The PADDOCK BILIBOABD ARLINGT
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Snelling Wins Best of Staffing Client Award –
Snelling Snelling Corporate Office https://www.snelling.com Snelling Wins Best of Staffing Client Award - 2017 ...but that is not all Categories : EMPLOYER HOT TOPICS Date : February 16, 2017 Do you know what Katherine Hepburn, Jack Nicholson, Ingrid Bergman, Daniel Day Lewis, Walter Brennan, Meryl Streep and Snelling all have in common? Well, obviously the first 6 people listed are movie actors. However, they are not just actors. They are part of an elite group of actors. These 6 people are – in fact – the greatest Academy Award winners of all time. Hepburn leads the pack with 4 Oscar wins; Nicholson, Bergman, Day Lewis, Brennan and Streep have all won 3 times. But no matter how you cut it, all 6 are in a class of their own. But even as we prepare to watch the Academy Awards on Sunday, Feb. 26, to see if Casey Affleck beats Andrew Garfield or if Meryl Streep beats Emma Stone (and joins Ms. Hepburn in the 4x winner club), be aware that none of these actors have achieved what Snelling has. You see, actors have the Oscars; musicians have the Grammy’s; writers have the Pulitzer. Staffing firms have the Best of Staffing award – handed out to those elite staffing firms who have received “remarkable” reviews from the clients they serve. Best of Staffing Here at Snelling, we are honored to announce that we are (again) the winner of Inavero’s Best of 1 / 2 Snelling Snelling Corporate Office https://www.snelling.com Staffing® Client Awards for 2017. But the news gets better, for Snelling has achieved what none of the actors above have. -
Casablanca by Jay Carr the a List: the National Society of Film Critics’ 100 Essential Films, 2002
Casablanca By Jay Carr The A List: The National Society of Film Critics’ 100 Essential Films, 2002 It’s still the same old story. Maybe more so. “Casablanca” was never a great film, never a profound film. It’s merely the most beloved movie of all time. In its fifty-year history, it has resisted the transmogrifica- tion of its rich, reverberant icons into camp. It’s not about the demimondaines washing through Rick’s Café Americain – at the edge of the world, at the edge of hope – in 1941. Ultimately, it’s not even about Bogey and Ingrid Bergman sacrificing love for nobility. It’s about the hold movies have on us. That’s what makes it so powerful, so enduring. It is film’s analogue to Noel Coward’s famous line about the amazing potency of cheap music. Like few films before or since, it sums up Hollywood’s genius for recasting archetypes in big, bold, universally accessible strokes, for turning myth into pop culture. Courtesy Library of Congress Motion Picture, Broadcast and Recorded It’s not deep, but it sinks roots into America’s Sound Division collective consciousness. As a love story, it’s flawed. We than a little let down by her genuflection to idealism. don’t feel a rush of uplift when trenchcoated Bogey, You feel passion is being subordinated to an abstraction. masking idealism with cynicism, lets Bergman, the love You want her to second-guess Rick and not go. of his life, fly off to Lisbon and wartime sanctuary with “Casablanca” leaves the heart feeling cheated. -
None of This Would Have Ever Happened If You Had Just Given an Oscar to Jennifer Lopez
NONE OF THIS WOULD HAVE EVER HAPPENED IF YOU HAD JUST GIVEN AN OSCAR TO JENNIFER LOPEZ By Tony Meneses Characters: Hugo Omar Nigel Elijah Yosef (all gay men of color in their 30’s/40’s) Setting: The last recorded Oscar party in gay history Time: February 9th, 2020 Wine. Charcuterie. Fresh fruit that no one’s eating. YOSEF. 1970? ELIJAH. ... Maggie Smith. NIGEL. Good one. YOSEF. 1991. ELIJAH Kathy Bates. HUGO. Also great. YOSEF. 1965! ELIJAH. Julie Andrews. NIGEL. (To Hugo.) Too easy. YOSEF 19... 46? ELIJAH. Joan fucking Crawford. NIGEL. HUGO. Oh my god! Yes ma-ma! NIGEL. That might actually be my favorite one. Mildred Pierce, can’t beat that. HUGO. What! Over Vivien Leigh, Ingrid Bergman, MERYL!?! 1 NIGEL. I stand by my decree. ELIJAH. Give me Elizabeth Taylor any day! YOSEF. 2002? In an instant it all goes quiet. NIGEL. ... What did you just say? YOSEF. 2002. Who won Best Actress in 2002? HUGO. Girl. Are you kidding? NIGEL. Oh god. She’s not. YOSEF. I’m not the biggest awards show gay, I’m sorry. HUGO. Who invited him again? ELIJAH. (Very serious.) 2002. That’s what you’re asking, Yosef? Two thousand, and two? YOSEF. Yes? ELIJAH. ... Halle Berry. Halle Berry won the Oscar that year. YOSEF. Oh. Isn’t that a good thing? We love Halle Berry. Don’t we? NIGEL. What kind of a question is that! 2 HUGO. You’re going to have to leave. ELIJAH. Halle Berry was—and remains to this day—the only woman of color to ever win the Academy Award for Best Actress. -
Here's Looking at You
SCANDINAVIAN REVIEW | Denmark | Finland | Iceland | Norway | Sweden | Here’s Looking at You, Kid INGRID BERGMAN AT 100 Summer 2015 INGRID BERGMAN AT 100 Another look at the luminous Swede, one of the finest stage and screen Here’s actors of the mid-20th century. Looking By Donald Dewey ER G This is where Humphrey Bogart delivers the classic line to Ingrid Bergman in Casablanca (1942). at You, Kid GRAN 30 SCANDINAVIAN REVIEW SCANDINAVIAN REVIEW 31 Ingrid Bergman at 26 HAT IS THERE LEFT TO SAY ABOUT INGRID BERGMAN? Journalists and biographers and film historians have been dipping W into Bergman’s life (1915–1982) so relentlessly for so long that it is easy to forget that it wasn’t always in the public domain. The woman’s career, off and on screen, started being dissected so minutely so many decades ago that just about the only survivors from all those labors are her children and a hand- ful of actors from the already-41-year-old Murder on the Orient Express. In short, and though many of us are loath to admit it, the world of Ingrid Bergman seems to have warp-sped away from us to distances we might not have thought possible. It may not be as remote as Planet Garbo, but it is still out there, back in that century they used to call the 20th with an air of self-satisfaction making it sound like the tiniest of steps before infinity. (“My God, man, it’s the 20th century!”) There is, of course, the record of her many performances—filmed, kinescoped, taped, digitized, hologrammed, whatever technical development preserves them next. -
April 26, 27, & 28 2012
Volume XV Issue 3 The Horace Mann Theatre Company's Tri-Annual Publication Spring 2012 April 26, 27, & 28 2012 Cover Art by Jean Mariano (‘12) 2 Off icers Notes FROM: Thespian Editors Gamblers, showgirls, drunks, preaching “mission dolls,” and Mindy’s cheesecake (or was it stru- del?). What a way to end the year. All the way back in May 2011, we were so excited to hear that the HMTC would perform Frank Loesser’s Guys and Dolls. The show has fun dancing, a hilarious book, memorable lyrics, and exceptional music. The slapstick comedy and larger-than-life characters translate well into high school theatre, allowing students to step out of their comfort zones whether they’re singing, dancing, acting, or design- ing. It’s a classic. But there’s something more about Guys and Dolls. Maybe it’s the famous Brooklyn accents. Maybe it’s the homage to a fairytale New York that existed somewhere between 1950 and our imaginations. Or maybe it’s the way sitting in the audience or even listening to the CD can immediately put a huge grin on our faces. Like Clark Field in spring or cotton candy, Guys and Dolls is just plain good. We’re hoping this issue of The Thespian, which of course focuses on Guys and Dolls, captures the musical’s essence of simple delight against a backdrop of American history. Explore the many iterations of Guys and Dolls – from 1950 to today! Check out our spotlight on our new musical director Bill Stanley! And fill out our hilarious crossword puzzle mixingG+D and HMTC trivia! As we wrap up our APs, SATs, and even our high school careers, we can’t think of a better way to launch into summer break than ripping open your Thes- pian and watching us shimmy and sneeze our way through Gross Theatre. -
AFI PREVIEW Is Published by the Age 46
ISSUE 72 AFI SILVER THEATRE AND CULTURAL CENTER AFI.com/Silver JULY 2–SEPTEMBER 16, 2015 ‘90s Cinema Now Best of the ‘80s Ingrid Bergman Centennial Tell It Like It Is: Black Independents in New York Tell It Like It Is: Contents Black Independents in New York, 1968–1986 Tell It Like It Is: Black Independents in New York, 1968–1986 ........................2 July 4–September 5 Keepin’ It Real: ‘90s Cinema Now ............4 In early 1968, William Greaves began shooting in Central Park, and the resulting film, SYMBIOPSYCHOTAXIPLASM: TAKE ONE, came to be considered one of the major works of American independent cinema. Later that year, following Ingrid Bergman Centennial .......................9 a staff strike, WNET’s newly created program BLACK JOURNAL (with Greaves as executive producer) was established “under black editorial control,” becoming the first nationally syndicated newsmagazine of its kind, and home base for a Best of Totally Awesome: new generation of filmmakers redefining documentary. 1968 also marked the production of the first Hollywood studio film Great Films of the 1980s .....................13 directed by an African American, Gordon Park’s THE LEARNING TREE. Shortly thereafter, actor/playwright/screenwriter/ novelist Bill Gunn directed the studio-backed STOP, which remains unreleased by Warner Bros. to this day. Gunn, rejected Bugs Bunny 75th Anniversary ...............14 by the industry that had courted him, then directed the independent classic GANJA AND HESS, ushering in a new type of horror film — which Ishmael Reed called “what might be the country’s most intellectual and sophisticated horror films.” Calendar ............................................15 This survey is comprised of key films produced between 1968 and 1986, when Spike Lee’s first feature, the independently Special Engagements ............12-14, 16 produced SHE’S GOTTA HAVE IT, was released theatrically — and followed by a new era of studio filmmaking by black directors. -
Guys and Dolls 14
120786bk Guys&Dolls 4/11/04 4:42 PM Page 2 Guys And Dolls 14. Sue Me 2:25 21. Make a Miracle 3:29 All Music & Lyrics by Frank Loesser Original Broadway Cast Vivian Blaine & Sam Levene Ray Bolger & Allyn McLerie, with orchestra Transfers & Production: David Lennick 15. Sit Down,You’re Rocking the Boat conducted by Sy Oliver Digital Restoration: Graham Newton 1. Runyonland Music; Fugue for Decca 40065, mx W 74760 2:11 Original 78s from the collections of David Tinhorns 2:05 Recorded 15 February 1949 Stubby Kaye, Johnny Silver & Douglas Deane Stubby Kaye & Chorus Lennick and the Belfer Audio Laboratory and 22. The New Ashmolean (Marching Archive, Syracuse University 2. Follow the Fold 1:15 16. Marry the Man Today 2:53 Society And Students Conservatory Cover: 1929 poster of New York Broadway (Mary Isabel Bigley & The Mission Group Vivian Blaine & Isabel Bigley Band) 2:31 Evans Picture Library); ‘dollies’ by Ron Hoares 3. The Oldest Established 2:35 17. Guys and Dolls: Reprise 0:38 Johnny Mercer with Paul Weston’s Orchestra Guys And Dolls Chorus Sam Levene, Stubby Kaye, Johnny Silver & Capitol 15385, mx 3881-3D-4 Producer’s Note Chorus Orchestra conducted by Irving Actman Recorded April 1949, Hollywood By the time Guys And Dolls came to Broadway, 4. I’ll Know 3:29 Decca 27379/85, mx W 80219/32 23. My Darling, My Darling 2:30 Issued as 78 album Decca DA 825 and ‘LP’ the long-playing record (‘LP’) had been Robert Alda & Isabel Bigley Jo Stafford & Gordon MacRae & The established as the favoured format for Original DL 8036 Starlighters, with orchestra 5. -
DIVISMO E RAPPRESENTAZIONE DELLA SESSUALITÀ NEL CINEMA ITALIANO (1948-1978) a Cura Di Laura Busetta E Federico Vitella
E DEI MEDIA IN ITALIA IN MEDIA DEI E CINEMA DEL CULTURE E STORIE SCHERMI STELLE DI MEZZO SECOLO: DIVISMO E RAPPRESENTAZIONE DELLA SESSUALITÀ NEL CINEMA ITALIANO (1948-1978) a cura di Laura Busetta e Federico Vitella ANNATA IV NUMERO 8 luglio dicembre 2020 SCHERMI 8 - 2020 Schermi è pubblicata sotto Licenza Creative Commons 14 INGRID MAMMA FELICE E SOPHIA NEI GUAI - D’Amelio INGRID MAMMA FELICE E SOPHIA NEI GUAI: MATERNITÀ, DIVISMO E SCANDALI MEDIALI SULLE PAGINE DI «OGGI» 1949-1959 Maria Elena D’Amelio (Università degli Studi della Repubblica di San Marino) This essay is an examination of two famous star scandals of the Fifties: the extramarital affair of Ingrid Bergman with Roberto Rossellini and that of Sophia Loren with Carlo Ponti. Focusing on the Italian popular magazine «Oggi»’s coverage of these stars’ scandals, my article aims to investigate popular discourses of sexuality and motherhood in relation to historical and social change in postwar Italy, in particular the interconnectedness of media scandals, star’s textual and extratextual images, and the symbolic construction of motherhood. Keywords Ingrid Bergman; Sophia Loren; star scandals; motherhood DOI 10.13130/2532-2486/13385 Negli anni Cinquanta, due sono gli scandali divistici legati alla sfera dell’intimità e della famiglia che vengono maggiormente discussi sulle pagine dei rotocalchi popolari: la relazione adulterina tra Ingrid Bergman e Roberto Rossellini, poi sfo- ciata in un matrimonio per procura e nella nascita di tre figli, e quella tra Sophia Loren e Carlo Ponti, sui quali i rotocalchi popolari costruiscono uno storytelling melodrammatico tra accuse di bigamia, rifugi all’estero e maternità mancate. -
Steve Fogleman Thesis
Distribution Agreement In presenting this thesis or dissertation as a partial fulfillment of the requirements for an advanced degree from Emory University, I hereby grant to Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis or dissertation in whole or in part in all forms of media, now or hereafter known, including display on the world wide web. I understand that I may select some access restrictions as part of the online submission of this thesis or dissertation. I retain all ownership rights to the copyright of the thesis or dissertation. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. Signature: ________________________________ _____________ Stephen Fogleman Date The Rózsa Touch: Challenging Classical Hollywood Norms Through Music By Stephen Fogleman Master of Arts Film Studies ____________________________________ Matthew H. Bernstein, Ph.D. Advisor ____________________________________ Karla Oeler, Ph.D. Committee Member ____________________________________ Michele Schreiber, Ph.D. Committee Member Accepted: ____________________________________ Lisa A. Tedesco, Ph.D. Dean of the James T. Laney School of Graduate Studies ____________________________________ Date The Rózsa Touch: Challenging Classical Hollywood Norms through Music By Stephen Fogleman B.A. Appalachian State University, 2009 Advisor: Matthew H. Bernstein, Ph.D. An abstract of A thesis submitted to the Faculty of the James T. Laney School of Graduate Studies of Emory University in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies 2011 Abstract The Rózsa Touch: Challenging Classical Hollywood Norms through Music By Stephen Fogleman If film noir is a body of work that is partially characterized by its difference from other Classical Hollywood films, many of the scores for these films work to reinforce that difference. -
Under Capricorn Symposium Were Each Given a 30 Minute Slot to Deliver Their Paper and Respond to Questions
Papers based on the Symposium held at Kings College, University of London, 5th & 6th September, 2019 1 Introductory Note Speakers at the Under Capricorn Symposium were each given a 30 minute slot to deliver their paper and respond to questions. In preparing for this collection, all the papers have been revised and several have been considerably developed to provide additional context, argument and analysis. Apart from changes in format introduced to create a unified document (and in one or two cases to integrate images), the papers appear as the writers submitted them. The papers are arranged in the order of the symposium programme, with one exception. Bertrand Tavernier was unfortunately unable to attend and his paper is the first the reader will encounter. Papers that do not appear in this collection are marked by an asterisk in the programme. 2 Under Capricorn at 70 King’s College, University of London th th 5 and 6 September 2019 Day 1 5 September 9:00 - 9:30 Registration 9:30 - 10:00 Welcome & Introductions 10:00 - 10:30 An Overview of Under Capricorn Stéphane Duckett 10:30 - 11:00 Hitchcock and Ireland Charles Barr * 11:00 - 11:30 Bewitched, Bothered and Bewildered. A Fairy Tale of Old Ireland Richard Blennerhassett 11:30 - 12:00 Teas & Coffees 12:00 - 12:30 Under Capricorn and Helen de Guerry Simpson Ed Gallafent 12:30 - 1:00 Under Capricorn and The Paradine Case Douglas Pye 1:00 - 2:00 Lunch 2:00 - 2:30 “Between P & B- The Past and the Bottle” or Ingrid Bergman’s Acting and Opinions on Acting Tytti Soila 2:30 - 3:00 Under Capricorn -
Movie Time Descriptive Video Service
DO NOT DISCARD THIS CATALOG. All titles may not be available at this time. Check the Illinois catalog under the subject “Descriptive Videos or DVD” for an updated list. This catalog is available in large print, e-mail and braille. If you need a different format, please let us know. Illinois State Library Talking Book & Braille Service 300 S. Second Street Springfield, IL 62701 217-782-9260 or 800-665-5576, ext. 1 (in Illinois) Illinois Talking Book Outreach Center 125 Tower Drive Burr Ridge, IL 60527 800-426-0709 A service of the Illinois State Library Talking Book & Braille Service and Illinois Talking Book Centers Jesse White • Secretary of State and State Librarian DESCRIPTIVE VIDEO SERVICE Borrow blockbuster movies from the Illinois Talking Book Centers! These movies are especially for the enjoyment of people who are blind or visually impaired. The movies carefully describe the visual elements of a movie — action, characters, locations, costumes and sets — without interfering with the movie’s dialogue or sound effects, so you can follow all the action! To enjoy these movies and hear the descriptions, all you need is a regular VCR or DVD player and a television! Listings beginning with the letters DV play on a VHS videocassette recorder (VCR). Listings beginning with the letters DVD play on a DVD Player. Mail in the order form in the back of this catalog or call your local Talking Book Center to request movies today. Guidelines 1. To borrow a video you must be a registered Talking Book patron. 2. You may borrow one or two videos at a time and put others on your request list.