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The Art of Richard Macdonald

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The Art of Richard Macdonald RICHARD MACDONALD The Artist RICHARD MACDONALD ichard MacDonald elite few received rigorous went on to create, is world renowned training at the Arts Center among other masterworks, Rfor art that reveals in Pasadena. MacDonald Momentum, a 15-foot, 15- a profound understanding forged an alchemy of ton sculpture created in of the human experience experience to become an celebration of the 100th and which celebrates the artist whose drawings, playing of the U.S. Open ascendancy of the human paintings and sculpture Golf Championship at spirit. His fascination of portray the passion inherent Pebble Beach. the human form and with in the human condition. The absence of mankind’s broad emotional The inspiration behind opportunity and training range has inspired him to MacDonald’s 1996 tour in figurative sculpture has create dynamic, sensitive de force, The Flair, a 26- created a void not only in works, each infused with a foot gymnast caught in the the preservation of fine art, quality that withstands the execution of the maneuver, but in the persistence of passage of time, taste, and actually emerged from a life, which MacDonald, a trend. painting he created for natural teacher and devoted Born in California, the 1984 Olympics. And mentor, works relentlessly Richard MacDonald is although he based his to fill. He works tirelessly an artist both classically design on the studies he to increase the appreciation trained and self-taught – did of Kurt Thomas for the and understanding of this paradox can be seen as painting, The Flair’s essence figurative art throughout part of the reason for the lies more in the struggle, the world. striking originality of his determination and hours of MacDonald also graciously work. Classical training in training, all brought to that gives of his art and his time the discipline of figurative instant when performance to hundreds of charitable painting and drawing was is everything. Therein lies organizations, among not easy to find in mid- the metaphor for his artistic those Boys and Girls Clubs century America, but an achievements. MacDonald of America, Make a Wish continued on the next page Foundation, and New York’s “Free Arts genre was born. The excitement and energy for Abused Children,” which was a charity conveyed by MacDonald’s Cirque du Soleil event sponsored by Cirque du Soleil and inspired works quickly won admirers – Lincoln Automotive. His commitment to including Guy Laliberte, the creator of fostering the future of post-modern, neo- Cirque du Soleil. Their mutual admiration figurative art is realized not only in creating developed into a partnership that brings the monuments to human triumph, but by world Richard MacDonald’s experience of imparting his knowledge and technique, the theatrical wonders of Cirque du Soleil: his experience and his lessons to emerging sculptures that reflect the unique, 21st international and national professional century art form that is Cirque du Soleil. artists through intensive master classes on As the neo-figurative movement gains location at his own studio. momentum, Richard MacDonald is once A life long passion for dance led Richard again on the forefront, pushing back the MacDonald to create a significant body of boundaries and working to make the 21st work inspired by dancers, performers, and century a new golden age for figurative mimes. Works such as Nureyev and Doves sculpture. draw on his love for classical ballet, while in 2001 he began working with performers from Cirque du Soleil, and an entirely new ................................................................. Richard MacDonald Disciplines, Medium Born, June 6, 1946, Los Angeles, CA and Subject Resident of Carmel Highlands, CA Sculpture, Painting & Drawing Bronze, Lucite, Plaster, Oil, Charcoals, Watercolor, Figurative, Landscape, Education Animals Bachelor of Professional Arts, Cum Laude Los Angeles Art Center, College of Artistic Influences Design, 1971, Pasadena, CA Michelangelo, Donatello, Leonardo, Bernini, Valasquez, El Greco, Rodin, Matisse, Monet, Picasso, Duchamp, George Bellows, Henri, Egon Scheile, Mozart and Vivaldi. Awards and Commissions Leap of Faith, Half Life Free Rein bronze, 49 x 16 x 23” bronze, 17 x 26 x 15” National Sculpture Society Annual National Sculpture Society, Exhibition, 2007 “Animals in the Atrium” Exhibition, 2001 Tampa Museum of Art and New York, NY New York, NY Diana & the Coursing Cheetahs bronze, 30 x 40 x 15” The Honorable Mayor Willie Brown Bust National Sculpture Society, bronze Commission, City of San “Animals in the Atrium” Exhibition, 2001 Francisco, New York, NY 2004 San Francisco, CA Coursing Cheetahs Brenda I bronze, 24 x 38 x 15” bronze, 13 x 8 x 22.5” National Sculpture Society, National Sculpture Society Annual “Animals in the Atrium” Exhibition, 2001 Exhibition, 2002 New York, NY Brookgreen Gardens, South Carolina and New York, NY Samburu, Cheetah Bust bronze, 12.5 x 17 x 18” Angelic Crystal National Sculpture Society, bronze, 20 x 11 x 13.5” “Animals in the Atrium” Exhibition, 2001 National Sculpture Society, New York, NY “Angels, Cupids & Winged Creatures of Fantasy”, 2002 United States Sports Academy, New York, NY Sport Artist of the Year, 2001 Daphne, Alabama Diana Huntress bronze, 17 x 5.5 x 10.5” Nureyev, Half Life National Sculpture Society, bronze, 43” x 27” x 14” “Angels, Cupids & Winged Creatures of National Sculpture Society, Fantasy”, 2002 “Excellence in Sculpture: Work by New York, NY Fellows of the National Sculpture Society”, 2001 New York, NY Angelic Crystal Column bronze, 6’2” x 11 x 14.75” Gymnast, Half Life National Sculpture Society Annual bronze, 51.5” x 18.5” x 40.5” Exhibition, 2001 National Sculpture Society, Brookgreen Gardens, South Carolina “Excellence in Sculpture: Work by and New York, NY Fellows of the National Sculpture Society”, 2001, New York, NY continued on the next page Joie de Vivre, Half Life Nureyev, Half Life bronze, 56” x 50” x 40” bronze, 43” x 27” x 14” National Sculpture Society, Contemporary Sculpture at “Excellence in Sculpture: Work by Chesterwood, 1997 Fellows of the National Sculpture Stockbridge, MA Society”, 2001 New York, NY Trumpeter, Half Life, Draped bronze, 37” x 28” x 16” Momentum Contemporary Sculpture at bronze, 15’ x 12’6” x 8’ Chesterwood Estate & Museum, 1997 A monument to commemorate the Stockbridge, MA 100th U.S. Open Golf Championship, 2000 Dr. Burt Brent Bust Pebble Beach, California plaster, 20” x 18” x 10.5” Montana Memorial Award, Three Graces National Sculpture Society Annual bronze, 31” x 22” x 15” Exhibition, 1996 The Van Vechten-Lineberry Taos Art New York, NY Museum, “The American Scene”, 2000 Taos, New Mexico Latim Bust bronze, 22” x 15” x 10.5” Joie de Vivre, Half Life National Sculpture Society, bronze, 56” x 50” x 40” Making Faces Exhibition, 1996 The Van Vechten-Lineberry Taos Art New York, NY Museum, “The American Scene”, 2000 Taos, New Mexico The Flair bronze, 46” x 18.5” x 40” Three Graces National Sculpture Society, bronze, 31” x 22” x 15” Maquette to Monument Exhibition, 1996 Montana Memorial Award, New York, NY National Sculpture Society Annual Exhibition, 1999 Nureyev New York, NY bronze, 24” x 15” x 10” 100 years of the National Sculpture Rachel Society bronze, 20” x 13” x 12.5” of America in Italy National Sculpture Society, Saravezza, Italy, 1994 “Everyday Life” Exhibition, 1999 New York, NY Butterfly bronze, 21.5” x 8” x 19” Nureyev, Half Life 100 years of the National Sculpture bronze, 43” x 27” x 14” Society The Van Vechten-Lineberry Taos Art of America in Italy Museum, Saravezza, Italy, 1994 “The American Scene”, 1999 Taos, New Mexico continued on the next page Butterfly bronze, 21.5” x 8” x 19” Gold Medal Winner, Best of Show Knickerbocher Artists Annual Exhibit, The Salmagundi Club, 1991 New York, NY William Henry Seward bronze, 10’ x 54” x 54” and plaza design Commission, Z.J. Loussac Public Library, 1990 Anchorage, AK Architectonica bronze, 6’6” x 24” x 24” National Sculpture Society Annual Exhibition, 1989 New York, NY Stephen F. Austin bronze, 10’ x 8’8” x 8’8” and foundation Winner of Texas Sesquicentennial commission, Stephen F. Austin University, 1986 Austin, TX Christus-Rex bronze, 9’ x 5’7” x 5’6” and stained glass window, 24’ x 8’ Commission, St. Patrick’s Episcopal Church, 1985 Atlanta, GA Teaching National Sculpture Society Annual Exhibit 1989-2006 The Art Institute of Atlanta, Atlanta, GA New York One Show Guest Lecturer, High Museum of Art, 25th Anniversary of The National Art Atlanta, GA Museum of Sport Guest Lecturer, The Ringling School of 100 Years of the National Sculpture Art, Sarasota, FL Society of America, in Italy, Saravezzo, Masters Workshops, The Scottsdale Italy, 1994 Artist’s School, Scottsdale, AZ The Van Vechten-Lineberry Taos Art Masters Workshops, The Loveland Museum, 2000 & 2001 Academy of Art, Loveland, CO Guest Lecturer, Young Presidents Publications Organization Masters Workshops, Southern Accents, Nov/Dec. 1984 Richard MacDonald Studio, 2002-2006 Art Talk, January 1996 American Artist, August 1996 Southwest Art, July 1997 Membership American Artist, November 1999 USA Today, June 19, 2000 Member, Cosmos Club The World and I, Vol. 16, No. 5 2001 Member, National Directory of Who’s Sculpture Review Magazine, Fall 2002 Who Member, International Directory Space Magazine, 2005 of Who’s Who American Art Collector, April 2006 Member, National Sculpture Society Collector’s Sourcebook, Fall 2007 Member, Society of Illustrators 65 Degrees, Winter 2009 Books Exhibitions Richard MacDonald Sculpture, 1999 by Invitational
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