TPTV Schedule July 19Th to July 25Th Date Time Programme Synopsis Mon 19 00:15 Smashing Time 1967
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The Profumo Affair in Popular Culture: the Keeler Affair (1963) and 'The
Contemporary British History ISSN: 1361-9462 (Print) 1743-7997 (Online) Journal homepage: http://www.tandfonline.com/loi/fcbh20 The Profumo affair in popular culture: The Keeler Affair (1963) and ‘the commercial exploitation of a public scandal’ Richard Farmer To cite this article: Richard Farmer (2016): The Profumo affair in popular culture: The Keeler Affair (1963) and ‘the commercial exploitation of a public scandal’, Contemporary British History, DOI: 10.1080/13619462.2016.1261698 To link to this article: http://dx.doi.org/10.1080/13619462.2016.1261698 © 2016 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group Published online: 29 Nov 2016. Submit your article to this journal Article views: 143 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=fcbh20 Download by: [University of East Anglia Library] Date: 16 December 2016, At: 03:30 CONTEMPORARY BRITISH HISTORY, 2016 http://dx.doi.org/10.1080/13619462.2016.1261698 OPEN ACCESS The Profumo affair in popular culture: The Keeler Affair (1963) and ‘the commercial exploitation of a public scandal’ Richard Farmer Department of Film, Television and Media Studies, University of East Anglia, Norwich, UK ABSTRACT KEYWORDS This article demonstrates that the Profumo affair, which obsessed Profumo affair; satire; Britain for large parts of 1963, was not simply a political scandal, but cinema; Christine Keeler; was also an important cultural event. Focussing on the production scandal of The Keeler Affair, a feature film that figured prominently in contemporary coverage of the scandal but which has been largely overlooked since, the article shows that this film emerged from a situation in which cultural entrepreneurs, many of them associated with the satire boom, sought to exploit the scandal for financial gain. -
The Representation of Reality and Fantasy in the Films of Powell and Pressburger: 1939-1946
The Representation of Reality and Fantasy In the Films of Powell and Pressburger 1939-1946 Valerie Wilson University College London PhD May 2001 ProQuest Number: U642581 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U642581 Published by ProQuest LLC(2015). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 The Representation of Reality and Fantasy In the Films of Powell and Pressburger: 1939-1946 This thesis will examine the films planned or made by Powell and Pressburger in this period, with these aims: to demonstrate the way the contemporary realities of wartime Britain (political, social, cultural, economic) are represented in these films, and how the realities of British history (together with information supplied by the Ministry of Information and other government ministries) form the basis of much of their propaganda. to chart the changes in the stylistic combination of realism, naturalism, expressionism and surrealism, to show that all of these films are neither purely realist nor seamless products of artifice but carefully constructed narratives which use fantasy genres (spy stories, rural myths, futuristic utopias, dreams and hallucinations) to convey their message. -
Read Ebook {PDF EPUB} When the Heart Lies by Christina North 7 Things That Make up a Christian Heart
Read Ebook {PDF EPUB} When the Heart Lies by Christina North 7 Things That Make Up a Christian Heart. Matthew 6:21 says, “For where your treasure is, there your heart will be also.” This verse is saying that you must have honesty within your heart. Be true to yourself and those around you – and you’ll discover that your heart will guide you when you’re feeling left astray or at bay from everything that’s near and dear to you. Always listen to your heart because it will help to cultivate your decisions between right and wrong. Proverbs 3:5 says, “Trust in the Lord with all your heart and lean not on your own understanding,” This verse is conveying the desperate need for faith within your heart. There will be challenging times that cause you to question your faith and your overall belief system; however, it’s important to have faith within your heart. When you find yourself in doubt, look to your heart to guide you into the right direction. If you have these seven elements within your heart, you’ll find that your life is much fuller – full of happiness, love and the Lord. Everyone’s heart has many other qualities and attributes that furnish their individuality however, these seven elements are the core to a Christian heart. Christine Keeler obituary: the woman at the heart of the Profumo affair. There were many victims of the Profumo affair, the sex and spying scandal that dominated the headlines in 1963, contributed to the resignation of the then prime minister, Harold Macmillan, soon afterwards, and still looms disproportionately large in the history of modern Britain. -
Paris When It Sizzles
Talking Pictures TV www.talkingpicturestv.co.uk Highlights for week beginning SKY 328 | FREEVIEW 81 Mon 2nd November 2020 FREESAT 306 | VIRGIN 445 Paris When It Sizzles on Talking Pictures TV Stars: William Holden, Audrey Hepburn, Gregoire Aslan, Raymond Bussires, Christian Duvallex, Thomas Michel, Noel Coward, Tony Curtis, Marlene Dietrich, Fred Astaire. Directed by Richard Quine in 1964. Holden plays a successful but jaded screenwriter who secures a huge advance on his next project but wastes the cash on booze, hotel rooms and food. A vivacious young assistant is sent to help with the looming deadline and as the plot unfolds on paper, so does their story. Airs: Sunday 8th November 6:05pm Monday 2nd November 11:30am Wednesday 4th November The Rainmaker (1957) 12:20pm Romance. Director: Joseph Lassie From Lancashire (1938) Anthony. Stars: Burt Lancaster, Comedy. Director: John Paddy Katharine Hepburn. A middle-aged Carstairs. Stars: Marjorie Browne, woman who suffers from unrequited Hal Thompson, Marjorie Sandford, love for the sheriff falls for a con man Mark Daly, Vera Lennox. A talented who comes to town with the promise lassie from Lancashire sneaks out that he can make it rain. every night to appear in a show, hoping to be discovered. Monday 2nd November 4pm Dark City (1950) Wednesday 4th November 2:30pm Thriller. Director: William Dieterle. Mrs. Fitzherbert (1947) Stars: Charlton Heston, Dean Jagger, Drama. Director: Montgomery Tully. Lizabeth Scott, Viveca Lindfors, Stars: Peter Graves, Joyce Howard, Don DeFore. When a man kills Leslie Banks, Margaretta Scott, himself after a poker game, his Wanda Rotha. A society beauty’s brother looks for revenge. -
Paris When It Sizzles
Talking Pictures TV www.talkingpicturestv.co.uk Highlights for week beginning SKY 328 | FREEVIEW 81 Mon 2nd November 2020 FREESAT 306 | VIRGIN 445 Paris When It Sizzles on Talking Pictures TV Stars: William Holden, Audrey Hepburn, Gregoire Aslan, Raymond Bussires, Christian Duvallex, Thomas Michel, Noel Coward, Tony Curtis, Marlene Dietrich, Fred Astaire. Directed by Richard Quine in 1964. Holden plays a successful but jaded screenwriter who secures a huge advance on his next project but wastes the cash on booze, hotel rooms and food. A vivacious young assistant is sent to help with the looming deadline and as the plot unfolds on paper, so does their story. Airs: Sunday 8th November 6:05pm Monday 2nd November 11:30am Wednesday 4th November The Rainmaker (1957) 12:20pm Romance. Director: Joseph Lassie From Lancashire (1938) Anthony. Stars: Burt Lancaster, Comedy. Director: John Paddy Katharine Hepburn. A middle-aged Carstairs. Stars: Marjorie Browne, woman who suffers from unrequited Hal Thompson, Marjorie Sandford, love for the sheriff falls for a con man Mark Daly, Vera Lennox. A talented who comes to town with the promise lassie from Lancashire sneaks out that he can make it rain. every night to appear in a show, hoping to be discovered. Monday 2nd November 4pm Dark City (1950) Wednesday 4th November 2:30pm Thriller. Director: William Dieterle. Mrs. Fitzherbert (1947) Stars: Charlton Heston, Dean Jagger, Drama. Director: Montgomery Tully. Lizabeth Scott, Viveca Lindfors, Stars: Peter Graves, Joyce Howard, Don DeFore. When a man kills Leslie Banks, Margaretta Scott, himself after a poker game, his Wanda Rotha. A society beauty’s brother looks for revenge. -
Note to Users
NOTE TO USERS This reproduction is the best copy available. UMI' The Spectacle of Gender: Representations of Women in British and American Cinema of the Nineteen-Sixties By Nancy McGuire Roche A Dissertation Submitted in Partial Fulfillment of the Requirements for the Ph.D. Department of English Middle Tennessee State University May 2011 UMI Number: 3464539 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3464539 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 The Spectacle of Gender: Representations of Women in British and American Cinema of the Nineteen-Sixties Nancy McGuire Roche Approved: Dr. William Brantley, Committees Chair IVZUs^ Dr. Angela Hague, Read Dr. Linda Badley, Reader C>0 pM„«i ffS ^ <!LHaAyy Dr. David Lavery, Reader <*"*%HH*. a*v. Dr. Tom Strawman, Chair, English Department ;jtorihQfcy Dr. Michael D1. Allen, Dean, College of Graduate Studies Nancy McGuire Roche Approved: vW ^, &v\ DEDICATION This work is dedicated to the women of my family: my mother Mary and my aunt Mae Belle, twins who were not only "Rosie the Riveters," but also school teachers for four decades. These strong-willed Kentucky women have nurtured me through all my educational endeavors, and especially for this degree they offered love, money, and fierce support. -
From Real Time to Reel Time: the Films of John Schlesinger
From Real Time to Reel Time: The Films of John Schlesinger A study of the change from objective realism to subjective reality in British cinema in the 1960s By Desmond Michael Fleming Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy November 2011 School of Culture and Communication Faculty of Arts The University of Melbourne Produced on Archival Quality Paper Declaration This is to certify that: (i) the thesis comprises only my original work towards the PhD, (ii) due acknowledgement has been made in the text to all other material used, (iii) the thesis is fewer than 100,000 words in length, exclusive of tables, maps, bibliographies and appendices. Abstract The 1960s was a period of change for the British cinema, as it was for so much else. The six feature films directed by John Schlesinger in that decade stand as an exemplar of what those changes were. They also demonstrate a fundamental change in the narrative form used by mainstream cinema. Through a close analysis of these films, A Kind of Loving, Billy Liar, Darling, Far From the Madding Crowd, Midnight Cowboy and Sunday Bloody Sunday, this thesis examines the changes as they took hold in mainstream cinema. In effect, the thesis establishes that the principal mode of narrative moved from one based on objective realism in the tradition of the documentary movement to one which took a subjective mode of narrative wherein the image on the screen, and the sounds attached, were not necessarily a record of the external world. The world of memory, the subjective world of the mind, became an integral part of the narrative. -
Two Day Autograph Auction Day 1 Saturday 02 November 2013 11:00
Two Day Autograph Auction Day 1 Saturday 02 November 2013 11:00 International Autograph Auctions (IAA) Office address Foxhall Business Centre Foxhall Road NG7 6LH International Autograph Auctions (IAA) (Two Day Autograph Auction Day 1 ) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 tennis players of the 1970s TENNIS: An excellent collection including each Wimbledon Men's of 31 signed postcard Singles Champion of the decade. photographs by various tennis VG to EX All of the signatures players of the 1970s including were obtained in person by the Billie Jean King (Wimbledon vendor's brother who regularly Champion 1966, 1967, 1968, attended the Wimbledon 1972, 1973 & 1975), Ann Jones Championships during the 1970s. (Wimbledon Champion 1969), Estimate: £200.00 - £300.00 Evonne Goolagong (Wimbledon Champion 1971 & 1980), Chris Evert (Wimbledon Champion Lot: 2 1974, 1976 & 1981), Virginia TILDEN WILLIAM: (1893-1953) Wade (Wimbledon Champion American Tennis Player, 1977), John Newcombe Wimbledon Champion 1920, (Wimbledon Champion 1967, 1921 & 1930. A.L.S., Bill, one 1970 & 1971), Stan Smith page, slim 4to, Memphis, (Wimbledon Champion 1972), Tennessee, n.d. (11th June Jan Kodes (Wimbledon 1948?), to his protégé Arthur Champion 1973), Jimmy Connors Anderson ('Dearest Stinky'), on (Wimbledon Champion 1974 & the attractive printed stationery of 1982), Arthur Ashe (Wimbledon the Hotel Peabody. Tilden sends Champion 1975), Bjorn Borg his friend a cheque (no longer (Wimbledon Champion 1976, present) 'to cover your 1977, 1978, 1979 & 1980), reservation & ticket to Boston Francoise Durr (Wimbledon from Chicago' and provides Finalist 1965, 1968, 1970, 1972, details of the hotel and where to 1973 & 1975), Olga Morozova meet in Boston, concluding (Wimbledon Finalist 1974), 'Crazy to see you'. -
Daily Mail {Main} Edition: Date: Thursday 17, October 2019 Page: 17,18
Media: Daily Mail {Main} Edition: Date: Thursday 17, October 2019 Page: 17,18 A study claims 1978 was Britain’s unhappiest year. What rot, says ROGER LEWIS – from Brucie on the box to seven-pintp tins of beer it was... NineteenNineteen seventyty GREAT! by Roger Lewis Few ventured far for their holidays. Weymouth, Margate and Bridlington HAT strikes me is had yet to be eclipsed by the Balearics. how innocent it all Eating out meant scampi and chips in was. If we drank a basket, an egg burger at a Wimpy with the squeezy, tomato-shaped ketchup Mateus Rose, the dispenser and somehow cake tasted bottles were turned different when it was called Black Forest WWinto lampshades.W Gateau at a Berni Inn. Few ventured far for their holidays. COPYRIGHT: This cutting is reproduced by Gorkana under licence from the NLA, CLA or other copyright owner. No further copying (including the printing of digital cuttings), digital reproduction or forwarding is permitted except under license from the NLA, www.nla.co.uk (for newspapers) CLA, www.cla.co.uk (for books and magazines) or other copyright body. Article Page 1 of 5 A23794 - 1 N N s Media: Daily Mail {Main} Edition: Date: Thursday 17, October 2019 Page: 17,18 Gateau at a Berni Inn. I remember Valerie Singleton in I’m talking, of course, about 1978, the the early Seventies dressed up as year a new study tells us was the most a Bronte to show us around miserable for two centuries. Professors Haworth Parsonage. at Warwick University seem to base There was no loudness and brash their findings on the fact that dwindling f silliness, as today on CBeebies. -
Ordeal by Innocence Pdf, Epub, Ebook
ORDEAL BY INNOCENCE PDF, EPUB, EBOOK Agatha Christie | 320 pages | 07 Apr 2003 | HarperCollins Publishers | 9780007154913 | English | London, United Kingdom Ordeal by Innocence PDF Book Mickey Argyll 3 episodes, Understanding in treatment of adopted children, but not altogether tactful on the color question: Tina's always the dark horse The victim was Jacko's own mother, and to make matters worse, he died in prison. The first quibble I had concerned the issue of adoption. There is ingenuity, of course, but it lacks a central focus. The solution has also been radically altered. Forgot your password? I read the novel quickly because I was so anxious to learn the solution. Before he left, he offered a lift to a hitchhiker from the side of the road and never saw him again. The Radio Times reported that viewer feedback was positive although some had commented that the programme was confusing due to its forwards and backwards time jumps. Add the first question. Technically, her writing is impressive. The Conners. She, in turn, reveals to him that Kirsten is his biological mother and Leo his father, which causes him to flee the house. Language: English. Jacko was a crook, but he didn't deserve to die for a murder he did not commit. Kirsten Lindstrom 3 episodes, Anthony Boyle I just read pneumonia and Doctor in the synopsis and was immediately sold. He's never had a problem using people, including his family, so since he KNOWS who the killer is, which is made plain at the end of the book, why didn't he speak out against him or her? Despite a massive manhunt, she was not found for eleven days. -
Gb 1456 Thomas
GERALD THOMAS COLLECTION GERALD THOMAS COLLECTION SCOPE AND CONTENT Documents relating to the career of director GERALD THOMAS (Born Hull 10/12/1920, died Beaconsfield 9/11/1993). When Gerald Thomas died, his producer partner of 40 years Peter Rogers said: ‘His epitaph will be that he directed all the Carry On films.’ Indeed, for an intense 20-year period Thomas directed the Carry On gang through their innuendo laden exploits, and became responsible, along with Rogers, for creating one of the most enduring and endearing British film series, earning him his place in British popular culture. Thomas originally studied to become a doctor, before war service with the Royal Sussex Regiment put paid to his medical career. When demobilised in 1946, he took a job as assistant in the cutting rooms of Two Cities Films at Denham Studios, where he took Assistant Editor credits on Laurence Olivier’s Hamlet (1948) and the John Mills thriller The October Man (1947). In 1949, he received his first full credit as editor, on the Margaret Lockwood melodrama Madness of the Heart (1949). During this time Peter Rogers had been working as associate producer with his wife, producer Betty Box, on such films as It’s Not Cricket (1949) and Don’t Ever Leave Me (1949). It was Venetian Bird in 1952 that first brought Thomas and Rogers together; Thomas employed as editor by director brother Ralph, and Rogers part of the producer team with Betty Box. Rogers was keen to form a director/producer pairing (following the successful example of Box and Ralph Thomas), and so gave Gerald his first directing credit on the Circus Friends (1956), a Children’s Film Foundation production. -
Resisting Hollywood Dominance in Sixties British Cinema : the NFFC/Rank Joint Financing Initiative
This is a repository copy of Resisting Hollywood Dominance in Sixties British Cinema : The NFFC/Rank Joint Financing Initiative. White Rose Research Online URL for this paper: https://eprints.whiterose.ac.uk/94238/ Version: Published Version Article: Petrie, Duncan James orcid.org/0000-0001-6265-2416 (2016) Resisting Hollywood Dominance in Sixties British Cinema : The NFFC/Rank Joint Financing Initiative. Historical Journal of Film, Radio and Television. ISSN 1465-3451 https://doi.org/10.1080/01439685.2015.1129708 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Historical Journal of Film, Radio and Television ISSN: 0143-9685 (Print) 1465-3451 (Online) Journal homepage: http://www.tandfonline.com/loi/chjf20 Resisting Hollywood dominance in sixties British cinema: the NFFC/rank joint financing initiative Duncan Petrie To cite this article: Duncan Petrie (2016): Resisting Hollywood dominance in sixties British cinema: the NFFC/rank joint financing initiative, Historical Journal of Film, Radio and Television, DOI: 10.1080/01439685.2015.1129708 To link to this article: http://dx.doi.org/10.1080/01439685.2015.1129708 © 2016 The Author(s).