DOCSLIB.ORG

Revels Christmas

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Revels Christmas fall 2013 |e REVELS EDUCATION: COME LEARN WITH US Programs include a new Sea Chantey Workshop, Spring Vacation Theatre Week and Sing with Revels, a program expressly for home-schooled students REVELS INTRODUCES ITS NEW FACE Here's our updated brand image! NEW CD! Reveler [ News from Revels }] Our latest compilation celebrates the music of Galicia, Spain On the Road! Join us for a fantastical musical pilgrimage rd 43 Annual Christmas Revels 16 performanc∂ at Sanders ◊eatre December 13–27 INSIDE: An interview with Noel Paul Stookey of Peter, Paul and Mary Our featured guest at Revels RiverSing, September 22! o, it’s not Morocco, but Revels is on the road this year with a trio of actor storytellers that will go together as perfectly as Bing, Bob and Dorothy! Beginning the long pilgrimage that ends at the Christmas Revels at Sanders Theatre will be Jay O’Callahan, Steven Barkhimer and Angélica Aragón. Jay, who starred as “Old Rom” in the Romany Revels in 1997 is an old friend of Revels, telling his stories in our sea celebrations and at many Revels events. He even appeared on stage with Revels founder Jack Langstaff singing excerpts from Gilbert and Sullivan. An internationally revered teller of tales, one of Jay’s most recent accomplishments is his creation of a story about NASA’s space n program—commissioned by NASA -that culminated in humans landing on the moon. Children and 0 adults have spent many happy hours with Jay’s stories, laughing at his unpacking the memories of his the boyhood on Pill Hill (where the doctors live in Boston) or experiencing the hardships of a long kayak journey through icy waters. Jay will play our central character Everyman in this year’s show and the journey that he is sent on takes us from the mountains of the Pyrenees across Spain to Santiago de Compostela, the road pilgrims have travelled for over a thousand years. Everyman’s companion “Sancho” will be played by Steven Barkhimer. Steven is one of the top character actors in Boston. Revels audiences will know him from his spooky performance as the “Fish-man,” Coomara in last year’s Irish Revels, and as the wryly loveable purser who tried to keep up the spirits of the youngsters on the journey. Steve’s character this year is based on Sancho Panza from the Don Quixote stories. We look forward to his sly humor. THE 2013 CHRISTMAS Back after many years is the lovely Angélica Aragón. Known to many from her extensive work in film and TV (I particularly liked her as Anthony Quinn’s daughter-in-law in “A Walk in the Clouds”) REVELS Angélica starred in the 1996 Meso-American Revels. It is 40 years since Angélica was my student at the London Academy of Music and Dramatic Art and our paths have gone in many different diretions, Directed by Patrick Swanson but as is the nature of paths they sometimes come together when Fate determines the destination. George Emlen, music director The path in question is the Camino de Compostela, a pilgrimage that has been walked since the Middle Ages. The music that has become associated with this endeavor is extraordinarily beautiful— DECEMBER 13–27 the unique skirl of the gaita or Galician bagpipe, gorgeous sacred choral music, children’s songs spiced with local flavor. To create a Revels version of the pilgrimage we have taken the idea of the road itself 16 PERFORMANCES: Matinees & Evenings as the central metaphor and used many sources—Everyman, the Pilgrim’s Progress, Man of La Mancha, Harvard University’s Sanders Theatre The Canterbury Tales and the cycle of the year itself. Jay and I have been meeting to flesh out the story 45 Quincy Street, Cambridge, MA within the Revels structure. We are having fun, and the journey is still in the foothills. Bring a stout pair of shoes—we are going on an adventure! Tickets go on sale Oct. 20th at noon. PA DDY SWA NSON, August 2013 EXPLORING REVELS FRESH LOOK at EDUCATION REVELS In a world where many students are being “taught As Revels begins its 43rd season we are proud to the test,” Revels continues its unique education to introduce some updates to our organization’s mission for the 2013–14 season with new programs brand. This refreshed look, along with some new and tried and true favorites that emphasize cre- communications tools and ideas, will help us ativity, cultural curiosity, confidence, and fun. ensure that the next generation of young Revelers This fall we’re excited to introduce a one-day Sea Chantey are in place to join and continue our traditions. Workshop for “tweens” (suggested ages 10–14). Led by Revels song leader extraordinaire David Coffin, young people will learn Our brand studies started with some high level thinking about about our region’s seafaring history, sing some classic chanteys Revels' mission. Our complex blend of seasonal celebration, and even have the chance to write and perform their own original respect for tradition, and participation doesn’t easily lend itself song. This program will be held on Saturday, October 26. Visit to simple explanation. In order to help new audiences find and Revels.org for more info and to register. understand us, we worked to clarify what we do with some fresh Another new opportunity being developed this season is a language: Revels engages today’s audiences in theatrical and Spring Vacation Theater Week April 21–25, 2014 which will pro- musical experiences that bring the world’s cultural traditions vide children 7–12 with an exciting immersion into the traditional and celebrations to life. arts. Stay tuned for more details. Our popular Sing with Revels We then extended that thinking to an energetic evolution weekly class for home-schooled children returns with fall and of our logo. Starting with a team of more than 20 constituents, spring enrollment. You can also look forward to attending Twelfth including board members, audience, cast, advertisers, and staff, Night, our post-Christmas family tradition and our annual spring we identified clear goals for our update. Working with the talented celebration at Perkins School for the Blind in May. In addition, design team at Cahoots, we set out to create an integrated visual education director Michelle Roderick will continue our deep identity system that would ignite the power of the word “revels” relationship with 3 public schools in Cambridge as well as Shady and communicate the creative spirit and diverse activities Hill School by providing afterschool enrichment classes. Did you of our organization. Our new logo appears on the right. know that Revels can also tailor a workshop or school program As the fall progresses, you’ll also discover updated emails, for your school or youth non-profit? Call Michelle to learn more. special outreach to young adults, and greater use of video and Revels Education isn’t just for the young of age. After a social media to help tell the Revels story. A new, state-of-the-art hugely successful first year with more than 80 participants, website will complete the process and is scheduled to be the Revels Singers is a non-auditioned community chorus that unveiled prior to Christmas. rehearses under the direction of George Emlen. Join us and Behind the surface, however, Revels steadfastly embodies add the joy of singing to your week! All adults are welcome, the same classic values that have served us since our founding and teens 13–17 may join with a singing parent or guardian. 43 years ago: stewarding tradition, fulfilling the human need for Photo by David Pendery The fall term starts on September 26. celebration, and creating connection between people through participation and cultural exploration. Learn more about Revels Education at Revels.org or contact us at 617.972.8300 ext.26. To learn more about the new logo, visit Revels.org. WE CAN'T REVEL without YOU! As autumn gets underway so does an exciting new Revels season. Without audience members, workshop participants, participatory singing and dancing, and hard-working volunteers, Revels would tell a very different story. Another vital role in supporting Revels is played by our donors. Ticket sales only pay for 51% of fulfilling our mission and the rest is covered by your generous donations. Help us continue to bring tradition to life and become a Friend of Revels today. In addition to providing essential funding, Friends who donate $75 or more are guaranteed access to order tickets for The Christmas Revels starting on September 25th, nearly a month before the general public. Learn more at Revels.org and click on the contribute tab or Photo by Arthur Ferguson contact us at 617.972.8300 ext. 29. Photo of Noel Paul Stookey on the cover by Sally Farr EVELS IVERSING R CELEBRATES its th R 10 ANNIVERSARYin a VERY SPECIAL WAY! IT'S NOT OFTEN A MUSIC LEGEND WALKS INTO YOUR LIFE, ESPECIALLY ONE WHO SHARES YOUR SENSIBILITIES. BUT THAT'S WHAT HAPPENED TO FUTURE REVELS MUSIC DIRECTOR GEORGE EMLEN WHEN, NEARLY 40 YEARS AGO, NOEL PAUL STOOKEY, THE “PAUL” IN PETER, PAUL AND MARY, ENTERED A CHURCH IN RURAL MAINE. George recalls, “Noel showed up for choir practice one Thursday in 1975 at the church where I was organist in Blue Hill, Maine. We had both moved there with our families, looking for a healthy environment in which to raise our kids. We soon became fast friends and musical collaborators.” Their friendship— and their shared love of music—continues to this day. So when George asked Noel if he would consider headlining the 10th anniversary of Revels RiverSing, the iconic folksinger/songwriter so strongly identified with social activism, immediately said yes.
Load more

Recommended publications
  • Noel Paul Stookey Bio
    Noel Paul Stookey Bio Singer/songwriter Noel Paul Stookey has been altering both the musical and ethical landscape of this country and the world for decades—both as the “Paul” of the legendary Peter, Paul and Mary and as an independent musician who passionately belie es in bringing the spiritual into the practice of daily life! "unny, irre erently re erent, thoughtful, compassionately passionate, Stookey’s oice is known all across this land: from the “%edding Song” to “&n 'hese 'imes.” Noel and Betty, his bride of over )* years +but who’s counting,, moved with their three daughters to the coast of maine over forty years ago. since that time he’s done the occasional home town benefit and the here-and-there in-state show but ne er had undertaken a concentrated tour in one season. “& recorded all . of my maine concerts last summer - from ogun/uit to eastport - check '01' out on a map” he says, “and, though not all of the ideo or audio made 2prime time2, i was able to collect *3 music ideos for the 4VD and +amazingly, fit all *3 songs on the 7D to create this 1' 08ME: the maine tour package.” 'he songs in this newest release represent a broad range: '0E 71(&N "959: %1;'< +homage to the rigors of enduring the lengthened winter in maine,, a new ersion of %01'S09:NAM9 +a bittersweet =az6 shaded reminiscence of a middle-aged man in denial, originally recorded on the PP&M ?@AA album, "1M&;&1 49; 78:1<8N +a new song that speaks to the immigration issue in compassionate rather than political terms,, %944&NB S8NG +with the 2original2 lyric and a spoken introduction - DVD only, and '0E ;1DY S1YS S09 48N2' ;&KE E1<< +a commentary on a common misperception of the creati e process,.
    [Show full text]
  • F)E Bufe|«:F)Rontcle Volume 60, Number 4 Duke University, Durham, N
    ®t>e ffiotoer at Campus ®f)o«g))t anb action ®f)e Bufe|«:f)rontcle Volume 60, Number 4 Duke University, Durham, N. C. Tuesday, September 29, 1964 ADA Head To Appear Symposium Releases Plans By DAVE BIRKHEAD News Editor The individual in mass society is the subject of the 1964 University Symposium November 8-10, according to Chair­ man Craig W. Worthington '65. Three speakers will consider Profs Analyze freedom of the individual and his relationship to others. The speakers include: O JOHN P. ROCHE, national chairman of the controversial Red Conflict Americans for Democratic Action and professor at Brandeis University. By JAY CRESWELL • NORTON S. LONG, professor of political science at North Assistant to the Editor western University and author of "The Polity," a collection The Sino-Soviet conflict exists, of essays. but several University professors and two outside experts differed • JOSEPH F. FLECTHER, professor of Pastoral Theology over the extent and nature of and Christian Ethics at Episcopal Theological Seminary in the split during last week end's Cambridge and author of the recently published "Morals "The University in the Changing and Medicine." World" seminar. Begins November 8 The plan calls for the guest speakers to arrive Sunday, Dr. Donald R. Gellin of the Political Science Department as­ November 8, and to attend an introductory meeting that serted that the conflict had been afternoon at 3:30 p.m. where they would meet the partic- in existence since the earliest ipating faculty members and representatives of the Sym days of the communist move­ posium Committee. ment in China.
    [Show full text]
  • Songs Sorted by Artist
    Songs Sorted By Artist 278 songs 3 Doors Down Here Without You 3 Doors Down 4 Non Blondes What’s Up 4 Non Blondes A-ha Take On Me A-ha Alan Jackson/Jimmy B… It’s 5 O’Clock Somewhere Alan Jackson/ Alison Krauss There Is A Reason Alison Krauss America Horse With No Name America Avicii Wake Me Up Avicii Avril Lavigne Keep Holding On Avril Lavigne Bananarama Cruel Summer Bananarama Barenaked Ladies Brian Wilson Barenaked Ladies If I Had a Million Dollars Barenaked Ladies Jane Barenaked Ladies Odds Are Barenaked Ladies Beatles, The A Hard Days Night Beatles, The Blackbird Beatles, The Eight Days a Week Beatles, The Ob-La-Di Ob-La-Da Beatles, The We Can Work It Out Beatles, The While My Guitar Gently Weeps Beatles, The Yesterday Beatles, The You’ve Got to Hide Your Beatles, The Bee Gees, The I Started a Joke Bee Gees, The Ben E. King Stand By Me Ben E. King Ben Rector Brand New Ben Rector Bill Withers Ain’t No Sunshine Bill Withers Billy Joel Only the Good Die Young Billy Joel She’s Got a Way Billy Joel You May Be Right Billy Joel You're My Home Billy Joel Blind Melon No Rain Blind Melon Blues Traveler Hook Blues Traveler Run-Around Blues Traveler Bob Dylan Make You Feel My Love Bob Dylan Bob Marley No Woman, No Cry Bob Marley Three Little Birds Bob Marley Bob Seger Against the Wind Bob Seger Bon Jovi Wanted Dead or Alive Bon Jovi Bruce Hornsby & Rick… Mandolin Rain Bruce Hornsby & Bruce Springsteen Because the Night Bruce Springsteen Dancing in the Dark Bruce Springsteen Bruno Mars Just the Way You Are Bruno Mars Bryan Adams Summer Of ‘69 Bryan Adams Byrds, The Turn, Turn, Turn Byrds, The Cars, The Drive Cars, The You Might Think Cars, The Cat Stevens Wild World Cat Stevens Chuck Berry Johnny B Goode Chuck Berry Colbie Caillat I Never Told You Colbie Caillat Colbie Caillat/Boyce… Realize Colbie Caillat/ Coldplay Clocks Coldplay Viva La Vida Coldplay Colin Hay Down Under Colin Hay Overkill Colin Hay Waiting For My Real Life To Begin Colin Hay Counting Crows Mr.
    [Show full text]
  • Peter Paul and Mary.Pptx
    Peter, Paul and Mary Group 3: Chen Chen & Hailey Funk Outline • Biography -- Peter; Paul; Mary; Albert Gross the group • Album timeline • Musical style • Musical Analysis (vocal, instrumentation) • Comparison between Peter, Paul and Mary's cover version and original version • Musical influence on&of Peter, Paul and Mary Biography-Peter • Born May 31st 1938, in New York City • learned guitar and violin early on o Went to high school for "Music and Art" • Got a Bachelor's degree in psychology from Cornell • Met Mary and Paul in Greenwich Village (1960) o Due to manager, Albert Grossman Biography-Paul • Born Dec. 30 1937 in Baltimore, Maryland as Noel "Paul" Stookey • Raised in Michigan • Learned to play guitar at 11 • Graduated from Michigan State University o he was a master of ceremonies o involved in band, Corsairs • Moved to New York in 1959 • Worked in sales and at a club in Greenwich Village o Albert Grossman introduced him to Peter and Mary Biography-Mary • Born November 9 1936 in Louisville, Kentucky • Raised in Greenwich Village • Her and schoolmates sang backup for Pete Seeger's album • Dropped out of high school in 11th grade • In Broadway musical The Next President Albert Grossman • Manager of folk/folk rock: o Bob Dylan o Janis Joplin o +others • Put together Peter, Paul and Mary • looking for tall and blonde women (Mary), a good-looking guy (Peter) and a comedic man (Paul). Biography-Peter, Paul and Mary After auditioning several singers in the New York folk scene, Albert Grossman, the Manager, created Peter, Paul and Mary in 1961, After rehearsing them out of town in Boston and Miami, Grossman booked them into The Bitter End, a coffee house, nightclub and popular folk music venue in New York City's Greenwich Village.
    [Show full text]
  • St. Botolph Club Remains a Solid and Comforting Home
    Volume 19 Number 1 : Fall 2017 Saint BotolphBulletin Comments from the Editorial Department Buell Hollister & Bill Taylor The world outside 199 Commonwealth Avenue may be chaotic, politics in disarray, common knowledge upended daily, dark matter itself become visible – yet the St. Botolph Club remains a solid and comforting home. We are not, nor ever should be, in lockstep with each other, yet we broadly appreciate the same things in art and science. We have that wonderful thing called comity. We are accepting and tolerant – the big oak door at the top of the steps is closed only against intolerance and small-mindedness. Our club life since the last edition of the Bulletin has been, as usual, vigorous and mind-expanding. Each week brought something new in music, history, art and literature. The Club Night and Round Table venues were crowded with far too many items of musical, literary, historical and otherwise interesting topics to cover in any detail here – nicely iced with great parties having no high-falutin’ values at all. In addition to 12th Night, in which spouses were allowed to see for themselves the deepest Botolphian mysteries for the first time Lisa Bonneville after winning the Caledonian golf match in the Club’s history, we celebrated Bobby Burn’s birthday at Burns Night with a Caledonian golf game that had the walls ringing, or thudding anyway; a New Members Gala, which also celebrated those members, and a visit from our old friend, member Noel Stooky, are just a few of the season’s highlights. After many years as editor (with a few off as president of the club), I am happy to announce that the job of publishing the The world outside 199 Commonwealth Avenue may be St.
    [Show full text]
  • Special WFMA Showcase at Ireland's Four Fields
    FVOL. 26OLK NO 1 NWORLDEWS FOLK MUSIC ASSOCIATION SPRING 2012 Special WFMA Showcase at Ireland’s Four Fields Come help us bid a fond farewell to this great Washington, DC institution! On August 5, Frank Hughes, recently received her Masters Degree the owner of Ireland’s Four Fields in violin performance, provides a more (formerly known as Ireland’s Four contemporary influence to their music. Provinces, or 4Ps) announced that the Reservations are being accepted pub would close in early November. now, with the admission fee being Frank recently received an extension collected at the door (cash or check on the lease, so the pub is now only). Admission for WFMA Friends scheduled to close in a few months. of Folk Music members will be $20. The pub opened at its current Admission for non-members will be location on Connecticut Avenue in $25. Reservations can be made using 1976 and has been a mainstay of Celtic Photo by Bill Adler our Online Reservation Form at http:// music and a proud contributor to the wfma.net/res4fields.htm or by sending DC community for over 35 years. son (and Berklee College of Music an email to [email protected], with This DC icon has hosted numerous graduate), Owen Danoff. Owen is your name, phone number, number in events: concerts, fundraisers, reunions, active in the DC area music scene and party and arrival time. Those without receptions, wakes and WFMA Music has been nominated for two Wammies Internet access can make a reservation Americana Showcases. (Washington Area Music Awards). by calling the Four Fields at (202)244- In the fall of 1986, Dick Cerri Doris Justis and Sean McGhee 0860.
    [Show full text]
  • Folk Music 1 Folk Music
    Folk music 1 Folk music Folk music Béla Bartók recording Slovak peasant singers in 1908 Traditions List of folk music traditions Musicians List of folk musicians Instruments Folk instruments Folk music is an English term encompassing both traditional folk music and contemporary folk music. The term originated in the 19th century. Traditional folk music has been defined in several ways: as music transmitted by mouth, as music of the lower classes, and as music with unknown composers. It has been contrasted with commercial and classical styles. This music is also referred to as traditional music and, in US, as "roots music". Starting in the mid-20th century a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. The most common name for this new form of music is also "folk music", but is often called "contemporary folk music" or "folk revival music" to make the distinction.[1] This type of folk music also includes fusion genres such as folk rock, electric folk, and others. While contemporary folk music is a genre generally distinct from traditional folk music, it often shares the same English name, performers and venues as traditional folk music; even individual songs may be a blend of the two. Traditional folk music Definitions A consistent definition of traditional folk music is elusive. The terms folk music, folk song, and folk dance are comparatively recent expressions. They are extensions of the term folk lore, which was coined
    [Show full text]
  • Performing Live 2018 Midseason Brochure
    PERFORMING LIVE 2018 MIDSEASON BROCHURE Discover performances, speakers, special events and more! FANTASTIC PLANET G3 2018 INVADING DOWNTOWN MESA | MAY 4-13, 2018 January 18, 2018 • 7:00 p.m. | Ikeda Theater | $42-$153 Six gigantic inflatable humanoid figures by Australian artist Legendary guitarists Joe Satriani, John Petrucci of Dream Amanda Parer and inspired by the animated science fiction Theater & Def Leppard’s Phil Collen are returning to the Valley film Fantastic Planet will land in downtown Mesa in early for a rare and thrilling G3 performance. May, marking the installation’s U.S. premiere. The gargantuan Presented in partnership with Danny Zelisko Presents. JAN figures will be placed at Mesa Arts Center, Arizona Museum of Natural History, i.d.e.a. Museum and on Main Street in 18 Downtown Mesa. Save the dates and join us for several special events planned in anticipation of, or during, the installation. THE FAB FOUR January 19, 2018 • 8:00 p.m. | Ikeda Theater | $29.50-$57.50 With uncanny, note-for-note live renditions of your favorite OUT OF THIS WORLD GALA Beatles’ songs, the incomparable Beatles tribute band The Mesa Arts Center Foundation’s Fab Four will make you think you are watching the real thing! Annual Gala at Mesa Arts Center JAN Presented in partnership with Emporium Presents. Feb. 24, 2018 | 6:00 p.m. | $150 19 FANTASTIC PLANET OPENING: COMMUNITY CELEBRATION Downtown Mesa May 4, 2018 | 6-10 p.m. | FREE THE MOTH January 26, 2018 • 8:00 p.m. | Ikeda Theater | $33-$48 MESA CONTEMPORARY ARTS MUSEUM SUMMER OPENING RECEPTION The Moth, dedicated to the art of storytelling, has presented May 11, 2018 | 7-10 p.m.
    [Show full text]
  • FROM “WE SHALL OVERCOME” to “FORTUNATE SON”: the EVOLVING SOUND of PROTEST an Analysis on the Changing Nature of American Protest Music During the Sixties
    FROM “WE SHALL OVERCOME” TO “FORTUNATE SON”: THE EVOLVING SOUND OF PROTEST An analysis on the changing nature of American protest music during the Sixties FLORIS VAN DER LAAN S1029781 MA North American Studies Supervisor: Frank Mehring 20 Augustus 2020 Thesis k Floris van der Laan - 2 Abstract Drawing on Denisoff’s theoretical framework - based on his analysis of the magnetic and rhetorical songs of persuasion - this thesis will examine how American protest music evolved during the Sixties (1960-1969). Songs of protest in relation to the Civil Rights Movement and the Vietnam War gave a sound to the sociopolitical zeitgeist, critically addressing matters that were present throughout this decade. From the gentle sounds of folk to the dazzling melodies of rock, protest music became an essential cultural medium that inspired forms of collective thought. Ideas of critique and feelings of dissent were uniquely captured in protest songs, creating this intrinsic correlation between politics, music, and protest. Still, a clear changing nature can be identified whilst scrutinizing the musical phases and genres – specifically folk and rock - the Sixties went through. By taking a closer look on the cultural artifacts of protest songs, this work will try to demonstrate how American songs of protest developed during this decade, often affected by sociopolitical factors. From Bob Dylan’s “Blowin’ in the Wind” to The Doors’ “The Unknown Soldier”, and from “Eve of Destruction” by Barry McGuire to “Superbird” by Country Joe and The Fish, a thorough analysis of protest music will be provided. On the basis of lyrics, melodies, and live performances, this thesis will discuss how protest songs reflected the mood of the times, and provided an ever-evolving destabilizing force that continuously adjusted to its social and political surroundings.
    [Show full text]
  • Noel Paul Stookey Bio (Update 120402)
    Noel Paul Stookey Bio (update 120402) Singer/songwriter Noel Paul Stookey has been altering both the musical and ethical landscape of this country and the world for decades—both as the “Paul” of the legendary Peter, Paul and Mary and as an independent musician who passionately believes in bringing the spiritual into the practice of daily life. Funny, irreverently reverent, thoughtful, compassionate—passionate—Stookey’s vocal sound is known all across this land: from the “Wedding Song” to “In These Times.” His most recent recorded collection, ONE AND MANY (due for release in the spring of 2012), once again reveals Noel's gift for connecting diverse contemporary concerns to inspired musical performances. A video rendering of “Jean Claude”, his moving story song of two close friends separated by the holocaust, is being shown in synagogues across the country as part of the Yom Hashoah (remembrance of the holocaust). Equally, one of the two new verses Stookey created for “America, the Beautiful” specfically created to recognize the contributions of “...the immigrant and of the native son”, points to the country's desire for compassion, respect and understanding between cultures and communities. While acknowledging his history and the meaningful association with Peter and Mary (performing occasionally with Peter as a duo following the passing of their partner Mary Travers in September of 2009), Noel Paul has stepped beyond the nostalgia of the folk era. Whether judged by the subject matter of his current concert and recorded repertoire or by virtue of his active involvement with the Music2Life initiative (www.music2life.org) linking music fans to the expression of contemporary concerns via many different artists and musical genres, Stookey's current musical outlook continues to be fresh, optimistic and encouraging.
    [Show full text]
  • Peter, Paul and Mary in the Wind Mp3, Flac, Wma
    Peter, Paul And Mary In The Wind mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: In The Wind Country: Germany Released: 1971 Style: Folk MP3 version RAR size: 1763 mb FLAC version RAR size: 1109 mb WMA version RAR size: 1567 mb Rating: 4.4 Votes: 420 Other Formats: WAV DXD XM AA AAC MMF AHX Tracklist Hide Credits Very Last Day A1 Written-By – Stookey*, Yarrow* Hush-A-Bye A2 Written-By – Stookey*, Yarrow* Long Chain On A3 Written-By – Jimmy Driftwood Rocky Road A4 Written-By – Grossman*, Stookey*, Yarrow* Tell It On The Mountain A5 Written-By – Travers*, Okun*, Stookey*, Yarrow* Polly Von A6 Written-By – Travers*, Stookey*, Yarrow* Stewball B1 Written-By – Mezzetti*, Travers*, Okun*, Stookey* All My Trials B2 Written-By – Okun*, Stookey*, Yarrow* Don't Think Twice, It's All Right B3 Written-By – Bob Dylan Freight Train B4 Written-By – Mezzetti*, Travers*, Okun*, Stookey* Quit Your Lowdown Ways B5 Written-By – Bob Dylan Blowin' In The Wind B6 Written-By – Bob Dylan Companies, etc. Made By – TELDEC Record Company – Kinney Music GmbH Record Company – Warner Bros. Inc. Credits Bass – Edgar O. DeHaas Design [Jacket] – Push Pin Studios Directed By [Musical Director] – Milton Okun Engineer [Recording] – Bill Schwartau Liner Notes – Bob Dylan Photography By [Cover, Liner] – Barry Feinstein Producer – Albert B. Grossman Notes Green label design denotes Kinney Music GmbH at the bottom. Barcode and Other Identifiers Rights Society (boxed): GEMA Matrix / Runout (in brackets on labels and on cover front): WS 1507 Matrix / Runout (Side 1 stamped): LP-Ste-S-038799-X Matrix / Runout (Side 2 stamped): LP-Ste-S-038800-X Other versions Category Artist Title (Format) Label Category Country Year Peter, Paul And In The Wind (LP, Album, Warner Bros.
    [Show full text]
  • Peter, Paul & Mary Late Again Mp3, Flac
    Peter, Paul & Mary Late Again mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Late Again Country: US Released: 1968 Style: Folk MP3 version RAR size: 1490 mb FLAC version RAR size: 1369 mb WMA version RAR size: 1370 mb Rating: 4.9 Votes: 502 Other Formats: MOD AU MPC ASF VQF DTS AIFF Tracklist Hide Credits Apologize A1 3:50 Written-By – Paul Stookey* Moments Of Soft Persuasion A2 2:31 Written-By – Peter Yarrow Yesterday's Tomorrow A3 3:30 Written-By – Robert Dorough*, Laura Popper, Mary Travers Too Much Of Nothing A4 2:32 Written-By – Bob Dylan There's Anger In The Land A5 3:42 Written-By – Don West , Hedy West Love City (Postcards To Duluth) A6 3:39 Written-By – Paul Stookey* She Dreams B1 2:52 Written-By – Travers*, Okun*, Stookey*, Yarrow* Hymn B2 2:19 Written-By – Mason*, Gold*, Stookey* Tramp On The Street B3 3:49 Written-By – Grady Cole, Hazel Cole I Shall Be Released B4 2:36 Written-By – Bob Dylan Reason To Believe B5 2:10 Written-By – Tim Hardin Rich Man Poor Man B6 3:35 Written-By – Peter Yarrow, Peter Zimmel Credits Producer – Albert B. Grossman, Milton T. Okun* Other versions Category Artist Title (Format) Label Category Country Year Peter, Paul Late Again (LP, Warner Bros. - Seven WS 1751 WS 1751 US 1968 & Mary Album, Ter) Arts Records Peter, Paul Late Again (LP, Warner Bros. - Seven BP-8512 BP-8512 Japan 1968 & Mary Album, Red) Arts Records Warner Bros. - Seven CPLW 1550, Peter, Paul Late Again (LP, Arts Records, CPLW 1550, France 1968 (WS.
    [Show full text]