DOCSLIB.ORG

City of Oakland

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
City of Oakland City of OAKLAND PARKS AND RECREATION Joaquin Miller Park - 2016 National Wildlife Federation launched Be Out There™, a national campaign to re-connect families to the outdoors in order to raise healthier kids and inspire a life-long appreciation of wildlife and nature. Studies show that outdoor time helps children grow lean and strong, enhances creativity and attention spans, decreases aggression, and boosts classroom performance. Bottom Line: Healthier, Happier Kids! Cincinnatus Hiner Miller O A Q U I N ILLER J O A Q U I N M I L L E R P ARK J M Joaquin Miller Park covers more than 500 acres Joaquin Miller Park is named for one of the late 19th century’s and home to 200 species of native plants including more colorful figures. Born in Indiana in 1841, he was pong- the elusive Oakland star tulip, pallid Manzanita and express rider, lawyer, judge, teacher, gold prospector, nomad leatherwood and a wide variety of native wildlife. and author. During a trip to the Bay Area in 1870, he met California’s first Poet laureate, Ina Coolbirth, Oakland’s first The redwoods in Joaquin Miller Park are considered to librarian, who convinced him to take the colorful pen name of be one of the few Redwood forests to flourish today in an “Joaquin” Miller. He became known as the “Poet of the Sierras.” urban setting. Most notably, native Coast Redwoods (Sequoia sempervirens) grow throughout the park. In 1886, he settled on 70 acres of grassy hillside, which he Many are in the second or third growth following major purchased parcel-by-parcel in the hills above the “City of the logging in the late 1800s when the redwoods were used Oaks.” In an effort to create an inspirational artists’ retreat, he to help build Oakland. Of the thousands of trees planted erected monuments, built structures for his mother and under Joaquin Miller's leadership, many still stand today. daughter, and coordinated the planting of 75,000 trees— Monterey pine, Monterey Cypress, Olive and Eucalyptus. He Over the years, Oakland Parks department purchased died in his home in 1913. acreage from the Miller family and designated trails throughout the park. Many of our park’s trails lead to adjacent Roberts and Redwood Regional Parks, which N O T A B L E P A R K L OCATIONS are part of the East Bay Regional Park system. The Abbey--built in 1889 by Joaquin Miller, the site has been a Registered National Historic landmark since 1963 and was recognized by Native Sons of the Golden West in 1928. Ranger Station--built in 1959, the station houses the The Cascades--the lower fountain was originally built for the Visitor Center and the park's only pay phone. 1935/36 Golden Gate International Exposition. It was moved to Oakland in 1941 under the Works Progress Administration Joaquin Miller Community Center--constructed in 1996, (WPA) construction of the Cascades. the facility is rented out for weddings, meetings and special events. Call (510) 238-3187 for reservations. Woodminster Amphitheater— a 1941 WPA project; now used for summer musicals and other performances Sequoia Horse Arena--built in 1948, the arena host the (www.woodminster.com). Metropolitan Horseman's Association shows and trails rides. Call (510) 531-5449 for reservations. HISTORICAL LANDMARKS Chabot Space and Science Center--internationally Moses Monument (1892) recognized space observatory and science museum. The Browning Monument (1894) (www.chabotspace.com). Fremont Monument (1904) Funeral Pyre (1906) Robin Perry Field--a rental softball field. Call (510) 238- 3187 for reservations. Statue of Joaquin Miller on Horseback (1942) -- Commissioned by sculptor Kisa Beeck Activity Schedule SATURDAY Oakland Parks & Rec Staff 2:00-3:00 pm Tent Set-up East Bay Regional Staff 3:00-3:15 pm Welcome and Announcements! History of the Redwoods at Deborah Zierten (Save the 3:30-4:30 pm Joaquin Miller Park Redwoods League) Campout Rules Julie & Paul Dunbar (Insect Be respectful of your neighbors and 4:30-5:30 pm Bug Walk & Entomology Sciences Museum of your noise level California) All vehicles must be in a parking lot, Announcement for Dinner & 5:30-5:45 pm Stephanie Benavidez (OPR) not on the roadside Evening Activities Leave No Trace Behind Rules 6:00-7:30 pm Dinner Served! Keep an eye out on your younger family members as it gets dark 7:30-8:00 pm Transition Period 8:00-9:00 pm Campfire! Nik Bertulis (California Center 9:00-10:00 pm Night Hike for Natural History) Be mindful of your noise level 10:30 pm as wildlife and campout attendees may be resting! Events and times are subject to change. SUNDAY Paper will be provided for your 8:30 am Breakfast Served inspired thoughts, poems, comments and letters. 10:00 am Park Beautification & Clean-Up A BIG THANK YOU TO OUR PARTICIPATING AGENCIES and SPONSORS! PARKS & RECREATION PUBLIC WORKS AGENCY FIRE DEPARTMENT .
Load more

Recommended publications
  • Ina Coolbrith of California's "Overland Trinity95 by BENJAMIN DE CASSERES
    Boolcs and the Book World of The Sun, December 7, 1919. 15 Ina Coolbrith of California's "Overland Trinity95 By BENJAMIN DE CASSERES. written, you know. I have just sent down ASTWARD the star of literary cm-- town for one of my books, want 'A J and I pire takes its way. After twenty-liv-e to paste a photograph as well as auto- years Ina Donna Coolbrith, crowned graph in it to mail to you. poet laureate of California by the Panama-P- "The old Oakland literary days! Do acific Exposition, has returned to yon know you were the first. one who ever New York. Her house on Russian Hill, complimented me on my choice of reading San Francisco, the aristocratic Olympus matter? Nobody at home bothered then-hea- of the Musaj of the Pacific slope, stands over what I read. I was an eager, empty. thirsty, hungry little kid and one day It is as though California had closed a k'Prsmmm mm m:mmm at the library I drew out a volume on golden page of literary and artistic mem- Pizzaro in Pern (I was ten years old). ories in her great epic for the life of You got the book and stamped it for me; Miss Coolbrith 'almost spans the life of and as you handed it to me you praised California itself. Her active and acuto me for reading books of that nature. , brain is a storehouse of memories and "Proud ! If you only knew how proud ' anecdote of those who have immortalized your words made me! For I thought a her State in literature Bret Harte, Joa- great deal of you.
    [Show full text]
  • Hclassification
    Form No. 10-300 (Rev. 10-74) UNITED STATES DEPARTMENT OE THE INTERIOR NATIONAL PARK SERVICE NATIONAL REGISTER OF HISTORIC PLACES INVENTORY -- NOMINATION FORM SEE INSTRUCTIONS IN HOW TO COMPLETE NATIONAL REGISTER FORMS TYPE ALL ENTRIES -- COMPLETE APPLICABLE SECTIONS [NAME HISTORIC Joaquin Miller Home (The Abbey) AND/OR COMMON The Abbey LOCATION STREETS.NUMBER Joaquin Miller Road and Sanborn Drive _NOT FOR PUBLICATION CITY, TOWN CONGRESSIONAL DISTRICT Oakland _.. VICINITY OF STATE CODE COUNTY CODE California 06 AT ameda 001 HCLASSIFICATION CATEGORY OWNERSHIP STATUS PRESENT USE —DISTRICT XXPUBLIC X-OCCUPIED _ AGRICULTURE X_MUSEUM J^BUILDINGIS) —PRIVATE —UNOCCUPIED —COMMERCIAL X_PARK —STRUCTURE —BOTH —WORK IN PROGRESS —EDUCATIONAL —PRIVATE RESIDENCE —SITE PUBLIC ACQUISITION ACCESSIBLE —ENTERTAINMENT —RELIGIOUS —OBJECT _IN PROCESS X-YES: RESTRICTED —GOVERNMENT —SCIENTIFIC —BEING CONSIDERED — YES: UNRESTRICTED —INDUSTRIAL —TRANSPORTATION _NO —MILITARY —OTHER: OWNER OF PROPERTY NAME City of Oakland, California (Parks Department) STREET & NUMBER Room 224, City Hall CITY, TOWN STATE Oakland VICINITY OF California COURTHOUSE, County Recorder ! s Office REGISTRY OF DEEDS,ETC. STREET & NUMBER Room 100^ 1225 Fallen Street CITY. TOWN STATE Oakland California REPRESENTATION IN EXISTING SURVEYS TITLE DATE .FEDERAL _STATE __COUNTY _LOCAL DEPOSITORY FOR SURVEY RECORDS CITY, TOWN DESCRIPTION CONDITION CHECK ONE CHECK ONE —EXCELLENT -DETERIORATED —UNALTERED XXORIGINALSITE _MOVED DATE. X-GOOD _RUINS X_ALTERED _FAIR _UNEXPOSED DESCRIBETHE PRESENT AND ORIGINAL (IF KNOWN) PHYSICAL APPEARANCE The Joaquin Miller House is a small three-part frame building at the foot of the steep hills East of Oakland California. Composed of three single rooms joined together, the so-called "Abbey" must be seen as the most provincial of efforts to impose gothic-revival detail upon the three rooms.
    [Show full text]
  • The American Side of the Line: Eagle City's Origins As an Alaska Gold Rush Town As
    THE AMERICAN SIDE OF THE LINE Eagle City’s Origins as an Alaskan Gold Rush Town As Seen in Newspapers and Letters, 1897-1899 National Park Service Edited and Notes by Chris Allan THE AMERICAN SIDE OF THE LINE Eagle City’s Origins as an Alaskan Gold Rush Town National Park Service Yukon-Charley Rivers National Preserve 2019 Acknowledgments I want to thank the staff of the Alaska State Library’s Historical Collections, the University of Alaska Fairbanks’s Alaska and Polar Regions Collections & Archives, the University of Washington’s Special Collections, and the Eagle Historical Society for caring for and making available the photographs in this volume. For additional copies contact: Chris Allan National Park Service 4175 Geist Road Fairbanks, Alaska 99709 Printed in Fairbanks, Alaska February 2019 Front Cover: Buildings in Eagle’s historic district, 2007. The cabin (left) dates from the late 1890s and features squared-off logs and a corrugated metal roof. The red building with clapboard siding was originally part of Ft. Egbert and was moved to its present location after the fort was decommissioned in 1911. Both buildings are owned by Dr. Arthur S. Hansen of Fairbanks. Photograph by Chris Allan, used with permission. Title Page Inset: Map of Alaska and Canada from 1897 with annotations in red from 1898 showing gold-rich areas. Note that Dawson City is shown on the wrong side of the international boundary and Eagle City does not appear because it does not yet exist. Courtesy of Library of Congress (G4371.H2 1897). Back Cover: Miners at Eagle City gather to watch a steamboat being unloaded, 1899.
    [Show full text]
  • Public Opinion and News Reporting: Different Viewpoints, Changing Perspectives
    Public Opinion and News Reporting: Different Viewpoints, Changing Perspectives Grades: 7-HS Subjects: History, Oregon History, Civics, Social Studies Suggested Time Allotment: 1-2 class periods Lesson Background: Our impressions of events can often be influenced by the manner in which they are reported to us in the media. Begin by staging a class discussion of some recent news event(s) that have caused controversy. Can the students think of any news stories that strongly divide public opinions? Any that have been reported in a variety of different ways, depending on which television channels you watch or magazines you read? Can they think of examples where they thought one way or formed a certain opinion about a certain news event, only to have their minds change and opinion shift later, when more information came to light in the media? Moving on from this discussion, the lesson can demonstrate these issues of perspective. Lesson #1: Joaquin Miller—Genius or Cad? Joaquin Miller was the pen name of Cincinnatus Heine Miller, a colorful and controversial poet of the nineteenth century. (Read a detailed biography of Joaquin Miller on Wikipedia, here.) Known in his day as the ‘Poet of the Sierras,’ the ‘Byron of the Rockies,’ and the ‘Bard of Oregon,’ Miller became a celebrity throughout the United States, and especially in England. He was an associate of such enduring literary figures as Ambrose Bierce and Brett Hart. However, it could be argued that Miller’s fame came more from the popular image he created for himself—frontiersman, outdoorsman—than from the actual quality of his literary work.
    [Show full text]
  • Americana Bibliographies Books in All Fields
    Sale 490 Thursday, October 11, 2012 11:00 AM Fine Literature - Americana Bibliographies Books in All Fields Auction Preview Tuesday, October 9, 9:00 am to 5:00 pm Wednesday, October 10, 9:00 am to 5:00 pm Thursday, October 11, 9:00 am to 11:00 am Other showings by appointment 133 Kearny Street 4th Floor:San Francisco, CA 94108 phone: 415.989.2665 toll free: 1.866.999.7224 fax: 415.989.1664 [email protected]:www.pbagalleries.com REAL-TIME BIDDING AVAILABLE PBA Galleries features Real-Time Bidding for its live auctions. This feature allows Internet Users to bid on items instantaneously, as though they were in the room with the auctioneer. If it is an auction day, you may view the Real-Time Bidder at http://www.pbagalleries.com/realtimebidder/ . Instructions for its use can be found by following the link at the top of the Real-Time Bidder page. Please note: you will need to be logged in and have a credit card registered with PBA Galleries to access the Real-Time Bidder area. In addition, we continue to provide provisions for Absentee Bidding by email, fax, regular mail, and telephone prior to the auction, as well as live phone bidding during the auction. Please contact PBA Galleries for more information. IMAGES AT WWW.PBAGALLERIES.COM All the items in this catalogue are pictured in the online version of the catalogue at www.pbagalleries. com. Go to Live Auctions, click Browse Catalogues, then click on the link to the Sale. CONSIGN TO PBA GALLERIES PBA is always happy to discuss consignments of books, maps, photographs, graphics, autographs and related material.
    [Show full text]
  • Literature in Rochester 1865 - 1905 by NATALIE F
    Edited by DEXTER PERKINS, City HirtoGm and BLAKE MCKELVBY. Assistant City Hirtorian VOL. x JANUARY, 1948 No. 1 Literature in Rochester 1865 - 1905 By NATALIE F. HAWLEY At the end of the Civil War, Rochesterians-along with Americans elsewhere-became increasingly absorbed in the commercial and in- dustrial activities which were mushrooming all over the land. A city far different from the Yankee town of the fifties was developing along the Genesee. In the bustle of expansion, much of the old classical tradition was neglected and many conventional social patterns were outgrown. But in due course, increasing wealth, a new emphasis upon social events and social accomplishments, provided the occasion for an earnest, if somewhat indiscriminate search for culture. Social pretensions alone could not account for the revival of the literary arts however. The club movement, growing from a need to replace the inadequate social groups of earlier days, and accelerated by the increasing activity of women as society leaders, gave real nourishment to literary interests. It was in these social-literary clubs that the sober scholarship of local professors and theologians, at a discount for many years, worked best to provide a sound base for the creative and critical efforts of those newly awakened to the pleasures of literature. Out of an abundance of amorphous material, we have tried to choose those groups and individuals who most surely represent the significant trends and tastes of the period rather than to select our own favorites or to establish an arbitrary standard of the best which Roch- ester has contributed to prose and poetry.
    [Show full text]
  • Joaquin and Juanita Miller Collection
    http://oac.cdlib.org/findaid/ark:/13030/kt9x0nd6bs No online items Guide to the Joaquin and Juanita Miller Collection Processed by Katie Hassan and Kelley Wolfe Bachli Special Collections, Honnold/Mudd Library Libraries of The Claremont Colleges 800 Dartmouth Avenue Claremont, CA 91711 Phone: (909) 607-3977 Fax: (909) 621-8681 Email: [email protected] URL: http://libraries.claremont.edu/sc/default.html © 2007 Claremont University Consortium. All rights reserved. Guide to the Joaquin and Juanita H2007.4 1 Miller Collection Guide to the Joaquin and Juanita Miller Collection Collection number: H2007.4 Special Collections, Honnold/Mudd Library Libraries of The Claremont Colleges Claremont, California Processed by: Processed by Katie Hassan and Kelley Wolfe Bachli Date Completed: 2007 September Encoded by: Kelley Wolfe Bachli © 2004 Claremont University Consortium. All rights reserved. Descriptive Summary Title: Joaquin and Juanita Miller collection Dates: 1878-1941 Collection number: H2007.4 Creator: Miller, Joaquin, 1837-1913 Creator: Miller, Juanita Joaquina, 1880-1970 Collection Size: 2 boxes Repository: Claremont Colleges. Library. Special Collections, Honnold/Mudd Library. Claremont, CA 91711 Abstract: The collection contains correspondence, photographs, printed materials, and manuscript materials from 1878-1941. Among the manuscript material is an unpublished manuscript titled �When I was Emperor.� All of the photographs are of Joaquin Miller, some accompanied by his daughter and Dr. Frederick Cook. Physical location: Please consult repository. Languages: Languages represented in the collection: English Access Collection open for research. Publication Rights All requests for permission to publish must be submitted in writing to Special Collections. Preferred Citation [Identification of item], Joaquin and Juanita Miller collection.
    [Show full text]
  • Chapter 20: Literature: Joaquin Miller
    Mount Shasta Annotated Bibliography Chapter 20 Literature: Joaquin Miller "There loomed Mount Shasta, with which my name, if remembered at all, will be remembered." So wrote Joaquin Miller in his 1873 classic Mt. Shasta novel, Life Amongst the Modocs: Unwritten History. Miller was a young gold miner in the Mt. Shasta region from 1854 until 1857. Remarkable among extant Miller materials is his 1850s diary which, among other things, records his living for an entire year in Squaw Valley on the southern flank of Mt. Shasta. It was a year in which he lived with an Indian woman among her tribe. His experience living among the Indians, mostly out of contact with white people, gave him an unprecedented sympathy for the Indian and for nature. In later life Miller wrote book after book and poem after poem utilizing the themes he had learned from experience during those early years. Several of Miller's books, including the 1873 Unwritten History..., the 1884 Memorie and Rime, and the 1900 True Bear Stories, contain considerable autobiographical material about his life at Mt. Shasta. Note that Miller was a man far ahead of his times, and critics up until the late 20th Century did not fully appreciate his unconventional philosophy. Miller created a retreat for the homeless, spearheaded the first California Arbor Day, personally planted thousands of trees over a period of decades, founded an artistic commune based on the teachings of silence and nature, and wanted it to be known that he worked with his hands. Miller's 1885 log cabin, which still stands in Rock Creek National Park in Washington, D.
    [Show full text]
  • Joaquin Miller, Poet Laureate of Oregon
    Joaquin Miller, Poet Laureate of Oregon By Thomas Leander Moorhouse Joaquin Miller was an Oregon writer and poet who first found fame in Britain by portraying himself as a flamboyant western frontiersman, telling colorfully exaggerated stories, wearing buckskin clothing and a Mexican sombrero, and, later in life, sporting a flowing white beard. Amateur Pendleton photographer Thomas Leander “Lee” Moorhouse took this photograph in about 1907, perhaps when Miller was visiting eastern Oregon. In 1852, Cincinnatus Hiner Miller (1837-1913) moved with his parents to the Willamette Valley. He lived in various parts of the state and at one time was the editor of the Eugene Democratic Register. Later on, he and his second wife, poet Minnie Myrtle, lived in a cabin in Canyon City, Grant County, which has since been preserved as a tourist attraction and museum. In 1870, Miller left his wife and Oregon, moving to San Francisco and then Great Britain in an effort to find fame as a poet and writer. He changed his name to Joaquin in honor of a legendary California outlaw, Joaquin Murieta, and found success with the 1871 publication of his book, Songs of the Sierras. In early 1880s, Miller returned to the United States and lived for a while in a cabin he built in Washington D.C. before moving to Oakland, California. A tireless self-promoter, Miller told stories about gold mining and Indian fighting that probably had little connection to his actual life history. Accused of being a liar, Miller reportedly responded “I am not a liar. I simply exaggerate the truth.” Some critics have asserted that Miller’s literary work was unoriginal and mediocre.
    [Show full text]
  • The Indiana Boyhood of the Poet of the Sierras by GLENE
    The Indiana Boyhood of the Poet of the Sierras By GLENE. VEACH Joaquin Miller’s name has long been a distinguished name. If he had written nothing else, that grand poem “The Great Discoverer” would have assured his fame. Who is not familiar with the lilting cadence of this, his most poignant masterpiece? It is to be found in numerous an- thologies and was long a classic of the grade school readers. With the publication of Songs of the Sierras, Songs of the Sun-Lands, The Ship in the Desert, and other productions, the critics immediately recognized the genius of the man from whose hand these poems came. In many instances crude, fre- quently unpoetic in the accepted sense, there was nevertheless a distinct individuality about all of his work that marked Joaquin Miller as a literary lion, though strangely enough, it was by England that he was so recognized first, instead of by his homeland. Representative of the marked esteem in which his work is held by collectors, one could cite the figures in book auction records, revealing the sums which have been paid for copies of first editions of his poems and for his autographed letters. Joaquin Miller (christened Cincinnatus Hiner Miller), was born at Liberty, Indiana, on November 10, 1841.l He left his home in Indiana at the age of ten or eleven, with his parents, and never returned to Indiana. He once said that his first impression of life, his first memory, was looking out of a window at a great bon-fire which illuminated the darkness of night with its ruddy glow.
    [Show full text]
  • Walkin' in the Footsteps of Joaquin Miller
    Walkin’ in the Footsteps of Joaquin Miller The California Writers Club’s Role in Joaquin Miller Park Background Information Timeline 1886 “Poet of the Sierras” Joaquin Miller built his home, the “Abbey” and other structures on the land he called “The Hights” (his spelling) in the deforested Oakland Hills He began planting over 70,000 trees. 1904 Joaquin Miller began building monuments 1906-1909 After the 1906 SF earthquake, Jack London and his literary friends who formed the CWC & Beyond met for outdoor salons--a “blanket and a basket of chow” --on the lands then-owned by Joaquin Miller. These legendary writers formed the CWC in 1909, making what is now Joaquin Miller Park the birthplace of the CWC. Outdoor artistic and literary events continued through the late 1980’s. 1913 Joaquin Miller died. The CWC led the campaign to convince the City of Oakland to buy the lands and turn it into a public park. The CWC incorporated as nonprofit. The CWC adopted the words “Sail On” from Joaquin Miller’s poem, Columbus, as its motto The CWC commissioned the woodcut of its logo. 1914 The CWC published its first West Winds Anthology with contributions and editing by founding CWC members. 1917 The City of Oakland bought Joaquin Miller’s land 1925 The CWC published its second West Winds, a book of verse. 1930 The CWC began planting trees in honor of California writers who had made significant literary contributions. The CWC planted its first tree in honor of Joaquin Miller and the last one about 1985. The CWC idea of a Writers Memorial Grove grew, likely in response to Joaquin Miller’s dream of an artistic retreat in the Oakland Hills.
    [Show full text]
  • Ina Coolbrith Chit Chat Club
    La Miglior Fabbra: Ina Coolbrith and the Provenance of Bay Area Literature On April 29, 1893, Ina Coobrith, poet, writer, librarian, and doyen of San Francisco’s literary scene, traveled to the southeastern section of Oakland — to Fruitvale, an area celebrated for its cherry and apricot orchards. There she met David Lesser Lezinsky, a young poet with a passion for sociology and psychology, and Edmund Russell, a portrait painter — of fashionable society women — who preferred to wear silk robes and heeled shoes. They met to ascend the Oakland hills to visit the home of Joaquin Miller. Recognizing Russell’s being unable to walk through the countryside in what his companions characterized as “kids pumps,” Lezinsky rented a small horse and cart — and a small young driver — to transport Ina and Russell — slowly up the hill. Lezinsky and a reporter for the Stockton Evening Mail made their way on the well-trodden path to “The Hights,” Joaquin’s Miller’s compound, nested in the hills. The compound featured four whitewashed structures: one for dining, another for work and sleep, and another — for his mother. Miller reserved the fourth — and largest — structure for the gardener and to support his work tending to the landscape and especially the terraces of roses. Miller drew numerous visitors to the “Hights” — each eager to catch a glimpse of this tall man who fashioned his appearance in a manner causing him to look like Walt Whitman on steroids — but with little of the poetic muscularity of America’s “Good Grey Poet.” Joaquin Miller was one of the most famous and readily recognized poets of the West in the last quarter of the 19th century, but few admirers at that time knew that Ina Coolbrith had prompted 1 Miller to change his name — from “Cincinnatus Hiner Miller.” Miller was born c.
    [Show full text]