Volume 61, Number 11 (November 1943) James Francis Cooke
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Parsifal and Canada: a Documentary Study
Parsifal and Canada: A Documentary Study The Canadian Opera Company is preparing to stage Parsifal in Toronto for the first time in 115 years; seven performances are planned for the Four Seasons Centre for the Performing Arts from September 25 to October 18, 2020. Restrictions on public gatherings imposed as a result of the Covid-19 pandemic have placed the production in jeopardy. Wagnerians have so far suffered the cancellation of the COC’s Flying Dutchman, Chicago Lyric Opera’s Ring cycle and the entire Bayreuth Festival for 2020. It will be a hard blow if the COC Parsifal follows in the footsteps of a projected performance of Parsifal in Montreal over 100 years ago. Quinlan Opera Company from England, which mounted a series of 20 operas in Montreal in the spring of 1914 (including a complete Ring cycle), announced plans to return in the fall of 1914 for another feast of opera, including Parsifal. But World War One intervened, the Parsifal production was cancelled, and the Quinlan company went out of business. Let us hope that history does not repeat itself.1 While we await news of whether the COC production will be mounted, it is an opportune time to reflect on Parsifal and its various resonances in Canadian music history. This article will consider three aspects of Parsifal and Canada: 1) a performance history, including both excerpts and complete presentations; 2) remarks on some Canadian singers who have sung Parsifal roles; and 3) Canadian scholarship on Parsifal. NB: The indication [DS] refers the reader to sources that are reproduced in the documentation portfolio that accompanies this article. -
Manfred Honeck, Conductor Vilde Frang, Violin Matthias Goerne, Baritone Eric Cutler, Tenor
Pittsburgh Symphony Orchestra 2018-2019 Mellon Grand Classics Season May 10 and 12, 2019 MANFRED HONECK, CONDUCTOR VILDE FRANG, VIOLIN MATTHIAS GOERNE, BARITONE ERIC CUTLER, TENOR LUDWIG VAN BEETHOVEN Concerto in D major for Violin and Orchestra, Opus 61 I. Allegro ma non troppo II. Larghetto — III. Rondo: Allegro Ms. Frang Intermission GUSTAV MAHLER Das Lied von der Erde for Baritone* and Tenor† Soloists and Orchestra I. Das Trinklied vom Jammer der Erde (“The Drinking Song of the Earth’s Misery”)† II. Der Einsame im Herbst (“The Lonely One in Autumn”)* III. Von der Jugend (“of Youth”)† IV. Von der Schönheit (“of Beauty”)* V. Der Trunkene im Frühling (“The Drunkard in Spring”)† VI. Der Abschied (“The Parting”)* Mr. Goerne Mr. Cutler May 10-12, 2019, page 1 PROGRAM NOTES BY DR. RICHARD E. RODDA LUDWIG VAN BEETHOVEN Concerto in D major for Violin and Orchestra, Opus 61 (1806) Ludwig van Beethoven was born in Bonn on December 16, 1770, and died in Vienna on March 26, 1827. He composed his Violin Concerto in 1806, and it was premiered at the Theater-an-der-Wien in Vienna with Beethoven conducting and soloist Franz Clement on December 23, 1806. The Pittsburgh Symphony first performed the concerto at Carnegie Music Hall with conductor Victor Herbert and violinist Luigi von Kunits in November 1898, and most recently performed it with music director Manfred Honeck and violinist Christian Tetzlaff in June 2015. The score calls for flute, pairs of oboes, clarinets, bassoons, horns, and trumpets, timpani and strings. Performance time: approximately 45 minutes. In 1794, two years after he moved to Vienna from Bonn, Beethoven attended a concert by an Austrian violin prodigy named Franz Clement. -
Back Listeners: Locating Nostalgia, Domesticity and Shared Listening Practices in Contemporary Horror Podcasting
Welcome back listeners: locating nostalgia, domesticity and shared listening practices in Contemporary horror podcasting. Danielle Hancock (BA, MA) The University of East Anglia School of American Media and Arts A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy January 2018 Contents Acknowledgements Page 2 Introduction: Why Podcasts, Why Horror, and Why Now? Pages 3-29 Section One: Remediating the Horror Podcast Pages 49-88 Case Study Part One Pages 89 -99 Section Two: The Evolution and Revival of the Audio-Horror Host. Pages 100-138 Case Study Part Two Pages 139-148 Section Three: From Imagination to Enactment: Digital Community and Collaboration in Horror Podcast Audience Cultures Pages 149-167 Case Study Part Three Pages 168-183 Section Four: Audience Presence, Collaboration and Community in Horror Podcast Theatre. Pages 184-201 Case Study Part Four Pages 202-217 Conclusion: Considering the Past and Future of Horror Podcasting Pages 218-225 Works Cited Pages 226-236 1 Acknowledgements With many thanks to Professors Richard Hand and Mark Jancovich, for their wisdom, patience and kindness in supervising this project, and to the University of East Anglia for their generous funding of this project. 2 Introduction: Why Podcasts, Why Horror, and Why Now? The origin of this thesis is, like many others before it, born from a sense of disjuncture between what I heard about something, and what I experienced of it. The ‘something’ in question is what is increasingly, and I believe somewhat erroneously, termed as ‘new audio culture’. By this I refer to all scholarly and popular talk and activity concerning iPods, MP3s, headphones, and podcasts: everything which we may understand as being tethered to an older history of audio-media, yet which is more often defined almost exclusively by its digital parameters. -
We Are Proud to Offer to You the Largest Catalog of Vocal Music in The
Dear Reader: We are proud to offer to you the largest catalog of vocal music in the world. It includes several thousand publications: classical,musical theatre, popular music, jazz,instructional publications, books,videos and DVDs. We feel sure that anyone who sings,no matter what the style of music, will find plenty of interesting and intriguing choices. Hal Leonard is distributor of several important publishers. The following have publications in the vocal catalog: Applause Books Associated Music Publishers Berklee Press Publications Leonard Bernstein Music Publishing Company Cherry Lane Music Company Creative Concepts DSCH Editions Durand E.B. Marks Music Editions Max Eschig Ricordi Editions Salabert G. Schirmer Sikorski Please take note on the contents page of some special features of the catalog: • Recent Vocal Publications – complete list of all titles released in 2001 and 2002, conveniently categorized for easy access • Index of Publications with Companion CDs – our ever expanding list of titles with recorded accompaniments • Copyright Guidelines for Music Teachers – get the facts about the laws in place that impact your life as a teacher and musician. We encourage you to visit our website: www.halleonard.com. From the main page,you can navigate to several other areas,including the Vocal page, which has updates about vocal publications. Searches for publications by title or composer are possible at the website. Complete table of contents can be found for many publications on the website. You may order any of the publications in this catalog from any music retailer. Our aim is always to serve the singers and teachers of the world in the very best way possible. -
Case No. 11MCV ^4
Case 1:09-cv-01024-LO-TCB Document 1 Filed 09/10/09 Page 1 of 34 PageID# 1 FILED IN THE UNITED STATES DISCTRICT COURT EASTERN DISTRICT OF VIRGINIA II? 10 \- CLl".'. Erik B. Cherdak 149 Thurgood Street Gaithersburg, Maryland 20878 Plaintiff', Pro Se, Case No. 11MCV ^4- v. COMPLAINT FOR PATENT INFRINGEMENT SKECHERS USA, INC. JURY TRIAL DEMANDED 228 Manhattan Beach Blvd. Manhattan Beach, California 90266 Defendant. SERVE ON: CORPORATION SERVICE COMPANY 11 South 12th Street P.O. Box 1463 Richmond, VA 23218-0000 COMPLAINT Plaintiff Erik B. Cherdak1 (hereinafter "Plaintiff or "Cherdak"), Pro Se, and in and for his Complaint against SKECHERS USA, INC. (hereinafter "SKECHERS"), and states as follows: JURISDICTION AND VENUE 1. This is an action for Patent Infringement under the Laws of the United States of America and, in particular, under Title 35 United States Code (Patents - 35 1 While Plaintiff Cherdak is not licensed to practice law in Virginia, he is a registered patent attorney before the U.S. Patent and Trademark Office. Case 1:09-cv-01024-LO-TCB Document 1 Filed 09/10/09 Page 2 of 34 PageID# 2 USC § 1, et seq.). Accordingly, Jurisdiction and Venue are properly based under Sections 1338(a), 1391(b) and (c), and/or 1400(b) of Title 28 of the United States Code. 2. Plaintiff is an individual who resides in Gaithersburg, Maryland at the address listed in the caption of this Complaint. At all times relevant herein, Plaintiff has been and is the named inventor of U.S. Patent Nos. 5,343,445 (the '445 patent) and 5,452,269 (the '269 patent) (hereinafter collectively referred to the "Cherdak patents," which were duly and legally issued by the U.S. -
April 1923) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 4-1-1923 Volume 41, Number 04 (April 1923) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 41, Number 04 (April 1923)." , (1923). https://digitalcommons.gardner-webb.edu/etude/700 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. >< T? <1 Theodore Presser Co., Publishers, Philadelphia, Pa. for Child Pianists Teachers Little Albums of Children .ptaliW P“e‘h Send for our interesting Pearls of Instruction in L “Catalogue of Juvenile •ollections makes them children and the Musical Publications This catalogue ha. many helpful The very appearance of these charming wotk8d«Cirfed._Thck.ndertgc9tK nd the covers are just as delightful. little musical gems beh ■ niiMc MOW HELPFUL WITH JUVEN1LES_ TEACHERS WILL FIND THESE / The World of Music Old Rhymes with New Tunes Birthday Jewels THE ETUDE APRIL 1923 Page 219 THE ETUDE AN UP-TO-THE-MINUTE LIST OF 1922-1923 New Music Etude Prize Contest Piano Solos and Duets, Vocal Solos, Sacred and Secular, PIANO SOLOS-VOCAL SOLOS Vocal Duets, Violin and Piano Numbers, ANTHEMS — PART SCfNGS $1,250.00 in Prizes PIANO SOLOS UTE TAKE pipleasure in making the following offer our Etude Prize Contest, being WsKSf of the real value of a contest of this der interest in composition and of of composers. -
International Touring Organ - March 19
ABOUT THE ARTIST CAMERON CARPENTER AND THE INTERNATIONAL TOURING ORGAN - MARCH 19 piano works by Chopin, Godowsky, Grainger, Ives, Liszt, Medtner, Rachmaninoff, Schumann and others. Mr. Carpenter received a Master’s Degree from The Juilliard School in New York in 2006. The same year, he began his worldwide organ concert tours, giving numerous debuts at venues including Royal Albert Hall, the Leipzig Gewandhaus, Melbourne Town Hall, Tchaikovsky Hall in Moscow, Davies Hall in San Francisco and many others. His first album for Telarc®, the Grammy®-nominated CAMERON CARPENTER, ORGAN Revolutionary (2008), was followed in THE INTERNATIONAL TOURING ORGAN 2010 by the critically acclaimed full length AMERON CARPENTER is having DVD and CD Cameron Live! Edition Peters of years with a single instrument. Therefore a ball smashing the stereotypes became his publisher in 2010, beginning Marshall & Ogletree has sampled sounds of organists and organ music – all the ongoing release of his original works from many traditional pipe organs, C with Aria, Op. 1 (2010). His first major the while generating worldwide acclaim including many of Cameron’s favorite work for organ and orchestra, The Scandal, and controversy. His repertoire – from instruments – from the cathedral to the Op. 3, was commissioned by the Cologne the complete works of J. S. Bach to film Wurlitzer. These come together in an organ Philharmonie (KölnMusic GmbH) and scores, his original works and hundreds designed not for size, limitless variety or to premiered on New Year’s Day 2011 by the of transcriptions and arrangements – is model any particular pipe organ, but rather Deutsche Kammerphilharmonie under the probably the most diverse of any organist. -
The Montclarion, April 03, 1975
Montclair State University Montclair State University Digital Commons The onM tclarion Student Newspapers 4-3-1975 The onM tclarion, April 03, 1975 The onM tclarion Follow this and additional works at: https://digitalcommons.montclair.edu/montclarion Recommended Citation The onM tclarion, "The onM tclarion, April 03, 1975" (1975). The Montclarion. 267. https://digitalcommons.montclair.edu/montclarion/267 This Book is brought to you for free and open access by the Student Newspapers at Montclair State University Digital Commons. It has been accepted for inclusion in The onM tclarion by an authorized administrator of Montclair State University Digital Commons. For more information, please contact [email protected]. Vol. 50, No. 9 Montclair State College, Upper Montclair, NJ 07043 Thurs., April 3, 1975 S e c u r i t y F o r c e Tuition W obbly Again By Dia Palmieri mental hospitals be eliminated. Also printed in The Trenton Times, "all Efforts to close the $487 million before the committee is the proposal public college presidents across the U ncI e r P n o b E state budget gap may endanger the to dismantle the Motor Vehicle state have gone on the record against present state college tuition rate. If inspection program. a tuition hike and have openly By Irene McKnight proposals now set before the Joint According to an article recently supported a graduated income tax." A bill was passed at the last SGA meeting which will provide for a complete Appropriations Committee are put investigation and evaluation of the security force on campus. into effect, tuition at the eight state Bohn Misunderstanding Manny Menendez, vice president of SGA, will act as chairman and colleges will jump from $535 per coordinator of the evaluation committee. -
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Curriculum Vitae
Vincenzo Borghetti Curriculum vitae Education 1987-1994: Laurea (musicologia), University of Pavia 1991, 1992: Erasmus Exchange Student, University of Regensburg (Germany) 1995-1997: research grant of the University of Pavia for research at the Musikwissenschaftliches Institut of the University of Vienna (Austria) 1997-2000: Ph.D. (musicologia), University of Pavia 1998-1999: Exchange Ph.D. student University of Marburg (Germany) Employment 2001-2003: Research fellow (assegno di Ricerca), University of Pavia 2003-2007: School teacher (Literature, History and Geography), Alfianello (Brescia) 2007-2008: Lila Wallace – Reader’s Digest Fellow dell’Harvard University Center for Italian Renaissance Studies, Villa I Tatti, Florence 2008-2017: Lecturer (ricercatore) in Musicology, University of Verona 2017- : Associate professor, University of Verona 2020: National qualification for full professorship Visiting Appointments Spring 2015: Musikwissenschaftliches Institut, University of Vienna (Austria) Publications Authored books - Il bacio della Sfinge. D’Annunzio, Pizzetti e «Fedra», Turin, EDT, 1998 (in collaboration with Riccardo Pecci), pp. XIV+254 (ISBN 9788870633399) 1 Editions - Gioachino Rossini, Elisabetta regina d’Inghilterra, in Edizione critica delle opere di Gioachino Rossini, vol. 15, Milano-Pesaro, Ricordi-Fondazione Rossini, 2016, vol. I, pp. XCIII + 1-404; vol. II, pp. 405-870; vol. III (Critical commentary), pp. 205 (ISBN 9788889947388; ISMN 9790900104847) - Elisabetta regina d’Inghilterra, Pesaro, F, ondazione Rossini, 2019 (I -
The Sirens Call Ezine Throughout the Years
1 Table of Contents pg. 04 - The Cave| H.B. Diaz pg. 110 - Mud Baby | Lori R. Lopez pg. 07 - Honeysuckle | T.S. Woolard pg. 112 - On Eternity’s Brink | Lori R. Lopez pg. 08 - Return to Chaos | B. T. Petro pg. 115 - Sins for the Father | Marcus Cook pg. 08 - Deathwatch | B. T. Petro pg. 118 - The Island | Brian Rosenberger pg. 09 - A Cup of Holiday Cheer | KC Grifant pg. 120 - Old John | Jeffrey Durkin pg. 12 - Getting Ahead | Kevin Gooden pg. 123 - Case File | Pete FourWinds pg. 14 - Soup for Mother | Sharon Hajj pg. 124 - Filling in a Hole | Radar DeBoard pg. 15 - A Dying Moment | Gavin Gardiner pg. 126 - Butterfly | Lee Greenaway pg. 17 - Snake | Natasha Sinclair pg. 130 - Death’s Gift | Naching T. Kassa pg. 19 - The Cold Death | Nicole Henning pg. 132 - Waste Not | Evan Baughfman pg. 21 - The Burning Bush | O. D. Hegre pg. 132 - Rainbows and Unicorns | Evan Baughfman pg. 24 - The Wishbone | Eileen Taylor pg. 133 - Salty Air | Sonora Taylor pg. 27 - Down by the River Walk | Matt Scott pg. 134 - Death is Interesting | Radar DeBoard pg. 30 - The Reverend I Milkana N. Mingels pg. 134 - It Wasn’t Time | Radar DeBoard pg. 31 - Until Death Do Us Part | Candace Meredith pg. 136 - Future Fuck | Matt Martinek pg. 33 - A Grand Estate | Zack Kullis pg. 139 - The Little Church | Eduard Schmidt-Zorner pg. 36 - The Chase | Siren Knight pg. 140 - Sweet Partings | O. D. Hegre pg. 38 - Darla | Miracle Austin pg. 142 - Christmas Eve on the Rudolph Express | Sheri White pg. 39 - I Remember You | Judson Michael Agla pg. -
Black Rage VI Denison University
Denison University Denison Digital Commons Writing Our Story Black Studies 2005 Black Rage VI Denison University Follow this and additional works at: http://digitalcommons.denison.edu/writingourstory Recommended Citation Denison University, "Black Rage VI" (2005). Writing Our Story. 98. http://digitalcommons.denison.edu/writingourstory/98 This Book is brought to you for free and open access by the Black Studies at Denison Digital Commons. It has been accepted for inclusion in Writing Our Story by an authorized administrator of Denison Digital Commons. ~It ...... 1 ei ll e:· CU· st. C jll eli [I C,I ei l .J C.:a, •.. a4 II a.il .. a,•• as II at iI Uj 'I Uj iI ax cil ui 11 a: c''. iI •a; a,iI'. u,· u,•• a: • at , 3,,' .it Statement of Purpose: To allow for a creative outlet for students of the Black Student Union of Denison University. Dedicated to Introduction The Black Student Union The need for this publication came about when the expres· Spring 2005 sions of a number of Black students were denied from other campus publications without any valid justification. As his tory has proven, when faced With limitations, we as Black people then create a means for overcoming that limitation a means that is significant to our own interests and beliefs. Therefore, we came together as a Black community in search of resolution, and decided on Black Rage as the instrument by which we would let our creative voices sing. This unprecedented publication serves as a refuge for the Black students at Denison University, by offering an avenue for our poetry, prose, short stories as well as other unique writings to be read, respected, and held in utmost regard.