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The City of Chicago – Christy Moore – Notes (1)
The City of Chicago – Christy Moore – Notes (1) Activity types: Discussion; gap fill; Pronunciation focus on “ch” / ʃ/, /tʃ/ and /k/; Internet search Level: Intermediate/Upper-Intermediate (Song only: Pre-Intermediate) Language: summarising and reporting historical events and geographical details; comparing; making a tourist leaflet Grammar: Past Simple (regular and irregular verbs); Note: Christy Moore, one of the best-known Irish folk singers, has made a major contribution to the development of Irish music since the 1970s. He has both re-arranged old songs and written new songs about Irish and world current events. For further details visit www.christymoore.com The song The City of Chicago, written by his brother Barry (better known as Luka Bloom) and released on the 1984 album Ride On, is about the mid-nineteenth century Irish Great Hunger or Famine, caused by repeated failure of the potato crop. Famine and emigration are recurring themes on traditional Irish songs. • Discussion: To introduce the song and create interest in the topic you can ask some of the following questions: Do you know the meaning of the words hunger and famine? Do you know any countries in the world that lack food nowadays? What do you know about the Irish Great Hunger in 1845-49? Why do you think the year 1847 was called “Black 1847”? Was Ireland an independent country at that time? Do you know where the city of Chicago and County Donegal are exactly? (Students can use a world map if available) • Explain they are going to listen to a song about the Great Famine in Ireland. -
Nightshiftmag.Co.Uk @Nightshiftmag Nightshiftmag Nightshiftmag.Co.Uk Free Every Month NIGHTSHIFT Issue 299 September Oxford’S Music Magazine 2021
[email protected] @NightshiftMag NightshiftMag nightshiftmag.co.uk Free every month NIGHTSHIFT Issue 299 September Oxford’s Music Magazine 2021 Gig, Interrupted Meet the the artists born in lockdown finally coming to a venue near you! Also in this comeback issue: Gigs are back - what now for Oxford music? THE AUGUST LIST return Introducing JODY & THE JERMS What’s my line? - jobs in local music NEWS HELLO EVERYONE, Festival, The O2 Academy, The and welcome to back to the world Bullingdon, Truck Store and Fyrefly of Nightshift. photography. The amount raised You all know what’s been from thousands of people means the happening in the world, so there’s magazine is back and secure for at not much point going over it all least the next couple of years. again but fair to say live music, and So we can get to what we love grassroots live music in particular, most: championing new Oxford has been hit particularly hard by the artists, challenging them to be the Covid pandemic. Gigs were among best they can be, encouraging more the first things to be shut down people to support live music in the back in March 2020 and they’ve city and beyond and making sure been among the very last things to you know exactly what’s going be allowed back, while the festival on where and when with the most WHILE THE COVID PANDEMIC had a widespread impact on circuit has been decimated over the comprehensive local gig guide Oxford’s live music scene, it’s biggest casualty is The Wheatsheaf, last two summers. -
Issue 37 | Apr 2018 Comedy, Literature & Film in Stroud
AN INDEPENDENT, FREE MONTHLY GUIDE TO MUSIC, ART, THEATRE, ISSUE 37 | APR 2018 COMEDY, LITERATURE & FILM IN STROUD. WWW.GOODONPAPER.INFO ISSUE #37 Inside: Annual Site Festival: Record Festival Moomins & Store Day Guide The Comet 2018 + The Clay Loft | Mark Huband | Bandit | Film Posters Reinterpreted Cover image by Joe Magee Joe image by Cover #37 | Apr 2018 EDITOR Advertising/Editorial/Listings: Editor’s Note Alex Hobbis [email protected] DESIGNER Artwork and Design Welcome To The Thirty Seventh Issue Of Good On Adam Hinks [email protected] Paper – Your Free Monthly Guide To Music Concerts, Art Exhibitions, Theatre Productions, Comedy Shows, ONLINE FACEBOOK TWITTER Film Screenings And Literature Events In Stroud… goodonpaper.info /GoodOnPaperStroud @GoodOnPaper_ Well Happy Birthday to us…Good On Paper is three! And we’ve gone a bit bumper. 32 PRINTED BY: pages this month – the most pages we have ever printed in one issue. All for you. To read. Then maybe recycle. Or use as kindling (these vegetable inks burn remarkably well). Tewkesbury Printing Company With it being our anniversary issue we’ve made a few design changes – specifically to the universal font and also to the front cover. For the next year we will be inviting some of our favourite local artists to design the front cover image – simply asking them to supply a piece of new work which might relate to one of the articles featured in that particular SPONSORED BY: issue. This month we asked our friend the award winning film maker and illustrator Joe Magee... Well that’s it for now, hope you enjoy this bigger issue of Good On Paper. -
Representations of Rural England in Contemporary Folk Song
Representations of Rural England in Contemporary Folk Song Heather Skinner Institute of Place Management, UK [email protected] Purpose: This paper explores aural representations of the countryside and English rurality through the contemporary cultural product of folk song. Methodology: A textual analysis was undertaken of the sleeve notes and lyrics of Steve Knightley, songwriter and founder member of the folk/roots band Show of Hands. Findings: The concept of the rural idyll is thoroughly debunked in the majority of these lyrics. Many songs make specific reference to place, and these, in the main, focus on the historical and contemporary hardships of living in rural England, in many cases also making explicit reference to the historical or contemporary social issues deemed by the lyricist to be at the root of the problems faced by people living in English rural communities. Research limitations: This article analyses data obtained in lyrics of only one songwriter within only one music genre, but the artist is one of the most respected within the contemporary folk genre, and Show of Hands have won a number of prestigious nationally recognised folk awards. Originality/value: The extant literature contains little concerning aural representations of place identities through song. The contribution this paper makes is therefore in presenting a conceptual framework that shows how folk song, as a contemporary cultural product contributes to the construction and communication of rural place identities. Keywords: Country life; Show -
Christy Moore and the Irish Protest Ballad
“Ordinary Man”: Christy Moore and the Irish Protest Ballad MIKE INGHAM Introduction: Contextualizing the Modern Ballad In his critical study, The Long Revolution, Raymond Williams identified three definitions of culture, namely idealist, documentary, and social. He conceives of them as integrated strands of a holistic, organic cultural process pertaining to the “common associative life”1 of which creative artworks are an inalienable part. His renowned “structure of feeling” concept is closely related to this theoretical paradigm. The ballad tradition of popular and protest song in many ethnic cultural traditions exemplifies the core of Williams’s argument: it synthesizes the ideal aesthetic of the traditional folk song form as cultural production, the documentary element of the people, places, and events that the song records and the contextual resonances of the ballad’s source and target cultures. Likewise, the persistence and durability of the form over many centuries have ensured its survival as a rich source for ethnographic studies and an index of prevailing socio-political conditions and concerns. As twentieth-century commentators on the Anglophone ballad form, such as A. L. Lloyd, have observed, there is an evident distinction between the older ballad tradition, tending toward a more impersonal and distanced voice and perspective, and the more personal style of ballad composed after the anthropological research of ethnomusicologists such as Cecil Sharp, Alan Lomax, and others during the first half of the twentieth century. The former derives from a continuous lineage of predominantly anonymous or unattributed folk material that can be said to reside in the public domain, and largely resists recuperation or commodification by the music industry. -
"THE TROUBLES" in IRELAND Jacquelin C
"THE TROUBLES" IN IRELAND jacquelin C. Peters 'Tis Ireland, my country, the birthplace ofheroes , Moore, whose reputation in Ireland is comparable to Tbe home of the patriot, warrior and sage, that of the late Woody Guthrie in America, has Of bards and of chieftains, whose names live in written a wealth of songs on many social issues. story, Frank Harte, the All-Ireland Champion singer from May they live forever, on history's page. Chapelizod in Dublin, has a repertory of over 8,000 You once were a proud and glorious nation, songs. Son of a "pub" proprietor and an architect by Your name and yourfame were known all over the profession, Mr. Harte was introduced to traditional world, Irish songs by a fateful encounter with a man selling 'Til misfortune came o'er you and sad desolation, sheet music at a fair. This began a life-long passion Your moral banner in slavery lay unfurled. for collecting songs and for the culture that goes with (excerpt from "A1y Own Native Land," a tradi them. tional song) CITATIONS AND FURTHER READINGS "The troubles" is the euphemism used in Ireland Cowdery, James R.l990. TbeMelodic Tradition of to refer to the host of prob Ireland. Kent: The Kent lems attending the conflict State University Press. over British presence in Ireland. 1985 . Tbe New that land. Irish history pro Encyclopedia Britannica. vides ample themes for 6:378-382. music of struggle sung in Kelly, K. 1982. Tbe the scan-nos ("old") style. Longest War: Northern Ire There is much historical land and the IRA. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
May 2016 FREE
Issue 58 May 2016 FREE upporting ocal rts & erformers Last month ended on yet another sad musical note as Prince left this plane, if indeed he ever inhabited the same one as us mere mortals. Certainly not everyone's cup of Darjeeling but few could deny his supranatural talents whether in writing, playing, performing or inspiring; he was often cited as one of the most underrated guitarists, probably only though because he was so good at almost everything else. Tis a cliché but his like will certainly not be seen again: Sometimes It Snows In April indeed. MAY2016 On a brighter note April also saw a record-breaking (not literally hopefully) Record Store Day as local shops outdid themselves, despite some unfortunates queueing outside Rise in Worcester having to contend with snow flurries. The tills were SLAP MAGAZINE red hot though so we are told and business was more than brisk with no sign of the record (not 'vinyl' please) boom Unit 3a, Lowesmoor Wharf, slowing down any time soon. You can read and see much more Worcester WR1 2RS about what was an absolutely storming day, in Duncan Graves' Telephone: 01905 26660 review and photo spread on page 23. [email protected] And so we march into May (or it may still be March for all I know) somewhat trepidatiously: "Ne'er cast a clout til May is For advertising enquiries, please contact: out" goes the old farmers' saying; clout being yer coat not a [email protected] wallop! But the grass is ever growing as the festival season begins in earnest with The Beltane Bash, Cheltenham Jazz, EDITORIAL Mark Hogan - Editor Beat it!, Mello, Out To Grass, Wychwood, Breaking Bands, Winchcombe, Lechade, Tenbury and Lunar all imminent. -
The First Benefit Concert for the Alan Surtees Trust Took Place in the Fabulous Adam Ballroom at the Lion Hotel in Shrewsbury on 10Th January 2020
The first benefit concert for the Alan Surtees Trust took place in the fabulous Adam Ballroom at the Lion Hotel in Shrewsbury on 10th January 2020. The room was full, tickets had sold out soon after the concert was announced shortly after the festival last August. Getting artists of the calibre of John Jones, Steve Knightley, Phil Beer, Hannah James and Grace Petrie onto the same bill for an evening concert is testimony not only to the purpose of the trust but also to the standing of Alan himself. All the artists gave their time for free. The concert was introduced and compared by Dave Cowing, the chairman of the trust and a friend of Alan for over 30 years. First to perform was Hannah James. She had known Alan since first performing at the festival aged 14 when a member of Kerfuffle. Alan had encouraged Hannah to develop her ideas around music and dance. She instigated the idea of the trust soon after Alan passed away and emailed her friends to help make it happen. For this gig, Hannah had flown over specially from a winter sojourn in Slovenia. Perched on a chair, Hannah played a piano accordion almost as large as herself. She began with a song from that first set with Kerfuffle and continued with some tunes, two yodelling songs she learnt from Austrian friends and finished with a very moving song she wrote last year about the shootings in a school in Florida: "... friends fly high and dreams run deep ...". The second part of the first half saw Phil Beer join Steve Knightley to re-form the original Show of Hands duo for one evening only. -
Daithi Sproule Knows How to Make a Guitar Sing: His New CD Features
Daithi Sproule Knows How to Skara Brae originally formed during 1969- Make a Guitar Sing: His New CD 70 and released their self-titled debut on Features 13 of His Own Tunes the Gael-Linn label in 1971. (Shanachie reissued it stateside on LP in 1983.) The performance that the reunited quartet CEOL gave in 1997 in Donegal provided, at long last, the impetus for a 1998 CD reissue on By Earle Hitchner Gael-Linn of "Skara Brae," buttressed by two songs not on the original LP. [Published on July 9, 2008, in the IRISH ECHO newspaper, New York But in many critical discussions of City. Copyright (c) Earle Hitchner. All such groups as Skara Brae, Bowhand (with fiddler James Kelly and Offaly rights reserved. Reprinted by accordionist Paddy O'Brien), Trian (with permission of author.] fiddler Liz Carroll and accordionist Billy McComiskey), and Altan, the contributions of member Daithi Sproule tend to get short All longtime Irish traditional music shrift. Even Sproule's fine solo debut in fans have a wish list for reunions, and 1995, "A Heart Made of Glass," seemed to mine once included Planxty, the Bothy draw scant attention. Band, and Skara Brae. Also consider Trian's debut album In 2004 the original Planxty lineup in 1992. The praise heaped on its of Christy Moore, Liam O'Flynn, Andy impressive instrumental playing was Irvine, and Donal Lunny got together deserved, but suffering from a bit of critical again for a dozen concerts. neglect were Sproule's exceptional singing and guitar setting of "Captain Thompson." At Dublin's Vicar Street on May And on "Trian II" in 1995, Sproule tenderly 24, 2007, the Bothy Band reunited, except covered "The Death of Queen Jane," a for one member, singer-guitarist Micheal song he wrote the melody for and earlier O Domhnaill. -
Globalising Irish Music.Pdf
Bill Whelan, Globalising Irish Music UCDscholarcast Series 1: (Spring 2008) ________________________________ The Art of Popular Culture: From ‘The Meeting of the Waters’ to Riverdance Series Editor: P.J. Mathews © UCDscholarcast UCDscholarcast 1 Bill Whelan, Globalising Irish Music Bill Whelan Globalising Irish Music One of the duties an author, performer or composer undertakes when travelling around the world in advance or in the wake of a production is to face the media. Such has been my experience with Riverdance. Sitting in stuffed rooms in Sydney or Seattle or stretched on soft settees in say, Stockholm, I have been asked an amazing array of questions. Over the thirteen years of the life of this show I have been rendered mute by questions such as (in London): ‘how many pairs of tights does Riverdance go through in an evening?’. That one gave me some pause for thought, but not as much as the question I was asked in Tokyo when we first went there. Through an interpreter a Japanese journalist probingly inquired if I felt that the album Ó Ríada sa Gaiety was an important influence in changing the course of Irish traditional music. These kinds of questions have demonstrated to me over the years the variety of responses that people have to what was actually the same musical or theatrical experience. To progress a bit further on the theme of artistic intent versus audience response—in France I recall a press conference where a few journalists were pushing me to interpret Riverdance as an Irish Nationalistic cultural response to years of British domination. -
Medium, Soft & Soul
Ralf Olbrich Solo-Repertoire 2017 Medium, Soft & Soul A good heart Feargal Sharkey A second try Ralf Olbrich Again Lenny Kravitz Against all odds Phil Collins Ain't no sunshine Bill Withers All my loving Beatles All over the night Ralf Olbrich All you need is love Beatles Always on my mind Elvis Presley American Pie Don Mc.Lean Angels Robbie Williams Angie Rolling Stones Another cup of coffee Mike and the Mechanics Another day in Paradise Phil Collins Baby can I hold you Tracy Chapman Baby I love your way Peter Frampton Back for good Take that Back to you Bryan Adams Bad day Daniel Powter Behind blue Eyes Limp Biskit Better be home soon Crowded house Black is the Colour Christy Moore Blowing in the wind Bob Dylan Boat on the river Stix Boulevard of broken dreams Green Day Boxer (the) Simon and Garfunkel Boy don´t you go on… Ralf Olbrich Bug (the) Dire Straits Bye Bye love Everly Brothers Carless Whisper George Michael Casles in the air Don McLean Caught up in a dream Ralf Olbrich Change the world Eric Clapton Chasing Cars Snow Patrol Cheerleader OMI Clocks Coldplay Cocaine Eric Clapton Complete Ralf Olbrich Crazy love Poco Crying in the rain Everly Brothers Daniel Elton John Danny's song Kenny Loggins Desperado Eagles Do it to me one more time Lionel Richie 1 Ralf Olbrich Solo-Repertoire 2017 Dock of the Bay Otis Redding Don't be afraid of the dark Robert Crey Don't cry dady Elvis Presley Don't dream it´s over Crowded House Don't pay the farryman Chris de Burgh Dream dream dream Everly Brothers Dream on Nazareth Dreamer Ozzy Osbourne Easy