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Hie Est Wadard: Vassal of Odo of Bayeux Or Miles and Frater of St Augustine's, Canterbury?'
Reading Medieval Studies XL (20 14) Hie est Wadard: Vassal of Odo of Bayeux or Miles and Frater of St Augustine's, Canterbury?' Stephen D. White Emory University On the Bayeux Embroidery, the miles identified as Wadard by the accompanying inscription (W 46: Hie est Wadarcf) has long been known as a 'vassal' of William l's uterine brother, Odo of Bayeux (or de Conteville), who was Bishop of Bayeux from 104911050 until his death in 1097; earl of Kent from e. 1067 until hi s exile in 1088; and prior to his imprisonment in 1082, the greatest and most powerful landholder after the king.' Wadard appears just after Duke William's invading army has landed at Pevensey (W 43) and four of his milites have hurried to Hastings to seize food (W 44-5: Et hie milites festinaverunt hestinga lit eibum raperentur).' On horseback, clad in a hauberk and armed with a shield and spear, Wadard supervises as animals are brought to be slaughtered by an axe-wielding figure (W 45) and then cooked (W 46). Writing in 1821, Charles Stoddard was unable to identify Wadard, because written accounts of the conquest never mention him .4 Nevertheless, he cited his image, along with those of two other men called Turold (W 11) and Vital (W 55), as evidence that the hanging must have dated from 'the time of the Conquest', when its designer and audience could still have known of men as obscure as Wadard and the other two obviously were.' In 1833, Wadard was first identified authoritatively as Odo's 'sub-tenant' by Henry Ellis in A General introduction to Domesday Book, though as far back as 1821 Thomas Amyot had I am deeply indebted to Kate Gilbert fo r her work in researching and editing this article and to Elizabeth Carson Pastan for her helpful suggestions and criticisms. -
Some Aspects of the History of Barnwell Priory: 1092-1300
SOME ASPECTS OF THE HISTORY OF BARNWELL PRIORY: 1092-1300 JACQUELINE HARMON A dissertation submitted for the degree of Doctor of Philosophy UNIVERSITY OF EAST ANGLIA SCHOOL OF HISTORY SEPTEMBER 2016 Contents Abstract iii Acknowledgements iv Abbreviations v-vi Maps vii Tables viii Figures viiii 1. Introduction 1 2. Historiography 6 3. Harleian 3601: The Liber Memorandorum 29 The Barnwell Observances 58 Record Keeping at Ely 74 Chronicles of local houses contemporary with the Liber 76 4. Scribal Activity at Barnwell 80 Evidence for a Library and a Scriptorium 80 Books associated with the Priory 86 The ‘Barnwell Chronicle’ 91 The Role of the Librarian/Precentor 93 Manuscript production at Barnwell 102 5. Picot the Sheriff and the First Foundation 111 Origins and Identity 113 Picot, Pigot and Variations 115 The Heraldic Evidence 119 Genealogy and Connections 123 Domesday 127 Picot and Cambridge 138 The Manor of Bourn 139 Relations with Ely 144 The Foundation of St Giles 151 Picot’s Legacy 154 i 6. The Peverels and their Descendants 161 The Peverel Legend 163 The Question of Co-Identity 168 Miles Christi 171 The Second Foundation 171 The Descent of the Barony and the Advowson of Burton Coggles 172 Conclusion 178 7. Barnwell Priory in Context 180 Cultural Exchange in the Tenth and Eleventh Centuries 180 The Rule of St Augustine 183 Gregorian Reform and the Eremetical Influence 186 The Effects of the Norman Conquest 190 The Arrival of the Canons Regular in England 192 The Early Houses 199 The Hierarchy of English Augustinian Houses 207 The Priory Site 209 Godesone and the Relocation of the Priory 212 Hermitages and Priories 214 8. -
St. Gregory's Priory, Canterbury a Re-Assessment
http://kentarchaeology.org.uk/research/archaeologia-cantiana/ Kent Archaeological Society is a registered charity number 223382 © 2017 Kent Archaeological Society ST. GREGORY'S PRIORY, CANTERBURY A RE-ASSESSMENT M. SPARKS St. Gregory's was in Northgate, a poor relation as a religious house to the Cathedral Priory and St. Augustine's Abbey. Until recently it was even more obscure than the three Canterbury houses of friars, whose sites were known. All that could be said of the priory buildings was that they lay to the east of Northgate, just outside the city walls and near High Street St. Gregory's. This situation was changed by a series of excavations undertaken by the Canterbury Archaeological Trust 1988-89, starting with the Lay Cemetery under a car park to the south of High Street St. Gregory's, and progressing north across the sites of the churches and priory buildings, most recently occupied by the G.P.O. Sorting Office. The area in the angle between Northgate and Union Street was to have been developed for housing, but was eventually covered by a new student accommodation block for Canterbury Christ Church University College. The final report is not yet published, but interim reports covered archaeology and history.' In the excitement of uncovering the site of the church, there was an idea the religious use might go back to a pre-Conquest guild of priests. However, mature consideration suggested that the church was probably Lanfranc's. So the origin of the house was in fact as stated by R.C. Fowler 'the foundation of this house is by common consent attributed to Lanfranc .. -
Dalla Guerra Alla Pace. L'arazzo Di Bayeux E La Conquista Normanna Dell'inghilterra (Secolo
Luigi Provero Luigi Provero DALLA GUERRA ALLA PACE. CONQUISTA NORMANNA DELL’INGHILTERRA (SECOLO XI) NORMANNA (SECOLO CONQUISTA DELL’INGHILTERRA BAYEUXDALLA DI E LA GUERRA L’ARAZZO ALLA PACE. L’ARAZZO DI BAYEUX E LA CONQUISTA NORMANNA DELL’INGHILTERRA (SECOLO XI) FIRENZE UNIVERSITYPRESS Reti Medievali E-Book ISSN 2704-6362 (PRINT) │ ISSN 2704-6079 (ONLINE) 37 Reti Medievali Editor-in-Chief Enrico Artifoni, University of Turin, Italy Roberto Delle Donne, University of Naples Federico II, Italy Paola Guglielmotti, University of Genoa, Italy Gian Maria Varanini, University of Verona, Italy Andrea Zorzi, University of Florence, Italy Scientific Board Giorgio Chittolini, University of Milan, Italy William J. Connell, Seton Hall University, United States Pietro Corrao, University of Palermo, Italy Élisabeth Crouzet-Pavan, Sorbonne University, France Stefano Gasparri, University of Venice Ca’ Foscari, Italy Jean-Philippe Genet, Panthéon-Sorbonne Paris 1 University, France Knut Görich, University of Munich Ludwig Maximilian, Germany Julius Kirshner, University of Chicago, United States Giuseppe Petralia, University of Pisa, Italy Francesco Stella, University of Siena, Italy Giuliano Volpe, University of Foggia, Italy Chris Wickham, All Souls College, United Kingdom Peer-review Tutti gli E-Book di Reti Medievali sono sottoposti a peer-review secondo la modalità del “doppio cieco”. I nomi dei referee sono inseriti nell’elenco, regolarmente aggiornato, leggibile all’indirizzo: http://www.rmojs.unina.it/ index.php/rm/about/editorialTeam#item_4. I pareri dei referee sono archiviati. All published e-books are double-blind peer reviewed at least by two referees. Their list is regularly updated at URL: http://www.rmojs.unina.it/index.php/ rm/about/editorialTeam#item_4. -
Gregory the Great As ‘
Jnl of Ecclesiastical History, Vol. 55, No. 1, January 2004. f 2004 Cambridge University Press 19 DOI: 10.1017/S0022046903008911 Printed in the United Kingdom Gregory the Great as ‘Apostle of the English’ in Post-Conquest Canterbury by PAUL HAYWARD Offering a new interpretation of the sermon ‘De ordinatione beati Gregorii anglorum apostoli’, a text preserved in Eadmer’s ‘personal manuscript’(Corpus Christi College, Cambridge, MS 371), this article argues that the cult of St Gregory the Great was promoted by Archbishop Lanfranc (1070–89) and Archbishop Anselm (1093–1109) in order to undermine the pretensions to apostolic rank of St Augustine’s Abbey, Canterbury. It draws attention to the existence of a hitherto unrecognised but major conflict over apostolic authority that took place in England after the Norman Conquest; a conflict that involved the king as well as Canterbury’s most important churchmen. In so doing, this essay contributes, more generally, to our understanding of the roles that the cult of saints and its rhetorical structures played in battles over status and rank order. or anyone familiar with the once traditional characterisation of Archbishop Lanfranc (1070–89) as the arch-critic of English saints’ F cults,1 one of the most intriguing features of his monastic statutes is the AASS=Acta sanctorum, ed. J. Bolland and others, Antwerp 1643– ; Bodl. Lib.=Bodleian Library, Oxford; BHL=Bibliotheca hagiographica latina, antiquae et mediae aetatis, ed. Socii Bollandiani (Subsidia Hagiographica vi, 1898–9) with Novum supplementum, ed. H. Fros (Subsidia Hagiographica lxx, 1986); BN=Bibliothe`que nationale, Paris; HBS=Henry Bradshaw Society; CCCC=Corpus Christi College, Cambridge; MGH=Monumenta germaniae historiae; OMT=Oxford Medieval Texts; RRAN=Regesta regum anglo-normannorum, 1066–1154, ed. -
Forging the Kingdom Judith Green Index More Information Www
Cambridge University Press 978-0-521-19359-7 — Forging the Kingdom Judith Green Index More Information Index abbeys: Benedictine, 1, 3, 17, 23, 26, 54, 77, 113, 118, 120, 141, 159, 161, 188, 194, 78, 84, 128, 129, 135, 137, 143, 169, 174, 202, 203, 218, 224, 239, 240, 241 185, 236, 242, 255; Cistercian, 26, 47, Æthelstan, king, 53, 223, 239 133, 137, 166, 170, 171, 179, 242 Æthelwig, abbot of Evesham, 144, 148 abbots, 16, 19, 26, 50, 53, 56, 57, 86, 87, Æthelwine, bishop of Durham, 138 90, 125, 126, 132, 142, 144, 147–8, 177, Æthelwine ealdorman of East Anglia, 55 191, 255; see also Ælfric of Eynsham, Æthelwold, bishop of Carlisle, 233 Ælfwig of New Minster, Winchester, Æthelwold, bishop of Winchester, saint, 23, Æthelwig of Evesham, Ailred of Rievaulx, 55, 135, 137, 174, 179, 187, 188, 189 Baldwin of Bury, Benedict of Selby, Æthelwulf, king of Wessex, 143 Leofric of Peterborough, Paul of St Ailred, abbot of Rievaulx, saint, 17, 26, 143, Albans, Samson of Bury, Scolland of St 147, 170, 242 Augustine’s, Serlo de Percy of Whitby, Alan, count, of Richmond, 62, 183, 185, Spearhafoc of Abingdon, Wulfric of St 190, 236 Augustine’s Alan de Neville, 99 Aberdeen, 34 Albion, 38, 53 Abernethy, 43 Aldhelm of Malmesbury, saint, 24 Abingdon Abbey, 244 alehouses, 155 Adelelm, treasurer of King Stephen, 168 Alexander, bishop of Lincoln, 25, 110, 142, Adeliza, queen, 97, 183 144, 146, 168, 169, 178, 193 Ælfgar, earl of Mercia, 33, 38 Alexander, king of Scots, 44 Ælfgifu, consort of King Cnut, 95, 113, 118 Alexander III, pope, 90, 127 Ælfheah, bishop of -
The Influence of a Mixed Provenance on the Portrayal of Harold and William in the Bayeux Tapestry
The Influence of a Mixed Provenance on the Portrayal of Harold and William in the Bayeux Tapestry MA-Thesis Literary Studies, English Literature and Culture Student name: Suzanne van der Raad Student number: 0809136 Date: 01-07-2014 First reader: M.H. Porck, MPhil Second reader: Dr. M.P.J. Cole Leiden University, Department of Film and Literary Studies TABLE OF CONTENTS Introduction 1 Chapter 1 - The story told by the Tapestry 4 Chapter 2 - The mixed provenance of the Tapestry 16 Chapter 3 - The portrayal of Harold and William 28 Chapter 4 - Commentary by the Tapestry borders 53 Conclusion 67 Works Cited List 69 INTRODUCTION The Bayeux Tapestry is a unique piece of pictorial evidence of one of the most important turning-points in early medieval history and western civilization: the Norman Conquest. It depicts the “dynastic power-game” 1 played out in the opening decades of the second millennium: the events leading up to the conquest and the Battle of Hastings. The Tapestry, almost 950 years in existence, is kept in Bayeux, Normandy, in the Musée de la Tapisserie de Bayeux and attracts thousands of visitors each year. The Tapestry was first recorded in 1476 at Bayeux, although it had possibly been there since shortly after its production some years after 1066.2 However, historians of medieval art have concluded that the Tapestry is of English origin.3 There is sufficient evidence that the Tapestry was made in England and that the designer worked within an English tradition. The Anglo-Saxon spelling and word forms appear in the inscriptions and the master designer seems to have been familiar with Canterbury manuscripts and artwork,4 the principal design was most likely drawn across the linen for the embroiderers by someone accustomed to manuscript illumination.5 Moreover, Norman culture had neither a tradition of artistic embroidery nor of pictorial narration comparable with those of England.6 For many years scholars have agreed on some probabilities with regard to the patron, designer, and the makers of the Tapestry. -
Community Tapestry in the British Isles
PUBLIC HISTORY IN THE MAKING Community Tapestry in the British Isles A thesis submitted to The University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2018 Anna C. Henderson School of Arts, Languages and Cultures Contents Images ..................................................................................................... 5 Abstract .................................................................................................. 8 Declaration .............................................................................................. 9 Copyright ................................................................................................ 9 Acknowledgements ............................................................................... 10 Preface .................................................................................................. 11 Conventions .......................................................................................... 13 Introduction .......................................................................................... 15 Public history and community tapestry ................................................ 17 The Bayeux Tapestry and community tapestry ..................................... 22 The tapestries and the structure of the thesis ...................................... 30 A note on sources ................................................................................. 36 The tapestries .................................................................................. -
Thesis for Hard Copy Submission Volume One 03.02.14.Pdf
Ruins to Re-use: Romano-British Remains in Post-Conquest Literary and Material Culture Volume One of Two Jane-Heloise Nancarrow A thesis submitted for the degree of Doctor of Philosophy The University of York Centre for Medieval Studies July 2013 Abstract This thesis examines the re-use of Roman material culture in England following the Norman Conquest at St Albans, Chester, and Colchester. It argues that the material legacy of Roman Britain conveyed a sense of imperial authority, antiquity and longevity, and an association with the early Christian church, which were appropriated to serve transitional Norman royal, elite, monastic and parochial interests in different architectural forms. Importantly, this thesis examines literary evidence describing the Roman past, Roman buildings, and even instances of re-use, which were produced at each town as part of the intellectual expansion of the twelfth century. This thesis comprises of two introductory chapters, followed by three central case study chapters, and culminates in a comparative discussion chapter which evaluates re-use in the context of competing socio-political interests following the Norman Conquest. It expands upon previous understandings of re-use by focusing on topography, building material and hidden reuse, in addition to the re-use of portable remains and decorative emulation. The aim of this thesis is to develop an interdisciplinary methodological and theoretical approach to examine re-use, in the knowledge that this yields a more comprehensive understanding of the phenomenon. In addition to literary and archaeological evidence, it draws theoretical perspectives from history, art history, and literary criticism. The underlying tenet of this thesis challenges the view that re-use was often unremarkable. -
The Bayeux Tapestry Ebook
THE BAYEUX TAPESTRY PDF, EPUB, EBOOK Lucien Musset,Richard Rex | 272 pages | 01 Nov 2005 | Boydell & Brewer Ltd | 9781843831631 | English | Woodbridge, United Kingdom The Bayeux Tapestry PDF Book Home Period Norman 5 Bayeux Tapestry facts: what is it, why was it made and what story does it tell? Archived from the original on 16 February In case of rain, don't forget to bring your umbrellas. Namespaces Article Talk. The Benedictine scholar Bernard de Montfaucon made more successful investigations and found that the sketch was of a small portion of a tapestry preserved at Bayeux Cathedral. Crossing the sea in longships, long cavalcades on horseback, shields and coats of mail, fantastic creatures and battlefields: all the details of a great medieval epic unfold before your eyes! The reasons for the Odo commission theory include: 1 three of the bishop's followers mentioned in the Domesday Book appear on the tapestry; 2 it was found in Bayeux Cathedral, built by Odo; and 3 it may have been commissioned at the same time as the cathedral's construction in the s, possibly completed by in time for display on the cathedral's dedication. It seems that the designers are going out of their way to stress the importance of Odo in the narrative. The tapestry then shows William preparing to invade England and then setting sail for England. On the way, just outside the monastery of Mont Saint-Michel , the army become mired in quicksand and Harold saves two Norman soldiers. Castle Panels. A famous tapestry school can be found there and the style used at this school is similar to the style used in the Bayeux Tapestry. -
Di Luigi Provero
Fedeltà inaffidabili: aristocrazia e vassallaggio nell’Arazzo di Bayeux di Luigi Provero Reti Medievali Rivista, 16, 2 (2015) <http://www.retimedievali.it> Firenze University Press Reti Medievali Rivista, 16, 2 (2015) <http://rivista.retimedievali.it> ISSN 1593-2214 © 2015 Firenze University Press DOI 10.6092/1593-2214/484 Fedeltà inaffidabili: aristocrazia e vassallaggio nell’Arazzo di Bayeux* di Luigi Provero Una delle vicende più note del medioevo, vero punto di svolta per la storia inglese, è costituita dalle lotte per la successione a Edoardo il Confessore, nel 1066, concluse con la battaglia di Hastings e con la conquista del regno da parte del duca Guglielmo di Normandia1. In breve: Edoardo morì nel gen- naio 1066 senza lasciare eredi diretti; rivendicarono la corona – con vario fondamento, tra lontani legami parentali e designazioni da parte di Edoardo – il duca del Wessex Harold Godwinson, il re di Norvegia Harald e il duca di Normandia Guglielmo. Il primo fu rapidamente incoronato re, ma nell’autun- no subì gli attacchi quasi contemporanei degli altri due, sconfiggendo Harald a Stamford Bridge il 25 settembre, per essere però poi sconfitto e ucciso da Guglielmo ad Hastings il 14 ottobre2. È una vicenda molto nota, e ancora più enfatizzata da una fonte del tutto eccezionale qual è l’Arazzo di Bayeux3, la lunga tela ricamata (di quasi 70 me- tri di lunghezza per circa 50 centimetri di altezza) prodotta pochi anni dopo gli avvenimenti, che narra la vicenda di Edoardo, Harold e Guglielmo, fino alla battaglia di Hastings. L’Arazzo è stato oggetto di numerosissimi studi4, * Tutte le immagini dell’Arazzo sono riprodotte in virtù di una speciale autorizzazione della Ville de Bayeux, che la redazione di Reti Medievali e l’autore ringraziano.