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American Monsters: Tabloid Media and the Satanic Panic, 1970-2000
AMERICAN MONSTERS: TABLOID MEDIA AND THE SATANIC PANIC, 1970-2000 A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Sarah A. Hughes May 2015 Examining Committee Members: Kenneth L. Kusmer, Advisory Chair, History Carolyn Kitch, Journalism Susan E. Klepp, History Elaine Tyler May, External Member, University of Minnesota, American Studies © Copyright 2015 by Sarah A. Hughes All Rights Reserved iii ABSTRACT “American Monsters: Tabloid Media and the Satanic Panic, 1970-2000,” analyzes an episode of national hysteria that dominated the media throughout most of the 1980s. Its origins, however, go back much farther and its consequences for the media would extend into subsequent decades. Rooted in the decade’s increasingly influential conservative political ideology, the satanic panic involved hundreds of accusations that devil-worshipping pedophiles were operating America’s white middle-class suburban daycare centers. Communities around the country became embroiled in criminal trials against center owners, the most publicized of which was the McMartin Preschool trial in Manhattan Beach, California. The longest and most expensive trial in the nation’s history, the McMartin case is an important focal point of this project. In the 1990s, judges overturned the life sentences of defendants in most major cases, and several prominent journalists and lawyers condemned the phenomenon as a witch-hunt. They accurately understood it to be a powerful delusion, or what contemporary cultural theorist Jean Baudrillard termed a “hyperreality,” in which audiences confuse the media universe for real life. Presented mainly through tabloid television, or “infotainment,” and integral to its development, influence, and success, the panic was a manifestation of the hyperreal. -
Universal Studios Hollywood Park Map 2018
Universal studios hollywood park map 2018 Continue Universal Studios HollywoodEntrance theme parkSloganThe Entertainment Capital of LA'1'LocationUniversal City, CaliforniaCoordinates34-08-11N 118-21-22W / 34.136518-N 118.356051'W / 34.136518; -118.356051Ordinates: 3408-11N 118-21-22W / 34.136518-N 118.356051'W / 34.136518; -118.356051ThemeShow Business and Universal EntertainmentOwnERUniversal (Comcast)Operated Universal Parks and ResortsOpelier30, 1912; 108 years ago (1912-04-30) (as a film studio)March 15, 1915; 105 years ago (1915-03-15) (L.A. studio lot) July 15, 1964; 56 years ago (1964-07-15) (as a theme park) (as a theme park) (2)AttractionsTotal10Roller coasters2WebsiteOfficial websiteStatusTemporarily closed Universal Studios Hollywood Film Studios and theme park in the San Fernando Valley area of Los Angeles County, California. About 70% of the studio is located in an unincorporated county island known as Universal City, while the rest is within the city of Los Angeles, California. It is one of the oldest and most famous Hollywood film studios still in use. Its official marketing headline is the Entertainment Capital of Los Angeles. It was originally created to offer tours of universal Studios' real-world sets and is the first of many full-fledged Universal Studios theme parks located around the world. Outside the theme park, a new, all-digital facility near the Universal Pictures backlot was built in an attempt to combine all of NBCUniversal's West Coast operations into one area. As a result, the current home for KNBC, KVEA and NBC News with the Noticias Telemundo Los Angeles bureau with a new digital facility is located on a universal lot previously occupied by Technicolor SA. -
Foreign Series Take Root in U.S. Soil for Reel • Indie Programming Selection
aaaMay_2008 5/7/08 6:30 PM Page 2 THE BUSINESS JOURNAL OF FILM, BROADCASTING, BROADBAND, PRODUCTION, DISTRIBUTION MAY 2008 VOL. 28 NO. 3 $9.75 L.A. Screenings Guide ® www.videoage.org Challenges As Opportunities: Foreign Series Take Writers Strike Benefited Indies Root in U.S. Soil BY ERIN SOMERS BY LEAH HOCHBAUM ROSNER While many have speculated that fewer n the industry all are well aware of the Hollywood writers strike’s effects on his year, the pilot process is pilots might become the norm during upcoming TV seasons worldwide and the changes to the U.S. television industry. somewhat different. It had to future pilot seasons, others believe that It remains to be seen if these changes are going to be permanent, as predicted, be, what with the time next year, things will go back to the way or just temporary, as hoped. constraints imposed by the they were in a pre-strike world. The big lengthy Writers Guild of However, little has been said about (Continued on Page 54) the effects –– one way or another –– America strike in of the strike on the U.S. the U.S. Iindependents and foreign television TLast year, the U.S. TV China’s Foreign TV Content production and distribution companies. networks commissioned At first sight, many independents seemed their typical number of Viewed With Contempt to have come out of the strike unscathed, pilots (ABC had 29; CBS, BY LEVI SHAPIRO and a lucky few even saw some benefits. 21; CW, 12; Fox, 24; and VideoAge spoke to a cross-section of NBC, 20). -
The History of NBC West Coast Studios
1 The History Of NBC West Coast Studios By Bobby Ellerbee and Eyes Of A Generation.com Preface and Acknowledgement This is a unique look at the events that preceded the need for NBC television studios in Hollywood. As in New York, the radio division led the way. This project is somewhat different than the prior reports on the New York studios of NBC and CBS for two reasons. The first reason is that in that in those reports, television was brand-new and being developed through the mechanical function to an electronic phenomenon. Most of that work occurred in and around the networks’ headquarters in New York. In this case, both networks were at the mercy of geological and technological developments outside their own abilities: the Rocky Mountains and AT&T. The second reason has to do with the success of the network’s own stars. Their popularity on radio soon translated to public demand once “talking pictures” became possible. That led many New York based radio stars to Hollywood and, in a way, Mohamed had to come to the mountain. This story is told to the best of our abilities, as a great deal of the information on these facilities is now gone…like so many of the men and women who worked there. I’ve told this as concisely as possible, but some elements are dependent on the memories of those who were there many years ago, and from conclusions drawn from research. If you can add to this with facts or photos, please contact me as this is an ongoing project. -
COMCAST NBCUNIVERSAL | 2020 VALUES REPORT at the Intersection of People, Technology, and Communities, Comcast Nbcuniversal Is Working to Build Opportunity for All
TOGETHER WE BUILD COMCAST NBCUNIVERSAL | 2020 VALUES REPORT At the intersection of people, technology, and communities, Comcast NBCUniversal is working to build opportunity for all. TABLE OF CONTENTS A Message from Our Chairman 2 Our COVID-19 Response: A Reflection of Our Commitment to Communities 4 Building Tech Equity in a Global Health Crisis 6 Support for LGBTQ Equality Through Our Media Platforms 8 The Case for Getting Counted 10 A More Inclusive World 12 A Culture of Volunteerism and Service 15 Careers Through Mentoring 16 Diversity Data 18 A Diverse Supply Chain 21 A Destination for Black Film and TV 22 Diversity in Front of and Behind the Camera 23 Supportive Communities for Veterans and Their Families 24 A Better World 27 More Sustainable Operations 28 OUR FAMILY OF COMPANIES Data in this report are for calendar year 2019, unless otherwise noted, and are for Comcast NBCUniversal only. Visit comcastcorporation.com/valuesreport for more data and additional information. A Message from Our Chairman We are in the midst of one of the most challenging periods in our society’s history, as COVID-19 continues to impact nearly every aspect of our daily lives. Crises test us, both as individuals and as organizations. They remind us of what matters most. They reveal who we are — and the core principles that define us. Comcast’s values — of integrity, respect, inclusion, and giving back — have never been more evident or more important than they are today. I couldn’t be prouder of our company and our leaders across Comcast, NBCUniversal, and Sky for stepping up and helping to ease the burden on our employees, customers, and communities when they need us most. -
Comcast Nbcuniversal CAAM Present
COMCAST NBCUNIVERSAL AND THE CENTER FOR ASIAN AMERICAN MEDIA JOIN TOGETHER TO ADDRESS THE CURRENT SITUATION OF ASIAN AMERICANS IN MEDIA The Forum “Expanding the Conversation: Asian Americans in Media” is Designed to be a Solutions-Oriented Conversation About the Status of Asian Americans Moving the Needle on Diversity and Inclusion in Hollywood FOR IMMEDIATE RELEASE: October 13, 2016 Contacts: Debbie Ng, Director of Development and Communications Center for Asian American Media 415-863-0814 ext.104 (o) [email protected] David C. Magdael, President/CEO David Magdael & Associates 213-399-1434 (c) [email protected] October 13, 2016, Los Angeles, CA—The Center for Asian American Media (CAAM), in partnership with Comcast NBCUniversal, present “Expanding the Conversation: Asian Americans in Media,” an interactive conversation with Sandra Oh (SIDEWAYS, GREY’S ANATOMY), Grace Lee (Peabody Award-winning director of AMERICAN REVOLUTIONARY: THE EVOLUTION OF GRACE LEE BOGGS), Karen Horne (SVP, Talent Development & Inclusion, NBCUniversal), with moderator Richard Lui (MSNBC Anchor) on Wednesday, November 2, 2016, on the Universal Studios lot in Los Angeles, CA. "People are hungry for authentic representations of Asian Americans," Stephen Gong, CAAM's Executive Director, said. “CAAM is extremely proud to present this forum during a pivotal time in our nation. We believe that positive social change takes place not from above, but from within, from many local actions occurring simultaneously. We hope this conversation will spark real change within the media industry.” Asians make up the largest growing ethnic group in the United States and more than half of the nation’s children under 18 are expected to be part of a minority race or ethnic group by 2020 (US Census). -
Young, Gay and Restless
Young, Gay And Restless My Scandalous On-Screen & Off-Screen Sexual Liberations Thom Bierdz Copyright © 2018 Thom Bierdz Inc All literary rights reserved. 978-1-7327320-0-1 I have no ownership interest in any photographs unless they are from my own personal collection. Any credit and rights remain with appropriate photographers. The inclusion of any photograph or magazine cover does not imply in any way that the copyright holder endorses or promotes my personal story. DEDICATED To Tequila. Contents * 1: SEX IN MY CHILDHOOD ........................................................... 4 * 2: 2016, ALMOST PRESENT DAY ............................................... 23 * 3: SEX IN RACINE AND MILWAUKEE ......................................... 27 * 4: 2016, HOARDER MARY ........................................................ 46 * 5: GETTING TO HOLLYWOOD: 1982.......................................... 50 * 6: SCARY INTRODUCTION TO HOLLYWOOD ............................ 56 * 7: FIRST CRUSHES IN HOLLYWOOD .......................................... 70 * 8: THE BILLIONAIRE ................................................................... 82 * 9: SEX WITH TV STARS & THE POLICE ....................................... 86 * 10: SOAP OPERA STARDOM & SECRET SCANDALS .................. 94 * 11: MY BROTHERS MOVE TO HOLLYWOOD ........................... 116 * 12: TROY KILLS ......................................................................... 131 * 13: LOVE & THE PENIS ENLARGEMENT .................................. 139 * 14: FORGIVING TROY ............................................................. -
Hollywood Tourism Guide
TABLE OF CONTENTS 2007/08 Hollywood Business Resource Book 8 A Message from the President Includes a major compilation of economic and demographic data about Hollywood. The extended edition includes a Directory of Members of the 12 A Message from the Chair of the Board Hollywood Chamber of Commerce, a Buyers Guide of member products and services, and a Who’s Who of 13 The Chamber’s Action Plan Hollywood Chamber-member businesses. Hollywood Chamber of Commerce 16 Officers 7018 Hollywood Boulevard • Hollywood, CA 90028 tel: (323) 469-8311 • fax: (323) 469-2805 18 Benefits of Chamber Membership www.hollywoodchamber.net 24 Government Officials for the Hollywood Area President & CEO Leron Gubler 25 Business Resource Telephone Numbers Published by Imperial Publishing 26 Hollywood Facts 2170 Century Park East, Suite 1506 Los Angeles, CA 90067 27 Hollywood's Top Employers tel: (310) 286-1010 • fax: (310) 286-1090 28 Hollywood Walk of Fame Publisher Igor Shlimovich 29 Visitors & Accommodations Guide Sales Directors Doug Gross & Fred Garrett 33 Cultural Arts & Entertainment Guide Art Director Vladimir Sonkin 39 Restaurant & Nightlife Guide Account Executives 47 Film, TV & Music Industry Guide Glen Adkins, Donna Lamm, Beverly Springer Cover pictures courtesy of Hollywood Chamber of Commerce Photobank. Walk of Fame pictures courtesy of Bob Freeman. 53 Buyers Guide The information in this book was carefully compiled in such a way as to ensure accuracy. However, the Hollywood Chamber 93 Members of the Hollywood Chamber of Commerce and/or Imperial Publishing cannot and do not guarantee the correctness of all information furnished to them, nor the complete absence of errors or omissions, hence, no responsibility for the same can be, nor is, assumed. -
1 Comcast Nbcuniversal and the Center for Asian
COMCAST NBCUNIVERSAL AND THE CENTER FOR ASIAN AMERICAN MEDIA JOIN TOGETHER TO ADDRESS THE CURRENT SITUATION OF ASIAN AMERICANS IN MEDIA The Forum “Expanding the Conversation: Asian Americans in Media” is Designed to be a Solutions-Oriented Conversation About the Status of Asian Americans Moving the Needle on Diversity and Inclusion in Hollywood FOR IMMEDIATE RELEASE: October 13, 2016 Contacts: Debbie Ng, Director of Development and Communications Center for Asian American Media 415-863-0814 ext.104 (o) [email protected] David C. Magdael, President/CEO David Magdael & Associates 213-399-1434 (c) [email protected] October 13, 2016, Los Angeles, CA—The Center for Asian American Media (CAAM), in partnership with Comcast NBCUniversal, present “Expanding the Conversation: Asian Americans in Media,” an interactive conversation with Sandra Oh (SIDEWAYS, GREY’S ANATOMY), Grace Lee (Peabody Award-winning director of AMERICAN REVOLUTIONARY: THE EVOLUTION OF GRACE LEE BOGGS), Karen Horne (SVP, Talent Development & Inclusion, NBCUniversal), with moderator Richard Lui (MSNBC Anchor) on Wednesday, November 2, 2016, on the Universal Studios lot in Los Angeles, CA. "People are hungry for authentic representations of Asian Americans," Stephen Gong, CAAM's Executive Director, said. “CAAM is extremely proud to present this forum during a pivotal time in our nation. We believe that positive social change takes place not from above, but from within, from many local actions occurring simultaneously. We hope this conversation will spark real change within the media industry.” Asians make up the largest growing ethnic group in the United States and more than half of the nation’s children under 18 are expected to be part of a minority race or ethnic group by 2020 (US Census). -
DROIDMAKER George Lucas and the Digital Revolution
DROIDMAKER George Lucas and the Digital Revolution DROIDMAKER George Lucas and the Digital Revolution Michael Rubin Triad Publishing Company Gainesville, Florida Copyright © 2006 by Michael Rubin All rights reserved. No part of this book may be reproduced or transmitted in any form by any means, electronic, digital, mechanical, photocopying, recording, or otherwise, without the written permission of the publisher. For information on permission for reprints and excerpts, contact Triad Publishing Company: PO Box 13355, Gainesville, FL 32604 http://www.triadpublishing.com To report errors, please email: [email protected] Trademarks Throughout this book trademarked names are used. Rather than put a trademark symbol in every occurrence of a trademarked name, we state we are using the names in an editorial fashion and to the benefit of the trademark owner with no intention of infringement. Library of Congress Cataloging-in-Publication Data Rubin, Michael. Droidmaker : George Lucas and the digital revolution / Michael Rubin.-- 1st ed. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-937404-67-6 (hardcover) ISBN-10: 0-937404-67-5 (hardcover) 1. Lucas, George, 1944—Criticism and interpretation. 2. Lucasfilm, Ltd. Computer Division — History. I. Title. PN1998.3.L835R83 2005 791.4302’33’092—dc22 2005019257 9 8 7 6 5 4 3 2 1 Printed and bound in the United States of America Contents Author’s Introduction: High Magic. vii Act One 1 The Mythology of George. .3 2 Road Trip . .19 3 The Restoration. 41 4 The Star Wars. 55 5 The Rebirth of Lucasfilm . 75 6 The Godfather of Electronic Cinema. .93 Act Two 7 The Visionary on Long Island. -
The Orion 4702 Orion Avenue, Sherman Oaks, Ca, 91403
THE ORION 4702 ORION AVENUE, SHERMAN OAKS, CA, 91403 KEVIN W. HURLEY, Director KEVIN LUTZ, Director 626.484.1897 626.429.0685 WALK SCORE [email protected] [email protected] 81 DRE# 01237798 DRE# 00925595 VERY WALKABLE All materials and information received or derived from KW Commercial its directors, officers, agents, advisors, affiliates and/or any third party sources are provided without THE ORION representation or warranty as to completeness , veracity, or accuracy, condition of the 4702 ORION AVENUE, SHERMAN OAKS, CA, 91403 property, compliance or lack of compliance with applicable governmental requirements, developability or suitability, financial performance of the property, projected financial performance of the property for any party’s intended use or any and all other matters. Neither KW Commercial its directors, officers, agents, advisors, or affiliates makes any representation or warranty, express or implied, as to accuracy or completeness of the materials or information provided, derived, or received. Materials and information from any source, whether written or verbal, that may be furnished for review are not a substitute for a party’s active conduct of its own due diligence to determine these and other matters of significance to such party. KW Commercial will not investigate or verify any such matters or conduct due diligence for a party unless otherwise agreed in writing. EACH PARTY SHALL CONDUCT ITS OWN INDEPENDENT INVESTIGATION AND DUE DILIGENCE. Any party contemplating or under contract or in escrow for a transaction is urged to verify all information and to conduct their own inspections and investigations KEVIN W. HURLEY, Director including through appropriate third party independent professionals selected by such 626.484.1897 party. -
FINAL ENVIRONMENTAL IMPACT REPORT Volume 5 NBC Universal
Division of Land / Environmental Review City Hall • 200 N. Spring Street, Room 750 • Los Angeles, CA 90012 FINAL ENVIRONMENTAL IMPACT REPORT Volume 5 NBC Universal Evolution Plan ENV-2007-0254-EIR STATE CLEARINGHOUSE NO. 2007071036 Council District 4 THIS DOCUMENT COMPRISES THE SECOND AND FINAL PART OF THE ENVIRONMENTAL IMPACT REPORT (EIR) FOR THE PROJECT DESCRIBED. THE DRAFT EIR (VOLUMES 1 THROUGH 27) WHICH WAS PREVIOUSLY CIRCULATED FOR PUBLIC REVIEW AND COMMENT, COMPRISES THE FIRST PART. Project Address: 100 Universal City Plaza, Universal City, CA 91608 Project Description: Universal City Studios LLLP, L.P., proposes the NBC Universal Evolution Plan (the “Project”), which sets forth the framework to guide the development of an approximately 391-acre site located in the east San Fernando Valley near the north end of the Cahuenga Pass (the “Project Site”). The Project, as proposed, would involve a net increase of approximately 2.01 million square feet of new commercial development, which includes 500 hotel guest rooms and related hotel facilities. In addition, a total of 2,937 dwelling units would be developed. Implementation of the proposed Project would occur pursuant to the development standards set forth in two proposed Specific Plans. The proposed Universal City Specific Plan addresses development within the portion of the Project Site located within the City of Los Angeles, whereas the proposed Universal Studios Specific Plan addresses development within the portion of the Project Site located under the jurisdiction of the County of Los Angeles. Under the proposed Project, portions of the Project Site that are currently in the County of Los Angeles would be annexed into the City of Los Angeles, while other areas would be detached from the City of Los Angeles and returned to the jurisdiction of the County of Los Angeles.