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DOCUMENT RESUME ED 329 218 IR 014 857 TITLE Development Communication Report, 1990/1-4, Nos. INSTITUTION Agency for Internationa
DOCUMENT RESUME ED 329 218 IR 014 857 TITLE Development Communication Report, 1990/1-4, Nos. 68-71. INSTITUTION Agency for International Development (IDCA), Washington, DC. Clearinghouse on Development Communication. PUB DATE 90 NOTE 74p.; For the 1989 issues, see ED 319 394. AVAILABLE FROMClearinghouse on Development Communication, 1815 North Fort Meyers Dr., Suite 600, Arlington, VA 22209. PUB TYPE Collected Works - Serials (022) -- Reports - Descriptive (141) JOURNAL CIT Development Communication Report; n68-71 1990 EDRS PRICE MF01/PC03 Plus Postage. DESCRIPTORS Adult Literacy; *Basic Skills; Change Strategies; Community Education; *Developing Nations; Development Communication; Educational Media; *Educational Technology; Educational Television; Feminism; Foreign Countries; *Health Education; *Literacy Education; Mass Media Role; Public Television; Sex Differences; Teaching Models; Television Commercials; *Womens Education ABSTRACT The four issues of this newsletter focus primarily on the use of communication technologies in developing nations tc educate their people. The first issue (No. 68) contains a review of the current status of adult literacy worldwide and articles on an adult literacy program in Nepal; adult new readers as authors; testing literacy materials; the use Jf hand-held electronic learning aids at the primary level in Belize; the use of public television to promote literacy in the United States; reading programs in Africa and Asia; and discussions of the Laubach and Freirean literacy models. Articles in the second issue (no. 69) discuss the potential of educational technology for improving education; new educational partnerships for providing basin education; gender differences in basic education; a social marketing campaign and guidelines for the improvement of basic education; adaptations of educational television's "Sesame Street" for use in other languages and cultures; and resources on basic education. -
View Centro's Film List
About the Centro Film Collection The Centro Library and Archives houses one of the most extensive collections of films documenting the Puerto Rican experience. The collection includes documentaries, public service news programs; Hollywood produced feature films, as well as cinema films produced by the film industry in Puerto Rico. Presently we house over 500 titles, both in DVD and VHS format. Films from the collection may be borrowed, and are available for teaching, study, as well as for entertainment purposes with due consideration for copyright and intellectual property laws. Film Lending Policy Our policy requires that films be picked-up at our facility, we do not mail out. Films maybe borrowed by college professors, as well as public school teachers for classroom presentations during the school year. We also lend to student clubs and community-based organizations. For individuals conducting personal research, or for students who need to view films for class assignments, we ask that they call and make an appointment for viewing the film(s) at our facilities. Overview of collections: 366 documentary/special programs 67 feature films 11 Banco Popular programs on Puerto Rican Music 2 films (rough-cut copies) Roz Payne Archives 95 copies of WNBC Visiones programs 20 titles of WNET Realidades programs Total # of titles=559 (As of 9/2019) 1 Procedures for Borrowing Films 1. Reserve films one week in advance. 2. A maximum of 2 FILMS may be borrowed at a time. 3. Pick-up film(s) at the Centro Library and Archives with proper ID, and sign contract which specifies obligations and responsibilities while the film(s) is in your possession. -
Channel Four Television Corporation Report and Financial Statements 2008 Channel Four Television Corporation Report and Financial Statements 2008
Channel Four Television Corporation Report and Financial Statements 2008 Channel Four Television Corporation Report and Financial Statements 2008 Broadcasting Act 1990 Presented to Parliament pursuant to Paragraph 13(1) of Schedule 3 to the Broadcasting Act 1990 Contents Introduction Scale and impact Chairman’s introduction 04 Viewer impact 60 Chief Executive’s introduction 06 Top tens 64 Output and spend 66 Channel 4’s public impact 08 Creative economy impact 68 Talent ladder 70 Nurture Partnerships 71 Awards 72 Film4 Productions and Slumdog Millionaire 12 Comedy Lab 14 Final comments on public impact report 76 The Devil’s Whore 16 Assurance statement 77 City of Vice 18 Key measures 20 Finance Challenge Operating and financial review 80 Report of the members 84 Saving Africa’s Witch Children 24 Report of the auditors 86 Dispatches and Unreported World 26 Consolidated income statement 88 Channel 4 News 28 Balance sheets 89 The Family 30 Cashflow statements 90 Key measures 32 Significant accounting policies 91 Notes to the financial statements 95 Champion Corporate governance 121 Members 127 Islam Unveiled 36 Report on members’ remuneration 128 Big Brother 38 Programmes and the licence 132 Hunger 40 Historical record 134 Disarming Britain 42 Key measures 44 Inspire Secret Millionaire 48 Embarrassing Bodies and The Sex Education Show 50 Big Food Fight 52 Battlefront 54 Key measures 56 Chairman’s introduction Luke Johnson Chairman The media establishment is undergoing its most violent In recent months, Channel 4 has demonstrated its creative upheaval since Channel 4 was founded 26 years ago. The credentials in spades. With Slumdog Millionaire, Film4 won digital revolution, combined with a severe economic downturn, a spectacular array of Oscars and BAFTAs, and enjoyed a true means all commercial broadcasters are under significant international box office smash. -
Revive La Leyenda De Menudo AGENCIA REFORMA ESPECIAL/EXPRESO CIUDAD DE MÉXICO
Reporta las noticias al instante desde tu móvil Expreso 3E 662 126 2721 nuevo canal de WhatsApp Lunes 12 de Octubre de 2020 STELAR ‘Súbete a mi Moto’ revive la leyenda de Menudo AGENCIA REFORMA ESPECIAL/EXPRESO CIUDAD DE MÉXICO a historia de una de las boy bands lati- nas más famosas de la historia, Me- Amazon presenta Lnudo, se relatará a forma el biopic de una de las de dramedy en el formato biopic, con un elenco que bandas más famosas incluye a Felipe Albors e de la historia y cómo Ethan Schwartz (Ricky Martin), Marcelo Otaño cautivaron el corazón y Eugenio Rivera (Ricky Meléndez), Samu Jove del público (Xavier Serbia), Gustavo Rosas (Sergio Blass), Ale- jandro Bermúdez (René Farrait), Leonel Otero (Johnny Lozada) y Mauro mo; para este proyecto se Hernández (Miguel Can- invitó a la actriz Gladys cel). Te contamos por qué Rodríguez. debes verla y qué debes La banda de jóvenes puertorriqueños surgió a finales de los 70’s causando gran furor en toda Latinoamérica. saber de Menudo antes Televisión de hacerlo. Primeros reemplazos Latinoamérica y España; Johnny Lozada. cada uno situaciones ‘La Gente Joven de Me- Antes de la llegada de los la fiebre que provocó en- “Coquí” para Puerto personales. nudo’: un programa de Su creación años 80, el grupo ya había tre sus fans incluso tuvo Rico, interpretada por ‘Una Aventura Llama- Telemundo estrenado Un evento que parece hecho cumplir su regla nombre: la menuditis o la Charlie Massó. da Menudo’: filmada en a finales de los años 70 obvio pero que eviden- de cambios, y es por ello menudomanía. -
Tesis: Actitud De Los Adolescentes Ante Las
UNIVERSIDAD DEL TEPEYAC ESCUELA DE PSICOLOGÍA CON ESTUDIOS RECONOCIDOS OFICIALMENTE POR ACUERDO No. 3213-25 CON FECHA 13-VI-1997 DE LA UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICO ACTITUD DE LOS ADOLESCENTES ANTE LAS CAMPAÑAS DE SEXUALIDAD RESPONSABLE TESIS QUE PARA OBTENER EL TITULO DE LICENCIADO EN PSICOLOGÍA PRESENTA LILIANA SOLÍS ARZATE MÉXICO, D.F. 2014 UNAM – Dirección General de Bibliotecas Tesis Digitales Restricciones de uso DERECHOS RESERVADOS © PROHIBIDA SU REPRODUCCIÓN TOTAL O PARCIAL Todo el material contenido en esta tesis esta protegido por la Ley Federal del Derecho de Autor (LFDA) de los Estados Unidos Mexicanos (México). El uso de imágenes, fragmentos de videos, y demás material que sea objeto de protección de los derechos de autor, será exclusivamente para fines educativos e informativos y deberá citar la fuente donde la obtuvo mencionando el autor o autores. Cualquier uso distinto como el lucro, reproducción, edición o modificación, será perseguido y sancionado por el respectivo titular de los Derechos de Autor. UNIVERSIDAD DEL TEPEYAC ESCUELA DE PSICOLOGÍA CON ESTUDIOS RECONOCIDOS OFICIALMENTE POR ACUERDO No. 3213-25 CON FECHA 13-VI-1997 DE LA UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICO ACTITUD DE LOS ADOLESCENTES ANTE LAS CAMPAÑAS DE SEXUALIDAD RESPONSABLE TESIS QUE PARA OBTENER EL TITULO DE LICENCIADO EN PSICOLOGÍA PRESENTA LILIANA SOLIS ARZATE ASESOR DE TESIS LIC. BERTILA CHAROLET HERNANDEZ CÉDULA PROFESIONAL N° 2693265 MÉXICO, D.F. 2014 AGRADECIMIENTOS Como no empezar agradeciendo a mis padres Mary y Javier, quienes sin lugar a duda han sido mi apoyo y fortaleza, no solo en la elaboración de esta tesis, sino a lo largo de mi vida. -
Researching Digital on Screen Graphics Executive Sum M Ary
Researching Digital On Screen Graphics Executive Sum m ary Background In Spring 2010, the BBC commissioned independent market research company, Ipsos MediaCT to conduct research into what the general public, across the UK thought of Digital On Screen Graphics (DOGs) – the channel logos that are often in the corner of the TV screen. The research was conducted between 5th and 11th March, with a representative sample of 1,031 adults aged 15+. The research was conducted by interviewers in-home, using the Ipsos MORI Omnibus. The key findings from the research can be found below. Key Findings Do viewers notice DOGs? As one of our first questions we split our sample into random halves and showed both halves a typical image that they would see on TV. One was a very busy image, with a DOG present in the top left corner, the other image had much less going on, again with the DOG in the top left corner. We asked respondents what the first thing they noticed was, and then we asked what they second thing they noticed was. It was clear from the results that the DOGs did not tend to stand out on screen, with only 12% of those presented with the ‘less busy’ screen picking out the DOG (and even fewer, 7%, amongst those who saw the busy screen). Even when we had pointed out DOGs and talked to respondents specifically about them, 59% agreed that they ‘tend not to notice the logos’, with females and viewers over 55, the least likely to notice them according to our survey. -
DUR 01/09/2019 : CUERPO E : 4 : Página 1
DOMINGO 1 DE SEPTIEMBRE DE 2019 4 ARTE JOHNNY LOZADA SE QUITA ‘LA MÁSCARA’ Tras su eliminación de ‘¿Quién es la máscara?’, el cantante se alista para el reencuentro de Menudo. MARA GÜERECA Líder EL SIGLO DE DURANGO El primer programa de ‘¿Quién es la máscara?’ fue la emisión más vista en Durango TV abierta hace una semana. Una experiencia única y divertida, así fue como Johnny Lozada defi- Esta noche nió su reciente participación en el Hoy dos celebridades las que revelen sus identidades en el programa que nuevo ‘reality show’ de la barra de es transmite todos los domingos a las 20:30 de la noche por Las estrellas. comedia de Las estrellas: ‘¿Quién es la máscara?’. Conducido por Omar Chapa- El equipo rro y Natalia Téllez, esta produc- Omar Chaparro y Natalia Téllez conducen la emisión en la que también ción de Eduardo Clemesha y Mi- participan Consuelo Duval, Yuri, Adrián Uribe y Carlos Rivera como jueces. guel Ángel Fox reúne a varias ce- lebridades que eligen a un perso- naje y usando un disfraz y un mi- crófono que distorsiona su voz, deben evitar que los jueces Con- suelo Duval, Yuri, Adrián Uribe y Carlos Rivera, descubran su verdadera identidad. Hace una semana que se estre- nó este ‘reality show’ en el que Lo- zada se convirtió en uno de los pri- meros eliminados tras caracteri- zarse como ‘Ciervo’. “Me divertí más que otra cosa, me gustó mucho lo que es el secre- to de programa. Está todo muy hermético de quién entra y sale. Yo tenía que salir del hotel con una careta, una capucha, no podía ha- blar con nadie, llegabas a Televisa y te montaban a un carrito todo ta- Consuelo en Eleazar Gómez. -
La Diáspora Puertorriqueña: Un Legado De Compromiso the Puerto Rican Diaspora: a Legacy of Commitment
Original drawing for the Puerto Rican Family Monument, Hartford, CT. Jose Buscaglia Guillermety, pen and ink, 30 X 30, 1999. La Diáspora Puertorriqueña: Un Legado de Compromiso The Puerto Rican Diaspora: A Legacy of Commitment P uerto R ican H eritage M o n t h N ovember 2014 CALENDAR JOURNAL ASPIRA of NY ■ Centro de Estudios Puertorriqueños ■ El Museo del Barrio ■ El Puente Eugenio María de Hostos Community College, CUNY ■ Institute for the Puerto Rican/Hispanic Elderly La Casa de la Herencia Cultural Puertorriqueña ■ La Fundación Nacional para la Cultura Popular, PR LatinoJustice – PRLDEF ■ Música de Camara ■ National Institute for Latino Policy National Conference of Puerto Rican Women – NACOPRW National Congress for Puerto Rican Rights – Justice Committee Puerto Rico Federal Affairs Administration www.comitenoviembre.org *with Colgate® Optic White® Toothpaste, Mouthwash, and Toothbrush + Whitening Pen, use as directed. Use Mouthwash prior to Optic White® Whitening Pen. For best results, continue routine as directed. COMITÉ NOVIEMBRE Would Like To Extend Is Sincerest Gratitude To The Sponsors And Supporters Of Puerto Rican Heritage Month 2014 City University of New York Institute for the Puerto Rican/Hispanic Elderly Colgate-Palmolive Company Puerto Rico Convention Bureau The Nieves Gunn Charitable Fund Embassy Suites Hotel & Casino, Isla Verde, PR Bronx Lebanon Hospital Center American Airlines John Calderon Rums of Puerto Rico United Federation of Teachers Hotel la Concha Compañia de Turismo de Puerto Rico Hotel Copamarina Acacia Network Omni Hotels & Resorts Carlos D. Nazario, Jr. Banco Popular de Puerto Rico Dolores Batista Shape Magazine Hostos Community College, CUNY MEMBER AGENCIES ASPIRA of New York Centro de Estudios Puertorriqueños El Museo del Barrio El Puente Eugenio María de Hostos Community College/CUNY Institute for the Puerto Rican/Hispanic Elderly La Casa de la Herencia Cultural Puertorriqueña, Inc. -
Polytram Changes Budget Import Mart Booms Scorpions Cover by FRED GOODMAN Ment of Odds and Ends from Around That His Firm Does Have American the World
SM 14011 MMNIFIN BBO 9GREENLYMONT00 MARP6 NEWSPAPER MONTY GREENLY C3 10 37410 ELM UC Y LONG PEACH CA 90807 A B°Ilboard Publication The Internatior Newsweekly Of Music & Home Entertainment May 5, 1984 $3 (U.S.) AFTER RACK COMPLAINT DESPITE LABELS' EFFORTS Polytram Changes Budget Import Mart Booms Scorpions Cover By FRED GOODMAN ment of odds and ends from around that his firm does have American the world. customers, but that it counsels NEW YORK complaint from That attitude is apparently not -A NEW YORK -The U.S. market caution. a key rack account has led Mercury/ shared by Handleman or some of its "It's a large market," says one for imported budget, cutout and "We want to keep the U.S. compa- PolyGram to market two different customers. Mario DeFilippo, vice wholesaler who carries both domestic overstock albums is thriving. Despite nies happy," he says. "The customer covers of the Scorpions' top 10 album president of purchasing for the rack- and imported budget titles. "It basi- the efforts of the Recording Industry doesn't want to go out on a limb. But "Love At First Sting." . jobber, says that objections to album cally exists because the American Assn. of America, CBS Records and there is a whole midprice range we According to the label, Wal -Mart, cover art as well as lyrics are "a com- market is loaded with crap and the other American manufacturers to sti- supply that is not available in Ameri- a 670 -store discount chain racked by mon complaint from our customers." dual stuff is cheaper. -
Television Promotions - What the Viewers Think a Report of the Key Findings of a Qualitative and Quantitative Study
Television promotions - what the viewers think A report of the key findings of a qualitative and quantitative study Research study conducted by The Knowledge Agency Ltd on behalf of Ofcom for the purposes of its review of the cross promotion rules 6 December 2005 1 Contents Section Page 1 Executive summary 3 2 Research objectives and methodology 5 3 The role of promotions in viewing strategies 8 4 Attitudes towards different types of promotion 13 5 Positioning of promotions around programmes 19 6 Promotions across different channels 22 7 Regulation of on-air promotions 24 2 Section 1 Executive summary Objectives & methodology • As part of Ofcom’s Review of the cross promotion rules, Ofcom commissioned a primary research study to understand audience views on the subject of promotions during end credits, commercial breaks and within programmes. The research was timed to run in parallel with a content analysis study quantifying the amount of promotional activity being broadcast across a range of channels. • The audience research was designed to investigate specific questions that included: o Do audiences see any issues with promotional activity? o How do audiences decide on their viewing and therefore what is the role of promotional activity? o Which type of activity is seen positively and which is seen more negatively? o When is promotional activity seen as useful? o Are there any concerns that promotional activity within a programme compromises programme quality? • The definition of promotion used in the study has been summarized below: ‘SELF PROMOTION’ promoting One television channel Itself (including programme specific promotions) Another television channel g tin mo ‘CROSS PROMOTION’ ro ing A radio station p mot pro General One television channel promoting A web-site promotions or pro mo programme pr ting om o specific ti ng An event Support material e.g DVDs, books, etc Research findings • Overall, the qualitative research suggests promotional activity has far reaching benefits for viewers that outweigh some minor issues. -
Radio Listeners Online: a Case Study of the Archers
Radio listeners online: a case study of The Archers Lyn Thomas and Maria Lambrianidou AHRC / BBC Knowledge Exchange 2007-08 Institute for the Study of European Transformations (ISET) 166-220 Holloway Road, London N7 8DB Tel: 020 7133 2927 Email: [email protected] http://www.londonmet.ac.uk/research-units/iset/projects/bbc--ahrc.cfm This collaborative research project was funded through the AHRC/BBC Knowledge Exchange Programme’s pilot funding call. The aim of the Arts and Humanities Research Council/BBC KEP is to develop a long- term strategic partnership brining together the arts and humanities research communities with BBC staff to enable co-funded knowledge exchange and collaborative research and development. The benefits from the outcomes and outputs of these projects should be of equal significance to both partners. To find out more about the AHRC/BBC KEP please visit the AHRC’s website at: http://www.ahrc.ac.uk 2 Contents Introduction 4 Part One: Survey and Interview Responses 5 Who are the online fans? 5 Online Fans’ Responses to the Programme 7 Responses to the BBC Archers Website 10 Responses to the BBC Messageboards 13 Part Two - Archers fan cultures online 20 The BBC ‘Discuss The Archers’ Messageboard 22 The ‘Archers Addicts’ Board 29 The ‘Mumsnet’ Archers Threads 31 The Facebook Archers Appreciation Group 34 Summary and Conclusions 35 References 40 3 Introduction The aim of this research is to explore the nature and social composition of online fan cultures around The Archers. We hope to show how listeners engage with the programme online both on BBC and independent sites, and how this activity adds to their enjoyment of the programme. -
MGEITF Prog Cover V2
Contents Welcome 02 Sponsors 04 Festival Information 09 Festival Extras 10 Free Clinics 11 Social Events 12 Channel of the Year Awards 13 Orientation Guide 14 Festival Venues 15 Friday Sessions 16 Schedule at a Glance 24 Saturday Sessions 26 Sunday Sessions 36 Fast Track and The Network 42 Executive Committee 44 Advisory Committee 45 Festival Team 46 Welcome to Edinburgh 2009 Tim Hincks is Executive Chair of the MediaGuardian Elaine Bedell is Advisory Chair of the 2009 Our opening session will be a celebration – Edinburgh International Television Festival and MediaGuardian Edinburgh International Television or perhaps, more simply, a hoot. Ant & Dec will Chief Executive of Endemol UK. He heads the Festival and Director of Entertainment and host a special edition of TV’s Got Talent, as those Festival’s Executive Committee that meets five Comedy at ITV. She, along with the Advisory who work mostly behind the scenes in television times a year and is responsible for appointing the Committee, is directly responsible for this year’s demonstrate whether they actually have got Advisory Chair of each Festival and for overall line-up of more than 50 sessions. any talent. governance of the event. When I was asked to take on the Advisory Chair One of the most contentious debates is likely Three ingredients make up a great Edinburgh role last year, the world looked a different place – to follow on Friday, about pay in television. Senior TV Festival: a stellar MacTaggart Lecture, high the sun was shining, the banks were intact, and no executives will defend their pay packages and ‘James Murdoch’s profile and influential speakers, and thought- one had really heard of Robert Peston.