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Programmes, Visiting Artists and Companies Ephemera PR8492/1950-1959 to View Items in the Ephemera Collection, Contact the State Library of Western Australia
Programmes, visiting artists and companies Ephemera PR8492/1950-1959 To view items in the Ephemera collection, contact the State Library of Western Australia Date Venue Title Author Director Producer Agent Principals D 1950 January Marquee Puss in Boots Bruce Carroll Bruce Carroll Eric Maxon 0 Theatre Edgar Rogers Noreen Rogers ____________________________________________________________________________________________________________________ April 10 His Majesty's "Annie Get Leo Packer Carl Randall J.C.Williamson Victor Carell 1 Theatre Your Gun" Theatres Ltd Wendy Selover Irving Berlin Wilfred Stevens ____________________________________________________________________________________________________________________ May 25 His Majesty's The Mikado Leo Packer Anna Bethell J.C.Williamson Jon Dean 1 Theatre Gilbert & Theatres Ltd Richard Walker Sullivan Leslie Rands Ivan Menzies Bernard Manning Muriel Howard Marjorie Eyre Nancy Rasmussen Evelyn Gardiner Richard Bengar ____________________________________________________________________________________________________________________ June 3 His Majesty's Pirates of Leo Packer Anna Bethell J.C.Williamson John Dean 2 Theatre Penzance & Theatres Ltd Helen Roberts Trial by Jury Evelyn Gardiner PR8492/1950-1959 Page 1 of 40 Copyright SLWA ©2011 Programmes, visiting artists and companies Ephemera PR8492/1950-1959 To view items in the Ephemera collection, contact the State Library of Western Australia Date Venue Title Author Director Producer Agent Principals D Gilbert & Sullivan Leslie Rands Richard -
Marie Collier: a Life
Marie Collier: a life Kim Kemmis A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Department of History The University of Sydney 2018 Figure 1. Publicity photo: the housewife diva, 3 July 1965 (Alamy) i Abstract The Australian soprano Marie Collier (1927-1971) is generally remembered for two things: for her performance of the title role in Puccini’s Tosca, especially when she replaced the controversial singer Maria Callas at late notice in 1965; and her tragic death in a fall from a window at the age of forty-four. The focus on Tosca, and the mythology that has grown around the manner of her death, have obscured Collier’s considerable achievements. She sang traditional repertoire with great success in the major opera houses of Europe, North and South America and Australia, and became celebrated for her pioneering performances of twentieth-century works now regularly performed alongside the traditional canon. Collier’s experiences reveal much about post-World War II Australian identity and cultural values, about the ways in which the making of opera changed throughout the world in the 1950s and 1960s, and how women negotiated their changing status and prospects through that period. She exercised her profession in an era when the opera industry became globalised, creating and controlling an image of herself as the ‘housewife-diva’, maintaining her identity as an Australian artist on the international scene, and developing a successful career at the highest level of her artform while creating a fulfilling home life. This study considers the circumstances and mythology of Marie Collier’s death, but more importantly shows her as a woman of the mid-twentieth century navigating the professional and personal spheres to achieve her vision of a life that included art, work and family. -
HANCOCK's HALF HOUR COLLECTIBLES Notes To
HANCOCK’S HALF HOUR COLLECTIBLES Notes to accompany Volume 2 All photographs copyright (C) BBC The Tony Hancock Appreciation Society is delighted to have given its support to the production of this new and unique series concerning the lost or rare work of, and related to, Tony Hancock, one of our greatest comedians. Tony Hancock,1951 The Tony Hancock Appreciation Society (THAS) Since its inception in 1976, the THAS and its many allies have been at the forefront of efforts to find, preserve and promote the works of Tony Hancock. As detailed in the previous volume of this series, this toil has, over the decades, yielded innumerable discoveries of work by Hancock that was previously believed to have been lost. The result is that the THAS now has the most extensive archive of Hancock’s stage, radio, television, and film work in the world. In addition, we have myriad recorded items related to his career, such as interviews and documentaries featuring Hancock, his colleagues and friends. Each offers valuable insights into his life and work. It is this extensive collection, combined principally with that of Ted Kendall, the noted sound engineer and media researcher, and the contents of the BBC Sound Archives, that have enabled the publication of Hancock’s Half Hour Collectibles. It is natural for modern audiences to question why broadcast material is missing from the period in which Hancock was ascendant from the late 40s until 1968. As many readers may know, this issue has, in fact, affected the legacy of numerous performers, programmes and broadcasts; and this phenomenon is by no means limited to the BBC, the United Kingdom, or indeed, the period during which Hancock was active. -
A STUDY GUIDE by Katy Marriner
© ATOM 2012 A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN 978-1-74295-267-3 http://www.theeducationshop.com.au Raising the Curtain is a three-part television series celebrating the history of Australian theatre. ANDREW SAW, DIRECTOR ANDREW UPTON Commissioned by Studio, the series tells the story of how Australia has entertained and been entertained. From the entrepreneurial risk-takers that brought the first Australian plays to life, to the struggle to define an Australian voice on the worldwide stage, Raising the Curtain is an in-depth exploration of all that has JULIA PETERS, EXECUTIVE PRODUCER ALINE JACQUES, SERIES PRODUCER made Australian theatre what it is today. students undertaking Drama, English, » NEIL ARMFIELD is a director of Curriculum links History, Media and Theatre Studies. theatre, film and opera. He was appointed an Officer of the Order Studying theatre history and current In completing the tasks, students will of Australia for service to the arts, trends, allows students to engage have demonstrated the ability to: nationally and internationally, as a with theatre culture and develop an - discuss the historical, social and director of theatre, opera and film, appreciation for theatre as an art form. cultural significance of Australian and as a promoter of innovative Raising the Curtain offers students theatre; Australian productions including an opportunity to study: the nature, - observe, experience and write Australian Indigenous drama. diversity and characteristics of theatre about Australian theatre in an » MICHELLE ARROW is a historian, as an art form; how a country’s theatre analytical, critical and reflective writer, teacher and television pre- reflects and shape a sense of na- manner; senter. -
The London Gazette, 10 November, 1936 7237
THE LONDON GAZETTE, 10 NOVEMBER, 1936 7237 Unemployment Assistance Board: Assistance AFTER LIMITED COMPETITION. Glerks, Ralph Cockshoot, Norman Spencer British Museum (Natural History): Assistant Hallifax, Alan Edward Hamilton, Harold Keeper (Second Class), Harold Oldroyd. Phythian, Leslie Piper, George Cyril Powell, Richard Henry Pyecroft, Ronald Septimus WITHOUT COMPETITION. Robertson, Allan Stewart Thomson Russell, Charles Frederick Smith, James Davidson Post Office: Night Telephonist and Call Office Wilson. Attendant, Londonderry, James Campbell. Telephonist, Farnborough, Bromley and UNDEE CLAUSE 10 (B) OF THE GENERAL Beckenham, Winifred Edith Steer. REGULATIONS. Postmen or Porters, London, Henry John Air Ministry: Assistant Mechanical and Aldridge, Spencer Llewellyn Beeching, Electrical Engineer in the Directorate of Thomas James Broom, George Edmund Works and Buildings, Eddie Gordon Taylor. Horrocks, John French Kimberley, Arthur George Lamkin, Allan John Ewart Lowen, Post Office: Skilled workman, Francis George Henry Lynn, Frederick Charles Patrick Wright. Mann, Frederick George Mann, Joe Pettifor, Robert Phillips, Charles Zanger. October 6, 1936. Postman, London, John Thomas Long. AFTEB OPEN COMPETITION. Postmen, Arthur Henry Adams (Birming- ham), Joseph Dominie Barlow (Birmingham), Executive Class, Kenneth Peter Varney. George Henry Fellowes (Birmingham), Clerical Glass, Harold Alfred Alexander, Hilton Donald Hallam (Birmingham), David Allan, Gladys Arlett, Herbert William Anthony Ryan (Birmingham), Frederick Arthur Bateman, -
The Navy Lark: Helen, the New Wren Volume 29 : Four Episodes of the Classic Bbc Radio Comedy Pdf, Epub, Ebook
THE NAVY LARK: HELEN, THE NEW WREN VOLUME 29 : FOUR EPISODES OF THE CLASSIC BBC RADIO COMEDY PDF, EPUB, EBOOK Lawrie Wyman | 1 pages | 19 Feb 2015 | BBC Audio, A Division Of Random House | 9781785290138 | English | London, United Kingdom The Navy Lark: Helen, the New Wren Volume 29 : Four Episodes of the Classic BBC Radio Comedy PDF Book Please enter a number less than or equal to 4. Actress Castle. Trevor Hill producer of The Sooty Show saw them there and gave them their own BBC television series, featuring the pigs in both string and glove puppet form, manipulated by Jan and Vlasta. Welles 1 H. See terms. Will ship within 4 business days of receiving cleared payment. She has been acting since the age of 13, appearing in a number of British television programmes. Elliot dramatization Added:. This item will be shipped through the Global Shipping Program and includes international tracking. Actress Malibu Country. I Quit! Actress We Bought a Zoo. Best known as a swimsuit model for Sports Illustrated Hidden categories: Episode lists with incorrectly formatted alternate air dates Episode lists with non-compliant line colors Articles using Template:Episode table with invalid colour combination Episode lists with unformatted air dates. Visit store. The master recording was apparently wiped, but co-writer Snoad kept a copy which he later returned to the BBC. For seven years, Galton and Simpson wrote every word uttered by Hancock, a difficult and touchy man who embraced the illusion that he could do better than his writers, and parted company with them. While providing musical interludes with his "talking harmonica" during the entire run of the radio comedy Educating Archie , featuring the ventriloquist Peter Brough and his doll, Chesney met Ronald Wolfe, who joined the show as a scriptwriter in The Werewolf phenomenon is as old as the history of mankind. -
Work-Study Program Falls to Economic Ax
Celebrating Thursday, our 20th Jan. 30, 1992 Anniversary Vol. 20 No. 19 'Sense of urgency^ Work-study program pushing Lake deal by Stephen Shaw falls to economic ax Humber is stepping up the pace in the Lakeshore campus land-swap negotiations with tfie Provincial government. Most of the major employers of work- The ailing economy may spepd up the deal's progress in by Andrew Fratepietro study students said they have managed to get of creating an economic "spark," but Lakeshore lay-off anyone, but the hopes Once again, the recession has reared its by without having to still need convincing the plan is to their had to ratepayers may ugly head at Humber forcing the college to Athletics Director Doug Fox said he benefit. discontinue its work-study program for the cut back in a few areas. opposition by the area to cut "There has always been some remainder of the school year. "It really hit us hard. We've had to houses on our property the question peo- ratepayers building — According to Judy Humphries, director of back in equipment repair and placement is going to be from the ratepayers. working on is how much flack there Placement and Financial Aid, the sorry state ple, and a lot of students are now But they're going to fight it to the end," said Humber Fox. the 30 peo- of the economy is directly to blame for the a volunteer basis," said Of added he's confident that said President Robert Gordon. Gordon closure of the program. ple employed through the program. -
For April 2021 – by Eileen Truby You Are Holding a Dinner Party for 5 Gues
U3a Creative Writing Group – “Writing prompt” for April 2021 – by Eileen Truby You are holding a dinner party for 5 guests plus yourself. The guests will be well known people, not necessarily living, but who have contributed to society in some way. Write about why you chose them and describe briefly conversations they would have had with each other and set the menu for the dinner. The guests I would invite are: Ventriloquist Peter Brough and his ventriloquist’s dummy Archie Andrews Ventriloquist Keith Harris and his puppet Orville the Duck Annette Mills and her string puppet Muffin the Mule Harry Corbett (magician and puppeteer) and his glove puppet Sooty the yellow teddy bear. Charlie Drake - Comedian/singer/slapstick artist Host - Eileen Truby The menu would be plain and simple and preferably something that could be eaten one handed as most of my guests would be using one of their hands to manipulate their puppets. I’d choose: Tomato soup with croutons so the guests wouldn’t have to mess about with breaking and buttering rolls. Homemade fish and chips, preferably served in newspaper (easy to pick up with fork or fingers). Finger bowls will be needed for use before dessert. Jelly and custard for dessert (easy to eat with a spoon). Drinks would be beers, wine, soft drinks and tea/coffee. I’ve chosen these guests as they remind me of the innocence and carefree days of my childhood. My children look at me as if I’ve gone mad when I tell them I used to listen to a radio program that starred a ventriloquist dummy called Archie Andrews. -
Australian National Maritime Museum Annual Report 2013–14 Australian National Maritime Museum Annual Report 2013–14 2013–14 Chairman’S Message
AUSTRALIAN NATIONAL MARITIME MUSEUM ANNUAL REPORT 2013–14 AUSTRALIAN NATIONAL MARITIME MUSEUM ANNUAL REPORT 2013–14 2013–14 CHAIRMAN’S MESSAGE Australian National Maritime Museum It’s my pleasure, once again, to present the Australian National Annual Report 2013–14 © Commonwealth of Australia 2014 Maritime Museum’s Annual Report for the period 1 July 2013 to 30 June 2014. This Annual Report addresses the second year of the ISSN 1034-5019 museum’s strategic plan for the period 2012–2015, a key planning This work is copyright. Apart from any use permitted under document that was developed and tabled in accordance with the the Copyright Act 1968, no part may be reproduced by any process without prior permission from the Australian Australian National Maritime Museum Act 1990. National Maritime Museum. AUSTRALIAN NATIONAL MARITIME MUSEUM This was another year of change and progress for the museum, for both its staff The Australian National Maritime Museum (ANMM) and its site. Various factors and events – the important centenary of the beginning at Darling Harbour, Sydney, opens 9.30 am–5 pm every day (9.30 am–6 pm in January). Closed 25 December. of World War 1, the upcoming anniversary of Gallipoli, and the exhibitions, projects and events the museum has programmed in commemoration; major staffing ENTRY AT 30 JUNE 2014 Big Ticket: admission to galleries and exhibitions + vessels changes; the extensive redevelopment of the Darling Harbour area; and the more + Kids on Deck long-term plans for the redevelopment of the museum – have all ensured that it Adult $27, child $16, concession/pensioners $16 Members/child under 4 free, family $70 has been a busy and challenging year. -
Manyfaces of Inspiration Conversations on Australian Creativity
William Barton Bruce Beresford Tony Bilson Wendy Blacklock Joan Carden Geoffrey Chard David Clarkson Michael Crouch Rosemary Crumlin Tania De Jong Ross Edwards Robert Gard Stephen Kovacevic Greta Lanchbery Justin Macdonnell David Malouf John McCallum Elisabeth Murdoch Ted Myers Roland Peelman Helena Rathbone Rodney Seaborn John Shaw ManyFaces of Inspiration Conversations on Australian Creativity Dinah Shearing Rachael Swain ANTONY Ken Tribe Googie Withers JEFFREY Martin & Peter Wesley-Smith Many Faces of Inspiration — Antony Jeffrey.indd 1 2/09/10 4:52 PM ntony Jeffrey has worked A in arts management since 1975 when he joined the Australia Council as Music Board director. He was the first general manager of the Australian Chamber Orchestra and for many years has maintained a close association with the orchestra. Prior to that he was commercial manager of the Australian Opera. More recently he was general manager of the Song Company until 2009. He originally trained as an accountant with Price Waterhouse, where he worked in Australia and overseas until his passion for music seduced him into the professional music scene. Since that time, in addition to his executive appointments, he has worked as director or consultant to many arts organisations including the Australian Ballet, Melbourne Theatre Company, Lyric Opera of Queensland, Musica Viva, Australian Brandenburg Orchestra and the Australian Elizabethan Theatre Trust. He has been a leader in establishing philanthropy, corporate sponsor- ship and strategic planning in the arts in Australia, publishing several books in this field, notably 101 Good Ideas for Assisting the Arts. He was appointed a Member of the Order of Australia in 2008 for his services to the arts. -
Nat Phillips' Whirligigs
NAT PHILLIPS' WHIRLIGIGS aka Nat Phillips Revue Company / Snapshots Revue Company A specialist revusical (and later a revue) company, the Whirligigs was founded by Nat Phillips immediately after he and Roy Rene ended their Stiffy and Mo partnership in 1925. The troupe initially featured Phillips as Oscar the Aussie and Harry Huley as Percy the Pom. Phillips later teamed up with Jack Kellaway to form the partnership "Stiffy and 'Erb." He revived the Whirligigs immediately after he and Rene split for the final time in 1928. It was renamed the Nat Phillips Revue Company in 1930. Around that time he was also working in partnership with comedian Stan Foley (as "Stiffy and Stud"). The following year he and Joe Lawman became "Stiffy and Joe," followed a few months later by "Stiffy, Joe and Syd" (with Syd Beck). The troupe disbanded in 1932 following the unexpected death of its leader. Nat Phillips and Roy Rene's played their last show together in 1925 on 17 July. The split occurred during Stiffy and Mo's Adelaide season. With advertising already booked Phillips continued to present the Stiffy and Mo Revue Company without his former partner, who was at that time reportedly indisposed."1 A week later, with little fanfare Phillips announced his "newly organised musical comedy company" and heavily promoted it as a "season of joy and gladness" featuring such "clever folk" as Mike Connors and Queenie Paul, Shannon Raye, Dan Dunbar and the "Six Crack-a-Jacks" among others. It was not until the end of the third week of the new season, however, that Phillips decided to advertise the company as the Whirligigs.2 The remainder of the season comprised a selection of Stiffy and Mo revusicals and several new shows, including Flying High and East is West. -
Vivat Regina! Melbourne Celebrates the Maj’S 125Th Birthday
ON STAGE The Spring 2011 newsletter of Vol.12 No.4 Vivat Regina! Melbourne celebrates The Maj’s 125th birthday. he merriment of the audience was entrepreneur Jules François de Sales — now, of course, Her Majesty’s — almost continuous throughout.’ Joubert on the corner of Exhibition and celebrated its birthday by hosting the third TThat was the observation of the Little Bourke Streets. The theatre’s début Rob Guest Endowment Concert. The Rob reporter from M elbourne’s The Argus who was on Friday, 1 October 1886. Almost Guest Endowment, administered by ANZ ‘covered the very first performance in what exactly 125 years later — on Monday, Trustees, was established to commemorate was then the Alexandra Theatre, the 10 October 2011 the merriment was one of Australia’s finest music theatre handsome new playhouse built for similarly almost continuous as the theatre performers, who died in October 2008. * The Award aims to build and maintain a This year’s winner was Blake Bowden. Mascetti, Barry Kitcher, Moffatt Oxenbould, appropriate time and with due fuss and ‘“Vivat Regina!” may be a bit “over the Clockwise from left: Shooting the community for upcoming music theatre He received a $10 000 talent development the theatre’s archivist Mary Murphy, and publicity, as well as the final casting, but I top” — but then, why not?’ commemorative film in The Maj's foyer. Mike Walsh is at stairs (centre). artists and to provide one night every year grant, a media training session, a new theatre historian Frank Van Straten. am thrilled that they are spearheaded by a Why not, indeed! when all facets of the industry join to headshot package and a guest performance Premier Ted Baillieu added a special brand new production of A Chorus Line — as Rob Guest Endowment winner Blake Bowden welcome a new generation of performers.