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The Apparel Industry, the Retail Trade, Fashion, and Prostitution in Late 19Th Century St Louis Jennifer Marie Schulle Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 2005 Fashion and fallen women: the apparel industry, the retail trade, fashion, and prostitution in late 19th century St Louis Jennifer Marie Schulle Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the United States History Commons, Women's History Commons, and the Women's Studies Commons Recommended Citation Schulle, Jennifer Marie, "Fashion and fallen women: the apparel industry, the retail trade, fashion, and prostitution in late 19th century St Louis " (2005). Retrospective Theses and Dissertations. 1590. https://lib.dr.iastate.edu/rtd/1590 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Fashion and fallen women: The apparel industry, the retail trade, fashion, and prostitution in late 19th century St. Louis by Jennifer Marie Schulle A dissertation submitted to the graduate faculty in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Major: Textiles and Clothing Program of Study Committee: Jane Farrell-Beck, Major Professor Mary Lynn Damhorst Kathy Hickok Barbara Mack Jean Parsons Iowa State University Ames, Iowa 2005 Copyright © Jennifer Marie Schulle, 2005. All rights reserved. UMI Number: 3184648 Copyright 2005 by Schulle, Jennifer Marie All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
Vacanze Italiane Lookbook
VACANZE ITALIANE, è un’ode allo stile di vita degli italiani e al loro modo di vivere le vacanze al mare, ovvero senza mai rinunciare allo stile. VACANZE ITALIANE è un brand trendsetter che rappresenta il lato più frizzante, fashion e sensuale della moda mare. VACANZE ITALIANE, which translates into “Italian holidays”, is an ode to the Italian lifestyle and the way Italians live beach holidays: playfully and glamorously. VACANZE ITALIANE is a trendsetter brand that represents the sparkling,coolest and sensual side of the summer fashion. S/S 2021 Celebrating your inner diva 1 VI21-001 Kiwi triangle bikini 42 - 46 VI21-003 Mimosa bralette bikini 42 - 46 2 3 VI21-001 Kiwi triangle bikini 42 - 46 VI21-003 Mimosa bralette bikini 42 - 46 2 3 VI21-002 Mango halterneck bikini 44 - 48 VI21-005 Nespola push up bikini 42 - 48 VI21-011 Sarong OS 4 5 VI21-002 Mango halterneck bikini 44 - 48 VI21-005 Nespola push up bikini 42 - 48 VI21-011 Sarong OS 4 5 VI21-004 Ribes bandeau bikini 42 - 48 VI21-020 Elsa skirt S - L VI21-004 Ribes bandeau bikini 42 - 48 6 7 VI21-004 Ribes bandeau bikini 42 - 48 VI21-020 Elsa skirt S - L VI21-004 Ribes bandeau bikini 42 - 48 6 7 VI21-006 Fiona underwired bikini 44 - 50 VI21-009 Sandra short kaftan S - XL 8 9 VI21-006 Fiona underwired bikini 44 - 50 VI21-009 Sandra short kaftan S - XL 8 9 VI21-008 Papaya swimsuit 44 - 50 11 VI21-008 Papaya swimsuit 44 - 50 11 VI21-010 Alba poncho OS VI21-007 Amarena swimsuit 42 - 48 12 13 VI21-010 Alba poncho OS VI21-007 Amarena swimsuit 42 - 48 12 13 VI21-012 Kiwi triangle bikini 42 -
Dress to Impress for Less Dancewear Can Be One of the Most Enticing Aspects of Ballroom, but Also One of the Most Expensive
Dress to impress for less Dancewear can be one of the most enticing aspects of ballroom, but also one of the most expensive. Marianka Swain investigates the second-hand market eople are definitely “The biggest problem with “ looking for more second-hand is the risk factor, P dancewear bargains particularly buying an expensive since the recession,” observes ballroom dress based designer Desiree Edwards of on a picture, so it’s Desire Designs Desiree. “But safest to meet the ballroom follows trends just like seller and try on the high fashion, so it’s difficult to product, but that’s not think in terms of finding one always possible with outfit that lasts, especially international transactions.” if you’re competing.” If you prefer to see a Luckily for fashion-savvy and range of second-hand clothes competitive dancers, there’s in the flesh, DSI sales manager now a burgeoning second-hand Carol Williams recommends market through both big brands Change of a Dress at Blackpool, and independent websites, which an agency that accepts items allows dancers to purchase of any brand and sells them on. outfits at a fraction of the price “Lots of dancers do it now, and or sell their dancewear and it’s a great way to save money.” make some money back. However, Eva is proud that “At Chrisanne, we have she hasn’t had any reports of something called the dishonest buyers or sellers. resale process,” “There are people out there who’ll explains Noelle Nadal. try to scam you, so if you get a “We vet the dress that strange email from someone a customer’s hoping offering double the price for to resell, make sure your item after you’ve posted it it’s in good condition and then to them, delete it, and if you’re price it accordingly. -
3Way Camisole Dog Wear Pattern Recipe:PT009 Milla Milla
Ver 2.0 3way Camisole Dog wear pattern recipe:PT009 milla milla http://www.millamilla.net/ MOVIE Manual We prepared the how to make the camisole by video. Please access from the following site and watch. We recommend watching by the broadband environment. http://www.millamilla.net/movie/pt009/ User Name:PT009 Password:XXXXXXXX INDEX 01 Material Page.1 02 Preparation 2 03 Sew front and back body togather 3 04 Bias bound the hem 4 05 Bias bound the front and back neck 5 06 Make armhole knit tape and sew 5 05-H Bias bound armhole to back 7 06-H Bias bound front neck 7 06-C Bias bound front neck 9 07-C Sew shoulder tape to the back 10 (H=Halterneck、C=Cross-back) 01 Material ☆ Fabric:Knit (T-shirt fabric). ☆ Knit binding:You can use tape on the market or make tape from knit fabric (4cm width) Cut the stretch direction, not bias. ☆ Thread: Use and all purpose thread, polyester or cotton wrapped polyester. Back (C) Finished size Back Length Front Length Rough standard (A) Chest(B) Neck (C) (C) weight (kg) (B) 3S 16.5 31 22 15.5 1.5~2 SS 20.5 35 24.5 17.5 ~3 S 22.5 40 28 19.5 ~4 (A) M 27.5 47 32.5 21.5 ~6 L 32.5 52 37.5 24 ~8 2L 36 59 44 26.5 ~12 Front 3L 42.5 62.5 49 33 ~15 DS 30 40 28 22 3~4 DM 33 49.5 33 24 ~6 (D) FB 27 57.5 39.5 23 around 11kg (Unit: cm) Necessary quantity Camisole Fabric Knit A x B tape 3S 110×25 89 SS 110×30 102.5 S 110×30 114 M 110×35 133.5 L 110×40 154.5 2L 110×45 177.5 3L 110×50 146 DS 110×40 123 DM 110×40 144.5 FB 110×35 161 (Unit: cm) * Note The "necessary quantity" is measured placing patterns without considering the top and bottom. -
Dress and Fabrics of the Mughals
Chapter IV Dress and Fabrics of the Mughals- The great Mughal emperor Akbar was not only a great ruler, an administrator and a lover of art and architecture but also a true admirer and entrepreneur of different patterns and designs of clothing. The changes and development brought by him from Ottoman origin to its Indian orientation based on the land‟s culture, custom and climatic conditions. This is apparent in the use of the fabric, the length of the dresses or their ornamentation. Since very little that is truly contemporary with the period of Babur and Humayun has survived in paintings, it is not easy to determine exactly what the various dresses look like other than what has been observed by the painters themselves. But we catch a glimpse of the foreign style of these dresses even in the paintings from Akbar‟s period which make references, as in illustrations of history or chronicles of the earlier times like the Babar-Namah or the Humayun-Namah.1 With the coming of Mughals in India we find the Iranian and Central Asian fashion in their dresses and a different concept in clothing.2 (Plate no. 1) Dress items of the Mughals: Akbar paid much attention to the establishment and working of the various karkhanas. Though articles were imported from Iran, Europe and Mongolia but effort were also made to produce various stuffs indigenously. Skilful master and workmen were invited and patronised to settle in this country to teach people and improve system of manufacture.2 Imperial workshops Karkhanas) were established in the towns of Lahore, Agra, Fatehpur Sikri and Ahmedabad. -
Fashion Trends 2016
Fashion Trends 2016 U.S. & U.K. Report [email protected] Intro With every query typed into a search bar, we are given a glimpse into user considerations or intentions. By compiling top searches, we are able to render a strong representation of the population and gain insight into this population’s behavior. In our second iteration of the Google Fashion Trends Report, we are excited to introduce data from multiple markets. This report focuses on apparel trends from the United States and United Kingdom to enable a better understanding of how trends spread and behaviors emerge across the two markets. We are proud to share this iteration and look forward to hearing back from you. Olivier Zimmer | Trends Data Scientist Yarden Horwitz | Trends Brand Strategist Methodology To compile a list of accurate trends within the fashion industry, we pulled top volume queries related to the apparel category and looked at their monthly volume from May 2014 to May 2016. We first removed any seasonal effect, and then measured the year-over-year growth, velocity, and acceleration for each search query. Based on these metrics, we were able to classify the queries into similar trend patterns. We then curated the most significant trends to illustrate interesting shifts in behavior. Query Deseasonalized Trend 2004 2006 2008 2010 2012 2014 Query 2016 Characteristics Part 1 Part 2 Part 3 Top Risers a Spotlight on an Extensive List and Decliners Top Trending of the Top Volume Themes Fashion Trends Trend Categories To identify top trends, we categorized past data into six different clusters based on Sustained Seasonal Rising similar behaviors. -
Brand Building
BRAND BUILDING inside the house of cÉline Breguet, theinnovator. Classique Hora Mundi 5717 An invitation to travel across the continents and oceans illustrated on three versions of the hand-guilloché lacquered dial, the Classique Hora Mundi is the first mechanical watch with an instant-jump time-zone display. Thanks to apatented mechanical memorybased on two heart-shaped cams, it instantlyindicates the date and the time of dayornight in agiven city selected using the dedicated pushpiece. Historyisstill being written... BREGUET BOUTIQUES –NEW YORK 646 692-6469 –BEVERLY HILLS 310860-9911 BAL HARBOUR 305 866-10 61 –LAS VEGAS 702733-7435 –TOLL FREE 877-891-1272 –WWW.BREGUET.COM Haute Joaillerie, place Vendôme since 1906 Audacious Butterflies Clip, pink gold, pink, mauve and purple sapphires, diamonds. Clip, white gold, black opals, malachite, lapis lazuli and diamonds. Visit our online boutique at vancleefarpels.com - 877-VAN-CLEEF The spirit of travel. Download the Louis Vuitton pass app to reveal exclusive content. 870 MADISON AVENUE NEW YORK H® AC CO 5 01 ©2 Coach Dreamers Chloë Grace Moretz/ Actress Coach Swagger 27 in patchwork floral Fluff Jacket in pink coach.com 800-457-TODS 800-457-TODS april 2015 16 EDITOR’S LETTER 20 CONTRIBUTORS 22 COLUMNISTS on Failure 116 STILL LIFE Mike Tyson The former heavyweight champion shares a few of his favorite things. Photography by Spencer Lowell What’s News. 25 The Whitney Museum of American Art Reopens With Largest Show Yet 28 Menswear Grooming Opts for Black Packaging The Texas Cocktail Scene Goes -
Costume Design for You Never Can Tell
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Student Research and Creative Activity in Theatre and Film Theatre and Film, Johnny Carson School of 5-2010 Costume Design for You Never Can Tell Emily S. Parker University of Nebraska at Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/theaterstudent Part of the Other Theatre and Performance Studies Commons Parker, Emily S., "Costume Design for You Never Can Tell" (2010). Student Research and Creative Activity in Theatre and Film. 11. https://digitalcommons.unl.edu/theaterstudent/11 This Article is brought to you for free and open access by the Theatre and Film, Johnny Carson School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Student Research and Creative Activity in Theatre and Film by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. COSTUME DESIGN FOR YOU NEVER CAN TELL by Emily Parker A THESIS Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Master of Fine Arts Major: Theatre Arts Under the Supervision of Professor Janice Stauffer Lincoln, Nebraska May, 2010 COSTUME DESIGN FOR YOU NEVER CAN TELL Emily Parker, M.F.A. University of Nebraska, 2010 Advisor: Janice Stauffer This thesis will expound upon the costume design process for The Johnny Carson School of Theatre and Film’s 2009 production of You Never Can Tell, performed in the Howell Theatre at the University of Nebraska – Lincoln. Directed by Dr. Tice Miller, and Mijou Sahiouni, Assistant Director, the production team included Emily Parker as the Costume Designer, Ahna Packard as the Set Designer, and Harrison Hohnholt as the Lighting Designer. -
Fashionpedia: Ontology, Segmentation, and an Attribute Localization Dataset
Fashionpedia: Ontology, Segmentation, and an Attribute Localization Dataset Menglin Jia?1, Mengyun Shi?1;4, Mikhail Sirotenko?3, Yin Cui?3, Claire Cardie1, Bharath Hariharan1, Hartwig Adam3, Serge Belongie1;2 1Cornell University 2Cornell Tech 3Google Research 4Hearst Magazines Abstract. In this work we explore the task of instance segmentation with attribute localization, which unifies instance segmentation (detect and segment each object instance) and fine-grained visual attribute cat- egorization (recognize one or multiple attributes). The proposed task requires both localizing an object and describing its properties. To illus- trate the various aspects of this task, we focus on the domain of fashion and introduce Fashionpedia as a step toward mapping out the visual aspects of the fashion world. Fashionpedia consists of two parts: (1) an ontology built by fashion experts containing 27 main apparel categories, 19 apparel parts, 294 fine-grained attributes and their relationships; (2) a dataset with everyday and celebrity event fashion images annotated with segmentation masks and their associated per-mask fine-grained at- tributes, built upon the Fashionpedia ontology. In order to solve this challenging task, we propose a novel Attribute-Mask R-CNN model to jointly perform instance segmentation and localized attribute recogni- tion, and provide a novel evaluation metric for the task. Fashionpedia is available at: https://fashionpedia.github.io/home/. Keywords: Dataset, Ontology, Instance Segmentation, Fine-Grained, Attribute, Fashion 1 Introduction Recent progress in the field of computer vision has advanced machines' ability to recognize and understand our visual world, showing significant impacts in arXiv:2004.12276v2 [cs.CV] 18 Jul 2020 fields including autonomous driving [52], product recognition [32,14], etc. -
Halterneck Dress 2 Bodice Options, 1 Top Length 2 Skirt Options with Several Length Options Pockets Eu Size 34-58 (US 4-28)
Halterneck dress 2 bodice options, 1 top length 2 skirt options with several length options Pockets Eu size 34-58 (US 4-28) This pattern is copyrighted, with all rights reserved. You may print copies of the PDF for your own use. You may not make duplicate copies of either the printed pattern, or the PDF file to share. You are not allowed to sell, trade, or share this pattern in any form. Small home based business are allowed to sell finished items made from this pattern. Made by Runi ©2018 Before you start: Read all instructions before starting project. Seam allowance is NOT included, add that where two pieces are sewn together. Do not add allowance where you’re going to add binding. I usually have a seam allowance of 0.6 cm since I use a serger with a seam that is 0.5cm wide. If you wish to hem add seam allowance for that to the skirt. A stretchy knit fabric is suitable for the dress. Pre-wash all fabrics before sewing to avoid color bleeding and shrinking. Measure the test square on the first page to make sure you printed correctly. It should measure exactly 4x4 cm (or 2x2”) Make sure you are using the most up to date version of Adobe Reader. You will need: Sewing machine Scissors Thread Ballpoint needle (in machine) Wonder clips or pins Fabric Measuring tape Tygåtgång: The pattern does not include seam allowance. Remember that these measurements are without seam allowance and in cm! The tables below shows the fabric requirement on a fabric with a width of 150cm. -
Women in Pants: a Study of Female College Students Adoption Of
WOMEN IN PANTS: A STUDY OF FEMALE COLLEGE STUDENTS ADOPTION OF BIFURCATED GARMENTS AT THE UNIVERSITY OF GEORGIA FROM 1960 TO 1974 by CANDICE NICHOLE LURKER SAULS Under the direction of Patricia Hunt-Hurst ABSTRACT This research presented new information regarding the adoption of bifurcated garments by female students at the University of Georgia from1960 to 1974. The primary objectives were to examine photographs of female students at the University of Georgia in The Pandora yearbooks as well as to review written references alluding to university female dress codes as well as regulations and guidelines. The photographs revealed that prior to 1968 women at UGA wore bifurcated garments for private activities taking place in dorms or at sorority houses away from UGA property. The study also showed an increase in frequency from 1968 to 1974 due to the abolishment of the dress code regulations. In reference to the specific bifurcated garments worn by female students, the findings indicated the dominance of long pants. This study offers a sample of the changes in women’s dress during the tumultuous 1960s and 1970s, which then showed more specifically how college women dressed in their daily lives across America. INDEX WORDS: Dress Codes, Mid Twentieth Century, University of Georgia, Women’s Dress WOMEN IN PANTS: A STUDY OF FEMALE COLLEGE STUDENTS ADOPTION OF BIFURCATED GARMENTS AT THE UNIVERSITY OF GEORGIA FROM 1960 TO 1974 by CANDICE NICHOLE LURKER SAULS B.S.F.C.S., The University of Georgia, 2005 B.S.F.C.S., The University of Georgia, 2007 -
Monpe Workpants and Their Memetic Derivations1
pISSN 2233-9051 eISSN 2288-7490 International Journal of Costume and Fashion http://dx.doi.org/10.7233/ijcf.2017.17.1.073 Vol. 17 No. 1, June 2017, pp. 73-87 Monpe Monpe Workpants and Their Memetic Workpants and Their Memetic Derivations1) Derivations Soohyeon RhewㆍJuhyun RoㆍJaeyoon Yi Tutor, Graduate School of Korea National Open University, Seoul, Korea Instructor, Department of Fashion Industry, Incheon National University, Incheon, Korea Adjunct Professor, Department of Fashion Design, Sungkyunkwan University, Seoul, Korea (Received May 24, 2017; Revised June 6, 2017; Accepted June 12, 2017) Abstract Monpe, Korean women’s wartime attire during the Japanese colonization period, has survived for 70 years as typical baggy workpants for rural women and emerged as retro-fashion. This paper applied a theory of “meme” to explain the monpe fashion trend in Korea. Based on literature review, empirical analyses were conducted by analyzing market and media including newspaper articles and blogs. We found that the monpe meme has evolved over time through variation, penetration, and diffusion. In terms of variation, the impression of monpe transitioned from a negative image to a positive one as a result of changes in design, functionality, and popular image. In terms of penetration, the monpe meme has spread into popular culture, again through mass media, with images of active, sexy, and attractive monpe-wearers on television and at popular occasions. Finally, the monpe meme has diffused throughout a broad range of consumers of various ages and both genders as an item of clothing for various occasions through diversified distribution channels. In this way, the development of monpe as fashionable clothing in Korea during the 2000s is itself a meme reflecting its evolution from a disgraceful colonial legacy to an item of contemporary fashion.