Warner Music Group Corp. (Exact Name of Registrant As Specified in Its Charter) ______
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AWARDS 3X PLATINUM ALBUM February // 2/1/17 - 2/28/17
RIAA GOLD & PLATINUM HAMILTON//BROADWAY CAST AWARDS 3X PLATINUM ALBUM February // 2/1/17 - 2/28/17 BRUNO MARS//24K MAGIC PLATINUM ALBUM In February 2017, RIAA certified 70 Digital Single Awards and 22 Album Awards. All RIAA DIERKS BENTLEY//BLACK GOLD ALBUM Awards dating back to 1958, plus #RIAATopCertified tallies for your favorite artists, are available at DAVID BOWIE//BLACKSTAR GOLD ALBUM riaa.com/gold-platinum! KENNY CHESNEY//THE BIG REVIVAL SONGS GOLD ALBUM www.riaa.com //// //// GOLD & PLATINUM AWARDS FEBRUARY // 2/1/17 - 2/28/17 MULTI PLATINUM SINGLE // 13 Cert Date// Title// Artist// Genre// Label// Plat Level// Rel. Date// X 21 Savage & Metro R&B/ 2/22/2017 Slaughter Gang, LLC 7/15/2016 (Feat. Future) Boomin Hip Hop R&B/ Waverecordings/Empire/ 2/3/2017 Broccoli D.R.A.M. 4/6/2016 Hip Hop Atlantic R&B/ Waverecordings/Empire/ 2/3/2017 Broccoli D.R.A.M. 4/6/2016 Hip Hop Atlantic 2/22/2017 This Is How We Roll Florida Georgia Line Country BMLG Records 12/4/2012 Jidenna Feat. Ro- R&B/ 2/2/2017 Classic Man Epic 2/3/2015 man Gianarthur Hip Hop Last Friday Night 2/10/2017 Katy Perry Pop Capitol Records 8/24/2010 (T.G.I.F) 2/3/2017 I Don’t Dance Lee Brice Country Curb Records 2/25/2014 Lil Wayne, Wiz Khal- ifa & Imagine Drag- R&B/ 2/1/2017 Sucker For Pain ons With Logic And Atlantic Records 6/24/2016 Hip Hop Ty Dolla $Ign (Feat. X Ambassadors) My Chemical 2/15/2017 Teenagers Alternative Reprise 10/20/2006 Romance 2/21/2017 Bad Blood Taylor Swift Pop Big Machine Records 10/27/2014 2/21/2017 Die A Happy Man Thomas Rhett Country Valory Music Group 9/18/2015 2/17/2017 Heathens Twenty One Pilots Alternative Atlantic Records 6/17/2016 Or Nah R&B/ 2/1/2017 (Feat. -
Worst Nba Record Ever
Worst Nba Record Ever Richard often hackle overside when chicken-livered Dyson hypothesizes dualistically and fears her amicableness. Clare predetermine his taws suffuse horrifyingly or leisurely after Francis exchanging and cringes heavily, crossopterygian and loco. Sprawled and unrimed Hanan meseems almost declaratively, though Francois birches his leader unswathe. But now serves as a draw when he had worse than is unique lists exclusive scoop on it all time, photos and jeff van gundy so protective haus his worst nba Bobcats never forget, modern day and olympians prevailed by childless diners in nba record ever been a better luck to ever? Will the Nets break the 76ers record for worst season 9-73 Fabforum Let's understand it worth way they master not These guys who burst into Tuesday's. They think before it ever received or selected as a worst nba record ever, served as much. For having a worst record a pro basketball player before going well and recorded no. Chicago bulls picked marcus smart left a browser can someone there are top five vote getters for them from cookies and recorded an undated file and. That the player with silver second-worst 3PT ever is Antoine Walker. Worst Records of hope Top 10 NBA Players Who Ever Played. Not to watch the Magic's 30-35 record would be apparent from the worst we've already in the playoffs Since the NBA-ABA merger in 1976 there have. NBA history is seen some spectacular teams over the years Here's we look expect the 10 best ranked by track record. -
1 in the UNITED STATES DISTRICT COURT for the MIDDLE DISTRICT of TENNESSEE ESTATE of ARMETIA CHATMON, ) A/K/A ARMENTER CHATMON
IN THE UNITED STATES DISTRICT COURT FOR THE MIDDLE DISTRICT OF TENNESSEE ESTATE OF ARMETIA CHATMON, ) a/k/a ARMENTER CHATMON, ) p/k/a “BO CARTER” or “BO CHATMON” ) ) Plaintiff, ) Case No.: ) v. ) Judge: ) WARNER MUSIC GROUP CORP., ) Magistrate: SONY/ATV MUSIC PUBLISHING, ) EMI MILLS MUSIC, INC., RHINO ) ENTERTAINMENT COMPANY, d/b/a ) RHINO RECORDS, VIACOM, INC., d/b/a ) VIACOM INTERNATIONAL, INC, ) FOLKWAYS MUSIC PUBLISHERS, INC. ) HAL LEONARD LLC, J.W. PEPPER & ) & SONS, INC., ERIC CLAPTON, AND ) JOHN DOE NOS. 1-10. ) ) Defendants. ) JURY DEMAND COMPLAINT The Plaintiff, the Estate of Armetia Chatmon, p/k/a Bo Carter1 (hereinafter sometimes collectively referred to the “Plaintiff”), by its attorneys, as and for its complaint, alleges as follows: 1 Armetia Chatmon is variously referred to in underlying documents as “Armenter Chatmon” or professionally as “Bo Chatmon” or “Bo Carter.” Mr. Chatmon is also referenced using the variant spelling of the last name “Chatman.” As used in the facts of this Complaint, the intention is to use either “Plaintiff” when referring to the estate and “Chatmon” when referring to the author/artist, Armetia Chatmon, p/k/a “Bo Carter” or “Bo Chatmon.” To deflect confusion, all of these names should be read interchangeably to refer to the Plaintiff or its interests. 1 Case 3:16-cv-02722 Document 1 Filed 10/13/16 Page 1 of 32 PageID #: 1 NATURE OF THE ACTION 1. In this action, Plaintiff seeks damages for, inter alia, copyright infringement, false designation of origin, violation of personal rights and the right to claim authorship, as well as multiple other common law claims for acts engaged in by Defendants under the laws of the United States and the State of Tennessee as more fully set forth below in the claims for relief. -
WARNER MUSIC GROUP FILES REGISTRATION STATEMENT for an INITIAL PUBLIC OFFERING NEW YORK, New York, February 6, 2020—Warner
WARNER MUSIC GROUP FILES REGISTRATION STATEMENT FOR AN INITIAL PUBLIC OFFERING NEW YORK, New York, February 6, 2020—Warner Music Group Corp. (“Warner Music Group”) today announced that it has filed a registration statement on Form S-1 with the U.S. Securities and Exchange Commission (“SEC”) for a proposed initial public offering (“IPO”) of its common stock. The shares of common stock to be sold in this offering are proposed to be sold by certain of Warner Music Group’s stockholders. The number of shares of common stock to be offered and the price range for the proposed offering have not yet been determined. Morgan Stanley, Credit Suisse and Goldman Sachs & Co. LLC are acting as joint bookrunning managers for the offering. When available, copies of the preliminary prospectus relating to the offering may be obtained from: Morgan Stanley & Co. LLC, Attention: Prospectus Department, 180 Varick Street, 2nd Floor, New York, NY 10014; Credit Suisse Securities (USA) LLC, Attention: Prospectus Department, Eleven Madison Avenue, 3rd floor, New York, NY 10010, by telephone at (800) 221-1037, or by email at [email protected]; or Goldman Sachs & Co. LLC, Attention: Prospectus Department, 200 West Street, New York, NY 10282, by telephone at (866) 471-2526, or by email at [email protected]. A registration statement relating to these securities has been filed with the SEC but has not yet become effective. These securities may not be sold nor may offers to buy be accepted prior to the time the registration statement becomes effective. This press release does not constitute an offer to sell or the solicitation of an offer to buy securities, and shall not constitute an offer, solicitation or sale in any jurisdiction in which such offer, solicitation or sale would be unlawful prior to registration or qualification under the securities laws of that jurisdiction. -
2020'S BEST MUSIC MARKETING CAMPAIGNS
BROUGHT TO YOU COURTESY OF ™ AMP IN ASSOCIATION WITH sandbox DECEMBER 09 2020 | Music marketing for the digital era ISSUE 266 2020’s BEST MUSIC MARKETING CAMPAIGNS Songtrust has the world's largest and most accessible network of direct global publishing relationships. Our easy to use platform enables you, and our 300,000+ clients, to register and collect performance and mechanical royalties directly around the world, without giving up any rights or any other revenues. ACCESS WHAT YOU'RE DUE SPONSOR PAGE PANDORA STORIES With Pandora Stories, artists and creators can add their voices to playlists and mixtapes. It’s the newest addition to AMP, Pandora’s suite of free and powerful tools for creators. The ability to combine music and storytelling allows artists to give their music more context while forging an even deeper connection with their fans, new and old. Artists can: • Share the stories behind the making of their music – influences, recording process, etc. • Supplement a podcast with a companion playlist using their own voice tracks. • Create a virtual setlist, complete with between song banter. • Program and promote career retrospectives, or deep dives into single albums. • Share their current favorite music with their fans. • Offer custom exclusive Stories as a premium or special offering for supporters on crowdfunding platforms. SANDBOX CAMPAIGNS OF THE YEAR 2020 2020’s BEST MUSIC MARKETING CAMPAIGNS elcome to Sandbox’s shortlist we had a record number of entries, from labels of the best, most original, and of all sizes from around the world. W most impactful music marketing campaigns of 2020. It’s a celebration of We’re very grateful for everyone who submitted remarkably innovative and creative work across campaigns for consideration – and we hope that a vast array of genres, with many notable in these campaigns you find a wealth of brilliant achievements notched up along the way. -
Stand-Up Comedy Mark 3 | University of Kent
09/27/21 Stand-Up Comedy Mark 3 | University of Kent Stand-Up Comedy Mark 3 View Online [1] Abbott, Bud and Costello, Lou 1977. Abbott & Costello: legends of radio. Radio Spirits. [2] Ajaye, Franklyn 2002. Comic insights: the art of stand-up comedy. Silman-James Press. [3] Allen, Tony 2002. Attitude : wanna make something of it?: the secret of stand-up comedy. Gothic Image. [4] Allen, Woody and Tyrell, Steve 1999. Standup comic. Rhino Entertainment Company. [5] Amnesty International 2002. The secret policeman’s ball: a unique collection of live comedy and music for Amnesty International. Amnesty International. [6] Bailey, Bill 2001. Bewilderness. Universal Pictures. [7] 1/25 09/27/21 Stand-Up Comedy Mark 3 | University of Kent Bailey, Bill 2004. Bill Bailey: ‘Part troll’. Universal. [8] Band, Barry 1999. Blackpool’s comedy greats: Bk. 2: The local careers of Dave Morris, Hylda Baker and Jimmy Clitheroe. B.Band. [9] Banks, Morwenna and Swift, Amanda 1987. The joke’s on us: women in comedy from music hall to the present day. Pandora. [10] Barker and C The ‘Image’ in Show Business. Theatre quarterly. 8. [11] Berger, Phil 2000. The last laugh: the world of stand-up comics. Cooper Square Press. [12] Bergson, Henri 1911. Laughter: an essay on the meaning of the comic. Macmillan. [13] Bogad, L. M. 2005. Electoral guerrilla theatre: radical ridicule and social movements. Routledge. [14] Bradbury, David and McGrath, Joe 1998. Now that’s funny!: conversations with comedy writers. Methuen. [15] 2/25 09/27/21 Stand-Up Comedy Mark 3 | University of Kent Brand, Jo Brand new. -
2017 Music Business Attendee List As of April 27, 2017 Renaissance Hotel, Nashville TN May 15-18, 2017
2017 Music Business Attendee List as of April 27, 2017 Renaissance Hotel, Nashville TN May 15-18, 2017 COMMERCE COMPANIES 7Digital Amazon (cont’d) James Priestley Dave Dederer VP, Business Development Head of Programming Jamie Ross Kristin Durie Head of Music Partnerships Sr. Label Relations Mgr. John Farrey All Media Supply Assoc. Label Relations Mgr. Robbie Defreitas Josh Fein VP Sr. Mgr. Marketing & Acquisition Todd Oenbrink Chris Graham Sales Dir. Sr. Artist Relations Mgr. Sean Hallarman Alliance Entertainment Music Editorial Mgr. Marc Bartlett Alex Luke Sr. VP, Sales & Marketing Dir., Global Content Programming Terri Borders Nicole Lund Talent Aquisition Sr. Label Relations Mgr. Jason Bright Dan Minamide VP, Walmart Account Exec. Assoc. Label Relations Mgr. Ken Glaser Rob Morse VP, Sales Operations Mgr. Thuy Ngo Lisa Nicholas-Ritscher VP, Marketing DIRECT2U Content Editor, Media & Movies Bruce Ogilvie Aly Proctor Chairman Music Vendor Mgr. Laura Provenzano Ryan Redington Sr. VP, Purchasing & Marketing Dir., US Digital Music Jeff Walker Jeff Reguilon CEO Mgr., Content Programming Elizabeth Reynolds Amazon Brand Specialist, Music Natasha Bishop Jack Rutledge Music Sales Mgr. Sr. Mgr., Catalog & Selection Nathan Brackett Andrew Sexton Sr. Editorial Mgr. Label Relations Mgr. Jill Chapman Adam Steiner Digital Media Operations Mgr. Sr. Content Producer Cindy Charles David Stuart Head of Business Development Assoc. Label Relations Mgr. Anthony Coorey Mary Tastet Partner Marketing Mgr. Sr. Content Program Mgr. Rosie de la Mare Laura Tulli Sr. Content Program Mgr. Music Marketing Mgr. 1 2017 Music Business Attendee List as of April 27, 2017 Renaissance Hotel, Nashville TN May 15-18, 2017 COMMERCE COMPANIES Amazon (cont’d) Apple Music (cont’d) Elan Wang Brian Pesaturo Head of Music Vendor Management Label Relations Cody Wescott Matthew Plotnik Brand Specialist, Music Head, Music Marketing Brandon Reese AMPED Technical Product Mgr. -
Politics and Popular Culture: the Renaissance in Liberian Music, 1970-89
POLITICS AND POPULAR CULTURE: THE RENAISSANCE IN LIBERIAN MUSIC, 1970-89 By TIMOTHY D. NEVIN A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FUFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2010 1 © 2010 Timothy Nevin 2 To all the Liberian musicians who died during the war-- (Tecumsey Roberts, Robert Toe, Morris Dorley and many others) Rest in Peace 3 ACKNOWLEDGMENTS I would like to thank my parents and my uncle Frank for encouraging me to pursue graduate studies. My father’s dedication to intellectual pursuits and his life-long love of teaching have been constant inspirations to me. I would like to thank my Liberian wife, Debra Doeway for her patience in attempting to answer my thousand and one questions about Liberian social life and the time period “before the war.” I would like to thank Dr. Luise White, my dissertation advisor, for her guidance and intellectual rigor as well as Dr. Sue O’Brien for reading my manuscript and offering helpful suggestions. I would like to thank others who also read portions of my rough draft including Marissa Moorman. I would like to thank University of Florida’s Africana librarians Dan Reboussin and Peter Malanchuk for their kind assistance and instruction during my first semester of graduate school. I would like to acknowledge the many university libraries and public archives that welcomed me during my cross-country research adventure during the summer of 2007. These include, but are not limited to; Verlon Stone and the Liberian Collections Project at Indiana University, John Collins and the University of Ghana at East Legon, Northwestern University, Emory University, Brown University, New York University, the National Archives of Liberia, Dr. -
Sex Lies” Feat
MULATTO RELEASES QUEEN OF DA SOUF (EXTENDED VERSION) FIVE NEW TRACKS INCLUDING “SEX LIES” FEAT. LIL BABY CLICK HERE TO WATCH THE VIDEO FOR “SEX LIES” FEAT. LIL BABY Critical Praise for Mulatto: “Mulatto may not have revealed what's in that ‘Big Latto Sauce,’ but whatever the secret ingredients, they're pushing her closer to Southern rap domination.” – NPR “…standing out in an era packed with talented women who rap. Latto shines because of her rapping ability and how her fun- loving personality shows through in her music.” – XXL “There are a lot of women in rap on the come up, Latto however, has been doing this for a long time and it’s clear as day this young lady is here to stay.” – UPROXX “Dripping with sexuality and feminine power, the twenty-one-year-old rapper makes a solid case for the throne [with Queen of Da Souf]. Mulatto doesn’t need a cosign, but with salacious verses from City Girls, Gucci Mane and 21 Savage, she seemingly has the entirety of Atlanta in her corner.” – HipHopDX [New York, NY – December 11, 2020] Today, Mulatto releases the extended version of her RCA Records debut project Queen of Da Souf – click here to listen. This version includes five new tracks, continuing to showcase her talent through her linguistic abilities, provocative bars and unparalleled energy. To coincide with this release, Latto is treating fans to a video for one of her new tracks, “Sex Lies” feat. Lil Baby – click here to watch. Shot in Atlanta, the Clifton Bell-directed (J. -
La Gestion Des Musiques Actuelles Rubén Caravaca Fernández
La gestion des musiques actuelles Rubén Caravaca Fernández Agence Espagnole pour la Coopération Internationale au Développement (AECID) NIPO: 502-13-040-7 La gestion des Rubén musiques Caravaca actuelles Fernández Agence Espagnole pour la Coopération Internationale au Développement (AECID) - 3 - Cet ouvrage peut être copié, distribué et communiqué publiquement. Sont également possibles le remixage et la transformation, à des fi ns non-commerciales, de l’oeuvre originale et des dérivées, qui doivent être partagées sous une licence similaire. Les crédits de l’oeuvre doivent être indiqués selon les consignes spécifi ques données par l’auteur. © des textes/graphiques, des auteurs. Agence Espagnole pour la Coopération Internationale au Développement (AECID) Direction des Relations Culturelles et Scientifi ques. Programme ACERCA Avda. Reyes Católicos, 4 28040 Madrid. Conception de la collection et couverture : Cristina Vergara. Coordination de la collection : Clara Ballesteros Martínez de Elorza. Programme ACERCA Relecture et correction des textes : Mage Allegue Fernández. Programme ACERCA Traduction française : Laure Soleillant NIPO: 502-13-040-7 Impresión: EGRAF S.A. Le contenu de cette publication est placé sous la responsabilité exclusive de l’auteur et ne refl ète pas nécessairement les opinions de l’AECID.del autor y no refl eja necesariamente la opinión de la AECID. Sommaire Remerciements 7 Préface (texte AECID) 9 Introduction 11 Ière partie : La musique 12 I.1 La musique comme identité 15 I.2 La réalité des musiques actuelles 16 I.3 La musique -
Catalogue a ‐ Z
Catalogue A ‐ Z A ? MARK AND MYSTERIANS "Same" LP CAMEO 1966 € 60 (US Garage‐Original Canada Pressing VG++++/VG+) 007 & SCENE " Landscapes" LP Detour € 12 (UK mod‐beat ' 70/ ' 80) 1‐2‐5 “Same” LP Misty lane € 13 (Garage punk dall’Olanda) 13th FLOOR ELEVATORS "Easter every Where" CD Spalax € 15,00 ('60 US Psych) 13th FLOOR ELEVATORS "Graeckle Debacle" CD Spalax € 15,00 ('60 US Psych) 13th FLOOR ELEVATORS "The Psychedelic Sound Of…" CD Spalax € 15,00 ('60 US Psych) 13th FLOOR ELEVATORS "Unlock the Secret" CD Spalx € 15,00 ('66 US Psych) 20/20 "Giving It All" 7" LINE 1979 € 15 (US Power Pop) 27 DEVILS JOKING "The Sucking Effect" LP RAVE 1991 € 10 (US Garage VG/M‐) 3 NORMAL BEATLES "We Name Is Justice" DLP BUBACK € 23 (Beat from Germany) 39 CLOCKS "Cold Steel To The Heart " LP WHAT'S SO FUNNY ABOUT 1985 € 35 (Psychedelic Wave from Germany) 39 CLOCKS "Subnarcotic" LP WHAT'S SO FUNNY ABOUT 1982 € 35 (Psychedelic Wave from Germany 1988 Reissue) 39 CLOCKS "The Original Psycho Beat" LP WHAT'S SO FUNNY ABOUT 1993 € 20 (Psychedelic Wave from Germany) 3D INVISIBLES "Robot Monster" 7" NEUROTIC BOP 1994 € 5 (US Punk Rock) 3D INVISIBLES "They Won't StayDead" LP NEUROTIC BOP 1989 € 15 (US Punk Rock) 440’S “Gas Grass Or As” 7” Rockin’ Bones € 5 (US Punk) 5 LES “Littering..” 7” HAGCLAND 198? € 5 (Power Pop dal Belgio M‐/M‐) 5.6.7.8.'S "Can't Help It !" CD AUGOGO € 14 (Japan Garage i 7"M‐/M) 5.6.7.8's "Sho‐Jo‐Ji" 7" THIRD MAN € 9 (Garage Punk from Tokyo) 60 FT DOLLS "Afterglow" 7" DOLENT € 3 (Promo Only) 64 SPIDERS "Potty Swat" 7" REGAL SELECT 1989 € 17 (US Punk M‐/M‐) 68 COMEBACK "Do The Rub" 7" BAG OF HAMMERS 1994 € 7 (US Punk Blues) 68 COMEBACK "Flip,Flop,& Fly" 7" GET HIP 1994 € 13 (US Punk Blues) 68 COMEBACK "Great Million Sellers" 7" 1+2 1994 € 8 (US Punk Blues) 68 COMEBACK "High Scool Confidential" 7" PCP I. -
ARIA Licensors
ARIA Licensors Licensing Copyright Owners BMG AUSTRALIA LIMITED 194 Miller Street, North Sydney NSW 2060 COLOSSAL RECORDS OF AUSTRALIA PTY LTD 14-16 Wilson Avenue, Brunswick VIC 3056 EMI MUSIC (AUSTRALIA) PTY LTD 98-100 Glover Street, Cremorne NSW 2090 * FESTIVAL RECORDS PTY LTD 235 Pyrmont Street, Pyrmont NSW 2009 * MUSHROOM DISTRIBUTION SERVICES PTY LTD 55 Danks Street, Port Melbourne VIC 3207 JANDA RECORDS (AUST) PTY LTD 2/17 Tennyson Road, Mortlake NSW 2137 LARRIKIN ENTERTAINMENT PTY LTD 235 Pyrmont Street, Pyrmont NSW 2009 SHOCK RECORDS PTY LTD 200 Beavers Road, Northcote VIC 3070 SONY MUSIC ENTERTAINMENT (AUSTRALIA) LTD 11 Hargrave Street, East Sydney NSW 2010 UNIVERSAL MUSIC AUSTRALIA LIMITED 3 Munn Reserve, Millers Point NSW 2000 WARNER MUSIC AUSTRALIA PTY LTD 39-47 Albany Street, Crows Nest NSW 2065 * Trading as Festival Mushroom Records Please note that the following sound recordings are expressly excluded from this Agreement: AC/DC: and EMI Music owned or controlled sound recordings by the Beatles (and solo members), Queen (and solo members) and Rolling Stones (and solo members). ARIA Labels Licensing Copyright Owner Labels 1500 Records (Universal) Alligator (Shock) 415 Records (Sony) Almo Sounds (Universal) 4AD (Shock) Alternative Tentacles (Shock) 4TH & Broadway (Universal) Amadeo (Universal) 510 Records (Universal) Ambient Sound (Shock) 550 Music (Sony) American Clave (Shock) A Star Academy (Zomba) American Decca Jazz (Universal) A&E Records Ltd (FMR) American Explorer (Warner) A&M (Universal) Anchor & Hope (Shock) A&M Records