For the First Time in Movie History, Audiences Will Truly See and Feel What It Was Like When Dinosaurs Ruled the Earth
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Aardman in Archive Exploring Digital Archival Research Through a History of Aardman Animations
Aardman in Archive Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive | Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive: Exploring Digital Archival Research through a History of Aardman Animations Copyright © 2018 by Rebecca Adrian All rights reserved. Cover image: BTS19_rgb - TM &2005 DreamWorks Animation SKG and TM Aardman Animations Ltd. A thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts in Media and Performance Studies at Utrecht University. Author Rebecca A. E. E. Adrian Student number 4117379 Thesis supervisor Judith Keilbach Second reader Frank Kessler Date 17 August 2018 Contents Acknowledgements vi Abstract vii Introduction 1 1 // Stop-Motion Animation and Aardman 4 1.1 | Lack of Histories of Stop-Motion Animation and Aardman 4 1.2 | Marketing, Glocalisation and the Success of Aardman 7 1.3 | The Influence of the British Television Landscape 10 2 // Digital Archival Research 12 2.1 | Digital Surrogates in Archival Research 12 2.2 | Authenticity versus Accessibility 13 2.3 | Expanded Excavation and Search Limitations 14 2.4 | Prestige of Substance or Form 14 2.5 | Critical Engagement 15 3 // A History of Aardman in the British Television Landscape 18 3.1 | Aardman’s Origins and Children’s TV in the 1970s 18 3.1.1 | A Changing Attitude towards Television 19 3.2 | Animated Shorts and Channel 4 in the 1980s 20 3.2.1 | Broadcasting Act 1980 20 3.2.2 | Aardman and Channel -
Refuge Update March/April 2007 Vol 4, No 2
U.S. Fish & Wildlife Service National Wildlife Refuge System Inside RefugeUpdate March/April 2007 Vol 4, No 2 What’s Melting: Togiak Refuge Sizes Up Its Glaciers, page 3 The refuge is measuring changes Where the Buffalo Roam in the size of several dozen glaciers that are especially sensitive to warming trends. Focus on Fish Conservation, pages 10-15 The spoiling of habitat is still the greatest of privations to fish and wildlife, a nexus point for Fisheries and the Refuge System. Whatever happened to…, pages 16-17 An update on Update stories, taking you to the conclusion. Wildlife Cooperatives, page 20 Wildlife cooperatives have evolved as one more way to operate in the greater geographic and political landscape. The U.S. Fish and Wildlife Service is using a new genetics-based approach to manage herds of bison. As part of the new approach, more than 100 animals are being moved around National Wildlife Refuge System lands in five states. (USFWS) he U.S. Fish and Wildlife Service Early in December 2006, 39 bison from Tis changing the way it manages an the Sullys Hill herd were moved to Fort icon of the American west – the bison. Niobrara National Wildlife Refuge in First Lady Tours Midway “Instead of managing individual herds, Nebraska. A week later, seven animals we are moving to manage the Service’s were moved from the National Bison Atoll Refuge herds as one resource,” says Paul Halko, Range in Montana to Sullys Hill. Thirty- refuge manager at Sullys Hill National nine bison were also moved from the First Lady Laura Bush, pictured Game Preserve in North Dakota. -
CIMM Library, by Title, 6/22/2020
CIMM Library, by Title, 6/22/2020 Author Title Dewey Keywords Gudde, 1000 California place names: their Erwin 979.4 GUD Names, Geographical -- California origin and meaning Gustav Howarth, Great Britain -- History -- Norman David 1066 : the year of the conquest 942.02 HOW period,, 1066-1154, Hastings, Battle Armine of, England, 1066 Wise, James May 1975 - Gulf of Thailand - The 14-hour war 972.956 WIS E. Vietnam War Discoveries in geography -- Chinese, Voyages around the world, MENZIES, 1421: THE YEAR CHINA 910.951 MEN China -- History -- Ming dynasty, GAVIN DISCOVERED THE WORLD 1368-1644, Ontdekkingsreizen, Wereldreizen MENZIES, 1434 945.05MEN GAVIN Galleons -- Juvenile literature, Humble, Seafaring life -- History -- 16th A 16th century galleon 623.822 HUM Richard century --, Juvenile literature, Galleons, Ships -- History Great Britain -- History, Naval -- 18th century, Santa Cruz de 1797 : Nelson's year of destiny : Cape Tenerife, Battle of, Santa Cruz de, White, St. Vincent and Santa Cruz de 940.27 WHI Tenerife, Canary Islands, 1797, Colin Tenerife Cape Saint Vincent, Battle of, 1797, Nelson, Horatio Nelson, Viscount, 1758-1805 --, Military leadership 20,000 leagues under the sea. Submarines (Ships) --Fiction, Sea Verne, Jules [Fic] VER Illustrated by Don Irwin stories, Science fiction 20,000 leagues under the sea. Submarines (Ships) --Fiction, Sea Verne, Jules [Fic] VER Illustrated by Don Irwin stories, Science fiction 20,000 leagues under the sea. Submarines (Ships) --Fiction, Sea Verne, Jules [Fic] VER Illustrated by Don Irwin stories, Science fiction Goodwin, The 20-gun ship Blandford 623.8 BLA gunship, Blandford Peter Adams, Jack 21 California Missions 979.4 ADA Missions, California, Paintings L. -
Spatial Design Principles in Digital Animation
Copyright by Laura Beth Albright 2009 ABSTRACT The visual design phase in computer-animated film production includes all decisions that affect the visual look and emotional tone of the film. Within this domain is a set of choices that must be made by the designer which influence the viewer's perception of the film’s space, defined in this paper as “spatial design.” The concept of spatial design is particularly relevant in digital animation (also known as 3D or CG animation), as its production process relies on a virtual 3D environment during the generative phase but renders 2D images as a final product. Reference for spatial design decisions is found in principles of various visual arts disciplines, and this thesis seeks to organize and apply these principles specifically to digital animation production. This paper establishes a context for this study by first analyzing several short animated films that draw attention to spatial design principles by presenting the film space non-traditionally. A literature search of graphic design and cinematography principles yields a proposed toolbox of spatial design principles. Two short animated films are produced in which the story and style objectives of each film are examined, and a custom subset of tools is selected and applied based on those objectives. Finally, the use of these principles is evaluated within the context of the films produced. The two films produced have opposite stylistic objectives, and thus show two different viewpoints of applying the toolbox. Taken ii together, the two films demonstrate application and analysis of the toolbox principles, approached from opposing sides of the same system. -
A Totally Awesome Study of Animated Disney Films and the Development of American Values
California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses 2012 Almost there : a totally awesome study of animated Disney films and the development of American values Allyson Scott California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes Recommended Citation Scott, Allyson, "Almost there : a totally awesome study of animated Disney films and the development of American values" (2012). Capstone Projects and Master's Theses. 391. https://digitalcommons.csumb.edu/caps_thes/391 This Capstone Project is brought to you for free and open access by Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. Unless otherwise indicated, this project was conducted as practicum not subject to IRB review but conducted in keeping with applicable regulatory guidance for training purposes. For more information, please contact [email protected]. Social and Behavioral Sciences Department Senior Capstone California State University, Monterey Bay Almost There: A Totally Awesome Study of Animated Disney Films and the Development of American Values Dr. Rebecca Bales, Capstone Advisor Dr. Gerald Shenk, Capstone Instructor Allyson Scott Spring 2012 Acknowledgments This senior capstone has been a year of research, writing, and rewriting. I would first like to thank Dr. Gerald Shenk for agreeing that my topic could be more than an excuse to watch movies for homework. Dr. Rebecca Bales has been a source of guidance and reassurance since I declared myself an SBS major. Both have been instrumental to the completion of this project, and I truly appreciate their humor, support, and advice. -
Educator Guide Spring 2020 February - June
Educator Guide Spring 2020 February - June Looking for ways to make learning come to life? Let us help you! The Milwaukee Public Museum is the most exciting field trip destination in the region, an educational experience that will last far beyond the visit with your students. We have many free resources that can supplement your field trip experience before, during, and after your visit to foster a deeper engagement with your students and your curriculum. 1 EDUCATOR GUIDE | Fall 2019 TABLE OF CONTENTS Welcome . 2 Contact Information . 3 Pricing . 3 Planetarium Programs . 3 Theater Offerings . 4 Education Investigations . 5 Exhibit Tours . 6-7 Early Learning . 7 MPM on the Move . 8 Educator Benefits & Resources . 9 Planning Your Visit . 10 Welcome Dear Educator, Welcome to the Spring 2020 semester! We hope that this Educator Guides finds you well. As you will see in the pages to follow, MPM has a lot of unique educational opportunities for your students. Please check our outreach program, MPM on the Move, and explore ways we can bring the Museum to your classroom. Coming to MPM for a field trip? Enhance your students’ learning with programs led by our talented educators and docents. It is our hope that this guide serves as a tool to assist you in creating meaning and memorable experiences for your students. We look forward to working with you and your school this year! Take care, Meghan Schopp Director of Education and Public Programs 2 EDUCATOR GUIDE | Fall 2019 CONTACT INFORMATION By Phone: Call 414-278-2714 or 888-700-9069 Field Trip Call Center Hours: 9 a.m. -
Ways of Seeing Animals Documenting and Imag(In)Ing the Other in the Digital Turn
InMedia The French Journal of Media Studies 8.1. | 2020 Ubiquitous Visuality Ways of Seeing Animals Documenting and Imag(in)ing the Other in the Digital Turn Diane Leblond Electronic version URL: http://journals.openedition.org/inmedia/1957 DOI: 10.4000/inmedia.1957 ISSN: 2259-4728 Publisher Center for Research on the English-Speaking World (CREW) Electronic reference Diane Leblond, “Ways of Seeing Animals”, InMedia [Online], 8.1. | 2020, Online since 15 December 2020, connection on 26 January 2021. URL: http://journals.openedition.org/inmedia/1957 ; DOI: https:// doi.org/10.4000/inmedia.1957 This text was automatically generated on 26 January 2021. © InMedia Ways of Seeing Animals 1 Ways of Seeing Animals Documenting and Imag(in)ing the Other in the Digital Turn Diane Leblond Introduction. Looking at animals: when visual nature questions visual culture 1 A topos of Western philosophy indexes animals’ irreducible alienation from the human condition on their lack of speech. In ancient times, their inarticulate cries provided the necessary analogy to designate non-Greeks as other, the adjective “Barbarian” assimilating foreign languages to incomprehensible birdcalls.1 To this day, the exclusion of animals from the sphere of logos remains one of the crucial questions addressed by philosophy and linguistics.2 In the work of some contemporary critics, however, the tenets of this relation to the animal “other” seem to have undergone a change in focus. With renewed insistence that difference is inextricably bound up in a sense of proximity, such writings have described animals not simply as “other,” but as our speechless others. This approach seems to find particularly fruitful ground where theory proposes to explore ways of seeing as constitutive of the discursive structures that we inhabit. -
AGENDA SH ERMAN BO ARD O F ED UCATION REGULAR MEETING WEDNESDAY, APRIL 11, 2018 the SHERMAN SCHOOL - C AFETERIA 7:00 PM Vision Statement
AGENDA SH ERMAN BO ARD O F E DUCATION REGULAR MEETING WEDNESDAY, APRIL 11, 2018 THE SHERMAN SCHOOL - CAFETERIA 7:00 PM Vision Statement We enable all Sherman Students to become the best possible version of themselves. We provide an environment where our children develop into empathetic, self-directed, critical thinkers who don't give up when faced with challenges. 1. CALL TO ORDER, ROLL CALL AND PLEDGE OF ALLEGIANCE 2. CELEBRATIONS 3. PUBLIC COMMENTS 4. ADDITIONS TO THE AGENDA 5. CONSENT AGENDA 5.1. Minutes - Regular Meeting, March 22, 2018 (Enclosure 5.1a) Minutes - Maintenance Meeting, March 22, 2018 5.2. Personnel Actions 5.3. Reports - Monthly Enrollment (Enclosure 5.3) 5.4. Monthly Budget Report 17-18 (Enclosure 5.4a - 5.4b) 5.5. Disposal of Unused Items (Enclosure 5.5a - 5.5b) 6. APPROVAL OF CURRENT BILLS 6.1. 2017-2018 Current Bills (Enclosure 6.1) 7. ORAL REPORTS 7.1. SPTO Update 7.2. Sub-Committee 7.3. Chairman 7.4. Superintendent 8. PRESENTATIONS 8.1 Update on Board Goals - Dr. Melendez (Enclosure 8.1) 8.2 Budget “At-a-Glance” - Dr. Melendez (Enclosure 8.2) 8.3 Gig Band, XP Expo and Capstone Projects - Various 8.4 Drivers of Student Achievement and Class Size - Dr. Melendez and Mrs. Snowden 9. NEW BUSINESS 9.1 Discussion and Possible Action to Fund Portions of the Odyssey of the Mind World Finals Trip 9.2 Discussion and Possible Approval of High School Educational Program Agreement with the Board of Education of the Town of New Milford (Enclosure 9.2) 10. -
Annual Review 2009 Sharks (Costa Rica), Pretoma
Annual Review 2009 Sharks (Costa Rica), Pretoma Contents Page Charity information 3 Report of the Trustees 4 1. About us and our public benefit 4 2. Objectives and activities for public benefit 6 3. Assessing our performance and achievements 11 4. Our plans for the future to continue to deliver benefit to the public 13 5. Financial review 14 6. Structure, governance and management 14 7. Statement of Trustees’ responsibilities 16 Financial overview 18 Statement of financial activities for the year ended 31 March 2009 18 Balance sheet at 31 March 2009 19 From top Green turtles (Sri Lanka), Scarlet macaws (Guatemala), Whale sharks (Costa Rica) Annual Review 2009 www.bbc.co.uk/bbcwildlifefund Charity information Chairman Bernard Mercer Company registration number 6238115 Deputy Chairman Neil Nightingale Registered charity number 1119286 Treasurer Heather Woods née Brindley Registered office British Broadcasting Corporation Trustees Toby Aykroyd 201 Wood Lane Yogesh Chauhan London W12 7TS John Burton (until 23 July 2008) Auditors Mazars LLP Sarah Ridley Times House Shyam Parekh Throwley Way Georgina Domberger Sutton Secretary Melissa Price (until 23 July 2008) Surrey SM1 4QJ Amy Ely Bankers HSBC Project Manager Lydia Thomas (until 3 April 2009) Regional Services Centre Europe PO Box 125 2nd Floor, 62-76 Park Street London SE1 9DZ Solicitors Farrer & Co 66 Lincoln’s Inn Fields London WC2A 3LH Above Elephant water hole, Kipsing, Kenya Annual Review 2009 www.bbc.co.uk/bbcwildlifefund About us and our public benefit Our objects What we do The BBC Wildlife Fund was set up in 2007 by the BBC to help pro- The BBC Wildlife Fund is a charitable organisation that raises funds tect endangered species around the world and in the UK, identifying from the public to help conserve and protect endangered species not only the most endangered animals on the planet but also those and the habitats on which they depend. -
Annual Review 2007-2008
The RSPB UK Headquarters The Lodge, Sandy, Bedfordshire SG19 2DL Tel: 01767 680551 Northern Ireland Headquarters Belvoir Park Forest, Belfast BT8 7QT Tel: 028 9049 1547 Scotland Headquarters Dunedin House, 25 Ravelston Terrace, Edinburgh EH4 3TP Tel: 0131 311 6500 rspb-images.comWales Headquarters rspb-images.com Sutherland House, Castlebridge, Cowbridge Road East, Cardiff CF11 9AB Tel: 029 2035 3000 www.rspb.org.ukcaption text caption text goes here caption text caption text goes here caption text caption text goes here caption caption text caption text goes here caption text caption text goes here caption text text caption text goes here caption text caption text gxt goes here caption texon caption text gxt goes here caption texon text goes here captionThe RSPB text caption speaks textout for birds and wildlife, tackling the text goes here caption text caption text goes here problems that threaten our environment. Nature is goes here amazing – help us keep it that way. caption text caption text goes here caption text caption text goes here caption text caption text goes here caption caption text caption text goes here caption BirdLife textINTERNATIONAL caption text goes here caption text text caption text goes here caption text caption text goes here caption text goes caption text goes here caption text goes hereAs a caption charity, text the caption RSPB textis dependent goes here on the goodwill and financial support here caption text caption text goes here captionof people text like caption you. text Please goes visithere www.rspb.org.uk/supportingcaption or call caption text caption text goes here caption text01767 caption 680551 text to goes find here out more. -
Cultural Capital
Cultural Recommended books to read Recommended films./shows to watch Recommended places to visit capital Biology- New Scientist, National Geographic Chemistry - Thinktank, Birmingham Science Museum, Lapworth museum of Beginners guide to the periodic table by Gill Arbuthnott Geology, National Science Museum and Natural History Biology: Planet Earth 1 & 2 , The Blue Planet and Blue Planet 2 , Science: A beginners encyclopaedia Museum, London, Discovery Museum, Newcastle upon Tyne, KS3 Life on Land (Attenborough Box Set) , Life , Hidden Kingdoms , All About Chemistry by Robert Winston Science squad by Robert Eden Project, Chester Zoo, Jodrell Bank Discovery Centre, Nature’s Weirdest Events , YouTube: Crash Course Biology Winston Cheshire, National Space Centre, Leicester, Centre for Alternative Technology, Machynlleth, Biology: New Scientist, National Geographical, A Short History of Nearly Everything, Bill Bryson , Life on Earth, David Attenborough ,Bad Science, BBC Science Focus magazine Chemistry - All About Chemistry by Robert Winston Science Biology: YouTube: Bozerman , Science.tv , Blackfish and Grizzly squad by Robert Winston All of the above plus EDF Energy Visitor Centres at numerous Man (Award-winning Netflix Documentaries) , Human Planet KS4 The Disappearing Spoon by Sam Kean power stations, Dinorwig Power Station, Llanberis, Culham Physics: Brian Cox BBC series - The Planets, Wonders of the Big Bang- a History of Explosives by G I Brown Centre for Fusion Energy, Oxfordshire, Universe, Human Universe etc, Science, Money and Politics -
Download the Annual Report 2019-2020
Leading � rec�very Annual Report 2019–2020 TARONGA ANNUAL REPORT 2019–2020 A SHARED FUTURE � WILDLIFE AND PE�PLE At Taronga we believe that together we can find a better and more sustainable way for wildlife and people to share this planet. Taronga recognises that the planet’s biodiversity and ecosystems are the life support systems for our own species' health and prosperity. At no time in history has this been more evident, with drought, bushfires, climate change, global pandemics, habitat destruction, ocean acidification and many other crises threatening natural systems and our own future. Whilst we cannot tackle these challenges alone, Taronga is acting now and working to save species, sustain robust ecosystems, provide experiences and create learning opportunities so that we act together. We believe that all of us have a responsibility to protect the world’s precious wildlife, not just for us in our lifetimes, but for generations into the future. Our Zoos create experiences that delight and inspire lasting connections between people and wildlife. We aim to create conservation advocates that value wildlife, speak up for nature and take action to help create a future where both people and wildlife thrive. Our conservation breeding programs for threatened and priority wildlife help a myriad of species, with our program for 11 Legacy Species representing an increased commitment to six Australian and five Sumatran species at risk of extinction. The Koala was added as an 11th Legacy Species in 2019, to reflect increasing threats to its survival. In the last 12 months alone, Taronga partnered with 28 organisations working on the front line of conservation across 17 countries.