DOCSLIB.ORG

FMF FY18 Annual Report Public.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
FMF FY18 Annual Report Public.Pdf Year in Review 2018 fall 2018 A Letter Total Approved Grants FY 2018 From our President and Executive Director Historic Preservation $350,000 Discretionary 3% In these challenging times, it is more important than ever $726,290 are helping to strengthen the local community. We also 5% that we invest in initiatives, people and organizations that Conservation drove by 14 other sites, illustrating for the board how the $603,500 can have a positive impact upon our community. While 4% Foundation impacts many organizations in the community, the headlines of recent years have cast a negative light on and how these organizations reinforce neighborhood stability. some of Baltimore’s challenges, the grit and determination of so many in our community give us great hope for the Civic & Culture Health & Human Services $4,340,000 Capacity future. We are privileged to have a front row seat to witness $1,392,000 32% 10% the work of many dedicated citizens and we hope to We expanded our staff capacity this year by adding a continue to support them with strategic grant making. new full-time program officer, Kristen Campbell McGuire. Kristen is also helping the foundation branch out in a new area of capacity—communicating our work more As needs in the Baltimore Metro area evolve, the Community & Economic Development broadly. This is the first annual report that we are sharing Foundation is also evolving. When we reflect on $2,258,880 Introduction FY2018, we look back on the year as one of growth—in 17% with a wider audience and posting on our website. This year focus, learning, capacity building and grant making. we plan to launch an e-newsletter and to regularly post to Education $3,994,000 social media as a way of sharing the Foundation’s interests Building upon the legacy of its founders 29% Focus and impact in the broader community. To learn more about nearly 60 years ago, the France-Merrick the Foundation through the year, you can sign up for the FY18 brought the conclusion of a four-year process newsletter by emailing [email protected] or Foundation strives to improve and enrich of reviewing and refining the funding interests in each of follow us on Facebook, Linked In and Twitter. the quality of life throughout Maryland, our giving areas. This process began with a review of our efforts in supporting conservation and then moved Grant Making with a special interest in the Baltimore through a deliberative assessment to refine the focus of metropolitan region. The Foundation invests our grant making in regard to health and human services, that aim to foster mindfulness, collaboration and self- Given our new focus, increased staff capacity, greater community and economic development, civic and culture, agency. With a more strategic focus on career readiness learning and positive investment performance, we have in nonprofit organizations serving the unique historic preservation, and finally, this year, education. education, we funded Baltimore’s Promise Career Pathways been able to increase the number of grants given in FY18. needs of people and places in the region. Demonstration, which also connects to our workforce This year the Foundation awarded 99 new grants totaling As we assessed our approach toward education grant strategy. As we look for better ways to connect K-12 and $12,938,380 through its regular grant process. Paired with making, the Foundation decided to affirm our pre- the post-secondary system, a grant to Bard Early College payments committed in prior years and discretionary The Foundation strives to plant seeds of existing strategy for private schools and to make some is supporting students’ ability to graduate high school with giving, we paid out $10,691,170. We have maintained our substantial changes in our funding of K-12 public and college credit. And lastly, to help students succeed getting low administrative expenses for a foundation of our size, innovation, capacity building and program out-of-school time funding. We refreshed our strategy into and graduating from post-secondary education, we around 1% of total assets, in order to maximize the amount expansion through grants to organizations as it relates to public education, with an emphasis on made our first ever grant to a community college. We and of grant dollars available for investment in the community. Baltimore City Schools and the organizations that work Community College of Baltimore County are hoping to learn that positively affect people and their with schools to positively impact students. Our new from the implementation of some national best practices in As we look to the year ahead and the future, we look communities. The Foundation branches out public education strategy is focused on (1) improved retaining and graduating students through the three-year forward to continuing to grow and learn, with and from literacy as the foundation of all other learning, (2) grant initiative we supported. the community in which we serve. to touch many facets of civic, educational and effective implementation of socio-emotional learning social issues to help grow, strengthen and and trauma interventions in schools and (3) enhanced Learning Sincerely, career readiness education. In this third area, we are support vibrant and healthy communities. hopeful that our efforts will result in more graduates Two years ago, we added two board members, bringing our who possess the academic skills, employability skills, total to eight. At that time, we renewed an effort to learn and technical, job-specific skills necessary to succeed together as a board and our process continues to evolve. in career pathways. Our funding of nonprofits through This year our board toured Highlandtown and Patterson Wally and Amy the Baltimore Summer Funding Collaborative for the Park, where we have funded numerous projects over 30 last few years has reinforced the need for focusing on years that have been mutually reinforcing to neighborhood these areas. revitalization in that area. We were able to see our impact on the growth of the Creative Alliance and see This year we specifically made some grants to new- how investments are making a difference at Patterson to-us organizations in line with the above referenced Park Public Charter School. We also saw how a grant to strategies, such as our literacy grants to the Maryland Bayview’s Care-A-Van has been leveraged to help the Book Bank and Brown Memorial Tutoring, as well as uninsured while other populations are being served grants to eight summer providers of literacy instruction. through the continued use of the old van. Our board tour To support our social-emotional learning goal, we allowed us to see firsthand how the Southeast CDC and its predecessor organizations (that we have also funded) made grants to Thread, Playworks and Holistic Life 1 Focus area GRANTS AWARDED Archdiocese of Baltimore $500,000 Bard Early College Baltimore $135,000 Construction of a school in West Baltimore, the first Learning Commons space renovations to assist high new Catholic School in Baltimore City in 57 years school students to attain a high school diploma and Education (over two years) an associate’s degree Baltimore's Promise $500,000 Mount St. Joseph High School $125,000 Implementation of the Career Pathways Demonstration to New HVAC system in St. Joseph Hall allowing for The Foundation’s education funding is its help more than 400 Baltimore City high school graduates year round use of facility access workforce training and support (over two years) “We understand that children growing largest area of focus, generally representing Maryland Book Bank $60,000 about 40% of annual grants. The Foundation Thread $500,000 Renovations for new space at the Baltimore Community up in concentrated poverty need more Warehouse, allowing for more literacy resources to supports projects directed toward improving Curriculum and technology to help underperfoming high school students reach academic and personal be collected and distributed to those in need than just improved financial resources educational quality and equity in Baltimore success goals (over four years) St. Francis of Assisi School $60,000 or better classrooms; they need the City public schools with particular focus on Community College $350,000 Renovations to space used by the Baltimore City same unassailable support and deep literacy, social-emotional learning and career- of Baltimore County school as a cafeteria, auditorium and gymnasium readiness. We also support private schools for Scholarship, advising and non-tuition monetary assistance interpersonal bonds that we all need. to support low-income, first generation students complete Play on Purpose $50,000 both capital projects and scholarships. community college in three years through the The Furnish and equip office and programming space Thread builds these bonds for students, for after-school programs France-Merrick Completion Pathway Initiative volunteers and collaborators.” - Thread (over three years) The Foundation also recognizes the importance Playworks Education Energized $50,000 Expand recess training services to reduce bullying of higher education and to this end supports St. Paul's School for Boys $300,000 Campaign support for the new 60,000 sq. ft. high and support social-emotional learning in Baltimore efforts to increase the number of students who school as part of $25 million campaign and Anne Arundel counties can access and complete degree programs. Bishop John T. Walker $250,000 Southwest Baltimore Charter School $50,000 The Foundation also aims to leverage higher School for Boys Renovate the school auditorium, which is used for performances, recreation and community meetings education institutions as community anchors Capital campaign support for expanded facilities, high school placement support and increased development and supports campus initiatives that increase capacity (over three years) Young Audiences of Maryland $50,000 Technology and office equipment for the expansion of access, revitalization, local hiring and partnerships.
Load more

Recommended publications
  • BUILDING YOUR RESUME Tools and Tips for Creating the Best Resume
    BUILDING YOUR RESUME tools and tips for creating the best resume WHAT IS A RESUME? • A summary of your abilities and • Your marketing piece, curated to • Your first impression to an employer. accomplishments relevant to your speak to your audience. • Remember: the resume does not get you intended audience or career goals. • A demonstration of your qualifications the job—it gets you the interview. In other • An outline of your education, for the type of position and employment words, you don’t have to include every detail. experience, skills, personal attributes you are seeking. Leave something to talk about at the interview. and other background information. • Your opportunity to stand out from other applicants . TYPES OF RESUMES Master Resume Includes: Activities, Art- Related Experience (The It is important to always have one master Name and Contact Information, Education, artist resume includes minimal descriptions. resume for your personal files that is a record Professional Experience with job descriptions Instead, it is a chronological list of artistic of all of your current and past experiences and and duties, Skills, Exhibitions (optional), accomplishments). Similar to Teaching CV, accomplishments. Awards, Honors, etc. Each section below your but shorter (see Teaching CV below). name should be listed in reverse chronological This master resume should never be used order, with the most recent experience first. Teaching CV for any official position, but kept more as a The professional resume is designed to record for yourself. The key to developing an highlight skills and work experience, so it is The Latin name for resume, Curriculum Vitae, outstanding resume is to tailor it to suit the more descriptive than an artist resume for is used most often in academic contexts.
    [Show full text]
  • PAUL DANIEL 1623 Bolton Street, Baltimore, MD 21217 Cell: 443-691-9764 Email: [email protected]
    PAUL DANIEL 1623 Bolton Street, Baltimore, MD 21217 Cell: 443-691-9764 email: [email protected] https://bakerartist.org/node/921 SELECTED PUBLIC ART: 2019 Art on the Waterfront commission, Middle Branch Park, Balt Office of Promotion & the Arts 2015 Finalist for Art-in-Transit, Redline, Mass Transit Administration Finalist for Art-in-Transit, Purple Line, Mass Transit Administration 2014-15 Manolis, Cylburn Arboretum 2013 Finalist Unity Parkside Public Art, DC Commission on the Arts & Humanities 2009-’16 Flirting with Memory on exhibition at Johns Hopkins BayvieW Hospital, Baltimore, MD 2007-’16 Kiko-Cy on exhibit for the Baltimore Office of Promotion and Tourism, St Paul St median 1997 Oak Leaf Gazebo, Mitchellville, MD, Collaboration With artist Linda DePalma; Rocky Gorge Communities Commission 1992 Naiad's Pool, Rockcrest Ballet Center & Park, Rockville, MD; Art in Public Places 1991 Double Gamut, Franklin Street Parking Garage, Baltimore, MD, Baltimore 1% for Art Jack Tar’s Fancy, Snug Harbor Cultural Center, Staten Island, NY, Collaboration With artist Linda DePalma; Curator: Olivia Georgia 1990 Sun Arbor & Moon Arbor, Quiet Waters Park, Annapolis, MD Collaboration With artist Linda DePalma; Anne Arundel Co. Dept. of Parks & Recreation; Art Consultant: Cindy Kelly 1987 Goal Keeper, William Myers Pavilion, Brooklyn, MD; Baltimore 1% for Art Program 1985 Messenger, Clifton T. Perkins Hospital, Jessup, MD; MD State Fine Art in Public Places 1984 Venter, State Center Metro Station, Baltimore, MD; Mass Transit Administration 1978 Titan, Liberty Elementary School, Baltimore, MD; Baltimore 1% for Art Program ONE PERSON EXHIBITIONS: 2018 Acknowledging the Wind: Kinetic SculPtures by Paul Daniel, LadeW Topiary Gardens, Monkton, MD 2015 On & Off the Wall: 3D & 2D work by Paul Daniel, Project 1628, Baltimore, MD 2009 Paul Daniel-Current Reflection, Katzen Art Museum, American University, DC 2010 2000 Paul Daniel- Kinetic SculPtures in the Pond, The Park School, Brooklandville, MD 1990 Paul Daniel- Recent SculPture, C.
    [Show full text]
  • Art Seminar Group 1/29/2019 REVISION
    Art Seminar Group 1/29/2019 REVISION Please retain for your records WINTER • JANUARY – APRIL 2019 Tuesday, January 8, 2019 GUESTS WELCOME 1:30 pm Central Presbyterian Church (7308 York Road, Towson) How A Religious Rivalry From Five Centuries Ago Can Help Us Understand Today’s Fractured World Michael Massing, author and contributor to The New York Review of Books Erasmus of Rotterdam was the leading humanist of the early 16th century; Martin Luther was a tormented friar whose religious rebellion gave rise to Protestantism. Initially allied in their efforts to reform the Catholic Church, the two had a bitter falling out over such key matters as works and faith, conduct and creed, free will and predestination. Erasmus embraced pluralism, tolerance, brotherhood, and a form of the Social Gospel rooted in the performance of Christ-like acts; Luther stressed God’s omnipotence and Christ’s divinity and saw the Bible as the Word of God, which had to be accepted and preached, even if it meant throwing the world into turmoil. Their rivalry represented a fault line in Western thinking - between the Renaissance and the Reformation; humanism and evangelicalism - that remains a powerful force in the world today. $15 door fee for guests and subscribers Tuesday, January 15, 2019 GUESTS WELCOME 1:30 pm Central Presbyterian Church (7308 York Road, Towson) Le Jazz Hot: French Art Deco Bonita Billman, instructor in Art History, Georgetown University What is Art Deco? The early 20th-century impulse to create “modern” design objects and environments suited to a fast- paced, industrialized world led to the development of countless expressions, all of which fall under the rubric of Art Deco.
    [Show full text]
  • RENEE VAN DER STELT Baldwin, MD 21013 [email protected]
    RENEE VAN DER STELT Baldwin, MD 21013 www.reneevanderstelt.com [email protected] EDUCATION M.F.A. Drawing 1993, University of Iowa, Iowa City, IA M.A. Art History 1990, University of Iowa, Iowa City, IA M.A. Studio & Art History 1988, Calvin College, Grand Rapids, MI Foreign Language & Art History 1985, Free University, Amsterdam, NL SOLO EXHIBITIONS 2017 Neck of the Woods: Marrow, Elon University, Elon, MD What Lies Beneath, China Hutch Project Chestertown, MD 2016-17 Tremor in Shadow, Project 1628, Baltimore, MD 2016 Black Box / Adjacent Body, Lenka Clayton’s Motherhood Residency Exhibition Project. Baldwin, MD, November, 2016 2016 How to Draw the Wind, Sandbox, Chestertown, MD 2015 Borders & Migration: Shifting Geographies, Doris Ulmann Galleries, Berea College, Berea, KY, 2015 2010 Recordings, Hamiltonian Gallery, Washington DC Sphere Charts & Site Drawings, GalleryOne, Ellensburg, WA Drawing Movement on Land, Montpelier Arts Center, Laurel, MD Veiled Geography: Impermanent Drawings, Colburn Gallery, Burlington, VT 2009 Fugitive Drawings, Creative Alliance, Baltimore, MD 2009 Projections: Line on Land, Target Gallery, Alexandria, VA 2009 Global/Local, Roswell Museum and Art Center, Roswell, NM 2009 2005 Drawing Imagined Space, School 33, Baltimore, MD 2005 Pin Drawings, SPARE ROOM, Baltimore, MD 2004 Drawing to Space, Millersville University, Millersville, PA 2003 Recent Sculptures/Drawings, Berea College, Berea, KY 1998 7 Dresses on a Hill, 7 Hands in Shade, 7 Paintings in Trees, Faber’s Farm, Parnell, IA 1996 Transitions,
    [Show full text]
  • Curriculum Vitae 3413 Nancy Ellen Way Owings Mills, Maryland 21117-1513 (410) 654-0077 • E-Mail: [email protected] •
    Helen Glazer | Curriculum Vitae 3413 Nancy Ellen Way Owings Mills, Maryland 21117-1513 (410) 654-0077 • E-mail: [email protected] • http://helenglazer.com Exhibitions (*=award received): 2020 Selections from Helen Glazer's Antarctica Archive, Center for Art + Environment, Nevada Museum of Art, Reno, NV. Curator: Sara Frantz. 2019 Leonardo: When the Arts Reach the Sky. Baltimore-Washington International Marshall Airport, Baltimore, MD. Curator: Gioia Milano. 2nd Triannual Maryland State Arts Registry Juried Show, Maryland Art Place, Baltimore, MD. Jurors: Susan J. Isaacs and Jeremy Stern. Women's Work, Full Circle Fine Art, Baltimore, MD. Curator: Brian Miller. Antarctica Sculpture by Helen Glazer, Towers Crescent, Tysons Corner, VA. Curator: Craig Schaffer. 2018 Art on the Fly, Maryland State Arts Council, Baltimore, MD. Curators: Maryland State Arts Council staff. Abstraction at Large. Site: Brooklyn, Brooklyn, NY. Juror: Eleanor Heartney. Anthropocene. Safe Harbors Ann Street Gallery, Newburgh, NY. Curator: Virginia West. 2017-18 Helen Glazer: Walking in Antarctica. Rosenberg Gallery, Goucher College, Baltimore, MD. Science Inspires Art: Ocean. New York Hall of Science, Queens, NY. BWI Marshall Airport Exhibit. Two photographs enlarged to 7 x 10 feet. Jurors: Yumi Hogan, Jinchul Kim, Rex Stevens, Tony Shore, Zoë Charlton (Jul. 2017-Aug. 2018). 2017 2017 Trawick Prize: Bethesda Contemporary Arts Finalists Exhibition, Gallery B, Bethesda, MD. Jurors: Zoë Charlton, Neil Feather, Elizabeth Mead. Field Work: An Artscape 2017 Exhibition. Pinkard Gallery, Maryland Institute College of Art, Baltimore. Curator: Kim Domanski. Embedded Sources. Full Circle Gallery, Baltimore, MD. Curator: Brian Miller. Sculpture Remix 2017: Craft/Technology/Art. Arcade Gallery at Glen Echo National Park, Glen Echo, MD.
    [Show full text]
  • Carolyn Case Lives and Works in Baltimore, MD
    Carolyn Case Lives and works in Baltimore, MD. Education 1997 Maryland Institute College of Art, MFA, Baltimore, MD 1994 California State University, BFA, Long Beach, CA Solo Exhibitions 2021 Reynolds Gallery, “Test Kitchen”, Richmond, VA 2020 Asya Geisberg Gallery, “Before It Sinks In”, New York, NY 2019 Lux Art Institute, Encinitas, CA 2019 Western Michigan University, “Second Thoughts”, Kalamazoo, MI 2017 Asya Geisberg Gallery, “Homemade Tattoo”, New York, NY 2015 Asya Geisberg Gallery, “Heat and Dust”, New York, NY Maryland Institute College of Art, “Carolyn Case”, Baltimore, MD 2012 Loyola University, “Altered States”, Baltimore, MD 2011 McLean Projects for the Arts, “Accidentally On Purpose”, Washington, D.C. 2010 The Art Registry, “Travels”, Washington, D.C. 2005 School 33, “Carolyn Case”, Baltimore, MD 2004 The Arts Club of Washington, “Carolyn Case”, Washington, D.C. 2002 Maryland Art Place, “Just Paint”, Baltimore, MD Group Exhibitions 2019 Maryland Art Place, “Maryland State Artist Registry Exhibition”, Baltimore, MD School 33, “40th Anniversary Exhibition”, Baltimore, MD United States Embassy, “Art in Embassies”, curated by Camille Benton, Managua, Nicaragua 2018 BWI Airport, “People & Places”, Baltimore, MD Maryland Institute College of Art, “MICA Sabbatical Exhibition”, Baltimore, MD 2017 Walters Art Museum, Maryland Institute College of Art, “Sondheim Artscape Prize Semi-Finalist Exhibition”, Baltimore, MD 2016 Decker and Meyerhoff Galleries, MICA, “Sondheim Artscape Prize Semi-Finalist Exhibition”, Baltimore, MD Sindikit Gallery, “Sindikit #3”, curated by Zoe Charlton and Tim Doud, Baltimore, MD 2015 Maryland Institute College of Art, “Juried Faculty Exhibition”, curated by Barry Schwabsky, Baltimore, MD 2014 The Parlour Bushwick, “Show #12”, New York, NY Heurich Gallery, Washington, D.C.
    [Show full text]
  • Antonio Mcafee
    Antonio McAfee antoniomcafee.net [email protected] 443-621-6188 Lives and work in Baltimore, MD EDUCATION 2011 University of the Witwatersrand, Johannesburg, South Africa Postgraduate Diploma in Art, Art, Culture, and Heritage Management 2009 University of Pennsylvania, Philadelphia, PA Masters of Fine Arts, Photography 2007 Corcoran College of Art and Design, Washington, DC Bachelor of Fine Art, Photography (Honors) 2003 Morgan State University, Baltimore, MD General Course Studies SOLO* & TWO-PERSON EXHIBITIONS 2021 TBD, Rehoboth Art League, Rehoboth Beach, DE TBD, Wesley Theological Seminary, Washington, DC* 2020 Legacy, Academy Art Museum, Easton MD* Through the Layers Pt. 2, Albin O. Kuhn Library Gallery, University of Maryland, Baltimore County, Baltimore, MD* 2019 Time and Place, Walters Art Museum, Baltimore, MD Through the Layers Pt. 1, Hodson Gallery, Hood College, Fredrick, MD* Muse Studies, Jubilee Arts, Baltimore, MD* Ordinary People, Hamiltonian Gallery, Washington, DC* Through the Layers Pt. 1 (In the Round), Rotunda Gallery, American University, Washington, DC* 2018 MMI, George Washington Carver Center for Art and Technology, Baltimore, MD* Brought to Light, The Park School, Baltimore, MD OLD BAD AIR, Hamiltonian Gallery, Washington, DC* Theme and Variation, Institute of Contemporary Art, Baltimore, MD* 2017 Through the Layers Pt. 1, Terrault Contemporary, Baltimore, MD* 2016 Black Maths, Stamp Gallery, University of Maryland, College Park, MD GROUP EXHIBITIONS 2020 Viewfinder, Cultural DC, Washington, DC Empathy
    [Show full text]
  • Jane Razauskas
    Jane Razauskas Contact: [email protected] EDUCATION Master of Fine Arts, Transart Institute, through Donau University, Linz, Austria Bachelor of Fine Arts, Maryland Institute College of Art, (MICA) Baltimore, MD SELECTED AWARDS 2016 the Adolph & Esther Gottlieb Foundation Individual Support Grant 2014 Vermont Studio Center, Artists Residency Grant 2013 Maryland State Arts Council Individual Artist Grant, Works on Paper 2010 Artist Residency grant, Santa Fe Art Institute, NM 2007 Mid-Atlantic New Painting Juror prize, juror: Johathan Binstock, Corcoran Gallery 2006 & 2007 Scholarship Award, Foundation M, Friends of Transart Institute, Austria 2002 Maryland State Arts Council Individual Artist Grant, Painting 2000 Artscape Festival, Baltimore MD, commission for a new work 1999 Contemporary Museum, Baltimore, MD, commission for a new work 1986 Baltimore City Council Grant, Painting SELECTED SOLO AND GROUP EXHIBITIONS 2018 Gigantic Brain, Jane Razauskas and Sophie Grant, curators: Amanda Turner Pohan and Natalee Cayton, TwoForty, Brooklyn, NY 2017 Art Now Oklahoma, curators: Jennifer Sdcalan and Alyson Atchinson, Oklahoma Contemporary, Oklahoma City, OK Studio Tour, Oklahoma Visual Arts Coalition, Tulsa, OK Open Studio Night, Tulsa Artist Fellowship and partners, Tulsa, OK 5 x 5, group exhibit, Tulsa Artist Coalition, Tulsa, OK 2016 Anywhere But Here, curator: Bill Thelan, Lump Gallery, Raleigh, NC Nowhere, Hybrid Landscapes, curator: Julie Libersat, University of North Texas, Denton, TX 35th Anniversary Exhibit, curator: Amy C. Royce,
    [Show full text]
  • Stuttering: in a New Light
    FOR IMMEDIATE RELEASE Contact: Stuttering: In a New Light Carroll Museums Paula Hankins, Executive Director Opening Reception February 29, 7-10PM 410 605 2964 [email protected] 8PM live Performances with Hank Shedd, Current Gallery Miizzzard, Laure Drogoul, PERGA, Todd Michael Benevento, Curator + Co-director Rennie+Mary Anderson, Andrew Shenker's 832 797 9431 preparation for untuned piano with Lafayette [email protected] Gilchrist on keys and more. Exhibition Dates: February 29 - April 27 Gallery Hours: Wednesday-Sunday 12-4pm Carroll Mansion 800 E. Lombard Street, Baltimore, MD 21202 Phone: 410.605.2964 Email: [email protected] Entering the Past with Contemporary Practice Baltimore, MD ~Carroll Museums, Inc. in collaboration with Current Gallery is proud to present Stuttering: In a New Light at the Carroll Mansion. This exhibit, inserted within the permanent collection and architecture of the museum, overlaps contemporary artworks with the Carroll Mansion's rich history. Over time, this building has functioned as Charles Carroll's residence last living signer of the Declaration of Independence, a saloon, tenement apartments, a clothing sweatshop, vocational school, recreation center, and historic site. An amazing collection of Baltimore artists in addition to artists from Austin, New Orleans, New York, and Berlin, bring the past and present in stuttering tandem. The works range from Andrew Shenker composing the museum's collection with his own, to C. Ryan Patterson's rain barrel installation and workshop, to Monique Crabb's ceremonial revisit to objects from a loved one. The clothing sweatshop history is approached with Laure Drogoul's re-creation, PERGA's performance garment laboratory, Elke Graalfs' painted pattern, Liz Ensz's immersive pattern environment, and Andrea Bocchio's garments inspired by counterfeiting.
    [Show full text]
  • Baltimore.Org
    baltimore.org A HERITAGE GUIDE Welcome to Baltimore, Table of Contents a city with a rich cultural heritage and a dynamic creative spirit. 8 Attractions This is a place where people dream big. We celebrate who we 14 Neighborhoods are, where we’ve come from, and who we aspire to be through 18 Heritage Museums the arts, history and our diverse ethnic traditions. This powerful and profoundly creative spirit is uniquely our own. 20 Historic Sites and Monuments In Baltimore, you can feel this creative energy in our world-class 25 Tours cultural attractions, sporting venues, and historic sites as well 30 Art Museums and Galleries as in our shops, markets and restaurants. This also includes 36 Theaters and Performing Arts the city’s many museums, galleries, theaters and monuments 40 Cultural Shops and Boutiques dedicated to our distinctive heritage. Enjoy festivals and events that bring our citizens, tourists and different communities 44 Historic Religious Venues together throughout the year. 46 Culinary Delights Dream Baltimore is a guide to help you experience Baltimore’s 47 Historically Black Colleges cultural identity. Celebrate and explore the legends and legacies and Universities that are the backbone of our historic city. We want you to be 48 Festivals and Events inspired by the dreamers that are fueling Baltimore’s creative 49 Around Maryland spirit today. 50 City and State Resources Whatever your pleasure, there is truly something for everyone. So enjoy your time in Baltimore. Stroll our streets, delight in the sights and sounds of our neighborhoods, and be welcomed by the people who make this city great.
    [Show full text]
  • Bringing Maryland's Art Home
    FISCAL YEAR 2016 ANNUAL REPORT MARYLAND STATE ARTS COUNCIL A MESSAGE FROM GOVERNOR LARRY HOGAN Dear Friends, Across the country, Maryland is known as an outstanding leader in supporting and promoting the arts. Nearly 8.3 million Marylanders participate in and enjoy many diverse forms of art, from exhibitions and performances to family-fun festivals. At any time during the year, these dynamic and interactive educational experiences allow our citizens and visitors to enjoy a better quality of life. The First Lady and I are huge proponents of the arts, which provide a catalyst for the revitalization and vibrancy of communities both small and large. From Garrett County in the west to Worcester County in the east, increased access to the arts allows for meaningful lifelong learning and empowers Maryland citizens to create, imagine and innovate. As an economic driver, the arts also create jobs and fuel our economy, accounting for nearly $1 billion in total economic impact and 12,000 full-time equivalent jobs. Maryland artists make all of this possible, and for nearly half a century the Maryland State Arts Council has worked tirelessly to invest in deserving artists and arts organizations in our state. This report serves as a testament to the Arts Council’s commitment to enhancing the statewide arts infrastructure, impacting and strengthening the lives of Maryland’s citizens, and bolstering Maryland’s economy. The arts are at work in Maryland, ensuring opportunities and a better quality of life for all. Thank you for bringing the vibrancy of art into our lives, and it is my hope that you and your families continue to discover the excellence and diversity of the arts across our great state.
    [Show full text]
  • Selected Exhibitions /Installations Visarts, Rockville, Maryland, Solo
    K E V I N L A B A D I E 13 W Mulberry Street, Baltimore, MD 21202 410- 385- 0946/[email protected] Selected Exhibitions / Installations VisArts, Rockville, Maryland, Solo Exhibition, 2018 The Noyes Museum of Art, Oceanville, New Jersey, SPRAWL, painting installation, 2016 Stevenson University Gallery, Stevenson, Maryland, Solo Show, 2014 The Kunsthalle at Beacon, Beacon, New York, SPRAWL MICA/Then/Now, 2013 Arlington Art Center, Arlington, Va. Solo Show, 2005. Delaware Center for Contemporary Art, “Conversations””, 2004 Sabbatical Exhibit, MICA, S PRAWL, painting I nstallation, 2004. Rosenberg Gallery, Goucher College, Towson, Maryland,“Almost Happy, 2003. Pinkard Gallery, Maryland Institute College of Art, “Circled”, solo show, 2003. Maryland Art Place, “2000 Minus 1”, a collaborative Artscape Annual, 1999. exhibition curated by the Corcoran Gallery of Art and School 33 Art Center, Baltimore. “Personae”, installation, mixed medium,1998. VA Nishiogi Gallery, Tokyo, Japan, “Personal Context”, 1995. Exempla, Munich, Germany, “Powerhouse”, animated painting installation, oil on canvas, color strobe sequencer, corrugated fiberglass, 1995. P r e fectural Museum of Art, Nagoya, Japan, 1994 / Sabbatical Exhibit, Maryland Institute College of Art, Sprawl, 864” w x Art In General, New York, N.Y., "Consider You", Audio Installation, 1992. Dooley Le Cappellaine Gallery, New York, N.Y., "The Gift", 1992. The Gallery, Baltimore, Window Installation, 1990. School 33 Art Center, Baltimore, "Powerhouse", Painting/Light Installation, "Sweet Land of Liberty”, organized by Brian Wallis, 1986. “Aspects of Light”, Artscape, Baltimore, "Powerhouse”, Painting/Light Installation, curated by Ned Rifkin, 1986. Exterior Installation, Mt. Royal Avenue, Baltimore, for "Social Signs" curated by Ann Fessler. Back- lit signage box, photography, Artscape, 1989.
    [Show full text]