Dynamic Cutting Is to Swords As Casual Target Practice Is to Firearms
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The Condors and Bottom, the Combat Machete
NEW IMPORTS Top, the Hog Sticker Machete The Condors and bottom, the Combat Machete. Either blade would make a very useful light-duty trail knife for maintaining paths through heavy HAVE LANDED! vegetation. Left to right, the Condor Pipe Knife Dagger, Condor This new line from Central America combines Multi-Knife and Condor Jungle Bowie. The Jungle the best jungle designs with modern materials. Bowie was my pick of the three for all-round B Y S te V E N D I C K usefulness. While practically every Central and South American country has its own machete industry, there are a small number of brands that seem to be universally popular south of the Rio Grande. Tramontina from Brazil, Colima from Guatemala, and Imacasa from El Salvador are three of the big names. WI particularly remember one trip to Costa Rica when I asked some of the locals about the Larsson machetes made in that country. I was quickly told that they considered the Imacasa products far superior to their own local brand. Finding Imacasa knives and machetes has been kind of a hit and miss proposition in the U.S. I have the impression that the big hardware distrib- utors tend to go with the low bidder each time they place a large machete order. As a result, you never know what brand you will find in the local retailer from month to month. In the case of Imacasa, that may be changing. A new company, Condor Tool and Knife, is now importing a wide variety of blades and tools from El Salvador. -
The Cavé in French Swordsmanship Patrick T
COLUMBIACLASSICALFENCING.COM The Cavé in French Swordsmanship Patrick T. Morgan Introduction French fencing masters wrote about the cavé (pronounced cahv-ay) as a distinct fencing action. In French, caver means to cave in or collapse. The cavé thus described how a fencer would change or position his wrist or body to create a sharp angle—“caving in” from, say, a straightened position— for a specific fencing purpose, whether offensive or defensive. Sensibly, then, the cavé is sometimes referred to as angulation today. But that term doesn’t always cover all the ways the French writers used the cavé. This is because, as explained below, you can also cavé by using no angulation. Three General Ways to Cavé For the French, there were three ways to cavé. From the on-guard position, you could cavé (1) at the hips or (2) with your rear leg. You could also (3) cavé the wrist of your sword arm, which itself was possible in three different ways. These methods were variously defensive or offensive. Importantly, these were not recommendations so much as taxonomy: as we’ll see, some of these ways of “cavé-ing” could get you killed. 1. The Cavé at the Hips Danet discussed the “cavation” of the body in the second volume of L’Art des Armes. The cavé of the hips is one of two types of esquive—that is, a movement or displacement of the fencer’s target area to evade a thrust—that Danet identified. As Danet described it, the cavé at the hips occurs by “lowering the shoulders and completely straightening the right knee” (en baissant les épaules, & dépliant tout-à- fait le genou droit). -
The Lawa River P.O
INSTITUTE OF CURRENT WORLD AFFAIRS JHM-12 BACK TO THE LAWA RIVER P.O. Box 206 Kalimantan Mr. Peter Bird Martin Samarinda, East Executive Director Indonesia Institute of Current World Affairs April 1988 4 West Wheelock Street Hanover, New Hampshire 03755 USA Dear Peter, Two days and a night aboard the Aspian Noor, slowly chugging up the Mahakam and Pahu Rivers last December were enough to get me excited about the wind and speed of myfirst ride on the Kalhold Utama Company's logging road. Racing over smooth-packed earth in the night, the logging truck seemed like transport from another world. The driver, a wiry chain-smoker from South Sulawesi (the island east of Borneo) relished driving this road at night, headlights flashing yellow, red, or green in the eyes of nocturnal creatures stunned by the sudden brightness. He got poetic, talking about the road flowing through the jungle like a river, and pointing out how the treetops' deep black silhouettes stood out against the brilliant edge of the Milky Way. In the hour-long rush whoosh from the company's Pahu River landing place to the main logging camp, 69 kilometers over rolling hills to the south, the road began to seem almost miraculous to me, powerful technology in the starlight. When returned to the area almost three months later, any magic the company road held for me evaporated under the intensity of a mid-afternoon sun. The road was no river, but a heat-reflecting equatorial desert cutting through the ramains of logged-over forest interspersed with swidden fields of ripe padi. -
The Sword Conservatory, Inc
What are your sword The Sword fighting needs? Conservatory, Inc. Medieval sword fighting class Stage Combat The Sword Conservatory offers classes, educational programs, and demonstrations in a variety of sword fighting styles from medieval through modern sport fencing and stage combat. The Sword Conservatory, Inc. Cutlass lessons Whether you wish to take a sword fighting class, need an Mailing Address educational presentation to your Teaching the history, 112 Tonks Trail school group or civic Holly Springs, NC 27450 sport, and art of organization, or need a demonstration group for your Website: www.swordconservatory.org swordsmanship to all festival, The Sword Conservatory Email: [email protected] with safety and fun. can help. Please contact us at (www.swordconservatory.org) [email protected] Who we are and what we do. Teaching at Schools The Sword Conservatory is a non-profit Festivals and Organizations [501(c)(3)] organization dedicated to research and teaching sword fighting from medieval through 19th century styles, plus modern sport fencing and stage choreography. Classes At the Hunt Center in Holly Springs, we teach the following classes: Medieval sword fighting - single- handed sword, two-handed sword, Festivals School Groups and Civic sword & shield, dagger, staff, and more. We have a variety of programs to offer Organizations Historic fencing - rapier, small sword, various festivals, like Renaissance Faires, We offer educational programs for school cutlass, and military sabre Pirate Festivals, and Sci-Fi -
Swordsmanship and Sabre in Fribourg
Acta Periodica Duellatorum, Hands-on section, articles 103 Hands-on section, articles Sweat and Blood: Swordsmanship and sabre in Fribourg Mathijs Roelofsen, PhD Student, University of Bern [email protected], and Dimitri Zufferey, Independant Researcher, GAFSchola Fribourg, [email protected] Abstract – Following a long mercenary tradition, Switzerland had to build in the 19th century its own military tradition. In Cantons that have provided many officers and soldiers in the European Foreign Service, the French military influence remained strong. This article aims to analyze the development of sabre fencing in the canton of Fribourg (and its French influence) through the manuals of a former mercenary (Joseph Bonivini), a fencing master in the federal troops (Joseph Tinguely), and an officer who became later a gymnastics teacher (Léon Galley). These fencing manuals all address the recourse to fencing as physical training and gymnastic exercise, and not just as a combat system in a warlike context. Keywords – Sabre, Fribourg, Valais, Switzerland, fencing, contre-pointe, bayonet I. INTRODUCTION In military history, the Swiss are known for having offered military service as mercenaries over a long time period. In the 19th century, this system was however progressively abandoned, while the country was creating its own national army from the local militias. The history of 19th century martial practices in Switzerland did not yet get much attention from historians and other researchers. This short essay is thus a first attempt to set some elements about fencing in Switzerland at that time, focusing on some fencing masters from one Swiss Canton (Fribourg) through biographical elements and fencing manuals. -
Rules and Options
Rules and Options The author has attempted to draw as much as possible from the guidelines provided in the 5th edition Players Handbooks and Dungeon Master's Guide. Statistics for weapons listed in the Dungeon Master's Guide were used to develop the damage scales used in this book. Interestingly, these scales correspond fairly well with the values listed in the d20 Modern books. Game masters should feel free to modify any of the statistics or optional rules in this book as necessary. It is important to remember that Dungeons and Dragons abstracts combat to a degree, and does so more than many other game systems, in the name of playability. For this reason, the subtle differences that exist between many firearms will often drop below what might be called a "horizon of granularity." In D&D, for example, two pistols that real world shooters could spend hours discussing, debating how a few extra ounces of weight or different barrel lengths might affect accuracy, or how different kinds of ammunition (soft-nosed, armor-piercing, etc.) might affect damage, may be, in game terms, almost identical. This is neither good nor bad; it is just the way Dungeons and Dragons handles such things. Who can use firearms? Firearms are assumed to be martial ranged weapons. Characters from worlds where firearms are common and who can use martial ranged weapons will be proficient in them. Anyone else will have to train to gain proficiency— the specifics are left to individual game masters. Optionally, the game master may also allow characters with individual weapon proficiencies to trade one proficiency for an equivalent one at the time of character creation (e.g., monks can trade shortswords for one specific martial melee weapon like a war scythe, rogues can trade hand crossbows for one kind of firearm like a Glock 17 pistol, etc.). -
THE HISTORY of the RAPIER the Culture and Construction of the Renaissance Weapon
THE HISTORY OF THE RAPIER The Culture and Construction of the Renaissance Weapon An Interactive Qualifying Project Report Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for the Degree of Bachelor of Science By Robert Correa Andrew Daudelin Mark Fitzgibbon Eric Ostrom 15 October 2013 Submitted to: Professor Diana A. Lados Mr. Tom H. Thomsen Abstract At the end of the Middle Ages, weapons began to be used not only on the battlefield, but for civilian use as well. The rapier became the essential self-defense weapon of the “Renaissance man.” This project explores the evolution and manufacture of the rapier through history. This cut-and-thrust sword was manufactured by artisans who had to develop new methods of crafting metal in order to make the thin, light blade both durable and ductile. To study this process, a rapier was constructed using classical methods. Upon the completion of the replica, its material properties were studied using a surface microscope. The project also included contributing to the WPI Arms and Armor website. ii Acknowledgements The authors would like to thank Professor Diana Lados and Mr. Tom Thomsen for creating the Evolution of Arms and Armor Interactive Qualifying Project. Their guidance and assistance were invaluable throughout the project experience. A huge thanks also to Josh Swalec and Ferromorphics Blacksmithing. The expertise of Mr. Swalec and others at Ferromorphics was key to learning smithing techniques and using them to construct a replica of a rapier in the Renaissance style. Mr. Swalec opened the doors of his shop to us and was welcoming every step of the way. -
Fma-Special-Issue Kali-Eskrima-Arnis
Publisher Steven K. Dowd Contributing Writers Leo T. Gaje, Jr Nick Papadakis Steven Drape Bot Jocano Contents From the Publishers Desk Kali Kali Means to Scrape Eskrima Arnis: A Question of Origins Filipino Martial Arts Digest is published and distributed by: FMAdigest 1297 Eider Circle Fallon, Nevada 89406 Visit us on the World Wide Web: www.fmadigest.com The FMAdigest is published quarterly. Each issue features practitioners of martial arts and other internal arts of the Philippines. Other features include historical, theoretical and technical articles; reflections, Filipino martial arts, healing arts and other related subjects. The ideas and opinions expressed in this digest are those of the authors or instructors being interviewed and are not necessarily the views of the publisher or editor. We solicit comments and/or suggestions. Articles are also welcome. The authors and publisher of this digest are not responsible for any injury, which may result from following the instructions contained in the digest. Before embarking on any of the physical activates described in the digest, the reader should consult his or her physician for advice regarding their individual suitability for performing such activity. From the Publishers Desk Kumusta This is a Special Issue that will raise some eyebrows. It seems that when you talk of Kali, Eskrima, or Arnis, there is controversy on where they came from and what they are about. And when you finally think you have the ultimate understanding then you find little things that add, change, subtract from the overall concept. Well in this Special Issue the FMAdigest obtained permission from the authors to take their explanation, some published years ago. -
A History of the Garden in Fifty Tools Bill Laws
A HISTORY OF THE GARDEN IN FIFTY TOOLS BILL LAWS A green thumb is not the only tool one needs to gar- material. We find out that wheelbarrows originated den well—at least that’s what the makers of garden- in China in the second century BC, and their ba- ing catalogs and the designers of the dizzying aisle sic form has not changed much since. He also de- displays in lawn- and-garden stores would have us scribes how early images of a pruning knife appear believe. Need to plant a bulb, aerate some soil, or in Roman art, in the form of a scythe that could cut keep out a hungry critter? Well, there’s a specific through herbs, vegetables, fruits, and nuts and was tool for almost everything. But this isn’t just a prod- believed to be able to tell the gardener when and uct of today’s consumer era, since the very earliest what to harvest. gardens, people have been developing tools to make Organized into five thematic chapters relating planting and harvesting more efficient and to make to different types of gardens: the flower garden, the flora more beautiful and trees more fruitful. In A kitchen garden, the orchard, the lawn, and orna- History of the Garden in Fifty Tools, Bill Laws offers mental gardens, the book includes a mix of horti- entertaining and colorful anecdotes of implements culture and history, in addition to stories featuring that have shaped our gardening experience since well-known characters—we learn about Henry David the beginning. Thoreau’s favorite hoe, for example. -
Playing with Knives: the Socialization of Self-Initiated Learners 3 4 1 David F
Child Development, xxxx 2015, Volume 00, Number 0, Pages 1–13 1 2 Playing With Knives: The Socialization of Self-Initiated Learners 3 4 1 David F. Lancy 5 Utah State University 6 7 8 Since Margaret Mead’s field studies in the South Pacific a century ago, there has been the tacit understanding 9 that as culture varies, so too must the socialization of children to become competent culture users and bearers. 10 More recently, the work of anthropologists has been mined to find broader patterns that may be common to 11 childhood across a range of societies. One improbable commonality has been the tolerance, even encourage- 12 ment, of toddler behavior that is patently risky, such as playing with or attempting to use a sharp-edged tool. 13 This laissez faire approach to socialization follows from a reliance on children as “self-initiated learners.” In 14 this article, ethnographic literature that shows why children are encouraged to learn without prompting or 15 guidance and how that happens is reviewed. 16 17 18 19 Concepts like socialization, parental caretaking A fruitful source of clues to the parental eth- “ ” 20 styles, and pedagogy are often studied in anthro- notheory is the culture shock experienced by the “ ” 21 pology within a cultural models framework. The investigator. Accompanied by his spouse during his 22 framework is built on the assumption that societies research on childhood among the Dusun in North Dispatch: 31.12.15No. CE: of Priya pages: 13 PE: Karpagavalli 23 incorporate templates or models to guide members Borneo, Williams reports: 24 (Quinn, 2005) that include customary practices, 25 sanctions for following or not following those prac- We were faced daily with Dusun parents raising 26 tices, and an ethnotheory that organizes these ideas their children in ways that violated the basic “ 27 and provides an overarching perspective. -
Twenty-First Century Hoe Farming – an Antidote to Globalisation
An Introduction to Twenty-First Century HOE FARMING – an antidote to globalisation Gareth Lewis An Introduction to Twenty-First Century HOE FARMING – an antidote to globalisation Gareth Lewis Illustrations: Bethan Lewis Samuel Lewis Tim the Gardener by Samuel Lewis By the same author: One to One - a Practical Guide to Learning at Home (0-11) Unqualified Education - a Practical Guide to Learning at Home (11-18) Published by Nezert Books, an imprint of Central Brittany Journal Le Nezert, 22160 Duault, France ©2016. www.hoe-farming.com Preface The aim of this book is to give credence to the age-old idea that a human being can supply themselves with all their most important needs with the aid of a hoe, and a few other simple tools – even in the age of the global economy. It is not a comprehensive guide to hoe farming, but a mixture of things that I have learnt while hoe farming over the last ten years, and thoughts on the subject of hoe farming in general. I am aware that there are hundreds of millions of people in the world who know a lot more about hoe farming than I do, but there are not many people who have spent time re-establishing a hoe farm in an area that has been industrially farmed for a number of years; it is my experience in this field that I hope to communicate in this book. Cartoon Index CLEARING LAND 2 HOEING 4 POTATOES 8 MULCH 10 SOIL PREPARATION 13 FLATBREADS 15 THE VEGETABLE GARDEN 16 - 17 HAZELNUTS 19 CHESTNUTS 23 MAKING A BANK 25 PLANTING TREES 26 COppiciNG & SHREDDING 29 WOOD 30 FAGGOTS 32 WATER MEADOWS 34 SHALLOTS 37 -
Tools and Equipment Ames® Long Fiberglass Handle Shovel Tempered Steel Blade Shovel with Oversized Cushion Grip on a Fiberglass Handle for Added Comfort
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