Four Ties Lit Review Issue 5 Volume 1
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Desperate Housewives
Corso di Laurea magistrale in Musicologia e Scienze dello Spettacolo Tesi di Laurea Ai confini della serialità televisiva. Il caso Desperate Housewives Relatore Prof.ssa Valentina Carla Re Correlatori Prof.ssa Francesca Bisutti Prof. Fabrizio Borin Laureando Marta Bernardi Matricola 831546 Anno Accademico 2012 / 2013 2 Santa Marta protettrice delle casalinghe … Anche quelle disperate Ringraziamenti. Si ringrazia mamma e papà per il supporto e l’incoraggiamento a non mollare mai. Irene e Nadia, le mie sorelle perché la vita famigliare senza di loro sarebbe stata a dir poco noiosa. Insieme abbiamo passato dei bellissimi momenti che porterò sempre nel mio cuore. Un grazie anche a Giovanni e alla sua personalità perché riescono sempre a farmi sorridere anche nei momenti di maggior difficoltà. Infine un grazie alla Facoltà di Ingegneria di Trento perché ho capito quello che non avrei mai voluto diventare. 3 4 SOMMARIO INTRODUZIONE p. 7 I. UN QUADRO GENERALE: SULL’INIZIO E SULLA FINE NELLA SERIE SERIALIZZATA p. 13 I.1. SULLA NATURA DELLA SERIE SERIALIZZATA p. 15 I.2. LA COMPLESSITÁ NARRATIVA: CLIFFHANGER, INIZIO EPISODIO, EPISODIO PILOTA, LA CHIUSURA. p. 26 II. DESPERATE HOUSEWIVES. LA SERIE. II.1. L’EPITESTO PUBBLICO: LA GUIDA UFFICIALE DI DESPERATE HOUSEWIVES p. 58 II.2. LA SIGLA p. 71 II.3. L’EPISODIO PILOTA p. 102 II.4.TRA ANTHOLOGY PLOT E RUNNING PLOT, L’IMPORTANZA DEL RACCONTO E DELLE SUE REGOLE p. 135 II.5. IL GRAN FINALE p. 186 APPENDICE p. 321 BIBLIOGRAFIA p. 237 5 6 INTRODUZIONE Negli ultimi anni il panorama televisivo si è profondamente trasformato. I cambiamenti sopraggiunti hanno portato ad una nuova forma di serialità televisiva, di cui Desperate Housewives rappresenta un caso esemplare. -
Beyond Postmodern Margins: Theorizing Postfeminist Consequences Through Popular Female Representation
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2008 Beyond Postmodern Margins: Theorizing Postfeminist Consequences Through Popular Female Representation Victoria Mosher University of Central Florida Part of the Women's Studies Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Mosher, Victoria, "Beyond Postmodern Margins: Theorizing Postfeminist Consequences Through Popular Female Representation" (2008). Electronic Theses and Dissertations, 2004-2019. 3605. https://stars.library.ucf.edu/etd/3605 BEYOND POSTMODERN MARGINS: THEORIZING POSTFEMINIST CONSEQUENCES THROUGH POPULAR FEMALE REPRESENTATION by VICTORIA MOSHER B.A. University of Central Florida, 2003 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of English in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2008 ©2008 Victoria Mosher iii ABSTRACT In 1988, Linda Nicholson and Nancy Fraser published an article entitled “Social Criticism Without Philosophy: An Encounter Between Feminism and Postmodernism,” arguing that this essay would provide a jumping point for discussion between feminisms and postmodernisms within academia. Within this essay, Nicholson and Fraser largely disavow a number of second wave feminist theories due to their essentialist and foundationalist underpinnings in favor of a set of postmodernist frameworks that might help feminist theorists overcome these epistemological impediments. -
Desperate Housewives
Desperate Housewives Titre original Desperate Housewives Autres titres francophones Beautés désespérées Genre Comédie dramatique Créateur(s) Marc Cherry Musique Steve Jablonsky, Danny Elfman (2 épisodes) Pays d’origine États-Unis Chaîne d’origine ABC Nombre de saisons 5 Nombre d’épisodes 108 Durée 42 minutes Diffusion d’origine 3 octobre 2004 – en production (arrêt prévu en 2013)1 Desperate Housewives ou Beautés désespérées2 (Desperate Housewives en version originale) est un feuilleton télévisé américain créé par Charles Pratt Jr. et Marc Cherry et diffusé depuis le 3 octobre 2004 sur le réseau ABC. En Europe, le feuilleton est diffusé depuis le 8 septembre 2005 sur Canal+ (France), le 19 mai sur TSR1 (Suisse) et le 23 mai 2006 sur M6. En Belgique, la première saison a été diffusée à partir de novembre 2005 sur RTL-TVI puis BeTV a repris la série en proposant les épisodes inédits en avant-première (et avec quelques mois d'avance sur RTL-TVI saison 2, premier épisode le 12 novembre 2006). Depuis, les diffusions se suivent sur chaque chaîne francophone, (cf chaque saison pour voir les différentes diffusions : Liste des épisodes de Desperate Housewives). 1 Desperate Housewives jusqu'en 2013 ! 2La traduction littérale aurait pu être Ménagères désespérées ou littéralement Épouses au foyer désespérées. Synopsis Ce feuilleton met en scène le quotidien mouvementé de plusieurs femmes (parfois gagnées par le bovarysme). Susan Mayer, Lynette Scavo, Bree Van De Kamp, Gabrielle Solis, Edie Britt et depuis la Saison 4, Katherine Mayfair vivent dans la même ville Fairview, dans la rue Wisteria Lane. À travers le nom de cette ville se dégage le stéréotype parfaitement reconnaissable des banlieues proprettes des grandes villes américaines (celles des quartiers résidentiels des wasp ou de la middle class). -
The Desperate Housewives Cookbook
(Mobile pdf) The Desperate Housewives Cookbook The Desperate Housewives Cookbook Christopher Styler, Scott S. Tobis ebooks | Download PDF | *ePub | DOC | audiobook #383480 in Books Hyperion 2006-09-26 2006-09-26Original language:EnglishPDF # 1 10.38 x 1.00 x 8.25l, 2.46 #File Name: 1401302777273 pages | File size: 35.Mb Christopher Styler, Scott S. Tobis : The Desperate Housewives Cookbook before purchasing it in order to gage whether or not it would be worth my time, and all praised The Desperate Housewives Cookbook: 2 of 2 people found the following review helpful. Excellent bookBy Mathew L. MorrisonI'm very passionate about cooking, and Desperate Housewives is my favorite show hands down. I really enjoy thi book; so far the recipes I have made were sucesses and the ones I have not tried look good. Susan's macaroni and cheese was a huge hit at a barbeque I attended, it went in 10 minutes and I was lucky to have gotten a serving for myself. The only problem for me is that this cookbook is not made with college students on budget in mind; I'm desperate to make Bree's Basil Puree, but have yet to get enough basil to make it...I"m getting there though. Excellent addition to any cook's collection.Now I'm ready to have a volume two in this collection, a few things could include Katherine Mayfair' brioche, lemon pie, and her baking. Bob and Lee could be included with recipes for cocktails, and Angie Bolen's Italian family recipes would also be a great addition to the cookbook. -
The Lion King with Actor Alfre Woodard Saving the Classical Music Ecosystem Actor Russell Hornsby Shines in the Hate U Give
Boston University College of Fine Arts Magazine Spring 2019 Disney Reimagines The Lion King with Actor Alfre Woodard Saving the Classical Music Ecosystem Actor Russell Hornsby Shines in The Hate U Give CFA_SP19_Final.indd 1 6/6/19 12:17 PM Boston University College of Fine Arts Magazine Spring 2019 Dean Disney Reimagines The Lion King with Actor Alfre Woodard Harvey Young Saving the Classical Music Ecosystem Actor Russell Hornsby Shines in Assistant Dean, The Hate U Give Development & Alumni Relations Christopher Marrion (’94) Development & Alumni A NOTE FROM HARVEY Relations Senior Associate Denise Savino (CAS‘11) Director of Communications Laurel Homer (CAS’98) Summer. When I was a kid, I loved going to the drive-in. I appreci- ated how something relatively simple, an outdoor movie theater, Editor could create an instant community. Family, friends, and strangers ON THE COVER: Alfre Lara Ehrlich (UNI’03) came together to share in the telling of a story. Larger-than-life Woodard (’74, Hon.’04) Art Director plays Queen Sarabi in Lee Caulfield characters were somehow made even larger. Tina Turner welcomed Disney’s The Lion King. Contributing Writers 10-year-old me to Thunderdome. If there is an anachronistic cul- Joel Brown tural experience that I wish I could bring back for future genera- Photo by Amanda Mara Sassoon tions, it would be the drive-in. Edwards/WireImage/ Andrew Thurston Of course, the best days of the drive-in are solidly in the rearview Getty Images Emily White mirror. What excites me now is the opportunity to build a twenty- first-century hub for the arts with the potential to excite the imagi- Published by Boston University nations of audiences of all ages. -
Desperate Housewives, Miroir Tendu Au(X) Féminisme(S) Américain(S) ?
UNIVERSITÉ FRANÇOIS - RABELAIS DE TOURS ÉCOLE DOCTORALE SCIENCES DE L’HOMME ET DE LA SOCIÉTÉ GROUPE DE RECHERCHE ANGLO-AMÉRICAINE DE TOURS (GRAAT) THÈSE présentée par : Virginie MARCUCCI soutenue le : 27 novembre 2010 pour obtenir le grade de : Docteur de l’Université François - Rabelais Discipline/ Spécialité : Anglais/Civilisation américaine DESPERATE HOUSEWIVES, MIROIR TENDU AU(X) FÉMINISME(S) AMÉRICAIN(S) ? THÈSE dirigée par : M. GUILBERT, Georges-Claude Professeur des Universités, Université François – Rabelais - Tours RAPPORTEURS : Mme ANDREOLLE, Donna Professeur des Universités, Université Stendhal Grenoble III Mme FILLARD, Claudette Professeur des Universités, Université Lumière Lyon II JURY : Mme ANDREOLLE, Donna Professeur des Universités, Université Stendhal Grenoble III Mme FILLARD, Claudette Professeur des Universités, Université Lumière Lyon II Mme FRAU-MEIGS, Divina Professeur des Universités, Université Paris III (Présidente) M. GUILBERT, Georges-Claude Professeur des Universités, Université François-Rabelais Mme MICHLIN, Monica Maître de Conférences, Université Paris IV A Nicolas, qui rend tout possible 1 Remerciements Merci tout d’abord à Monsieur Georges-Claude Guilbert d’avoir accepté de diriger ce travail de recherche, de m’avoir guidée tout au long de ces trois années par ses conseils avisés, de m’avoir encouragée dans les moments de doute et fait découvrir un monde d’idées que je n’imaginais pas. Merci à Mesdames Donna Andréolle, Claudette Fillard, Divina Frau-Meigs et Monica Michlin d’avoir accepté de faire partie de mon jury et de lire ce travail de recherche. Merci aux doctorants du GRAAT pour leur écoute et leurs conseils et merci à mes collègues (parfois compagnons de thèse) Mathias, Romain et Valérie. -
Narrativas Sem Fim? Serialização Em Desperate Housewives
UNIVERSIDADE FEDERAL DA BAHIA FACULDADE DE COMUNICAÇÃO PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO E CULTURA CONTEMPORÂNEA THAIANE DOS SANTOS MACHADO NARRATIVAS SEM FIM? SERIALIZAÇÃO EM DESPERATE HOUSEWIVES SALVADOR 2010 THAIANE DOS SANTOS MACHADO NARRATIVAS SEM FIM? SERIALIZAÇÃO EM DESPERATE HOUSEWIVES Dissertação apresentada ao Programa de Pós- Graduação em Comunicação e Cultura Contemporâneas da Faculdade de Comunicação da Universidade Federal da Bahia, como requisito parcial à obtenção do grau de Mestre em Comunicação. Professora Orientadora: Maria Carmem Jacob SALVADOR 2010 2 Sistema de Bibliotecas da UFBA Machado, Thaiane dos Santos. Narrativas sem fim? Serialização em Desperate Housewives / Thaiane dos Santos Machado. - 2010. 154 f. : il. Orientadora : Profª. Maria Carmem Jacob. Dissertação (mestrado) - Universidade Federal da Bahia, Faculdade de Comunicação, Salvador, 2010. 1. Análise do discurso narrativo. 2. Televisão - Seriados - Estados Unidos. 3. Desperate Housewives (Programa de televisão). 4. Ficção. I. Jacob, Maria Carmem. II. Universidade Federal da Bahia. Faculdade de Comunicação. III. Título. CDD - 791.450973 CDU - 654.1(73) 3 THAIANE DOS SANTOS MACHADO NARRATIVAS SEM FIM? SERIALIZAÇÃO EM DESPERATE HOUSEWIVES Dissertação para obtenção do grau de Mestre em Comunicação Salvador, 29 de Junho de 2010 Banca examinadora: ___________________________________________________ Maria Carmem Jacob (FACOM/UFBA) – Orientadora ___________________________________________________ Jéder Janotti Júnior (UFAL) – Examinador ___________________________________________________ Ludmila Moreira Carvalho (FACOM/UFBA) – Examinador 4 A todos aqueles que, assim como eu, permanecem sonhando, mesmo quando acordados. 5 AGRADECIMENTOS À CAPES (Coordenação de Aperfeiçoamento de Pessoal de Nível Superior), por ter financiado parte da minha pesquisa; Ao Programa de Pós-Graduação em Comunicação em Cultura Contemporânea, por oferecer estrutura, bons profissionais e a essência humana para entender as aflições acadêmicas de seus alunos, as minhas particularmente; À Prof. -
Inter-Religious Dialogue Can Quell Conflicts by Mary Stamp University
STORIES INSIDE eMinistry offers phone classes - p. 12 Spokane has urban missionary - p. 7 Project counters gangs’ appeal - p. 9 Hillyard churches September 2007 [email protected] Volume 24, Number 7 www.thefigtree.org collaborate - p. 8 (509) 535-1813 • 323-4037 Monthly newspaper covering faith in action throughout the Inland Northwest Inter-religious dialogue can quell conflicts By Mary Stamp University. While here, he helps With part of his life in each support his diocese and family. tradition, Father Patrick Baraza, Most of his family became a Kenyan priest serving in the Christian, he said, not because he Diocese of Spokane, sees African “converted” them, but because of traditional religions strengthening what they saw in him. community, Christianity bringing He had preached at a Mass hope and Islam being practical. before an interview with The Fig He believes each faith has Tree. His sermon was about Na- positive contributions to make in thanael asking Philip if anything the African context, but he sees good could come out of Nazareth. that often the imported faiths— Philip said, “Come and see how Christianity and Islam—have he prays, come and see how he not respected African traditional loves.” (John 1:45-51) religions. They have brought “To African traditional reli- Arabization, Americanization and gions, which worship one God Europeanization that deny respect and have no concept of future, to African traditional religions. Christianity brings a sense of Because those faiths also have future and hope, hope for life brought to Africa their internal today,” he said. “Africans who divisions and their hostilities to have nothing to eat go to a Chris- each other, Father Patrick consid- tian crusade where they dance ers inter-religious dialogue crucial and praise. -
Sydney Program Guide
Page 1 of 42 Sydney Program Guide Sun Sep 20, 2020 06:00 ANIMAL TALES Captioned HD WS PG On this edition of Animal Tales, a cat undergoes a face-altering operation; the RSPCA is called to rescue a rottweiler stuck underneath a house; a python presents with a lump that requires surgery and we meet Brewster ±a horse with a rather embarrassing problem. 07:00 WEEKEND TODAY Captioned Live HD WS NA Join the Weekend Today team as they bring you the latest in news, current affairs, sports, politics, entertainment, fashion, health and lifestyle. 10:00 SPORTS SUNDAY Captioned Live HD WS PG Featuring Australia's leading sports personalities, Sports Sunday presents a frank and open debate about all the issues in the week of sport, with the promise of heated opinion and a few laughs along the way. 11:00 SUNDAY FOOTY SHOW Captioned Live HD WS PG Join hosts Peter Sterling, Erin Molan and Brad Fittler, with regular special guests to discuss all things NRL. 13:00 SUNCORP SUPER NETBALL Captioned Live HD WS NA Vixens v Firebirds Nine's Wide World of Sports presents Vixens v Firebirds from Cairns Arena. Join our expert commentary team for all the action. Centre Pass 1:15PM AEST. 15:00 LIVE: NRL SUNDAY FOOTY Captioned Live HD WS NA Newcastle Knights v St George Illawarra Dragons Wide World of Sports presents Newcastle Knights v St George Illawarra Dragons brought to you live and free. Join our expert commentary team for all the action from kick-off to the final siren. -
Titanic En 3D fl[email protected]
Jueves 13 de octubre de 2011 1E ZÓCALO SALTILLO Titanic en 3D fl[email protected] Para James Cameron es incuestionable que el futuro del cine es el 3D, por eso decidió convertir su clásico “Titanic” (1997) a tercera dimensión y reestrenarlo en cines en abril de 2012. El realizador dijo que quiso convertirla para brindarle a nuevas generaciones la oportunidad de verla en flash! cines. FAMOSOS, TELEVISIÓN, CINE, MÚSICA EDITOR EDUARDO SANTOS | COEDITORA GRACIELA RODRÍGUEZ | DISEÑO YAMILE DELGADO Poder femenino Felicity ASHTON KUTCHER tuvo sexo Huffman Teri Hatcher La serie se conviritó en un éxito desde sin condón. su estreno en varios países. Página 8E Fecha de estreno Espectadores 25/sep/2011 9.7 millones * 8a temporada El asesinato del padrastro de Gaby y la complicidad de Susan, Lynette y Bree ponen tensión a su amistad, que se ve más afectada por el nuevo novio de Bree, el detective Chuck Vance (Jonathan Cake). Marcia Cross Se complica la vida marital de los Solis pero también la de los Mayer. Lynette y Tom toman la decisión de separarse y Renee hará lo posible por conquistar al nuevo vecino, Ben Fulkner (Charles Mesure). *En el estreno Vanessa Williams Eva Longoria DESESPERADAMENTE A LA BAJA ¿Sabías que...? La serie inició como come- dia, pero tras ser rechazado LISTAS PARA por importan- Fecha de estreno Espectadores Capítulos La última y se van tes cadenas se 26/sep/2010 11.85 millones 23 los televidentes. como la respuesta a una súplica a la TV le dio un giro a La salida de Paul Young de la cárcel Pierde ‘Esposas “Está confirmado. -
The Implications of Female American Ideals Presented in Popular Television and Advertising
Union College Union | Digital Works Honors Theses Student Work 6-2012 The mplicI ations of Female American Ideals Presented in Popular Television and Advertising Siobhan Matty Union College - Schenectady, NY Follow this and additional works at: https://digitalworks.union.edu/theses Part of the American Material Culture Commons Recommended Citation Matty, Siobhan, "The mpI lications of Female American Ideals Presented in Popular Television and Advertising" (2012). Honors Theses. 859. https://digitalworks.union.edu/theses/859 This Open Access is brought to you for free and open access by the Student Work at Union | Digital Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Union | Digital Works. For more information, please contact [email protected]. The Implications of Female American Ideals Presented in Popular Television and Advertising By Siobhan Genevieve Matty Submitted in Partial Fulfillment Of the Requirements for Graduation In the Department of American Studies UNION COLLEGE March, 2012 Contents Abstract…………………..…………………..…………………..…………………..…….iii-vii Chapter One: Introduction…………………..…………………..…………………..……………………....1-6 Chapter Two: Literature Review…………..…………………..…………………..……..…7-22 Chapter Three: American Beauty …………..…………………..…………………..…..…23-41 Chapter Four: Sexuality, Love, and Relationships ……………..…………………..…..…42-74 Chapter Five: Work, Family, and Parenting ……………..…………………..……………75-98 Chapter Six: Conclusion………………………………………………………………………………...99-103 Bibliography………………………………………………………………………..........104-105 ii ABSTRACT Matty, Siobhan Genevieve The Implications of Female American Ideals Presented in Popular Television and Advertising My thesis examines the ways in which media and popular television reinforce stereotypes of femininity. Throughout the chapters, I assess whether or not various outlets of media leave space for improvement. For television series, I have focused on Desperate Housewives and Weeds. The two series incorporate several important aspects of the female American experience and lifestyle. -
Press Contacts: Michael Krause | Foundry Communications | (212) 586-7967 | [email protected]
2 presents AN ELSA RASSBACH PRODUCTION | DIRECTED BY BILL DUKE starring DAMIEN LEAKE | ALFRE WOODARD CLARENCE FELDER | MOSES GUN | DENNIS FARINA 1984 | USA | English Language | 118 minutes | 1.33:1 | Stereo Praised by The Village Voice as the most “clear-eyed account of union organizing on film,” The Killing Floor tells the little-known true story of the struggle to build an interracial labor union in the Chicago Stockyards. The screenplay by Obie Award- winner Leslie Lee, based on an original story by producer Elsa Rassbach, traces the racial and class conflicts seething in the city’s giant slaughterhouses, and the brutal efforts of management to divide the workforce along ethnic lines, which eventually boiled over in the Chicago Race Riot of 1919. The first feature film by director Bill Duke, The Killing Floor premiered on PBS’ American Playhouse series in 1984 to rave reviews. In 1985 the film was invited to Cannes and won the Sundance Film Festival Special Jury Award. It has been showcased at the Lincoln Center and festivals around the world. NEW 4K RESTORATION Laboratory services by UCLA Film & Television Archive Digital Media Lab; Audio Services by Deluxe Entertainment Services Group, Inc.; Digital Color Grading by Planemo (Berlin) and Alpha-Omega digital (Münich). Special thanks to Elsa Rassbach and the Sundance Institute Collection at UCLA Film & Television Archive. Press Contacts: Michael Krause | Foundry Communications | (212) 586-7967 | [email protected] Film Movement Booking Contacts: Jimmy Weaver | Theatrical | (216) 704-0748 | [email protected] Maxwell Wolkin | Festivals & Non-Theatrical | (212) 941-7744 x211 | [email protected] 3 THE MAKING OF The Killing Floor Directed by Bill Duke & Produced by co-writer Elsa Rassbach “The Killing Floor is a truly compelling, blistering, and vital historical document.” – Jen Johans, Film Intuition “The Killing Floor is thrillingly watchable, profoundly stirring and perennially relevant.