Guys and Dolls

Total Page:16

File Type:pdf, Size:1020Kb

Guys and Dolls Illinois State University ISU ReD: Research and eData School of Music Programs Music 10-14-1995 Guys and Dolls School of Music Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/somp Part of the Music Performance Commons Recommended Citation School of Music, "Guys and Dolls" (1995). School of Music Programs. 1349. https://ir.library.illinoisstate.edu/somp/1349 This Concert Program is brought to you for free and open access by the Music at ISU ReD: Research and eData. It has been accepted for inclusion in School of Music Programs by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. Ul'pot • J /\Ill \Vail I ng: • : \11H.'rlCi:i. t ·1un~i!l • I nc l'\.1111..:r • !\-1;,111 lll l,.;_i;\•1;.i(kil:!"' l'.!H.l;'c~:1ii)i' • uv, and Dol L, • Th,: Sehr,<>! hir Scand.ii • A RL'a l Fa,t Cater;,i!L,r • I 'SA • Th,: Li,,n i \\ "' · h:1k,,socarc' Now' • Th(· !\L!rr iagc 01 Fi ~,ll'U • \l;;darne Buttcrflv • C'h:,rnh,·• \Lsic • f),,d, H• i,_ lu , ~ha • l brvc>y • l\·1y Fair L:Hi"y • The' fka1h and Li fe nr Sn,:aky hlL'h • 10!.1 -n 01:, k ,,n • ',i: O\ \1e • The Birthday Party• lbrukt • Snip,'.r in ,he Pa rk• On Yciur r,:L,;, • Th,· f'ctn!,Lilirk.- • Tl, ioman in Shakc'~pcare's History Plays • Blues hlr !\fr. Charlie· • The H,ltnel·omin): • Fulko • J,,1;,1111 ,,: i\1·1igston Sea.gull • Th,: Physicists • And Mi ss Re~udnn.Drink,.· ;\Little• Keep. Tig!iti y Cl,h:<·I. ,n \ ) · Drv Place • lfouse ()f Blue Leaves • Plaza Suite • Low Noon • B lithe Spirit • Th,: Old \-l«n Ii 1 ; ·The Tortoise and th,~ Hare • Rumplestilhkin • Cinckrell :i • Little R,'.J l~ idin g Hood• S,n1<! aeitie • I 973-7..\: Th,~ lmponance <>f ]king Earnest • The Pn int • Judi\~ • Tii-, Mitdwnm,tn oi Clia111'.· Spoon Ri ver Anthology Fe,tival •The Three Si,tc:rs • The Skin of Our Tr--· \\iu Can·, T,1kc l, \\ii! ·,, , A Mic'bummer Nirrht';; Dream• Th,~ Sound ot' Music • l 97,. 7 .. : "i ·', ·L ·<t i trnw,: • Olk' f k ­ l v the Cuckoo's Nest• Sandbar. Fla tl and • Dust Sumrn ,r .o· _,. );1_'\ J, tr kY Into Nigh! • W,, ide Story • Cat On A Hot Tin Roof • Gods pell •Th ' . · i i('s • '1dd le on I h· R, d • \meric,1n ll ul';: ,, 1975-76: Due to the La,· k of Int erest . .. • ., · ·· er's Pe e • Th :!x-.:Vli s Cr: 11p( r · Uc'c:n ,l\! a 5(.'i c. :itl rI\. .·1at,.)drngola. !·-l_<m.1e Fr.:e. Tt ' .' . sic l afln . S. treclc,u Nam,:. [ksi C. S, n,:lh"·i.·,_F!_,1tl·r·,·r".I h )ust ~ummer • Sticks and I. me t ·er D ylan ;E;l) f:.1 ol a Sale .rna1 • nc \\1IG Du,:\ 'he Gl:iss i\·1ena;r,~rie • The , 1< ·11 tc · ·r • The C IC, . : • A rn, , nd he f\h n • \\, ,: : r Carl Sandberg• Bng, on 7 , ucl 01 Angels• 'J 1v, • We , Due m L ,sth(,urnc • l Ii 111. ,ent Part v • Stieb a o '\ • Three Pennv Oper:i • The Dus .. · , Sist ·r • , unm. 1ln u:cc: , 111:rn. Wh;n Yot41.i_;;, i~ . ack. Red Ryder·) :-nj(•-~blw m. R ,l\'(' J) S\\. • \V 'll W· Dc;:d ,\1,,, "~.'. ~fo,chAdt.• Al-;;~.- .· g • Alll:t;.' lfl Wi rlan 'lhcl '~•l M.,s·s Jc;;_ B . , • ( ;1b:1'.C! • ...1(' .. ·.·.. >s: Clarcnc,· D. .- fhe Dwar!s Li_ an . !\-lat Urn -~ • 11,c< -,,,, , mi "'"Hc: nd1 • · · . l Th >rl prd • Fr~l'. 11ings E . • ' . i .• • T Se· t k ctih' • ti ; Niger • ~ ight the an on't Rother :\k, C ·t 0~ 1·' ver. :i ( ther Str;mg,:1 Rom.co. and Juliet • 1_; ., · T~ , fag)c F}~ll,: • The Great Nehul __ ,r ·. , l • i\\.,, .lJ.rd Per,on Si'n.ruli . P1pprn .• A Brc:eze hurn t (iu!f . [ lie_ J h88h,)lds . \:an,ucs :,4uu~-•.. \\,:lirng f(lj C.ud,:! :t, 11ot Gamma Rays• Nodn • 1 he Magic Jlll5c.... b 10nwn • Ly,1s1rnu • ; <J 10-Sll: flnu ,(' ": !Lu ,e bs • (:'ypsy. Tartu.ffe • Th-.,h:idOl\ Box. W,u Gaili,'>. The Ciliij r,:n·~ Hou r . Ah, Wild,·.rn,:, :,. 't erm·. \:,)l pone. 1980-81: Rnn111ers.ar:,(aeasanlD,il l s H,l U,e. One,· L:wn ,Llttress • The lmportance ,if Bi:'ing E;tr11est • The Distant Cry r,f a Drunken l,r:prcduun • Member, hl edding • Th,:. Se:l G_ull ·, T hi:' Me ~{ 1bPdy kll<)\-VS .~ E\it th('. t<:in.;: • Th.c M:,1,·:,n1c;\,;r ~ j <)>-; i :,' )I l 11nes • 1 he Cluh • She S1m,ps tn Ct)lllJ llt~r • I he lernpe,i • I he \VIHL,' R\\,e ,>I Mun:,.·11 • Hu,: . ]i11d • The ll<>use <>I' lkrna.rd:i Alba • Oldalwrna • Sc:ipill<) • f'jX:·S .< : f' he !',,,sicm ,d Drc1,.-, s! ,• ;vcdd ing Band • Hay Fc'vcr • \kdca • The Rose 'T'attuo • Clara' , Husband• C ,rndide • The Rin.::r, :!I tch • 1983-84: /\wake and Sing• The CPuntrv Wife• Ro,ir ni' ;!:,: c;rc'ih,'P:lin: .. • 'Tiw tvJ;;,.J ,, ) · ;11 of B~~sic Smith • Hedd,~ Gahi~~ .~ Fiddler on the Roof• .sorro_w, oi_S,,Thcn •. ·ri_1c: L,,wr:r Der,, i I .,. 4-85: l he Adventure ol Sianky ll•n1on,l'.V •Hair• P!aycuy 01 lt,c \,,:-,;tern \vor:d • R1cn;,nl iii !'op Gir.ls • Moon f<,r th,' Mish,•gorL,'.ll • A Flea in lier Ear • The Tim,' pf Your Lif,· • 19!<5- Xti: T,;;;i h , :, _le • Pe.~ O' :Vly !kart. Parrish M,'. adows • 'l_'~e Cai:c,isian Cluli', Cir,:le. Orph,:usr)t;SC('.iid:nr 'l dra • S\'.eet Chanty • /\:l ,)tht'r Hicks• 1986-81: A\ 'lou Like' It• I h,: W,, rk room •\\ho \ c\lr,11'1 : /irgmLl Woolf? • The Bak(>ny • .'\gamenrnon • Ever After• Chicag,i • Enten:iinin,•. Mr. Sl(>«: 1c· • I 'J\ ,8 : The D,Jc'lor in Spite of Him,cli • Brighi on Beach Me mnirs • Tih· Dr:1.,:on • F\:n • L;nd,:c-ar,c· (,: 11 '\,, ,.. • Ji.tc·ques Brei• Tw,, Suh,1ec:ts.·l·o Avoid O.vcr Dinn,:,· • Cy,.an,, Lk Fkrgcrac • : <lSS-x<J·. :\ R,i1.·,H , h 'un • A Touch of !he P,lct • Thh'e Sisters• Th,: Skin (If Om Teeth• The F,1ti1,1 , 1i,·i;. , • A L ie ,)f vl nU • The Sc.:hthll fm Scandal • The Mi,, Fircc.: rnd c·. r (\)n,csL • IZJS'J <JO:.\ \1i dStmrn:ci '\ i ,•> 1 )ream• The Huust' of Bern,,.rd:i Aiba • Light Ur The Skv • Aunt D,,n and L,,r,;,m • An En,, n: y ,,!" ,1 :>1, 1le • w,, Won'L Pav. \V,· Won't Pav • A Lillk \'idll Ivlusic • The Thidei r:th Th<•r:1 • ;,,9,1 .. 91 • ..\ ~'v :l()ll t Word~·. Rot.1gh f,,r Tl.1ea.trl' 1.- • What Wiler.,~.-' • Come' an (.! Ck• r-, ,.11!.'.:.li,'. • Ohi,_: l.r.. l1J'ri·) ·I·., .. "" Pyi; nalwn • \'vhltc Bon,·d Demon• H. B,:aver An1m,, t1 011 • IvhdwPm:rn oi C:.1!1 !,;i • .'\ l cs\f,n "" 6,i;,e\ • C\,s1 fan tutte • The Third Ric hard• 1991-92: l Love Yuu , l Love Yc,u '\,i, • Suet !' uf '._:I d9 • l ,o,e for LO\t' • loe Tutner 's ( ·omc' ,rnd CiPnc • Tropn \\om,•·;• I lie: rhrs:-.:p,::rny ( J:,_T 1r '-93: Summer and Snl()ke • Our t'<>t111t1v·s Crond • Tth· !kidt Ci:roni,,,> • Rc,rn ,'. c, :,ul Lii,' B, h.: Sp1111 • ,\ Ch11stm.1~ Carol• J>:1atcs ol P ..: 11 1:ii. c,· • J<J<), 9-. 'J'h,• H:,tlid,t, \fachine • Tll e Ivlyst,'ry of Irma Vep • Orchids in the \foonliithi. • The lnng>rurv lndiid • Sl are.• Sw~, · ne_y 'fodd : The \bci~eth Pi : •!l'.C.t • Yt•l. I ~:an·t ·r.·ak,: _11 \\ith Yuu • I ??. .;j .. (). ~: Th,' Ro,.:' • ·. r".' l' 1e Lost Forn11cans • Sl :iughter Ci ty• hill D a nc'L' ( Olll'L'ri • [{;pony l'<,ct ry • l 'H:: '-:chpnl l<''l -,,.,i!'d,, T ,-., Eli .x ir nf LPve • Balm in Gi le ad• Sprin,L; D:rn,·,: ( \ in ce rt• A Moqn !',,r ih c Mi-l'1\tz,ucn • 'l he Noises OIT • 1995-96: On the Vc.rgc: • Guys :md Dr,ll, • '\,Jw L1n\ \Vl;,\l Y,)u f\bdc \.fr D,, • f':;11 D:,r . ..•., -'T'! ... - r· ,.1, .. .. ,. ,- 1 !\,1,, ,-.. ..,, ., • ...., .. 1-J ,,.,,,-ih.-, , ,ll- t -- 1 ( 111<;. f'' . \-1,:i~h ;\,-Ii ) ;\h,); lf 1\,{>'.h[n,•. S1: 1·1nt_r l)~H H>' ( " I I '"~OII~ fl: I I I "~ -4~ ~"-\\f.Af /i~ ~ I I 25th Annhrersa,v Season! I I &uYS I I ANlJ I I I I POLLS I I Gala Opening: Friday, October 13 at 8 p.m. I I - all proceeds to scholarship funds - Please join us in the lobby immediately after the performance for a special reception sponsored by Friends of the Arts. NEWS, BLUES I I Regular Performances: AND JAZZ RADIO October 14, 18*, 19, 20, 21*, 25, 26, 27, 28 at 8 p.m. I I October 15, 22 at 3:00 p.m. I I Westhoff Theatre 1On selected performances. please join us after the performance for a brief discussion period with the cast. I I Guys and Dolls is presented through special arrangement with and all authorized performance materials supplied by Music Theatre International, 545 Eighth Avenue, New York, N.
Recommended publications
  • Sherry Hoel, 773-248-4860; [email protected]
    Sarah Siddons Society Contact: Sherry Hoel, 773-248-4860; [email protected] www.sarahsiddonssociety.org FOR IMMEDIATE RELEASE SARAH SIDDONS SOCIETY HONORS CHICAGO’S OUTSTANDING INNOVATORS AND ARTISTS IN MUSICAL THEATRE (Chicago, IL, October 14, 2013) — The Sarah Siddons Society of Chicago recently announced that Eileen LaCario, Doug Peck, and Rachel Rockwell will be honored at Siddons’ Annual Meeting to be held at The Arts Club of Chicago on Wednesday, November 13, 2013, beginning at 11:30 am. Eileen LaCario is the Founding Member and Vice President of Broadway In Chicago which brings over one million people into the Chicago theatre district each year. Eileen has launched six theatres in Chicago including Royal George, Halsted Theatre Center, Cadillac Palace, Oriental, Bank of America Theatres and, most recently, the Broadway Playhouse. Eileen served on Mayor Rahm Emanuel’s Arts and Culture Transition Team and is past chair of the League of Chicago Theatres. She now serves on the City of Chicago Cultural Advisory Council and Choose Chicago’s Cultural Tourism Commission. Doug Peck, Music Director, has won five Jeff Awards (Porgy and Bess; Caroline, or Change; Carousel; Fiorello;Man of La Mancha) and two After Dark Awards (Guys and Dolls, Hello Again). His work has been heard in Chicago at Court Theatre, Chicago Shakespeare Theater, Writers Theatre, TimeLine Theatre Company, Northlight Theatre, the Paramount Theatre, Drury Lane Oakbrook Terrace, Porchlight Music Theatre, as well as the Ravinia Festival. Rachel Rockwell is aJeff Award winning theatre director and choreographer. Rachel’s work has been seen locally at Chicago Shakespeare Theatre, Steppenwolf, Drury Lane, The Marriott, TimeLine, Apple Tree and the Paramount Theatre.
    [Show full text]
  • 2019 Silent Auction List
    September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD,
    [Show full text]
  • 31 Days of Oscar® 2010 Schedule
    31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy
    [Show full text]
  • Into the Woods Is Presented Through Special Arrangement with Music Theatre International (MTI)
    PREMIER SPONSOR ASSOCIATE SPONSOR MEDIA SPONSOR Music and Lyrics by Book by Stephen Sondheim James Lapine June 28-July 13, 2019 Originally Directed on Broadway by James Lapine Orchestrations by Jonathan Tunick Original Broadyway production by Heidi Landesman Rocco Landesman Rick Steiner M. Anthony Fisher Frederic H. Mayerson Jujamcyn Theatres Originally produced by the Old Globe Theater, San Diego, CA. Scenic Design Costume Design Shoko Kambara† Megan Rutherford Lighting Design Puppetry Consultant Miriam Nilofa Crowe† Peter Fekete Sound Design Casting Director INTO The Jacqueline Herter Michael Cassara, CSA Woods Musical Director Choreographer/Associate Director Daniel Lincoln^ Andrea Leigh-Smith Production Stage Manager Production Manager Myles C. Hatch* Adam Zonder Director Michael Barakiva+ Into the Woods is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com Music and Lyrics by Book by STEPHEN JAMES Directed by SONDHEIM LAPINE MICHAEL * Member of Actor’s Equity Association, † USA - Member of Originally directed on Broadway by James LapineBARAKIVA the Union of Professional Actors and United Scenic Artists Orchestrations by Jonathan Tunick Stage Managers in the United States. Local 829. ^ Member of American Federation of Musicians, + Local 802 or 380. CAST NARRATOR ............................................................................................................................................HERNDON LACKEY* CINDERELLA
    [Show full text]
  • Download (4MB)
    https://theses.gla.ac.uk/ Theses Digitisation: https://www.gla.ac.uk/myglasgow/research/enlighten/theses/digitisation/ This is a digitised version of the original print thesis. Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] 6iThe Adaptation of Literature to the Musical Stage: The Best of the Golden Age” b y Lee Ann Bratten M. Phil, by Research University of Glasgow Department of English Literature Supervisor: Mr. AE Yearling Ju ly 1997 ProQuest Number: 10646793 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uesL ProQuest 10646793 Published by ProQuest LLO (2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLO.
    [Show full text]
  • The Enduring Power of Musical Theatre Curated by Thom Allison
    THE ENDURING POWER OF MUSICAL THEATRE CURATED BY THOM ALLISON PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY NONA MACDONALD HEASLIP PRODUCTION CO-SPONSOR LAND ACKNOWLEDGEMENT Welcome to the Stratford Festival. It is a great privilege to gather and share stories on this beautiful territory, which has been the site of human activity — and therefore storytelling — for many thousands of years. We wish to honour the ancestral guardians of this land and its waterways: the Anishinaabe, the Haudenosaunee Confederacy, the Wendat, and the Attiwonderonk. Today many Indigenous peoples continue to call this land home and act as its stewards, and this responsibility extends to all peoples, to share and care for this land for generations to come. CURATED AND DIRECTED BY THOM ALLISON THE SINGERS ALANA HIBBERT GABRIELLE JONES EVANGELIA KAMBITES MARK UHRE THE BAND CONDUCTOR, KEYBOARD ACOUSTIC BASS, ELECTRIC BASS, LAURA BURTON ORCHESTRA SUPERVISOR MICHAEL McCLENNAN CELLO, ACOUSTIC GUITAR, ELECTRIC GUITAR DRUM KIT GEORGE MEANWELL DAVID CAMPION The videotaping or other video or audio recording of this production is strictly prohibited. A MESSAGE FROM OUR ARTISTIC DIRECTOR WORLDS WITHOUT WALLS Two young people are in love. They’re next- cocoon, and now it’s time to emerge in a door neighbours, but their families don’t get blaze of new colour, with lively, searching on. So they’re not allowed to meet: all they work that deals with profound questions and can do is whisper sweet nothings to each prompts us to think and see in new ways. other through a small gap in the garden wall between them. Eventually, they plan to While I do intend to program in future run off together – but on the night of their seasons all the plays we’d planned to elopement, a terrible accident of fate impels present in 2020, I also know we can’t just them both to take their own lives.
    [Show full text]
  • Cast Biographies Chris Mann
    CAST BIOGRAPHIES CHRIS MANN (The Phantom) rose to fame as Christina Aguilera’s finalist on NBC’s The Voice. Since then, his debut album, Roads, hit #1 on Billboard's Heatseekers Chart and he starred in his own PBS television special: A Mann For All Seasons. Chris has performed with the National Symphony for President Obama, at Christmas in Rockefeller Center and headlined his own symphony tour across the country. From Wichita, KS, Mann holds a Vocal Performance degree from Vanderbilt University and is honored to join this cast in his dream role. Love to the fam, friends and Laura. TV: Ellen, Today, Conan, Jay Leno, Glee. ChrisMannMusic.com. Twitter: @iamchrismann Facebook.com/ChrisMannMusic KATIE TRAVIS (Christine Daaé) is honored to be a member of this company in a role she has always dreamed of playing. Previous theater credits: The Most Happy Fella (Rosabella), Titanic (Kate McGowan), The Mikado (Yum- Yum), Jekyll and Hyde (Emma Carew), Wonderful Town (Eileen Sherwood). She recently performed the role of Cosette in Les Misérables at the St. Louis MUNY alongside Norm Lewis and Hugh Panero. Katie is a recent winner of the Lys Symonette award for her performance at the 2014 Lotte Lenya Competition. Thanks to her family, friends, The Mine and Tara Rubin Casting. katietravis.com STORM LINEBERGER (Raoul, Vicomte de Chagny) is honored to be joining this new spectacular production of The Phantom of the Opera. His favorite credits include: Lyric Theatre of Oklahoma: Disney’s The Little Mermaid (Prince Eric), Les Misérables (Feuilly). New London Barn Playhouse: Les Misérables (Enjolras), Singin’ in the Rain (Roscoe Dexter), The Music Man (Jacey Squires, Quartet), The Student Prince (Karl Franz u/s).
    [Show full text]
  • Evita Audition Package
    NOVA’s Guys and Dolls AUDITION PACK Production Team Directors ….. Noel Browne & Wayne Robinson Musical Director … John Clancy Choreographer … Dean Robinson NOVA’s Les Misérables NOVA’s production of Guys and Dolls will be performed at the Whitehorse Centre in Nunawading from 12 May – 26 May, 2018. Rehearsals are usually held in Box Hill on Sundays 1pm – 5pm and Monday & Thursday evenings 7pm – 11pm. Production week will be 6-11 May with a call time at the theatre of 6pm to approximately 12 pm. All cast are required to attend all rehearsals in production week. There will also be a mandatory photocall and a mandatory weekend rehearsal with dates to be advised at the first rehearsal. AUDITIONS Where: Boronia K-12 College Theatre, enter from Rangeview Rd, Boronia. (Melway 65 B8) Please park in the lower car park and follow the path between the buildings. You’ll see the performing arts building straight ahead. Do not park in the Albert Ave carpark. Please arrive at least 10 minutes before your audition time in order to complete the required paper work. Please print and complete the audition form at the end of this pack and bring it with you with a headshot attached. AUDITION REQUIREMENTS: Singing (all roles): Auditionees should prepare TWO contrasting songs for their audition – The songs should be from a musical (but not from Guys and Dolls) and in a style that is consistent with the character you are auditioning for. This should be something that you are very comfortable with – not something you learned the day before! Please bring sheet music (in the correct key).
    [Show full text]
  • THE SINGER's MUSICAL THEATRE ANTHOLOGY DUETS VOLUMES Bk
    THE SINGER'S MUSICAL THEATRE ANTHOLOGY DUETS VOLUMES Bk. Only CDs Only Bk./CDs D1 = Volume 1 00361075 00740239 00000487 D2 = Volume 2 00740331 00740240 00000492 D3 = Volume 3 00001155 00001161 00001166 SONG SHOW VOLUME Agony Into the Woods D3 All For the Best Godspell D3 All I Ask Of You The Phantom of the Opera D2 All the Wasted Time Parade D3 Almost a Love Song Victor/Victoria D2 An Old Fashioned Wedding Annie Get Your Gun D2 The Apple Doesn't Fall Very Far The Rink D3 Anything You Can Do Annie Get Your Gun D2 As Long as You're Mine Wicked D3 Barcelona Company D2 Bess, You Is My Woman Porgy and Bess D1 Bosom Buddies Mame D2 A Boy Like That / I Have a Love West Side Story D3 Can You Feel the Love Tonight The Lion King D3 Class Chicago D2 Come to Jesus Myths and Hymns D3 Crazier Than You The Addams Family D3 Do You Love Me? Fiddler on the Roof D3 Elaborate Lives Aida D2 Every Day a Little Death A Little Night Music D3 For Good Wicked D3 The Grass Is Always Greener Woman of the Year D3 Guys and Dolls Guys and Dolls D2 I Have Dreamed The King and I D1 I Loves You, Porgy Porgy and Bess D1 I Remember It Well Gigi D2 I Remember That Saturday Night D2 (I Wonder Why?) You're Just in Love Call Me Madam D2 I'd Give It All for You Songs for a New World D2 I'll Know Guys and Dolls D2 I'm All Alone Monty Python's Spamalot D3 In Whatever Time We Have Children of Eden D3 Invocation and Instructions to the AudienceThe Frogs D3 It Couldn't Please Me More Cabaret D2 It Never Was You Knickerbocker Holiday D1 It Takes Two Into the Woods D3 Kiss Me Sweeney
    [Show full text]
  • Guys and Dolls Short
    media contact: erica lewis-finein brightbutterfly pr brightbutterfly[at]hotmail.com BERKELEY PLAYHOUSE CONTINUES FIFTH SEASON WITH “GUYS AND DOLLS” March 21-April 28, 2013 Music and Lyrics by Frank Loesser Book by Jo Swerling and Abe Burrows Based on “The Idyll of Miss Sarah Brown” and “Blood Pressure” by Damon Runyon Berkeley, CA (February 11, 2013) – Berkeley Playhouse continues its fifth season with the Tony Award- winning GUYS AND DOLLS. Jon Tracy (Berkeley Playhouse, Aurora Theatre Company, Shotgun Players, San Francisco Playhouse, Magic Theatre) helms this musical from the Golden Age of Broadway, featuring a cast of 22, and choreography by Chris Black (Berkeley Playhouse, Aurora Theatre Company). GUYS AND DOLLS plays March 21 through April 28 (Press opening: March 23) at the Julia Morgan Theatre in Berkeley. For tickets ($17-60) and more information, the public may visit berkeleyplayhouse.org or call 510-845-8542x351. This oddball romantic comedy, about which Newsweek declared, “This is why Broadway was born!,” finds gambler Nathan Detroit desperate for money to pay for his floating crap game. To seed his opportunity, he bets fellow gambler Sky Masterson a thousand dollars that Sky will not be able to make the next girl he sees, Save a Soul Mission do-gooder Sarah Brown, fall in love with him. While Sky eventually convinces Sarah to be his girl, Nathan fights his own battles with Adelaide, his fiancé of 14 years. Often called “the perfect musical,” GUYS AND DOLLS features such bright and brassy songs as “A Bushel and a Peck” “Luck Be a Lady,” and “Adelaide's Lament.” GUYS AND DOLLS premiered on Broadway in 1950; directed by renowned playwright and director George S.
    [Show full text]
  • Plays and Musicals— 1984-1985 Season 10/24
    DRURY LANE THEATRE—OAKBROOK TERRACE PERFORMANCE HISTORY —Plays and Musicals— 1984-1985 Season 10/24 - 1/13 Give My Regards to Broadway Musical 1/16 – 1/31 Phyllis Diller Concert 1/23 – 2/1 Tony Bennett Concert 1/30 - 3/17 Run For Your Wife Play (w/ Ken Berry) 3/20 – 3/24 1985-1986 Season 3/27 - 4/15 The Rooster and The Snow Angel 2 one-acts (w/ Shelley Winters) 4/17 - 5/20 A Little Family Business Play (w/ Cloris Leachman) 5/29 – 7/7 Bob Fosse’s “Dancin’” Musical 7/10 – 9/29 A Chorus Line Musical 10/9 – 12/28 How to Succeed… Musical (w/ Donald O’Connor) 12/31 – 2/23 The Best Little Whorehouse in Texas Musical 1986-1987 Season 2/26 – 4/6 Brighton Beach Memoirs Play 4/16 – 6/1 Noises Off Play (w/ Noel Harrison) 6/1 – 8/17 Joseph… Dreamcoat Musical 8/27 – 9/29 Bob Fosse’s “Dancin’” Musical 10/7 – 11/16 The Laugh’s on Me Play (w/ Mickey Rooney) 11/20 – 1/25 They’re Playing Our Song Musical 2/4 – 3/22 Chapter Two Play (w/ Gavin McLeod) 1987-1988 Season 4/1 – 7/5 42nd Street Musical 7/15 – 9/6 Anything Goes Musical 9/16 – 10/25 I’m Getting my Act Together Musical (w/ Audrey Landers) 11/4 – 1/3 No, No, Nanette Musical 1/20 – 3/13 Sophisticated Ladies Musical 1988-1989 Season 3/13 – 4/10 Everybody Loves Opal Play (w/ Martha Raye) 4/27 – 6/19 The Nerd Play (w/Richard Kline & Alfie Wise) 6/23 – 8/14 Black Patent Leather Shoes Musical 8/17 – 11/06 Gypsy Musical 11/16 – 1/15 Guys and Dolls Musical 1/25 – 4/9 Jesus Christ Superstar Musical TYA-Snow White 1989-1990 Season 4/19 – 7/2 The Music Man Musical (w/ Gary Sandy) 7/12 – 9/10 Mame Musical 9/20
    [Show full text]
  • Developmental Cross Training Repertoire for Musical Theatre
    Developmental Cross Training Repertoire for Musical Theatre Women The repertoire suggestions below target specific developmental goals. It is important to keep in mind however that the distinguishing characteristic of musical theatre singing is the variability of tonal resonance within any given song. A predominantly soprano song might suddenly launch into a belt moment. A chest dominant ballad may release into a tender soprano. Story always pre-empts musical choices. “Just You Wait” from My Fair Lady is part of the soprano canon but we would be disappointed if Eliza could not tell Henry Higgins what she really felt. In order to make things easier for beginning students, it’s a good idea to find repertoire with targeted range and consistent quality as students develop skill in coordinating registration. Soprano Mix—Beginner, Teens to Young Adult Examples of songs to help young sopranos begin to feel functionally confident and enthusiastic about characters and repertoire. Integrating the middle soprano is a priority and it is wise to start there. My Ship Lady in the Dark Weill Far from the Home I Love Fiddler on the Roof Bock/ Harnick Ten Minutes Ago Cinderella Rodgers/Hammerstein Mr. Snow Carousel Rodgers/Hammerstein Happiness is a Thing Called Joe Cabin in the Sky Arlen/Harburg One Boy Bye Bye Birdie Strouse/Adams Dream with Me Peter Pan Bernstein Just Imagine Good News! DeSylva/Brown So Far Allegro Rodgers/Hammerstein A Very Special Day Me and Juliet Rodgers/Hammerstein How Lovely to be a Woman Bye Bye Birdie Strouse/Adams One Boy Bye Bye Birdie Strouse/Adams Lovely Funny Thing.
    [Show full text]