldo & Clara, entre altres | De l'àmbit internacional, el Primavera Sound compta amb caps de cartell com The Strokes, Tame Impala, Tyler, The Creator, Gorillaz, Jorja Smith, The National, Dua Lipa o Lorde Primavera Sound | Xavier Mercadé El Primavera Sound (https://www.primaverasound.com/ca) ja va avançar que l'edició d'enguany es tornava a posposar fins al 2022, però amb una versió estesa, que en comptes de limitar-se als habituals tres dies, se celebrarà els caps de setmana del 2 al 4 de juny, i del 9 a l'11. El cartell, que just avui han desvelat, amb alguna sorpresa encara per anunciar, compta amb l'aclamat retorn d'Antònia Font, Maria del Mar Bonet, Manel, Bad Gyal, Rigoberta Bandini, Tarta Relena o Renaldo & Clara, a més d'artistes internacionals com The Strokes, Tame Impala, Tyler, The Creator, Gorillaz, Jorja Smith, The National, Dua Lipa o Lorde, entre altres. V?deo: https://www.youtube.com/watch?v=K963sQCmpkM Pel primer cap de setmana, han recuperat alguns dels artistes d'aquella edició del 2020 que no es va poder celebrar: The Strokes, Tyler, The Creayor, Pavement, Tame Impala, Massive Atack, Gorillaz, The National, Jorja Smith i Beck, en què s'afegirà, a més, Nick Cave and The Bad Seeds. -
Music Industry's Contribution Towards Inclusive
MUSIC INDUSTRY’S CONTRIBUTION TOWARDS INCLUSIVE AND SUSTAINABLE DEVELOPMENT THE CASE OF CUBA «THE MUSIC ISLAND» 1 STRENGTHENING THE COMPETITIVENESS, ORGANIZATIONAL PERFORMANCE AND EXPORT CAPACITY OF THE CUBAN MUSIC INDUSTRY MUSIC INDUSTRY’S CONTRIBUTION TOWARDS INCLUSIVE AND SUSTAINABLE DEVELOPMENT The case of Cuba, the music island SEPTEMBER 2017 The undertaking of this study counted on the participation of researchers, © UNIDO, MINCULT, All rights reserved. specialists and management officials of the system of institutions of the © On the present edition: Project UNIDO-MINCULT-KOICA (150354) Ministry of Culture of Cuba (ICM, CIDMUC, CENDA, ACDAM, CUBARTE), «Strengthening of competiveness, organizational performance and export its record labels (EGREM, Bis Music, Abdala, Colibrí), the United Nations capacity of the Cuban music industry», 2017. Industrial Development Organization and international consultancy Sound Diplomacy. With the information collected, this document was drafted by ISBN 978-959-7216-67-4 the following persons: This document has been produced without formal United Nations edition. Center for research and development of the cuban music The designations employed and the presentation of the material in this Laura Vilar Álvarez, Tania García Lorenzo, Gloria Ochoa de Zabalegui documents does not imply the expressions of any opinion whatsoever on Aguilera, Jolettne Rego González, Ailer Pérez Gómez the part of the Secretariat of the United Nation Industrial Development Organization concerning the legal status of any country, -
Summer Prophet
DJ TOP TEN P37 COMMUNITY COLUMN P35 METAMORPHOSIS W D. PINCHBECK P32 W.O.W. SERIES – MEMORY PALACE P29 RAJA RAM SERIES – ‘BUSTED’ P26 OZORIAN – NUSO P22 NO. 25 PAPERLESS / THE OZORIAN SUMMER-PHET EDITION SUMMER-PHET OZORIAN THE / PAPERLESS 25 NO. 1 P17 ANGELA’S SEEDS OF PARADISE OF SEEDS ANGELA’S P17 P12 INTERVIEW W UBIKEKLEKTIK FESTIVAL UBIKEKLEKTIK W INTERVIEW P12 P9 FESTIVAL NEWBIE – ARRAKIS – NEWBIE FESTIVAL P9 P3 ‘DAAAD’ YOU KNOW P4 RADIOZORA’S RELEASE PICKS RELEASE RADIOZORA’S P4 P5 INTERVIEW W A. ZIMANYI & WEGHA & ZIMANYI A. W INTERVIEW P5 photo – laszlo kun 8/6-8 [DɅɅDPƱ.STɅ] e see even more clearly now that it was the ONE STEP Wright decision to make the big wait for our next Ozorian reunion a year longer. Now, when we’re reigniting the party engines, we know we’ll need BEYOND the time to put on a larger scale event and welcome the whole tribe back properly after such a long time NEWS apart. There’s still way too many uncertainties, FROM THE various restrictions, predictions and risks to sail MOTHERSHIP smoothly for a fully inclusive, global get-together. So, call it a warm-up or a dress rehearsal, but we feel we’re taking one step beyond (all the madness:) with the August 6 Daad Gathering and hopefully get recharged enough to plunge into making OZORA 2022 the best we can imagine, with all of us together again. Travel is still just picking up, solutions that would suit each and every one of us are still chaotic, but if your circumstances allow you, or the chance has you around, we welcome you to join us at Daad and get the show rolling! 2 ‘DAAD’ YOU long time ago Dadpuszta used to be home to KNOW Amany families, even thirty at a time. -
Music Industry's Contribution Towards Inclusive And
MUSIC INDUSTRY’S CONTRIBUTION TOWARDS INCLUSIVE AND SUSTAINABLE DEVELOPMENT THE CASE OF CUBA «THE MUSIC ISLAND» 1 MUSIC INDUSTRY’S CONTRIBUTION TOWARDS INCLUSIVE AND SUSTAINABLE DEVELOPMENT THE CASE OF CUBA «THE MUSIC ISLAND» Strengthening the competitiveness, organizational perfomance and export capacity of the Cuban music industry SEPTEMBER 2017 PRESENTATION 5 CULTURAL AND CREATIVE INDUSTRIES FOR AN INCLUSIVE AND SUSTAINABLE DEVELOPMENT 7 Cultural and creative industries at global level and in the region of Latin American and the Caribbean 9 The music industry within the creative universe 12 UNIDO´s approach for creative industries 16 Cuba «the Music Island». Opportunities for developing its music industry 18 CURRENT CONTEXT Undertaking of this study counted on the participation of researchers, © ONUDI, MINCULT, All rights reserved. OF THE MUSIC specialists and management officials of the system of institutions of the © On the present edition: Project ONUDI-MINCULT-KOICA (150354) INDUSTRY IN CUBA 37 Ministry of Culture of Cuba (ICM, CIDMUC, CENDA, ACDAM, CUBARTE), its «Strengthening of competiveness, organizational performance and export record labels (EGREM, Bis Music, Abdala, Colibrí), the United Nations In- capacity of the Cuban music industry», 2017. dustrial Development Organization and international consultancy Sound Potentialities of the music Diplomacy. With the information collected, drafting of this document was This document has been produced without formal United Nations edition. industry in Cuba 39 in charge of the following