Photographic Accessories

The ideal lineup for seamless performance with your Nikon.

From the world’s finest cameras and lenses to an immense range of Each accessory delivers the same exacting standard of quality that specialized equipment and accessories, Nikon boasts the world’s has made Nikon synonymous with professional photography. Nikon most comprehensive photography system. This brochure covers the accessories are designed to withstand the most demanding photo- most important Nikon photographic accessories — tools that work graphic conditions imaginable to assure a lifetime of excellent ser- seamlessly with your Nikon camera for optimum performance. vice for everyone from beginners to professionals.

Viewing Accessories B attery Packs C lose-Up and Pp.24-25 Customize your shooting views with one of these A ccessories Motor D rives superior Nikon accessories. P. 28 Interchangeable Focusing Screens Pp.20-21 Viewing Attachment These can be indispensable Speedlights Beef up your power with a boost from one when you need to reveal Pp.4-14 of these battery packs or motor drives. precise details with close-up Battery Packs photography. When you want the finest flash results for your Nikon (for F6, F5, N90s, N80, N75, D2 series, D200) Bellows Focusing Attachment and SLR, choose one of the many Nikon Speedlights. External Power Source Accessories Nikon Creative Lighting System Motor Drive (for FM3A) Close-up Attachment Lenses SB-800/SB-600/SU-800/SB-R200 Auto Extension Rings Camera/Speedlight Compatibility TTL Flash System/Flash Accessories

R emote C ontrol & L ens C ases/ Data Communication ilters L ens H oods F P. 29 A ccessories Pp.26-27 Ideal companions for your precious Pp.22-23 Absolute necessities for many types Nikkor lenses. Explore more creative shooting with these of photography. This comprehensive Lens Cases, Lens Hoods, Lens and Body Caps, Lens strap remote and data communication accessories. lineup covers all the bases. Two-Pin Remote Accessories Filters for Color and B&W Photography Ten-Pin Remote Accessories Filters for B&W Photography Cable Release AR-3 Filters for Color Photography C amera C ases/ S oftware Remote Cord MC-DC1 Modulite Remote Control Set Pp.15-19 Data Communication Accessories S traps Postproduction imaging tool that’s a key Pp.30-31 element to any digital imaging workflow. These offer the best protection and Nikon Capture 4 convenience for your Nikon. PictureProject Digital Filters Camera Cases, Compartment Case, Neckstraps, Hand Strap 2 3 S peedlights NIKON CREATIVE Nikon LIGHTING SYSTEM Creative The right lighting is crucial to photography. That’s why the Nikon Creative Lighting AUTO FP High Speed Sync System provides superior performance and a near-limitless amount of illumination Lighting AUTO FP High Speed Sync Creative Lighting System. In Auto White options. When cameras like the Nikon F6, D2 series, D200, D70 series or D50 are This mode offers ample fill-in flash during Balance mode, the master unit attached to partnered with equipment that is compatible with the Creative Lighting System shooting in bright conditions using fast- the digital SLR camera transmits flash (i.e. Speedlights SB-800/SB-600/SB-R200 and Wireless Speedlight Commander aperture lenses, enabling effective blur in color information to the camera. Voltage, the background. Once this mode is activat- flash duration and other variables can System SU-800), a new level of flash performance and potential is possible. Along with ed, high-speed flash synchronization affect flash color information, so the cam- AUTO FP High Speed Sync Normal flash sync i-TTL Flash Control, an evolution of the highly regarded D-TTL system, features like Shutter Speed: 1/640 second Shutter Speed: 1/250 second makes available shutter speeds that are era uses data like this to achieve optimum Flash Value Lock (FV Lock), AUTO FP High Speed Sync, Wide-Area AF-Assist Aperture: f/2.8 Aperture: f/6.3 faster than the camera’s own flash sync white balance. speed. Illuminator and Flash Color Information Communication (for digital SLRs) help Distance-Priority Manual Flash (SB-800 only) make the Nikon Creative Lighting System the best there is. And thanks to Advanced i-TTL Balanced Fill-Flash Flash Value Lock (FV Lock) In this mode, the SB-800 automatically peedlights Wireless Lighting, you have up to four separate i-TTL Speedlight groups at your Emitted from a Speedlight before the main Flash Value represents the degree of flash controls the light output according to dis- flash and reflected off every object in the exposure for the subject. FV Lock lets you tance value and set apertures. Enter the disposal. The possibilities are endless, so let your ideas truly shine. frame, monitor pre-flashes are picked up maintain the desired flash exposure during shooting distance value and you can take S by either the five-segment TTL flash sensor zooming, or even when recomposing a pictures having the same exposure – even or an RGB sensor. This information, along shot, allowing you to concentrate on the when shooting at different apertures. This with data from the Matrix Metering system scene’s lighting. mode allows you to make exposure com- is analyzed to adjust flash output for most pensation by varying the flash output level Wide-Area AF-Assist Illuminator compensation value. balanced background/foreground exposure Wide-Area AF-Assist Illuminator can be possible. This technology takes Nikon’s used with all 11 focus-areas found in the Modeling Flash flash control system to unprecedented lev- F6, D2 series and D200, as well as the five Press the Modeling Flash button and the els of precision and performance. areas utilized in the D70 series and D50. flash will fire repeatedly at a reduced out- This gives you autofocus shooting capabili- put level. This is useful for checking illumi- ty in dim lighting -– even when you change nation levels and the shadows cast on the the focus area with a compatible camera. subject before actually taking the picture. The flash can fire up to approximately 3 Flash Color Information Communication seconds while the button is pressed. Color accuracy in digital SLR flash photography is better than ever, thanks to Nikon’s

Advanced Wireless Lighting Flash Monitor Pre-flash Flash Actual Thanks to Nikon’s Creative Lighting mode setting activation output level flash for setting shooting System, Advanced Wireless Lighting (also called “wireless multiple flash”) is as easy Master to use as an on-camera Speedlight, Group A enabling professionals and advanced ama- Group B

teurs alike to freely test the seemingly lim- Group C itless creative potential of the system. You Remote (A)Remote (B) Remote (C) Flashes for data transmission can separate i-TTL Speedlights into four Mirror up Shutter Monitor Pre-flash opens groups (comprised of the master* and Master (M) Data transmission from the master unit three remote i-TTL Speedlight groups), for comprehensive control over scene lighting. Advanced Wireless Lighting Advanced Wireless Lighting procedure Using the master unit’s LCD, you can set the flash mode (When TTL mode is selected for each Speedlight unit) The master allows you to control indepen- and flash output level compensation values independently In Advanced Wireless Lighting, flash mode and other types dent flash mode settings (TTL, Auto for each group (A, B and C) and the master unit (M). of information are transmitted to each remote unit in the Aperture [Non-TTL Auto], Manual, form of a series of low-level flashes from the master unit. Repeating and Flash Cancel) and adjust In TTL mode, the camera’s exposure metering sensor detects Monitor pre-flashes to determine each flash unit’s flash output level compensation values for output level. each group. With no limit to the number of Speedlights Advanced Wireless Lighting Benefits contained in each group, Advanced Wireless Lighting offers virtually absolute control over background illumination. A *Wireless Speedlight Commander SU-800 can be used as a master to trigger remote units. SB-600 cannot be used as a master unit. Without compensation A: +1.0 EV M: +1.0 EV The ability to adjust the flash output level of every flash unit from the camera gives you the freedom to experiment with a variety of settings much faster and more simply than M with conventional systems. For convenience in pre-shooting lighting confirmation, use the Modeling Flash function. 4 5 S peedlights NIKON CREATIVE LIGHTING SYSTEM See where Advanced Wireless Lighting can take you The following examples show how to create dramatic effects with Advanced Wireless Lighting. From simple wireless lighting with one remote Speedlight to more artistic lighting using four Speedlight groups, these examples will guide you to a new dimension of enjoyment in flash photography.

Emphasize spatial effects through shadows Create unique perspectives Illuminate subjects facing different directions A

Equipment: Nikon D2x and two SB-800s Setting: The remote Speedlight SB-800 [A] is located at a distance, illu- minating the subject from the right. Considering the distance to the subjects, the Speedlight is set at Manual full output to Equipment: make depth of field larger with a B Nikon D2x and four SB-800s smaller aperture. For the SB-800 Setting: [B] attached to the D2x as a The Speedlight SB-800 attached to the D2x as a master, an umber filter is used to master is set to Flash Cancel mode and used maintain a warm atmosphere A solely to trigger the remote Speedlights. The based on red. With Manual 1/2 remote SB-800s [A] and [C] are both set at TTL output, the master SB-800 illu- (exposure compensated at –0.7 EV for [A] and minates the whole scene by C –1.0 EV for [C]), so that the outline of the sub- bouncing light off a white ceiling. jects’ faces is pronounced while highlighted areas will not appear washed out. Another remote SB-800 [B] set at TTL (exposure compensated at +0.7 EV) illuminates the window from outside. A blue filter is utilized to create the dramatic shadow of window frames.

Create atmospherics through indirect lighting Utilize available indoor lighting Emphasize perspective through multiple speedlights B

A Equipment: Nikon D2x, three SB-800s and A B one SB-600 Setting: The Speedlight SB-800 [A] Equipment: Equipment: attached to the D2x as a master Nikon D2x and two SB-800s Nikon D2x and two SB-800s illuminates the subject from the Setting: Setting: front at Manual 1/32 output. A bounce adapter is used to cover The Speedlight SB-800 attached To illuminate the wall the sub- Equipment: A the wideangle 12-24mm lens to the D2x as a master is set to ject is leaning against, Slow Nikon D2x and two SB-800s and soften the light. The remote Flash Cancel mode and used Sync mode is used. The Setting: B A SB-800 [B] illuminates the sub- solely to trigger the remote Speedlight SB-800 [A] illumi- The Speedlight SB-800 [A] attached to the D2x as a ject’s face from above at Manual Speedlight [A]. The remote SB- nates the subject from the right- master illuminates the ceiling above the subjects in TTL 1/4 output. The remote SB-800 800 illuminates the subject from hand side at Manual 1/4. The mode (exposure compensated at –3 EV). This light [C] with bounce adapter is set at the left-hand side in TTL mode. strong reflective light from the bounced off the ceiling prevents shadowy areas around Manual 1/8 output. The remote A reflector located at the front wall emphasizes its metallic the subjects from appearing too dark without diminish- SB-600 [D] with a wide panel is right-hand side of the subject surface. The Speedlight SB-800 ing the illumination from the jewel box. The remote SB- set at Manual 1/8 output. The prevents shadowy areas of the [B] attached to the D2x as a 800 [B] placed in the jewel box and directed upward latter two remote Speedlights subject from becoming too dark. master provides soft illumina- provides sufficient illumination in TTL mode (compen- provide light patterns on upper tion at Manual 1/64 so that sated at +1.3 EV). A bounce adapter creates the effect and lower parts of the glossy shadowy areas of the subject do of a jewel box illuminated from the inside. not appear too dark. wall, respectively. The SB-600 also illuminates the floor. 6 S peedlights NIKON CREATIVE LIGHTING SYSTEM

Speedlight The SB-800 is a high-performance Speedlight with a large guide number of Speedlight 125 (ISO 100, ft.) or 174 (ISO 200, ft.) at the 35mm zoom-head position. Automatic power zoom covers 24mm to 105mm, with a built-in Wide Flash Adapter that extends the wideangle range to 14mm or 17mm. The built-in AF-Assist Illuminator can be used with all the focus areas of SB-800 each camera. For bounce-flash or closeup photography, the flash head SB-600 A revolutionary achievement for Nikon’s can be rotated upwards 90°, downwards 7° below the horizontal, 180° to Compact Speedlight supports Nikon’s Creative Lighting System the left, and 90° the right. Soft lighting can be achieved with the supplied Bounce Adapter. Creative Lighting System Depending on the camera and lens, the SB-800 supports i-TTL, TTL, Auto Aperture (AA), non-TTL Auto and Manual flash control. Creative Lighting System features such as Advanced Wireless Lighting (including Modeling Flash), AUTO FP High Speed Sync and Flash Value Lock are made possible when used with the F6, D2-series, D200, D70- series and D50 cameras. In Distance-Priority Manual Flash mode, once you’ve entered the shooting distance value, even changing the aperture won’t alter the flash exposure. Using Advanced Wireless Lighting to create side lighting Quick Recycling Battery Pack (with SB-800 as a master unit and SB-600 as a remote i-TTL Speedlight) The supplied Quick Recycling Battery Pack SD-800 enables installation of a fifth battery to shorten recycling time to as short as 2.9 seconds in Manual mode at full output. The SB-600 is a portable, high-performance Speedlight that supports Nikon’s Creative Lighting System. Within its compact body, the SB-600 Speedlight Stand AS-19 has inherited most of the creative features of the SB-800 to offer a truly For the stable placement of the SB-800. A tripod socket is also provid- impressive range of possibilities. It features a guide number of 98 (ISO ed. 100, ft. at 35mm) and automatic power zoom coverage from 24mm to Bounce Adapter SW-10H 85mm. The built-in wide flash adapter increases the angle of coverage By attaching the SW-10H over the flash head, you can diffuse the light to a range of 14mm to 85mm. A tilting/rotating flash head makes it easy With color filter during bounce flash to further soften the shadows. to perform bounce flash shooting. Depending on the camera and lens Color Filters you use with the SB-600, you can employ TTL auto flash and Manual The SB-800 Speedlight ships with two filters developed flash control. When used with the F6, D2-series, D200, D70-series and exclusively for digital cameras — one for incandescent and the other for fluorescent lighting. The optional SJ-1 SB-800 Specifications D50 cameras, the SB-600 enables Advanced Wireless Lighting* (includ- Color Filter Package, which contains 8 different colored ing Modeling flash), Flash Value Lock (FV Lock), AUTO FP High Speed filters, is also available. Electronic construction AF-Assist Illuminator Automatic Insulated Gate Bipolar Transistor Automatically turns on when performing autofo- Sync, Wide-Area AF-Assist Illuminator and Flash Color Information (IGBT) and series circuitry cus in dim light or in the dark with AF SLRs; Communication (for digital SLR). approx. 10m shooting distance with a 50mm Guide number *The SB-600 cannot be used as the master unit for Advanced Wireless Lighting operation. 125 (ISO 100, ft.), 174 (ISO 200, ft.) f/1.8 lens Angle of coverage Power source Speedlight Stand AS-19 24mm, 28mm, 35mm to 105mm (in 5mm zoom Four 1.5V LR6 (AA-size alkaline), 1.2V KR-AA steps); 17mm, 14mm with built-in wide-flash (AA-size NiCd), 1.5V R6/AA-size Nickel, 1.2V For the stable placement of the SB-800. A tripod socket is also provid- adapter; 14mm with soft dome R6/AA-size Ni-MH) or 1.5V FR6/AA-size lithium ed. Without filter With incandescent filter Flash mode batteries; High-Performance Battery Pack SD- Taking flash pictures under incandescent light with the white bal- i-TTL, D-TTL, TTL (film-based cameras); Auto 8A, Power Bracket Unit SK-6A/6 ance set to “Flash” results in an orange-tinted background (left). × × SB-600 Specifications For natural color throughout the image, use the incandescent filter Aperture; Non-TTL Auto; M (Manual): full, 1/2, Dimensions (W H D) and set white balance to “Incandescent” (right). 1/4, 1/8, 1/16, 1/32, 1/64 and 1/128 output Approx. 2.8 × 5.1 × 3.7 in. Electronic construction AF-Assist Illuminator Recycling time Weight (without batteries) Automatic Insulated Gate Bipolar Transistor Automatically turns on when performing autofo- Approx. 2.9 seconds with supplied Quick Approx. 12.3 oz. (IGBT) and series circuitry cus in dim light or in the dark with AF SLRs; Recycling Battery Pack SD-800 (Manual at full) Accessories provided Guide number approx. 10m shooting distance with a 50mm Number of flashes Quick Recycling Battery Pack SD-800, 98 (ISO 100, ft.), 138 (ISO 200, ft.) f/1.8 lens Approx. 130 (Manual at full) Speedlight Stand AS-19, Speedlight Color Filter Angle of coverage Power source Set SJ-800, Bounce Adapter SW-10H, Soft Case 85mm, 70mm, 50mm, 35mm, 28mm, 24mm, Four 1.5V LR6 (AA-size alkaline), 1.2V KR-AA Bounce capability 14mm with built-in wide-flash adapter (AA-size NiCd), 1.5V R6/AA-size Nickel, 1.2V Flash head tilts down to -7°, or up to 90°; flash SS-800 Flash mode R6/AA-size Ni-MH) or 1.5V FR6/AA-size lithium head rotates horizontally 180° to the left or 90° i-TTL, D-TTL, TTL (film-based cameras); Non- batteries to the right TTL Auto; M (Manual): full, 1/2, 1/4, 1/8, 1/16, Dimensions (W × H × D) 1/32 and 1/64 output Approx. 3.0 × 4.9 × 3.5 in. Specifications apply when fresh LR6 (AA-size alkaline) batteries are used at normal temperature Recycling time Weight (without batteries) (68°F); AF-Assist Illuminator, zoom flash or LCD illuminator is not used. Approx. 4.0 seconds (Manual at full) Approx. 10.6 oz. Number of flashes Accessories provided Approx. 180 (Manual at full) Speedlight Stand AS-19, Soft Case SS-600 Bounce capability Flash head tilts up to 90°; flash head rotates horizontally 180° to the left or 90° to the right

Specifications apply when fresh LR6 (AA-size alkaline) batteries are used at normal temperature (68°F); AF-Assist Illuminator, zoom flash or LCD illuminator is not used.

8 9 S peedlights WIRELESS SPEEDLIGHT SYSTEM Close-up Speedlight Commander Kit R1C1/ SW-C1 AS-20 Close-up Speedlight Remote Kit R1 SX-1 Examples of Wireless Flash Shooting Using the System SU-800 The newly developed Nikon Wireless Speedlight system is com- Dual-light close-up shooting Dual-light flash shooting with color filters patible with the Creative Lighting System and easily enables SW-12 Equipment: Nikon D70, SU-800 and two SB-R200 units Equipment: Nikon D70, SU-800 and two SB-R200 units versatile close-up flash and wireless multiple-flash shooting. SZ-1 SW-11 The main components of the system are the Wireless Speedlight Commander SU-800, Wireless Remote Speedlight SB-R200, and Attachment Ring SX-1. Wireless close-up flash shooting is made easy by using the SU- SB-R200 SJ-R200 SG-3IR TTL Cord SC-30 800 and the SB-R200. The SB-R200 can be handheld or attached to a lens in use via the SX-1. Advanced Wireless Lighting is made possible by using the SU-800 as a commander Components and Accessories to control up to three i-TTL Speedlight groups. What’s more, Creative Lighting System features such as AUTO FP High Speed Wireless Speedlight Commander Speedlight Stand AS-20 For the stable placement of Setting: Setting: Sync, FV Lock and Modeling Flash are available with the sys- SU-800 SB-R200 [A] is attached to SB-R200 [A] illuminates the tem, and a variety of accessories are available to enhance the The SU-800 features a com- the SB-R200. A tripod socket the front of the lens, while table from above with a blue enjoyment of flash photography. mander function that can trig- is also provided. SB-R200 [B] is handheld to filter. SB-R200 [B] adds dra- ger wireless remote flash illuminate the subject from matic color effects by bounc- Extreme Close-Up Positioning the left, to soften shadows ing light off the wall with a units SB-R200, SB-600 and The system is available as the Close-up Speedlight Commander Adapter SW-11 and to highlight the subject. red filter. SB-800. AF-Assist Illuminator, Kit R1C1 and the Close-up Speedlight Remote Kit R1. For centering the light from Target Light button and Test The R1C1 package includes: the SB-R200 flash to an opti- button are provided. • Wireless Speedlight Commander SU-800 • Wireless Remote cal axis, which is especially Speedlight SB-R200 (x2) • Attachment Ring SX-1 • Adapter Wireless Remote Speedlight effective in close-up shooting. Dual-light flash shooting with a diffuser Triple-light flash shooting Rings (5 types) • Color Filter Holder SZ-1 (x2) • Color Filter SB-R200 Recommended for shooting Equipment: Nikon D70, SU-800 and two SB-R200 units Equipment: Nikon D70, SU-800, two SB-R200s and one SB-800 Set SJ-R200 (x2) • Extreme Close Up Positioning Adapter SW- The SB-R200 features a guide distances (lens to subject) 11 (x2) • IR Panel for Built-in Flash SG-3IR • Flexible Arm Clip number of 30 (ISO 100, ft.) or within 15cm. SW-C1 • Attachment Ring SX-1 • Diffuser SW-12 • Speedlight 46 (ISO 200, ft.). When Stand AS-20 (x2) IR Panel for Built-in Flash SG-3IR attached to a lens via the SX- Attached to the camera’s The R1 contains all the same components except the Wireless 1, the flash head can be tilted Speedlight Commander SU-800. accessory shoe when the up to 60 degrees toward the built-in Speedlight of a camera Recommended lenses: optical axis of the lens or up is used as a commander. • AF Micro-Nikkor 60mm f/2.8D to 45 degrees away from of (Optional Adapter Ring UR-5 is required.) the lens. Flexible Arm Clip SW-C1 Enables the attachment of a Setting: Setting: • AF Micro-Nikkor 105mm f/2.8D Attachment Ring SX-1 • AF Micro-Nikkor 200mm f/4D ED-IF Diffuser, etc. Can be attached Two remote SB-R200 units Speedlight SB-800 [A] is For attaching the SB-R200 to to the guide groove of the illuminate small subjects used as a main flash unit to from the right and left to illuminate the table from the Please refer to the instruction manual for a complete list of usable lenses, as the lens front via adapter ring. Attachment Ring SX-1. well as the number of SB-R200 units attachable to a lens and available focal Up to eight SB-R200 units can bring out the detail and tex- upper left. SB-R200 units [B] range of each lens. tures of the material. The and [C] are placed on both be attached. The SB-R200 can Diffuser SW-12 Diffuser SW-12 is placed in the right and left sides to be moved via the SX-1, posi- This milky-white board is used front of the SB-R200 [B] to eliminate shadows. As a tioning it at a desired click to diffuse light from a flash soften shadows and render result, a vivid rendition of and to soften shadows. vivid colors. the food’s color and texture stop (each stop is 15°). is achieved. Adapter Rings Cases Enables placing the • Soft Case for SU-800 SS- Attachment Ring SX-1 on the SU800 • Soft Case for SB- front of the lens. Five filter R200 SS-R200 • Soft Case for attachment sizes (52mm, SX-1 SS-SX1 • Close-up Wireless Speedlight Commander SU-800 Specifications Wireless Remote Speedlight SB-R200 Specifications Speedlight Kit Case SS-MS1 62mm, 67mm, 72mm, 77mm) Transmission mode Flash coverager Electronic construction Bounce capability are available. TTL Cord SC-30 (optional) Infrared-pulse emitting communication Approx. 60° (vertical), approx. 78° (hori- Automatic Insulated Gate Bipolar Transistor Flash head tilts down to 60°, or up to 45° using a flash discharge tube zontal) (IGBT) and series circuitry (for wireless Connect the SU-800 and SB- Mounting foot Color Filter Holder SZ-1 Transmission range Display remote flash unit only) Dedicated shoe for Attachment Ring SX-1 or R1 Kit + D200 Enables attaching filters to R200 to enable close-up flash Approx. 20m for SB-800/SB-600, approx. LCD, ready-light Guide number Speedlight Stand AS-20 the SB-R200. shooting when using a camera 4m for SB-R200 at normal setting AF-Assist Illuminator 30 (ISO 100, ft.), 46 (ISO 200, ft.) Target light not compatible with the Number of channels Automatically turns on when performing Angle of coverage White LED 4 autofocus in dim light or in the dark with 24mm Color Filter Set SJ-R200 Creative Lighting System. Display (for SB-R200 package) Number of groups AF SLRs; approx. 10m shooting distance Flash mode Ready-light 3 with a 50mm f/1.8 lens i-TTL, D-TTL, TTL (film-based cameras); Adapter Ring UR-5 (optional) Power source Contains four filters (Blue, Number of transmissions Power source Auto Aperture; M (Manual): full ~ 1/64 out- One 3V CR123A lithium battery Red, FL-G1 for fluorescent With the AF Micro-Nikkor Approx. 1,200 One 3V CR123A lithium battery put (close-up), full ~ 1/128 output (com- Dimensions (W x H x D) light and TN-A1 for incandes- 60mm f/2.8D, attach the Transmission interval Dimensions (W x H x D) mander) Approx. 3.1 × 3.0 × 2.2 in. × × cent light). Attachment Ring SX-1 to the Approx. 1 second Approx. 2.7 3.8 2.3 in. Recycling time Weight (without battery) lens using Adapter Ring UR-5 Flash light wavelengths Weight (without battery) Approx. 6.0 seconds (Manual at full) Approx. 4.2 oz. Approx. 800 to 1,000nm (infrared ray) Approx. 5.6 oz. Number of flashes Color Filter Set SJ-2 (optional) and Adapter Ring SX-1-72. Contains 8 types, 20 filters in Approx. 290 (Manual at full) Note: These products (except SJ-R200) Specifications apply when a fresh battery is used at normal temperature (68°F); AF-Assist total. can be purchased separately. Illuminator is not used. R1C1 Kit + D200 10 11 S peedlights S peedlights COMPATIBILITY TTL FLASH SYSTEM

Camera/Speedlight Compatibility TTL Flash System

Nikon’s professional-quality TTL multiple- to create stunning effects and always get SB-800 flash system is designed so that even a perfectly exposed pictures. Plus, there’s no F6 A B AiK C ffl° novice can use it with confidence right need for complicated manual exposure- F5 ‡ B AiK C fl° away. Choose any combination of TTL value calculation or accessory flash F100 ‡ B AiK C ffl° Speedlights with your Nikon F5, F100, meters. FM3A, N80, N75 or N65 camera. Then use N80/N75 ‡ B AiK C ffl° the TTL remote or TTL multi-flash sync Note: With SB-800 and SB-600 Speedlights the F6, N65 Ø B AiK C ffl° D2 series, D200 and D70 series can perform wireless cord available for TTL off-camera or multi- multiple flash shooting with i-TTL Flash Control. Digital N55 AiK C fl flash photography. You’re all set for off- SLR cameras (D2 series, D1 series, D200 and D70 FM3A H AiK C camera multiple-flash photography — series) cannot be used for multiple flash shooting in TTL auto flash mode. Multiple flash is possible with D2 series A B AiK C ffl° without the strong shadows. You’ll be able these cameras in manual or Non-TTL auto flash mode. D1 series T B Ai C ffl°

A B AiK C fﬂ° D200 F5 F100 FM3A N80 N75 N65 D100 T B AiK C fﬂ° TTL Flash System Configuration

D70s A B AiK C ffl° SB-600 SC-28, SC-29 F6 A Hi f fl° F5 ‡Hi fl° F100 ‡Hi f fl° SB-800 N80/N75 ‡Hi f fl° SB-800 SU-4 N65 Ø Hi f fl° SB-600 SU-4 N55 __ A Hi FM3 SB-800 SC-26, SC-27 D2 series A T i f fl° D1 series T i f fl° AS-10 SB-600 D200 A T i f fl° SB-800

T i ﬂ° D100 f Note: This chart shows the features available when the Speedlight is connected directly to each Nikon camera, and standard fea- SB-800 SB-600 SB-800 D70s A i f ﬂ° tures with an AF Nikkor lens attached. AS-10 SC-26, SC-27

A i-TTL Balanced Fill-Flash Matrix Balanced Fill-Flash K Distance-Priority Manual Flash Wireless remote flash control Flash output level is decided Ø Based on the results of Matrix Once the shooting distance before actual shooting, accord- Metering, the flash output level value is set, even changing the SB-600 SB-800 ing to data from the TTL Multi is adjusted for the most well- aperture won’t alter the flash Sensor or RGB sensor, distance balanced exposure between the exposure. information from the lens in use main subject and background. Accessories for TTL Flash System and the results of Monitor Pre- C Repeating Flash flash. Standard TTL Flash The Speedlight delivers a strobe H The main subject is correctly effect, firing the flash continu- 3D Multi-Sensor Balanced Fill-Flash exposed regardless of the back- ously at selected rates. ‡ The camera’s built-in computer ground brightness. determines which segments of f Red-Eye Reduction TTL Multi Sensor should be used B Auto Aperture Flash Minimizes red-eye effect, for for TTL automatic balanced fill- The flash output level is auto- natural-looking flash portraits. flash operation, according to matically controlled by the flash SU-4 SC-28 SC-29 SC-26/SC-27 SC-24 AS-10 data from the TTL Multi Sensor, sensor on the Speedlight AF-Assist Illuminator distance information from the according to the aperture set- ﬂ Projects LED light on the sub- Wireless Slave Flash Controller SU-4 TTL Remote Cord SC-28/SC-29 (4.9 ft.) TTL Multi-Flash Sync Cord TTL Multi-Flash Adapter AS-10 lens in use and the results of ting on the camera. ject, making it possible to focus When connected to a Nikon The TTL Remote Cord SC-28/ SC-26 (4.9 ft.)/SC-27 (9.8 ft.) Attach the AS-10 to a Nikon Monitor Pre-flash. on the subject even in total Speedlight with ISO-type mount- SC-29 comes with two multiple TTL Multi-Flash Sync Cord Speedlight such as the SB-800 Non-TTL Auto Flash darkness. ing, this enables wireless TTL flash terminals, making off- SC-26/SC-27 connects TTL flash or SB-27. Connect additional A The flash output level is automati- T D-TTL Flash flash control when using another camera TTL flash control easy. units to each other through the TTL Speedlight units with the TTL auto flash mode for Nikon cally controlled by the flash sen- Automatic power zoom Nikon Speedlight as a master SC-26 or SC-27. The AS-10, fea- Digital SLRs. The flash output sor on the Speedlight according to ° The zoom head is automatically With the F6, D2 series, the SC- TTL Remote Cord SC-28/SC-29 level is attained before shooting the aperture manually set on the adjusted according to the focal unit. The provided Diffuser 29 also works as an external for multi-flash operation. (i-TTL/ turing tripod socket, controls up based on Monitor Pre-flash and Speedlight. length of the lens in use. reduces the built-in Speedlight’s AF-assist illuminator. D-TTL operation is not possible.) to three TTL Speedlight units. distance information. output, making the remote unit a Manual TTL Remote Cord SC-24 (4.9 ft.) i main flash. (i-TTL/D-TTL opera- For TTL flash control when using The flash output level is manual- tion is not possible.) ly set on the Speedlight. the Nikon F5 with DW-30 or Note: You have to cancel the Monitor Pre- flash function before using the SU-4 for wire- DW-31. less remote flash operation.

12 13 S peedlights S oftware FLASH ACCESSORIES

The postproduction imaging tool that’s a Software for key element to an efficient, effective digital Flash Accessories Power Bracket imaging workflow. Nikon’s newly upgraded image-enhancement Power Bracket Unit SK-6A* 1.5V LR6 (AA-size alkaline), SK-6A+SB-800+F100 Nikon Digital software affords you the ability to explore digital Not only does the SK-6A enable 1.2V KR-AA (R6/AA-size NiCd) you to use the camera- or 1.5V FR6 (AA-size lithium) imaging more in-depth, and grants you a high mountable SB-800 as a grip- batteries. degree of control via your personal computer. type flash, it also offers you * The SK-6 may be substituted Cameras remote-flash capability. Used as for the SK-6A in some countries. an external power source, in

combination with the oftware Nikon Capture 4 Speedlight’s own power source, the SK-6A reduces minimum

S A powerful postproduction tool, recycling time by about half and Nikon Capture 4 comprises Nikon doubles the total number of Capture 4 Editor and Nikon flashes available. It accepts six Capture 4 Camera Control. Using the software, you can transfer images to your computer, view, edit, and even print them — all in Bracket Adapter Speedlight Stand a single process. Nikon Capture 4 gives you comprehensive control SB-800 + SC-29 over the final quality of your Nikon The SC-29 lets you use the SB-800 without attaching it Electronic Format (NEF) image directly to the camera, and data. even enables AF-Assist Note: Nikon Capture 4 version 4.4 or later is Illumination when used with required with the D200. SK-7 AS-15 AS-19 the F6, D2 series.

Bracket SK-7 Sync Terminal Adapter AS-15 Speedlight Stand AS-19 Image Processing on NEF (RAW) File Using Nikon Capture 4 Ordinary Image Processing Workflow This enables you to attach a The AS-15 is designed for use The Speedlight Stand AS-19 is TTL Speedlight unit next to a with Nikon cameras with designed for stable placement RAW Instruction set (Shooting data) Original image data Nikon SLR. standard ISO-type accessory of a Nikon Speedlight. Use the Image processing 1 By connecting the TTL shoes which do not have a sync AS-19 for setting remote flash Instruction set Speedlight unit and Nikon SLR’s terminal. unit(s) in multiple remote flash Processed image data Image processing 1 accessory shoe with the TTL shooting. The AS-19 also fea- Image processing 2 Remote Cord SC-28/29, you can tures a tripod socket. Image processing 2 RAW Processed image data use the Speedlight as a grip- Image processing 3 type flash. Image processing 3 Processed image data

Instruction set Image processing 4 RAW External Power Sources Flash Unit Couplers Image processing information Processed image data

SD-8A Saved in NEF* Saved in TIFF or JPEG Saved in TIFF or JPEG *Original image quality is never changed. Original image quality cannot be maintained. Flash Unit Coupler AS-17 (for F3 series) This unit gives you TTL flash control capability for the F3 when Nikon Electronic Format (NEF) File used with TTL Speedlights that This unique format consists of the RAW data of an image, feature an ISO-type mounting foot along with an instruction set that provides extensive image (i.e. the SB-800, etc.). editing capability not available with other file formats. With High-Performance Battery Pack SD-8A Flash Unit Coupler AS-7 (for F3 series) a NEF file, the original RAW data of an image is never The SD-8A is designed for use The AS-7 is required when using changed. All corrections and adjustments that you make with the SB-800 to shorten the F3 series with the SB-800. It are preserved in the file’s instruction set. You can change flash recycling time and lets you rewind or replace film the instruction set as many times as you like without ever enhance flash capacity. It without removing the coupler. disturbing the original image’s RAW data. Nikon cameras compatible with NEF are the D2 series, D1 accepts six 1.5V LR6 (AA-size Flash Unit Coupler AS-6 alkaline), 1.2V KR-AA (R6/AA- As for the SB-16A, for Nikons series, D200, D100, D70 series, D50 digital SLRs, and the size NiCd), 1.5V FR6 (AA-size with standard ISO-type accessory COOLPIX 8800, 8700, 8400, 5700 digital compacts. lithium) or 1.2V R6/AA-size shoes, there’s the AS-6. Ni-MH batteries.

14 15 S oftware

Simulated image Nikon Capture 4 Editor Straighten Superb operability for improved Nikon Capture 4’s Editor component provides you with a broad variety of efficiency image adjustment tools, some of which can only be applied to NEF (RAW) data. Nikon Capture 4 incorporates tools that allow you to zoom in/out, scroll, rotate, White Balance* Fisheye Image Transformer flip, straighten and crop images. The Multi- The tools in the White Balance palette The tools in the Fisheye Lens palette Image Window enables image adjustment are used to adjust white balance for convert images taken with the AF DX while viewing the thumbnail list within a fold- NEF (RAW) images. White balance can Fisheye 10.5mm f/2.8G ED lens to rec- er. The Information Palette shows the posi- be adjusted by specifying the desired tilinear images. Both vertical and hori- tion and color of the pixel under the mouse color temperature or by sampling the zontal compensation can be performed. pointer. Areas of the image that are “lost” image for the gray point. You can Noise Reduction by highlights or shadows can be confirmed define white balance using a single Random noise that appears in digital cam- even during adjustments of Curves and Color Nikon Capture 4 point or the average of an area. era images can be effectively minimized Balance. The Histogram Palette shows the Advanced RAW* using the Color Noise Reduction function. level distribution for the image in the active Camera Control Many of the attributes of NEF (RAW) Edge Noise Reduction makes outlines window. Changes made to images can be Once you connect the D2 series (USB Hi- image data can be altered or corrected more distinct by reducing the noise along recorded using the Markers Palette. Speed), D1 series (IEEE 1394) or D200/D70 using the Advanced RAW feature. Color Aberration Control the edges of a photo. Color Moire To enable you to apply the adjustment set- series/D50 (USB) to your computer, the Exposure Compensation, Sharpening, Reduction is also usable with NEF images. tings of one image to another, Nikon Capture Camera Control component of the Nikon *These features can only be applied to NEF (RAW) 4 Editor lets you save and copy the set- Tone Compensation, Color Mode, "Lost Shadows" display Capture 4 provides you with remote control Saturation Setting and Hue Adjustment image data. tings independently or simultaneously. The from your computer of virtually every aspect combine to give you a high degree of Save Progress window shows all save oper- of camera operation. Wireless Transmitters control over image quality. Other handy, innovative features ations currently in progress, and can be used WT-2/2A give D2x and D2Hs users remote to pause, restart or cancel the current task. •LCH Editor enables editing of control functionality* via PTP/IP. Pictures Color Aberration Control* Before After And Batch Processing enables automated taken with the camera will be stored on your This feature reduces lateral chromatic Luminosity (master lightness), Chroma Vignette Control processing of multiple images — particularly computer’s hard disk as opposed to the cam- aberration (colored fringes or halos) that (color saturation or vividness) and Hue. effective when applied to a series of pho- era’s memory card. This turns your comput- appears toward the edge of an image — •Color Booster allows simple tographs taken under identical conditions. er’s hard disk into the equivalent of a large- a phenomenon caused by differences in enhancement of overall color satura- capacity media card — especially valuable the refractive index of each color’s wave- tion according to the type of subject. when performing high-volume shooting. length — in RAW images taken with • The Color Balance palette offers * Compatible with Windows XP or Mac OS X Nikon digital SLRs. simple controls for adjustment of (ver. 10.3 or later). overall brightness, contrast and color Vignette Control* Before After Capture 4 Functions/Cameras Compatibility Chart balance for the entire image. This palette’s tools are used to correct for Camera D200/D100 COOLPIX Image Dust Off D2 series D1 series COOLPIX series loss of marginal illumination, which caus- • The Photo Effects palette enables Function D70 series/D50 RAW (NEF) es a drop in brightness at the edges of a easy conversion of color images to White Balance*1 – 1 *2 photograph. Vignette Control is most black-and-white, sepia or other mono- Advanced RAW* – 1 effective with images captured using a D- chrome tints. Vignette Control* –– Image Dust Off*1 *3 –– /G-Nikkor lens, and at larger apertures. • To correct “red-eye” in portrait sub- "Lost Highlights" display jects, the Red-Eye Correction Color Aberration Control*1*4 Image Dust Off* D-Lighting Before After palette is available. This function compares NEF (RAW) Noise Reduction*5 • Using Unsharp Mask, you can enhance photographs with a reference image D-Lighting Red-Eye Reduction image sharpness by increasing the con- 6 created with the same camera to Fisheye Image Transformer* –– trast of the edges of the image, while *7 reduce the effects of any dust that may Camera Control –– leaving other areas untouched. be present on the low-pass filter pro- *1: Can only be applied to NEF (RAW) image data *4: Not available with multiple exposures or images created with *6: Compatible with AF DX Fisheye 10.5mm f/2.8G ED lens only •Size/Resolution lets you specify the *2: Color Mode setting is not possible image overlay (D2x) *7: Compatible with firmware ver.2.00 or later when using Mac tecting the camera’s image sensor. *3: Compatible with firmware ver.1.10 or later *5: Color Moire Reduction can only be applied to NEF (RAW) OS (D100) final output image size. image data D-Lighting • Compatibility with Color Modes I, II, D-Lighting reveals details that are Nikon Capture 4 System Requirements Before After III, Ia and IIIa. obscured by shadows or highlights, cor- Windows Macintosh recting for underexposure in backlit Fisheye Image Transformer OS Pre-installed versions of Windows® XP Professional, Windows® OS Mac® OS 9.0.4 ~ 9.2.2*1, Mac® OS X (10.1.5 or later) subjects or shaded areas of images and Plug-in filters and software update XP Home Edition, Windows® 2000 Professional, Windows® Models Models with built-in USB or FireWire support overexposure in brightly lit areas. You • Compatibility with nik Color Efex Millennium Edition (Me), Windows® 98 Second Edition (SE) RAM Mac OS X: 256MB (768MB or more recommended) ® can choose between speed-priority (HS) Original image ProTM 2.0 plug-in photographic filters CPU Pentium 300MHz or higher, with built-in USB ports Mac OS 9: memory allocation of 512MB or more (Editor), 64MB RAM 256MB (768MB or more recommended) or more (Camera Control) and quality-priority (HQ) operation. enables quick, easy digital image Hard disk 200MB required for installation Hard disk 200MB required for installation enhancement. (See page 19.) Curves Display 800 x 600 pixels or more with 16-bit color (High Color); Display 800 x 600 pixels or more with 16-bit color (thousands of colors); Use the Curves palette to adjust the Vertical compensation • Nikon Message Center* enables auto- 24-bit color (True Color) recommended 24-bit color (millions of colors) recommended matic software update if the computer Interface IEEE 1394*2: OHCI compliant IEEE 1394 interface board or Interface IEEE 1394*2: Built-in FireWire interface (For connecting D1 contrast, tone (brightness) level and 3 is connected to the Internet when interface card* (For connecting D1 series cameras) series cameras) color balance of captured images, to USB*4: Built-in USB interface USB*3: Built-in USB interface, or RATOC Systems REX-PCIU3 board, make maximum use of the tone range Nikon Capture 4 starts. Others CD-ROM drive required for installation (USB 2.0 USB board for use with MAC OS X and the D2 series) and color gamut offered by a particular * Not compatible with Mac OS 9. Others CD-ROM drive required for installation output device. *1: When used in conjunction with other software, the total amount of free space required can *1: CarbonLib 1.6 or later required. be determined by referring to the user's guides for the respective programs. *2: Data transfer may not work properly if the connection to a computer is made via a IEEE 1394 Horizontal compensation *2: Data transfer may not work properly if the connection to a computer is made via an IEEE (FireWire) hub. 1394 (FireWire) hub. *3: Data transfer may not work properly if the connection to a computer is via a USB hub. *3: Check the support page on Nikon's web site for a list of compatible boards and cards. 16 *4: Data transfer may not work properly if the connection to a computer is via a USB hub. 17 S oftware

PictureProject Digital Filters nik Color Efex Pro™ 2.0 nik Color Efex Pro™ 2.0 photographic filters, offered by nik multimedia, Inc., make digital photographic enhancements quicker, easier and better. Utilizing the top digital photographic filter technology available, this impressive collection of powerful, versatile filters allow nik Color Efex Pro™ 2.0 to offer significantly Designed to provide a simple, improved image enhancement and transformation. intuitive and seamless experience for digital photographers of all skill levels, PictureProject Versatility to support users of all skill levels ships between color, contrast, and detail, Old Photo: Color incorporates powerful tools that nik Color Efex Pro™ 2.0, compatible with delivering more natural film-like images. will make the process of trans- Nikon Capture version 4.1 or later features ferring, organizing, editing, and • The Advanced Panel (available in select- three editions* — Standard, Select and sharing digital images easy, pro- ed filters) enables you to see the relation- Complete — to best satisfy a wide range of ductive, and fun. ship of highlights and shadows in your photographers. The Standard Edition image while controlling the enhancement includes 19 key filters for color and light and protecting these elements of the enhancements. The Select Edition compris- image. A histogram display enables you es 45 filters, including those available in to identify potential problems in the before the Standard Edition. The Complete Edition image. enables access to all 75 filters in the collec- • Using a Selective tool, access to each of tion. One other option of nik Color Efex the filters is quick and easy. By simply Pro™ 2.0, the Express Edition — which con- selecting a filter from the palette, it can tains 15 basic filters** — is available as an be applied to the image. Major features (ver. 1.6) To further enhance your digital imaging experience, optional plug-in and is compatible with • Image files are automatically imported PictureProject features compatibility with three PictureProject version 1.1 or later. • As each filter adjusts its effect based on the detail structures, colors and contrast when a camera is connected to the user’s optional plug-ins. * Also compatible with PictureProject version 1.1 or later. computer, with thumbnail previews for range, consistency across a range of after PictureProject DVD Show ** All these filters are included in the Standard Edition easy image pre-selection and confirma- compatible with Nikon Capture version 4.1 or later. images is possible. Have even more fun making videos. You Paper Toner tion. can create a DVD-video or a Video-CD with Multiple filter types • The capability of the filters to adapt to ™ • Drag-and-drop images to organize them the click of a single button. Enjoy flexible nik Color Efex Pro 2.0 filters are catego- previous filter adjustments or changes to into “collections” that can be easily control over effects, duration and music. rized into two groups — “Traditional” and the image is extremely valuable, as it accessed. “Stylizing”. Traditional filters function like allows you to apply filters in a different PictureProject COOLPIX Remote Control * COOLPIX L1 and COOLPIX S4 can be used with the conventional photographic filters, and order, giving you increased control and • Powerful search capabilities to locate any This software allows you to control software. include B/W Conversion, Polarization, additional enhancement options. image quickly by name, keyword, cap- COOLPIX-series digital cameras* remotely nik Color Efex Pro™ 2.0 Express Edition Graduated, Skylight, and Infrared filters. • The Preview Toggle feature enables you tured or modified date, etc. from your computer. Camera settings can Stylizing filters enable the enhancement of The Express Edition of the nik Color Efex to alternate between the original image before • Intuitive editing tools simplify the be adjusted in the Settings Panel. Capture an image or the creation of a photographic Pro™ 2.0 is a simple version of digital pho- and the one with the current effect(s) enhancement of your images and the an image by clicking the Shoot button in style or abstract transformation. tographic filters offered by nik multimedia, applied. incorporation of creative effects. the COOLPIX Remote Control dialog, and it Inc. It contains 15 filters that even first- Major features • The preview area is recalculated each is transferred directly to the computer • Any and all changes made to images can time digital-filter users can easily handle. • Functionality in RGB, CMYK, Grayscale, time an adjustment is made to the image. hard disk and catalogued in PictureProject be reset or modified as many times as (For more details, see page 19.) and LAB, in both 8- and 16-bit/channel without being saved to the camera memory • You can create customized color filters desired without affecting the original modes. card. Because every camera operation is using any color from a color picker for image file. TM controlled while monitoring images to be • True Light is a dynamic color treatment added versatility. system that every filter utilizes automati- • Slideshows can include custom back- taken, the software improves workflow effi- after ground music. ciency even in professional applications. cally to provide better color and light enhancements. It preserves the relation- Pro Contrast • Design templates make it easy to share images via e-mail and attractive prints. • Pop-up messaging service employed to PictureProject System Requirements deliver software update notifications, and Windows System Requirements provide links to helpful technical informa- OS Pre-installed versions of Windows® XP Home Edition/Professional, Windows® 2000 Professional, Windows Windows® Me, Windows® 98 SE tion. OS Pre-installed versions of Windows® XP Home Edition/Professional, Windows® 2000 Professional, CPU Pentium® 300MHz or higher recommended (Pentium III 500MHz or higher for muvee option) Windows® Me, Windows® 98 SE • CD or DVD images created using RAM 64MB or more recommended (128MB or more for RAW images or muvee option) CPU Pentium® 300MHz or higher (800MHz or higher recommended) PictureProject can be displayed without Hard disk 60MB required for installation before RAM 128MB (256MB or more recommended) Display 800 x 600 pixels or more with 16-bit color (High Color/thousands of colors) or more being imported. Hard disk 240MB for the Complete Edition, 150MB for the Select Edition, 70MB for the Standard Edition Others CD-ROM drive required for installation • The “muvee™” plug-in features easily Display 800 x 600 pixels with 16-bit color (1,024 x 768 pixels with 24-bit color recommended) Macintosh selectable music, style and caption Macintosh OS Mac® OS X version 10.1.5 or later (version 10.2.8 or later required for “Burn Disc” function) options, simplifying video-making*. OS Mac® OS X (version 10.1.5 or later) Models Models with built-in USB or FireWire port required Models G3 processor or later (G4 or later recommended) RAM 64MB or more recommended (128MB or more for RAW images or muvee option) * Optional plug-in PictureProject DVD Show is required to RAM 128MB (256MB or more recommended) burn DVDs. Hard disk 60MB required for installation Hard disk 390MB for the Complete Edition, 250MB for the Select Edition, 110MB for the Standard Edition Display 800 x 600 pixels or more with 16-bit color (High Color/thousands of colors) or more Display 800 x 600 pixels with 16-bit color (1,024 x 768 pixels with 24-bit color recommended) Others CD-ROM drive required for installation after 18 19 B attery Packs and Motor Drives

EN-EL3e DB-2 MB-40 MH-19

rives MH-19

MB-10 MB-16 MB-18 MB-D200 MD-12

D MN-30

DB-6 MC-32 MH-21 EN-EL4

For F6 For F5 For N90s For N80 For N75 For F6/D2 series For D200 External Power Source For FM3A Multi-Power Battery Pack MB-40 Ni-MH Battery Unit MN-30 Multi-Power Vertical Grip MB-10 Battery Pack MB-16 Battery Pack MB-18 Quick Charger MH-21 Multi-Function Battery Pack MB- Anti-Cold Battery Holder DB-2 Motor Drive MD-12 Runs on eight 1.5V LR6 This nickel-metal hydride A dedicated grip designed Connected to the tripod A dedicated grip designed for With the MH-21, you can D200 (for FM3A) Enables you to shoot at a

otor (AA-size alkaline), 1.5V FR6 battery unit enables you to for the N90s, the MB-10 socket on the N80 bottom, it the N75, the MB-18 provides recharge Rechargeable Li-ion The ergonomically designed The DB-2 keeps your cam- rate of up to 3.2 frames per (AA-size lithium), 1.2V make the most of the F5’s provides an alternative accepts four 1.5V LR6 an alternative shutter release Battery EN-EL4. MB-D200 blends extended era and metering system second. Lightly pressing the R6/AA-size Ni-MH batteries powerful capabilities. It shutter release button for (AA-size alkaline), 1.5V FR6 button for vertical shooting. stability and shooting operating in extreme cold. trigger activates the cam- or Rechargeable Li-ion contributes to film advance vertical shooting. It runs on (AA-size lithium), 1.2V KR-AA It accepts four 1.5V LR6 potential. Runs on either six Remove the two batteries era’s exposure meter. M Battery EN-EL4 and pro- speed of up to 8 frames per either four R6/AA-size (R6/AA-size NiCd) or 1.2V (AA-size alkaline), 1.5V FR6 LR6/AA-size alkaline, from the camera battery vides a film advance speed second, film rewind speed batteries or two 3V CR123A R6/AA-size Ni-MH batteries. (AA-size lithium), 1.2V FR6/AA-size lithium, 1.2V chamber, attach the cham- MD-12 Specifications Firing rate: Approx. 3.2 fps (at of up to 8.0 fps. Provides an of 4 seconds for a 36-exp. lithium batteries (with KR-AA (R6/AA-size NiCd) or R6/AA-size Ni-MH batteries, ber to the DB-2 loaded with 1/125 s shutter speed or faster) alternative shutter release roll and stable camera per- MS-11). 1.2V R6/AA-size Ni-MH bat- or two EN-EL3e recharge- two R6/AA-size* batteries Shooting modes: Single-frame (S); button, AF start button, formance even in cold ambi- teries. able Li-ion batteries. via DB-2 connecting cord, Continuous (C) multi selector and com- ent temperatures. To charge Features an extra command then put the DB-2 in a coat Remote control: Possible; uses stan- mand dials to make shoot- the MN-30, Multi Charger dial, shutter release button or other warm place. dard Nikon 3-pin connector Power source: Eight 1.5V LR6 (AA- ing vertical-format pictures MH-19 is available. The and AF start button for ver- * Do not use R6/AA-size NiCd, Ni-MH size alkaline), 1.2V KR-AA (AA-size much more comfortable. External Power Cord MC-32 tical shooting. or lithium batteries. A tripod cannot be NiCd) or 1.5V R6 (AA-size man- with two banana-type plugs attached when the DB-2 is connected. ganese) batteries (integral connects 12V DC external For D200 battery holder) External Battery Pack DB-6 power source to the F5. Multi Charger MH-19 With the MH-19, you can (for N90s) For added power, especially recharge two units of the during prolonged or low- Rechargeable Li-ion Battery temperature shooting, the Charger/battery unit compatibility (approx. charging time) EN-EL3e. Other batteries Nikon N90s can count on the MN-30 EN-EL3 EN-EL3a EN-EL3e EN-EL4 can also be recharged by Remarks DB-6, which uses six D-type (for F5) (for D100/D70s/D70/D50) (for D100/D70s/D70/D50) (for D200/D100/D70s/D70/D50) (for F6, D2series) using optional charge cords. ✔* ✔✔✔— 100-240V AC/12V DC; can be plugged in to an batteries, as an alternative MH-19 (95 min.) (120 min.) (135 min.) (135 min.) automobile cigarette lighter power source. The DB-6 ✔ ———— connects to the N90s via acks and MH-21 (100 min.) the Nikon External Power ✔: Compatible —: Not compatible Cord MC-29. * Use the MC-E1 Charge Cord to recharge or refresh the MN-30. P attery B

20 21 R emote C ontrol A ccessories

MC-22

MC-36

MR-3 AR-3 MC-23

MC-30

MC-12B MC-21

ccessories MC-25 MC-DC1

A Ten-Pin Remote Accessories Remote Cable for Two-Pin Remote For F6/F5/F100/ Cameras with Long Time Exposure Accessories D2 series/D1 series/ Release Terminal For N70/FM3A D200/D100 with For N80/FM3A/ Remote Cord with MD-12 MB-D100 D100 For D70s

MV-1 Terminal Release MR-3 Remote Cord MC-36 (2.8 ft.) Cable Release AR-3 (1.0 ft.) Remote Cord MC-DC1 The MR-3 connects to Enables remote firing of Essential for slow shutter (3.3 ft.) the remote-control ter- a camera and setting of speeds, these cable Enables remote firing of minal to provide an addi- Interval Timer and Long releases ensure one- the D70s. tional trigger button for Time Exposure. LCD hand, vibration-free shut- firing camera in vertical panel with illumination ter release operation. MC-35 WT-2/2A position. It also enables is incorporated. you to trigger the cam-

ommunication Remote Cord MC-30 (2.6 ft.) era with Nikon Cable Enables remote firing of Release AR-3. Remote Cord Modulite Remote

C a camera with trigger- MC-36 (2.8 ft.) Remote Cord MC-12B lock function. Control Set Data Communication Accessories (2.6 ft.)* Remote Cord MC-22 (3.3 ft.) ML-3 (for cameras with Data Reader MV-1 •Transferring data from a memory card to a PC requires addi- Enables you to perform Useful for connection to With the Nikon Data F6 Remote Cord Remote Cord ten-pin remote terminal) tional equipment, such as the remote firing up to 2.6 ft. shutter triggering device. The ML-3 offers remote Reader MV-1, shooting ata MC-30 (2.6 ft.) MC-30 (2.6 ft.) PC Card Adapter EC-AD1 or a * Function limited when MD-12 control for two separate data stored in your Nikon CF card reader. Extension Cord MC-21 (9.8 ft.) F5 mounted; see instruction manual. channels via an infrared F5, F6 or F100 35mm Specifications

D Used with MC-30 or F100 LED beam, enabling auto- (135) format SLRs can Power source : Supplied by the camera MC-22. Extension Cord Remote Cord Cable length : Approx. 15.7 in. MC-22 (3.3 ft.) be easily viewed and D2 series MC-21 (9.8 ft.) matic camera operation Dimensions (W × H × D) : Approx. 30.7 Connecting Cord MC-23 from a distance of up to manipulated on your per- × 9.8 × 42.9 in. D1 series about 26 ft. Auto trigger- sonal computer. Weight : Approx. 3.5 oz. (main unit (1.3 ft.) Terminal Release only, excluding memory card) Connects two cameras The data is first trans- D200 Connecting Cord MR-3 ing, delayed shutter Operating conditions : Temperature: for simultaneous or syn- MC-23 (1.3 ft.) release, single and con- ferred from the camera 32~104°F, humidity: under 85% chronized shutter release. D100 tinuous shooting are to a memory card set in GPS Cable MC-35 with possible. the MV-1, where it can tion, compatibility with Adapter Cord MC-25 (0.7 ft.) GPS Cable MC-35 enables Wireless Transmitter MB-D100 Remote Cord then be transferred to a Enables use of two-pin Remote Cord Specifications the Nikon D2x/D2Hs digi- WT-2/2A (for D2x/D2Hs) various security protocols MC-22 (3.3 ft.) MC-12B (2.6 ft.) No. of control output channels : PC. Using spreadsheet and enables wireless remote accessories: Two channels available tal SLR to be connected The Wireless Transmitter ontrol & ontrol software such as MC-4A, MC-12B, and Shooting modes : S for single-frame with NMEA-O183 proto- mounts on the bottom of remote camera control via shooting, C for continuous shooting, Microsoft Excel, the col-compatible GPS the camera, and connects PTP/IP (Nikon Capture 4 MR-3. Remote Cord

C DELAY for 3 seconds delayed shoot- Modulite Remote transferred data can now (Global Positioning to the camera via a USB ver. 4.3 or later is Control Set ML-3 MC-4A (3.3 ft.) ing, and TEST for operation check in A. TRIG mode be easily viewed and System) units such as cable. When connected, required). Number of flashes* (single-frame shooting) : manipulated on your models of GARMINTM and wireless uploading of Note: The WT-2 is sold in coun- 5,000 or higher computer. Data record MAGELLANTM. In this way, image data to an ftp serv- tries where governments Remote Cord Continuous standby time* : Approx. 200 approve the use of 13 frequency Adapter Cord capacity (number of film MC-10 (9.8 ft.) hours with F5, approx. 190 hours GPS position information er is possible. Power is channels, while the WT-2A is MC-25 (0.7 ft.) with F100 or N90s rolls whose shooting from satellites and time supplied from the camera. made for sale in countries Power source : Transmitter: Two AAA- data can be recorded) signals synchronous to The WT-2/2A can normally where use of only 11 frequency N80 size alkaline or high-rate manganese channels is authorized. batteries; Receiver: Supplied from differs with each camera UTC (Universal transmit up to about 98 emote camera body and recording mode. Cable Release Remote Cord × × Coordinated Time) are ft., but the optional WA- FM3A N70 Dimensions (W H D) : Transmitter: Notes: AR-3 (1.0 ft.) MC-12B (2.6 ft.) Approx. 4.6 × 0.9 × 1.2 in.; Receiver: recorded within image E1 Extended Range R •In addition to the supplied Approx. 2.0 × 1.4 × 1.9 in. CompactFlashTM card (8MB data file as shots are Antenna can increase the D100 Weight (without batteries) : Transmitter: FM3A EC-8CF), Nikon-guaranteed taken with the D2x/D2Hs. Approx. 1.4 oz.; Receiver: Approx. 1.8 oz. effective range to 492 ft. with MD-12 Type I CF cards can also be The highspeed WT-2/2A *With a fresh set of alkaline batteries used. Type II CF cards and Terminal Release MR-3 features a post-transmis- D70s Microdrives, however, cannot Remote Cord be used. sion auto data-erase func- MC-DC1 (3.3 ft.) 22 23 V iewing A ccessories

Changing focusing screens For F6, F100, N90s, FM3A, For F5 D2 series, D1 series Remove the finder, then Remove the lens, then change change the focusing screen. the focusing screen. Interchangeable Focusing Screens Viewing Attachment For F6 Types B, B2, B3, D, U Each screen offers unob- Right-Angle Viewing Attachment structed viewing and easy DR-5/DR-6 Provides an upright, unre- focusing over the entire versed image for right- matte surface. Types D and angle viewing. Individual Type B* Type A Type E Type J Type L U are especially for telepho- eyesight adjustments to lenses. Focus brackets and are possible. 12mm-dia. center circle are not etched on the Type EC-B (for F5) They allow you to set DR-6 focusing screens. With an Electrochromic (EC) Eyepiece Correction Lenses the reproduction ratio Type M Type U device, shows the focus area to either 1:1 or 1:2. selected and offers unob- The DR-5 is for cameras structed viewing and easy designed with a circular

ccessories For F5 focusing on the overall eyepiece, and the DR-6 is matte surface. Antifog Finder Eyepiece for rectangular-eyepiece

A cameras. An adapter ring is Types K, K2, K3 required for F6, F5, F100, Feature a matte fresnel field ●For F100 Type EC-B*, B, U Type J Type EC-E, E Type A Type C -1 D2 series and D1 series with split-image rangefinder (–5 to +3m , 9 kinds) when attaching the DR-5. and microprism collar. Rubber Eyecups Eyepiece Magnifier DG-2 Types EC-E (for F5), E, E2, E3 Provides 2× magnification of Feature grid patterns that the central portion of the find- Type L Type M Type G1-4 are ideal for architectural er image. Eyesight adjustment photography. Type EC-E ●DK-15 provided. Useful for critical For F100 screen shows the focus area for F100 focusing in close-up photogra- selected and offers unob- Eyepiece Adapter phy. An eyepiece adapter is DR-5 iewing Focus brackets and ● 12mm-dia. center circle structed viewing and easy For F6, F5, required with all cameras are not etched on the D2 series, D1 series focusing screens. focusing. (–3 to +2m-1, 5 kinds) except FM3A. V Magnifying Eyepiece DK-17M Type B* Type E Types A, J, L, P Attached to the D2 series, D1 Designed for general series, F6 and F5, the DK-17M photography, these screens For D2 series ●DK-3 for FM3A magnifies the finder image by have either a split-image approximately 1.2 times. Focus brackets and rangefinder or a microprism 8mm-dia. center circle Diopter adjustment range is are not etched on the or both. ●DK-17A focusing screens. for F6, F5, D2 series, widened for both the + and - D1 series Types C, M ●DK-7 for F6, F5, sides. DG-2 Type B* Type E Type V* (D2x only) Type W (D2x only) ●DK-17C F100, D2 series, Used for high-magnification for F6, F5, Rubber Eyecups D1 series close-ups or astrophotogra- D2 series, D1 series Increase viewing comfort and For D1 series (–3 to +2m-1, 5 kinds) phy. prevent stray light from entering viewfinder and Types G (G1˜G4) washing out contrast. Exceptionally bright image because matte surface is not Eyepiece Correction Lenses Type B* Type E ●DK-6 for F100 used. Suitable for dim light An easy-to-use viewing and or fast-moving subjects. focusing aid for near- and farsighted photographers, DK-17M For N90s ●For FM3A ●For N80, N75, Type U (–5 to +3m-1, 9 kinds) which enables them to view N65, N55, Suitable with telephoto lens- D100, D70s the finder image accurately es longer than 200mm. without having to wear their eyeglasses. Type B* Type E Types V, W With the D2x, corner brack- Antifog Finder Eyepiece ets indicate the rectangular DK-15/DK-17A For FM3A area to be shot in High-speed This eyepiece features a trans- parent plastic plate with a spe- Crop mode. ●For N80, N75, N65, ●DK-19 for F6, F5, N55, D100, D70s D2 series, D1 series cial surface coating which (–5 to +3m-1, 9 kinds) reduces fogging on the eyepiece. DK-17A is for Nikon F6, Type K3* Type E3 Type B3 F5, D2 series and D1 series, * Supplied with product while DK-15 is for Nikon F100. 24 25 F ilters

A wide variety of Nikon Filters are available. Type Circular Filters for Color Photography Neutral Skylight Ultraviolet Yellow Orange Red Green Soft Amber Blue Color LMD LD Polarizing LD LMD Amber A2, A12 Blue B2, B8, B12 Filter NC L1BC L37C L39 Y44 Y48 Y52 O56 R60 X0 X1 No.1 No.2 C-PL C-PL2 C-PL1S C-PL1L A2 A12 B2 B8 B12 Designation C-PL2S C-PL2L Because they subtract blue, amber filters Blue filters subtract red and thus cool down Filter Factor correct the bluish colorations that some- colorations. B2 is a mild filter used with Daylight 1 1 11 1.5 1.7 2 3.5 8 25112~4 2~4 2~4 2~4 1.2 2 1.2 1.6 2.2 times affects daylight film. The mild A2 fil- daylight film to remove the reddish tinge Tungsten Light 1 1 11 1 1.2 1.4 2 5 1.7 3.5 112~4 2~4 2~4 2~4 1.2 2 1.2 1.6 2.2 ter warms scenes shot on cloudy days or in from sunrise or sunset shots. The medium- Screw-in Type 39mm the shade. The deeper colored A12 is used blue B8 corrects color when clear flashbulbs

ilters 46mm with tungsten film for outdoor shooting in are used with daylight film. B12 is a color 52mm fair weather. conversion filter which naturalizes the red 58mm cast produced by photofloods when shooting F 62mm 67mm indoors with daylight film. 72mm 77mm 95mm 122mm Slip-in Type Slip-in Circular Polarizing Filters 39mm Designed for use in combination with tele- Slip-in Circular Polarizing Filters — Table of compatible lenses 52mm Bayonet Type photo lenses equipped with a slip-in filter C-PL1S C-PL1L C-PL2S C-PL2L C-PL3L L: Light M: Medium D: Deep holder, these filters reduce glare from non- (39mm) (52mm) (39mm) (52mm) (52mm) AF Nikkor metallic surfaces such as glass and water. AF-S VR 200mm f/2G ED-IF  Filters for Color and B&W Photography Simply turn the rotating ring on the holder AF-S VR 300mm f/2.8G ED-IF   to find the most effective position. The fil- AF-S 300mm f/2.8D ED-IF II   Circular Polarizing Filters out affecting color balances. ters do not affect autofocus or auto expo- AF-S 400mm f/2.8D ED-IF II   By reducing the light reflected from non- Nikon circular polarizing filters come in a rotat- AF-S 500mm f/4D ED-IF II   sure features.   metallic surfaces, polarizing filters allow ing mount to enable different angles for different AF-S 600mm f/4D ED-IF II AF-I 300mm f/2.8D ED-IF   direct shooting through glass windows and degrees of polarization, and effects may be seen AF-I 400mm f/2.8D ED-IF   reduce the glare from water surfaces and sun- in the viewfinder as the filter is rotated. They do AF-I 500mm f/4D ED-IF   lit trees and grass. They are the only filters not interfere with the autofocus or auto exposure AF-I 600mm f/4D ED-IF   that darken the sky in color photography with- operation of the Nikon AF SLRs. Neutral Color NC Filters AF 300mm f/2.8 ED-IF  AF 300mm f/4 ED-IF  Available in attachment sizes 39mm, 46mm, AI-type Nikkor Soft Focus Filters No. 1, No. 2 lights a small subject surrounded by dark 52mm, 58mm, 62mm, 72mm and 77mm, 300mm f/2.8 ED-IF  The Soft Focus Filter No. 1 is good for por- space. Both filters come in 52mm, 62mm these neutral-color filters serve as lens pro- 400mm f/3.5 ED-IF   traits and gives a "romantic" style haze to and 72mm sizes to fit the front thread of a tectors. They do not affect color balance. In 500mm f/4 P ED-IF 600mm f/4 ED-IF  images. The No. 2 filter is stronger and pro- Nikkor lens. For the No. 1 filter, 77mm is addition, multilayer coating prevents light 600mm f/5.6 ED-IF  duces a fog-like effect in landscapes, or high- also available. reflection inside the glass, thus improving 800mm f/5.6 ED-IF   color rendition. 1200-1700mm f/5.6-8 P ED-IF   Ultraviolet L37C, L39 Skylight L1BC L37C is multilayer coated to further reduce : Compatible  : Incompatible While invisible to the naked eye, ultraviolet reflection and the L39 is good for B&W prints light can reduce contrast and detail. The color- of mountain or beach scenes. Both may be less UV filters not only produce sharper, non- used as lens protectors. The multilayer coated hazy B&W prints, they correct the blue or vio- Skylight L1BC also cuts UV light and is often let tints that may occur with color film. The left on the lens to protect it. Gelatin Filter Holders AF-3, AF-4 Accommodate gelatin or glass filters to thickness of approx. 2mm. The AF-3 is used with 3-inch square gelatin filters and Nikkor lenses having an attachment size of 52/62/67/72/77mm. The AF-4 is used with Filters for B&W Photography 4-inch square gelatin filters and Nikkor lenses having an attachment size of 52/62/67/72/77/82/95mm. Yellow Y44, Y48, Y52 ing contrast. Mild filter Y44 and medium filter Yellow filters absorb both the blue and ultravio- Y48 are best suited for portraits and snap Nikon also offers two dedicated hood options — the HN-36 for the AF-3 let light, so that skies appear darker in a B&W shots. Y52 offers the strongest effects and is and the HN-37 for the AF-4. Several hoods of equal diameter can be AF-3 AF-4 AF-3 with HN-36 hoods and adapter print. They are particularly useful for heighten- commonly used for landscape photography. stacked, depending on the focal length of the lens in use.

and ultraviolet. The R60 subtracts all colors Gelatin Filter Holders AF-1, AF-2 Orange O56, Red R60 These enable standard 75mm gelatin filters to be used with many AF Nikkor 85mm f/1.4D IF The O56 and R60 offer greater contrast of the spectrum except red and is often used Nikkor lenses, the AF-1 for 52mm attachment size and the AF-2 equipped with AF-4 and between sky and subjects than Y-series fil- with infrared film for special effects. for 72mm attachment size. three HN-37 hoods, attached ters. The O56 subtracts green as well as blue to a Nikon F6 72-62 Filter Adapter Ring UR-1 Green X0, X1 X0 absorbs less red than the X1, so its effect This adapter enables a filter with an attachment size of 72mm to Green filters subtract red and blue and let is milder. The X0 is used for general-purpose be used with any Nikkor lens with an attachment size of 62mm. through green and yellow. Although both X0 shooting, while the X1 is most effective for and X1 absorb the same amount of blue, the portraits.

26 27 C lose-U p A ccessories L ens C ases/L ens H oods

PS-6

PG-2 Lens Cases These cases keep lenses AF Nikkor Lens Hood Lens Case Normal Lens Hood Lens Case safe from dust, dampness AF-S DX 12-24/4G ED-IF HB-23 CL-S2 45/2.8 P HN-35 Soft pouch type provided and shocks. AF-S DX 17-55/2.8G ED-IF HB-31 CL-1120 50/1.2 HS-12/HR-2 CL-S1, CL-31S, CL-34A Cylindrical Case (CL): The hand- AF-S DX 18-55/3.5-5.6G ED HB-33 CL-1120 Telephoto PB-6 PB-6E some black leatherette finish AF-S DX 18-70/3.5-4.5G ED-IF HB-32 CL-0915 85/1.4 HN-20 CL-S2, CL-34A PB-6D is complemented by soft, AF-S DX VR 18-200/3.5-5.6G ED-IF HB-35 CL-1018 105/2.5 Built-in CL-S1, CL-32S, No.62 plush lining. AF-S DX 55-200/4-5.6G ED HB-34 CL-0815 135/2.8 Built-in CL-S1, CL-32S, No.62 oods Trunk Case (CT): A durable AF DX Fisheye 10.5/2.8G ED Built-in CL-0715 Reflex trunk case is supplied with AF-S 17-35/2.8D ED-IF HB-23 CL-S3, CL-76 500/8 HN-27 CL-39 AF 18-35/3.5-4.5D ED-IF HB-23 CL-S1, CL-44 1000/11 Built-in CL-29

H larger lenses including bright super-telephoto AF 24-85/2.8-4D IF HB-25 CL-S1, CL-17, CL-49 Special Purpose AF-S 24-85/3.5-4.5G ED-IF HB-28 CL-S2 PC 28/3.5 HN-9 CL-S2, CL-34A, CL-46, No.62 lenses. AF-S VR 24-120/3.5-5.6G ED-IF HB-25 CL-S2 PC Micro 85/2.8D HB-22 CL-75 BR-2A BR-5 BR-3 ES-1 No. 0 No. 1 No. 2 No. 3T No. 4T No. 5T No. 6T Soft Pouch (No. 58-62, CL-S1/ AF-S 28-70/2.8D ED-IF HB-19 CL-S4, CL-74 Micro 55/2.8 HN-3 CL-S1, CL-31S, CL-32S, S2/S3/S4/M1/M2/L1/L2): AF 28-80/3.3-5.6G HB-20 CL-S1, CL-32S, CL-34A, No.62 CL-33S*, CL-15S*, No. 62 Accommodates a variety of AF 28-100/3.5-5.6G HB-27 CL-S2, CL-32s Micro 105/2.8 HS-14 CL-S4, CL-32S, CL-33S, CL-38**, CL-72, No. 62 lenses of different focal AF 28-105/3.5-4.5D IF HB-18 CL-S1, CL-49, No. 62 ens Micro 200/4 IF Built-in CL-71 lengths. AF 28-200/3.5-5.6G ED-IF HB-30 CL-S2

ccessories Teleconverter AF 35-70/2.8D HB-1 CL-S2, CL-33S TC-14E II – CL-S1, CL-30S, No.61 Lens Lens hoods minimize stray AF-S VR 70-200/2.8G ED-IF HB-29 CL-M2 TC-17E II – CL-0715, CL-S1, CL-30S light, helping reduce flare AF 70-300/4-5.6D ED HB-15 CL-S4, CL-72

A Hoods /L and eliminate “ghost” AF 70-300/4-5.6G HB-26 CL-S4, CL-72 TC-20E II – CL-S1, CL-31S, No.62 PB-6M AR-10 AR-7 PK-11A PK-12 PK-13 PN-11 *With a PK-13 ring **With a PN-11 ring (for N70, MC-25) (for FM3A) images; they also protect the AF 80-200/2.8D ED HB-7 CL-M2, CL-43A lens. AF VR 80-400/4.5-5.6D ED HB-24 CL-M1 p Screw-in (HN, HR): Screws onto AF-S VR 200-400/4G ED-IF HK-30 CL-L2 Lens Hoods for Circular Polarizing Filters Slide Copying Adapter PS-6 Slide Copying Adapter ES-1 the close-up lens number, 1 Bellows Focusing the front of the lens; metal AF 14/2.8D ED Built-in CL-S2 52mm Circular Polarizing Filter HN-12 2 Used with the PB-6 and Attached to the AF the closer you can focus. AF 18/2.8D HB-8 CL-S1, CL-17, CL-47 62mm Circular Polarizing Filter HN-26 U Attachment and type available for extra 1 a Nikkor lens to make Micro-Nikkor 60mm Numbers 0, 1 and 2 are AF 20/2.8D HB-4 CL-S1, CL-30S 72mm Circular Polarizing Filter HN-13 Accessories strength; rubber type folds 1, 3 recommended for lenses ases 77mm Circular Polarizing Filter HN-34 duplicate slides. f/2.8D lens with the BR-5 back over the lens when not AF 24/2.8D HN-1 CL-S1, CL-30S, CL-34A Bellows Focusing Attachment Cropping of the original Ring or the Micro-Nikkor with a focal length to in use. AF 28/1.4D HK-7 CL-S1, CL-44, No.62 slide is possible. 55mm f/2.8 lens, this 55mm. 3T and 4T work AF 28/2.8D HN-2 CL-S1, CL-30S, CL-34A 1. Vignetting occurs with lenses shorter than 35mm.

PB-6 C Bayonet (HB): Twist-lock 2. Vignetting occurs with lenses shorter than 135mm. AF 35/2D HN-3 CL-S1, CL-30S, No.62 Lets you vary the lens adapter enables best with lenses from mounting for extra 3. AF-S 28-70mm f/2.8D ED-IF can be used at 50mm Focusing Stage PG-2 AF 50/1.4D HR-2 CL-S1, CL-30S, CL-34A duplication of 35mm 85mm to 200mm, and 5T security. or longer zoom setting. extension from 48mm to Simplifies close-up AF 50/1.8D HR-2 CL-S1, CL-30S film. and 6T with lenses from Snaps onto the Note: Lens case names represent their types: CL for 208mm, producing focusing when using a Snap-on (HS): AF 85/1.4D IF HN-31 CL-S1, CL-44, No.62 lose- 70mm to 210mm. front of the lens with a Cylindrical Cases, CT for Trunk Cases and No. frame-filling images of camera or camera plus Macro Copy Stand PB-6M AF 85/1.8D HN-23 CL-S1, CL-15S, CL-31S, No.62 58-62 and CL-S/M/L for Soft Pouches. spring-type retainer ring; the the most minute sub- motor drive mounted on Attaches to the end of Numbers 3T, 4T, 5T and AF 180/2.8D ED-IF Built-in CL-S4, CL-38, CL-72 Lens hood names represent their types: HN for mounting can be convenient- Screw-in, HR for Rubber Screw-in, HK for Slip- C 6T are two-element AF-S VR 200/2G ED-IF HK-31 CL-L1

jects. Requires an Auto ens a tripod. the PB-6 to convert it to ly reversed for storage. on, HS for Snap-on, HB for Bayonet, and HE for Extension Ring when a miniature copy stand achromatic lenses that AF-S VR 300/2.8G ED-IF HK-30 CL-L1 Extension. Macro Adapter Ring BR-2A Slip-on (HK): Slips over the AF-S 300/4D ED-IF Built-in CL-M2 used with the F6, F5, D2 ensure high image equali- or specimen stage. front of the lens; tightened AF-S 400/2.8D ED-IF II HK-25 CT-402, CL-L2 Enables reverse-mount- ty. Numbers 5T and 6T L series, D1 series or with knurled screw and retain- AF-S 500/4D ED-IF II HK-24 CT-502, CL-L2 ing of lenses — an inex- Cable Releases have a front attachment D70s/D70. er ring; used with wide-zoom AF-S 600/4D ED-IF II HK-23 CT-606, CL-L2 pensive means of obtain- The AR-4 and AR-7 size of 62mm; for all The Bellows Spacer PB-6D ing a relatively high Double Cable Release and ultra-wide lenses. AF Fisheye 16/2.8D Built-in CL-S1, CL-31S, No.61 other numbers, it is AF Micro 60/2.8D HN-22 CL-S1, CL-32S, No.62 Enables moving a Nikon reproduction ratio. The and the AR-10 Cable 52mm. To protect the front and rear AF Micro 105/2.8D HS-7 CL-S3, CL-15S F6, F5, D2 series or D1 BR-2A also increases the Release provide the PB-6 Lens portions of a lens from dust, AF Micro 200/4D ED-IF HN-30 CL-M2, CL-45 series on the PB-6 rail working distance for with automatic Auto Extension Rings and fingerprints and scratches, AF DC 105/2D Built-in CL-S3, CL-72 without interference. It PK and PN normal or wideangle diaphragm control, even Nikon makes lens caps in AF DC 135/2D Built-in CL-S4, CL-72 also allows horizontal/ver- Body Zoom lenses. for a lens in the reversed The PK-11A, PK-12 and hard plastic, metal and tical changeover anywhere Compatible with lenses position. Caps leather. Body caps are also 35-200/3.5-4.5 HK-15 CL-S3, CL-13A PK-13 fit between the 70-210/4.5-5.6 HR-1 CL-38 along the rail. Two PB- that have a 52mm front available to protect the mir- Close-up Attachment camera body and lens Wideangle 6Ds are needed with the attachment size. ror box and reflex mirror either single or in com- 24/2 HK-2 CL-S1, CL-31S, CL-34A PB-6; three are needed Lenses when no lens is mounted on Macro Adapter Ring BR-5 binations, and retain 35/1.4 HN-3 CL-S1, CL-31S, CL-32S, No.62 when using the PB-6E. the camera body. Needed when using the Used singly or in combi- automatic diaphragm Extension Bellows PB-6E BR-2A with lenses that nation, these lenses pro- and meter coupling with The lens strap LN-1 is easily Attaches to the PB-6 for vide an easy way to have a 62mm front Nikkor lenses. This Lens adjustable for carrying various magnification to an increase magnification. attachment size. means you’re free to Strap telephoto lenses, even large, astounding 23× life-size Even when attached, you Adapter Ring BR-3 compose, focus and heavy ones, comfortably on a when using a 20mm can use automatic expo- A handy adapter that con- meter at the brightest, shoulder. Compatible with auto- wideangle lens in sure control and TTL verts the bayonet mount fullest aperture position focus lenses: AF-S VR 300/2.8G, reverse position. metering. All lenses are of reverse mounted lenses without having to manu- AF-S/AF-I 400/2.8D, AF-S 500/4D treated with Nikon to the 52mm thread used ally stop down the lens and AF-S 600/4D; and manual Integrated Coating to LN-1 lenses: 200/2, 400/2.8, 400/3.5, for filters and hoods. before shooting. These CL-L2 improve contrast and rings also allow auto- 500/4P, 600/5.6 and 800/5.6. reduce flare. The higher matic exposure control. CL-M1 CL-M2 CL-S1 CL-S2 CL-S3 CL-S4 CL-L1 28 29 C amera C ases

Camera Cases For F6 For N80 For N55 For 35mm SLRs Made to fit camera and CF-62 standard lens only or a variety CF-64 CF-59 of camera-lens-accessory traps combinations including telephotos and motor drives, CS-13

S Nikon camera cases not only

keep valuable equipment clean, CF-60 Camera Case AF DX Fisheye 10.5/2.8G ED AF 14/2.8D ED AF Fisheye 16/2.8D AF 18/2.8D AF 20/2.8D AF 24/2.8D AF 28/1.4D AF 28/2.8D AF 35/2D AF 50/1.4D AF 50/1.8D 60/2.8D AF Micro 105/2.8D AF Micro 200/4D ED-IF AF Micro AF 85/1.4D IF AF 85/1.8D AF DC 105/2D AF DC 135/2D AF 180/2.8D ED-IF AF-S DX 12-24/4G ED-IF AF-S 17-35/2.8D ED-IF AF-S DX 17-55/2.8G ED-IF AF 18-35/3.5-4.5D ED-IF AF-S DX 18-55/3.5-5.6G ED AF-S DX 18-70/3.5-4.5G ED-IF AF-S VR DX 18-200/3.5-5.6G ED-IF AF-S 24-85/3.5-4.5G ED-IF AF 24-85/2.8-4D IF AF-S VR 24-120/3.5-5.6G ED-IF AF-S 28-70/2.8D ED-IF AF 28-80/3.3-5.6G AF 28-100/3.5-5.6G AF 28-105/3.5-4.5D IF AF 28-200/3.5-5.6G ED-IF AF 35-70/2.8D AF-S DX 55-200/4-5.6G ED AF-S VR 70-200/2.8G ED-IF AF 70-300/4-5.6D ED AF 70-300/4-5.6G AF 80-200/2.8D ED AF VR 80-400/4.5-5.6D ED 24/2 28/2 35/1.4 45/2.8P 50/1.2 85/1.4 105/2.5 135/2.8 PC 28/3.5 85/2.8D PC Micro 55/2.8 Micro 200/4 IF Micro 35-200/3.5-4.5 70-210/4.5-5.6 F6 Semi-soft CF-64 safe and ready to get at, they For F5 For FM3A Semi-soft CF-53 look good, too. From classic F5 CS-19 Semi-soft CF-54 black to stylish custom models, Semi-soft CF-57 CF-27S F100 every Nikon case is carefully Semi-soft CF-58 CF-53 designed and manufactured to Semi-soft CF-47 the same precise standards as For N75 N90s Semi-soft CF-47D ases/ all Nikon equipment, and will Semi-soft CF-48A* Semi-soft CF-59 provide long years of service. N80 CF-63 CS-20 Semi-soft CF-60

C CF-28S Four types are available: N75 Semi-soft CF-63 CF-54 Semi-soft CF-51 N70 Semi-Soft Case: A two-piece Semi-soft CF-52 design, this case is more pli- N65 Semi-soft CF-61 able and is textured in appear- For D200 Semi-soft CF-49 N60 ance. CF-D200 Semi-soft CF-50 CF-28A N55 Soft CF-62 Soft Case: Foldable when not in For N70 Semi-soft CF-27S Semi-soft CF-28S use, these cases are usually FM3A one-piece in design and are For F100 Semi-soft CF-28A* more for convenience than Semi-soft CF-29S

amera Soft CS-7 protection. CF-51 CF-57 Soft CS-8 For D100 Soft CS-9 Blimp Case: Foldable, this case is 35mm SLRs C Soft CS-10 useful to dampen shutter/motor CF-D100 Soft CS-19 CF-29S drive noise or to protect the CF-52 Soft CS-20 camera/lens from freezing D200 Soft CF-D200 temperatures. Compatible D100 Soft CF-D100 CF-58 with any Nikon SLR. D70s/D70 Soft CF-D70 For 35mm SLRs D50 Soft CF-D50 Speedcase: With its accessory kit Compatible *Front flap only on the outside, the speedcase For D70s/D70 offers maximum convenience CF-D70 when carrying camera/tele- For N65 photo lens and small acces- CS-7 sories. For N90s CF-61 Camera Case Base Portions Neckstraps Designed for use when a data Fully adjustable to a variety of CF-47 back is attached in place of different lengths, Nikon neck- For D50 the standard camera back, straps are available in either CS-8 these base portions have a nylon, leather or leatherette. The CF-D50 handy window which allows AN-6W AN-6Y AN-17 AN-18 nylon neckstraps are flared for full viewing of all the data no-strain carrying, and come in For N60 back displays. They attach black or black with yellow CF-47D easily to the top portion of the stripes. Both the leather and CS-9 CF-27D for FM3A standard camera carrying leatherette straps have a non-slip with Data Back MF-16 CF-49 case. AN-4Y AN-4B AN-1 rubber shoulder pad for added (for F5, F100 and security. All Nikon neckstraps are FM3A) designed so that the hardware will not scratch the corners of the CS-10 camera body. CF-50 CF-48A

30 31 Nikon Film Scanners Your film's digital bridge to the future

Multi-format Film Scanner 35mm/IX240 Film Scanner 35mm/IX240 Film Scanner SUPER COOLSCAN 9000 ED SUPER COOLSCAN 5000 ED COOLSCAN V ED • Multiple film format (120/220, 35mm, etc.) • 4,000 dpi true optical resolution • 4,000 dpi true optical resolution • 4,000 dpi true optical resolution • 16-bit A/D, 16-/8-bit output • 14-bit A/D, 16-/8-bit output • 16-bit A/D, 16-/8-bit output • SCANNER NIKKOR ED lens • SCANNER NIKKOR ED lens • Large-diameter SCANNER NIKKOR ED lens • Fast 20-second scanning • Gentle-on-film LED illumination • Rod dispersion LED illumination (including image transfer to monitor) • Fast 38-second scanning • Multi-sample scanning • Multi-sample scanning (including image transfer to monitor) • Scan Image Enhancer • Scan Image Enhancer • Scan Image Enhancer • Quick AF & Quick Preview • Quick AF & Quick Preview • Quick AF & Quick Preview • High-speed USB 2.0 interface • Layout-free design • IEEE1394 interface • Roll film compatible (optional) • Easy-to-connect USB interface • Digital ICE4 Advanced™ 4 ™ 4 ™ (Digital ICE quad advanced) • Digital ICE Advanced • Digital ICE Advanced (Digital ICE quad advanced) (Digital ICE quad advanced) • Digital ICE Professional™ for Kodachrome film

Digital ICE4 Advanced™ is Digital ICE™, Digital ROC™, Digital GEM™ and Digital DEE™. Digital ICE4 Advanced™ are technologies developed by Applied Science Fiction. Digital ICE Professional™ is technology developed by Applied Science Fiction.

Digital Photo Storage Viewer COOLWALKER MSV-01 Your 30GB portable photo album • High-quality 30GB hard disk stores up to 10,000* digital images * Calculated for 6-megapixel images stored in JPEG FINE format • High-quality 2.5-inch TFT color monitor • Easy data transfer between COOLWALKER and CF Card or PC (USB 2.0)* * Using CF card type adapter, SD card is also usable • Simple user interface for intuitive operation • Compatible with JPEG, TIFF and NEF file • Slideshow image display • PictBridge compatible

Microsoft® and Windows® are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries. Macintosh® is a registered trademark or a trademark of Apple Computer Inc. in the United States and/or other countries. Specifications and designs are subject to change without any notice or obligation on the part of the manufacturer. © 1999-2006 NIKON INC.

If the picture matters the camera matters™

NIKON INC. 1300 Walt Whitman Road, Melville, N.Y. 11747-3064, U.S.A. www.nikonusa.com

Printed in U.S.A. Code No. 8CE55601 (0601/F)K SLR-ACCESS-32-01/06