Learning Astronomy in Late Medieval Monasteries Seb Falk Girton College, Cambridge
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The Mayor and Early Lollard Dissemination
University of Central Florida STARS HIM 1990-2015 2012 The mayor and early Lollard dissemination Angel Gomez University of Central Florida Part of the Medieval History Commons Find similar works at: https://stars.library.ucf.edu/honorstheses1990-2015 University of Central Florida Libraries http://library.ucf.edu This Open Access is brought to you for free and open access by STARS. It has been accepted for inclusion in HIM 1990-2015 by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Gomez, Angel, "The mayor and early Lollard dissemination" (2012). HIM 1990-2015. 1774. https://stars.library.ucf.edu/honorstheses1990-2015/1774 THE MAYOR AND EARLY LOLLARD DISSEMINATION by ANGEL GOMEZ A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in History in the College of Arts and Humanities and in The Burnett Honors College at the University of Central Florida Orlando, Florida Spring Term 2012 Thesis Chair: Dr. Emily Graham Abstract During the fourteenth century in England there began a movement referred to as Lollardy. Throughout history, Lollardy has been viewed as a precursor to the Protestant Reformation. There has been a long ongoing debate among scholars trying to identify the extent of Lollard beliefs among the English. Attempting to identify who was a Lollard has often led historians to look at the trial records of those accused of being Lollards. One aspect overlooked in these studies is the role civic authorities, like the mayor of a town, played in the heresy trials of suspected Lollards. -
A Fifteenth-Century Merchant in London and Kent
MA IN HISTORICAL RESEARCH 2014 A FIFTEENTH-CENTURY MERCHANT IN LONDON AND KENT: THOMAS WALSINGHAM (d.1457) Janet Clayton THOMAS WALSINGHAM _______________________________________________________________________________ CONTENTS ABBREVIATIONS 3 Chapter 1 INTRODUCTION 4 Chapter 2 THE FAMILY CIRCLE 10 Chapter 3 CITY AND CROWN 22 Chapter 4 LONDON PLACES 31 Chapter 5 KENT LEGACY 40 Chapter 6 CONCLUSION 50 BIBILIOGRAPHY 53 ANNEX 59 LIST OF ILLUSTRATIONS Figure 1: The Ballard Mazer (photograph courtesy of the Ashmolean Museum, Oxford, reproduced with the permission of the Warden and Fellows of All Souls College). Figure 2: Thomas Ballard’s seal matrix (photograph courtesy of the Ashmolean Museum, Oxford, reproduced with their permission). Figure 3: Sketch-plan of the City of London showing sites associated with Thomas Walsingham. Figure 4: St Katherine’s Church in 1810 (reproduced from J.B. Nichols, Account of the Royal Hospital and Collegiate Church of St Katharine near the Tower of London (London, 1824)). Figure 5: Sketch-map of Kent showing sites associated with Thomas Walsingham. Figure 6: Aerial view of Scadbury Park (photograph, Alan Hart). Figure 7: Oyster shells excavated at Scadbury Manor (photograph, Janet Clayton). Figure 8: Surrey white-ware decorated jug excavated at Scadbury (photograph: Alan Hart). Figure 9: Lead token excavated from the moat-wall trench (photograph, Alan Hart). 2 THOMAS WALSINGHAM _______________________________________________________________________________ ABBREVIATIONS Arch Cant Archaeologia Cantiana Bradley H. Bradley, The Views of the Hosts of Alien Merchants 1440-1444 (London, 2011) CCR Calendar of Close Rolls CFR Calendar of Fine Rolls CLB (A-L) R.R. Sharpe (ed.), Calendar of Letter-books preserved among the archives of the Corporation of the City of London at the Guildhall (London, 1899-1912) CPR Calendar of Patent Rolls Hasted E. -
The Moon and Hatfield
THE MOON AND HATFIELD LUNAR PHOTOGRAPHY FROM ENGLAND ACROSS TWO CENTURIES PRESENTED WITH GRATEFUL THANKS TO ................................................................................... EUROPEAN WEEK OF ASTRONOMY & SPACE SCIENCE UNIVERSITY OF HERTFORDSHIRE APRIL 19TH – 25TH 2009 Cover Alice Williamson (after Galileo) Pen and wash sketches of the Moon 2008 – a prop from the film ‘The Starry Messenger’ written by University Research Fellow Robert Priddey and shot in Hatfield and its environs in 2008/9. The film commemorates Galileo’s first telescopic observations in 1609/10. DAVID CAMPBELL A beautiful mosaic of webcam images of the waning gibbous Moon taken by a current University of Hertfordshire undergraduate on the BSc Astrophysics programme In early September 2006, I received a letter from Miss Betty Ewens BEM. She had been asked to sort out various papers from the estate of R. M. Clarkson, formerly Research Director at the de Havilland Aircraft Company which was based in Hatfield for many years. Amongst the papers was a set of photographs of the Moon taken by Clarkson’s uncle - C.C. Walker CBE - when he was a young man. Miss Ewens had watched the University of Hertfordshire team battling to the quarter finals of University Challenge and had noticed two members of the team were studying astrophysics. Deducing that astronomy must be an important subject in the University, she wondered if a donation of the pictures would be welcome and got in touch. The photographs had been printed with rather atmospheric vignettes and as Miss Ewens withdrew each century-old image from the reinforced envelope in which they had been stored, we enjoyed glimpses of the challenge and excitement that must have accompanied early lunar photography. -
Volume 38 2017
Quidditas Online Journal of the Rocky Mountain Medieval and Renaissance Association Statue of Joan of Arc at Chinon by Jules Roulleau Dedicated 1893 Volume 38 2017 http://humanities.byu.edu/rmmra © by the Rocky Mountain Medieval and Renaissance Association ISSN: 195-8453 Quidditas 38 (2017) 2 Quidditas is a Latin legal term that originally meant “the essential nature of a thing.” In fourteenth-century French the word became “quiddite.” In the early modern period, the English adaptation, “quiddity,” came to mean “logical subtleties” or “a captious nicety in argument” (OED), and is so used in Hamlet (“Why may not that be the skull of a lawyer? Where be his quiddities now, his quillets, his cases, his tenures, and his tricks?” Act V, scene 1, lines 95–97). Thus, the original Latin meaning, together with the later implied notions of intense scrutiny, systematic reasoning, and witty wordplay, is well suited to the contents of the journal. Quidditas Editorial Team Editor: James H. Forse, Emeritus, Bowling Green State University Associate Editor: Jennifer McNabb, Western Illinois University Associate Editor: Alaina Bupp, University of Colorado at Boulder Intern: Suzie Skinner, Utah State University Membership Information Membership in the Rocky Mountain Medieval and Renaissance Association is available at an annual cost of $25, with an additional $5 fee for joint memberships. For further information contact: Kimberly Klimek, RMMRA Treasurer Department of History Metropolitan State University of Denver Campus Box 173362 Denver, CO 80217-3362 ([email protected]) Annual Conference 2018 “Memory and Remembrance in the Middle Ages and Renaissance” The 2018 conference of the Rocky Mountain Medieval and Renaissance Association will be a joint meeting with the Medieval Association of the Pacific, held April 12-15, 2018 at the University of Nevada, Las Vegas. -
Books on (Or Related To) Escapements for Mechanical Timepieces(An
This list generated 1/6/2004 Books on (or Related to) Escapements for Mechanical Timepieces (an ongoing list) Compiled by Daryl Bender but only with the magnanimous assistance of the following; Dr. David M. MacMillan, Fortunat F. Mueller-Maerki, Robert Miles, Ernest Martt, Bill Scolnik, Tony Roberts, Paul Middents, Bob Holmstrom and where all else was unknown then brief descriptions from the catalogs of Rita Shenton and G.K. Hadfield were used. May they live long and prosper. I take credit for all typos, incorrect spelling etc. Binding, Author Title Publisher Comments Year Pages Height On the Disturbances of Pendulums A classic paper. The first comprehensive theory on escapements and pendulums. Paper and Balances and on the Theory of Royal Society, Airy, George Biddell given at the Royal society , London 1826, technical and mathematical. Available at 1826 Escapements - Read at the Royal United Kingdom http://www.marcdatabase.com/~lemur/dmh-airy-1826.html Society November 26, 1826 Horologerie et Chronometrie - HB, burgundy, Bailliere, Paris 192 Illustrations, "Contains much information on chronometers. Tends to be Antrades, Jules Grandes encyclopedies industrielles - 1924 582 3/4leather, France advanced and technical, but is an important work." J.B. Bailliere marb, 24cm Les Organes regulants des Magron, Bienne HB, orange, Antrades, Jules 1922 146 Chronometres Switzerland 20cm Supplement #8 to the Bulletin of the NAWCC. A very detailed review of the dead-beat A Review of George Graham's with respect to theory and design. Contains a brief biography, some observations, basic Saddlestapled, Aydlett, Guy D Classic Escapement - Dead-Beat by NAWCC 1973 52 geometry, the action, the layout procedure, symbols, the tables, some finer points, some green 23cm. -
A Fourteenth-Century Italian Turret Clock
© 2016 Antiquarian Horological Society. Reproduction prohibited without permission. JUNE 2016 A fourteenth-century Italian turret clock Marisa Addomine* A turret clock in Chioggia near Venice, decommissioned in the 1970s, can be traced back to 1386 on the basis of a systematic exploration of the local archives. This article presents the documentary evidence for the history of the clock and offers a 3D reconstruction.1 Figs 1 and 2. Chioggia seen from the air, and a view of a canal in this enchanting ancient city in the Lagoon of Venice. Introduction Chioggia is a lovely city with about 50,000 eleventh century (Fig. 3). It shows a wonderful inhabitants, built on an island in the Lagoon 24-hour dial, designed in the old Italian style of Venice, some 15 miles south of the city of of hora italica, the ancient time reckoning St Mark’s which it predates. Mentioned by method in Italy which counted 24 hours, Pliny the Elder in the first century AD, it was starting from sunset. It has a ring of 24 white especially important for the salt trade. stone hour plates made of pietra d’Istria,2 Belonging to the Republic of Venice since and in its centre a rotating sun in gilt metal, 1380, it can be considered a sort of miniature with one longer ray acting as the hour hand version of that more famous city. Its canals, (Fig. 4). churches and palazzi are well worth a visit The single hand and the bells are driven by (Figs 1 and 2). an electric timekeeper, installed in the 1970s. -
Modernizing Matthew Paris: the Standards and Practices of the First Printed Editions
Quidditas Volume 33 Article 9 2012 Modernizing Matthew Paris: The Standards and Practices of the First Printed Editions Kristen Geaman University of Southern California Follow this and additional works at: https://scholarsarchive.byu.edu/rmmra Part of the Comparative Literature Commons, History Commons, Philosophy Commons, and the Renaissance Studies Commons Recommended Citation Geaman, Kristen (2012) "Modernizing Matthew Paris: The Standards and Practices of the First Printed Editions," Quidditas: Vol. 33 , Article 9. Available at: https://scholarsarchive.byu.edu/rmmra/vol33/iss1/9 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Quidditas by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Quidditas 33 (2012) 117 Modernizing Matthew Paris: The Standards and Practices of the First Printed Editions Kristen Geaman University of Southern California This article discusses the first printed editions of Mathew Paris’s thirteenth-cen- tury chronicle, Chronica Maiora, arguing that these editions show a much higher level of editorial sophistication than has yet been recognized. Written between 1235 and 1259, the Chronica Maiora is one of the most extensive and detailed chronicles of medieval England; yet the work was not printed until 1571, as part of a series of historical publications overseen by Matthew Parker, Archbishop of Canterbury. Although the text of Parker’s edition has been almost universally criticized by scholars, this work suggests that he actually set a high editorial stan- dard, especially by collating several manuscripts to produce his edition. His suc- cessor, William Wats, who republished Matthew Paris in 1640, went even further with his collations, adding at the end of his edition an appendix that detailed the differences among the seven manuscripts used. -
Clocks in Ireland Ireland in Clocks the All 1880, in And, Problems Create to Began
With thanks to Sven Habermann Sven to thanks With Library of Ireland. of Library Edited by Eleanor Flegg Eleanor by Edited Collection, Courtesy of the National National the of Courtesy Collection, Dublin, c.1900-1920, Fergus O’Connor O’Connor Fergus c.1900-1920, Dublin, Text and images Nigel Barnes Nigel images and Text Clock tower and town hall, Rathmines, Rathmines, hall, town and tower Clock An initiative of the Heritage Council Heritage the of initiative An www.westdean.org.uk/CollegeChannel/FullTimeCourses/ClockMaking.aspx A full-time course in the conservation and restoration of clocks: clocks: of restoration and conservation the in course full-time A National Museum of Ireland: www.museum.ie Ireland: of Museum National The Bunratty Castle Medieval Collection: www.bunrattycollection.com Collection: Medieval Castle Bunratty The The Antiquarian Horological Society: www.ahsoc.org Society: Horological Antiquarian The The British Horological Institute: www.bhi.co.uk Institute: Horological British The The Heritage Council: www.heritagecouncil.ie/home Council: Heritage The To find a conservator: www.conservationireland.org conservator: a find To To find a clock repairer: www.ihcf.ie repairer: clock a find To Care and conservation of clocks: www.icon.org.uk/images/stories/clocks.pdf clocks: of conservation and Care Find out more out Find A contemporary clock-maker at work. at clock-maker contemporary A decided on a case-by-case basis. case-by-case a on decided whether to repair or conserve a clock should be be should clock a conserve or repair to whether necessary repairs or restoration. The dilemma of of dilemma The restoration. -
Volume Two Matthew J. Phillpott Dissertation Submitted in Part-Fulfilment of the Requirements for the Degree of Doctor of Philos
Rectifying the `ignoraunce of history' : John Foxe and the Collaborative Reformation of England's Past Volume Two Matthew J. Phillpott Dissertation submitted in part-fulfilment of the requirements for the degree of Doctor of Philos6ohy, -Department of History, University of Sheffield March 2009 Chapter Six The foundation for History: Annotations in the Manuscripts belonging to John Bale, Matthew Parker, and John Foxe thesewriters while they shew vs one halfe of the Bishop of Rome, the other halfe of him they leaue vnperfect, and 1 vtterly vntold. John Foxe believed When writing these words in 1570 against monastic chroniclers, had `other that he had now told the full, `vntold' story. Foxe's history revealed the halfe', by examining a diverse collection of manuscripts and printed books through a largely specific interpretative and methodological interrogation. He had achieved these aims through the support offered by Matthew Parker. As the previous two chapters have indicated many of the manuscripts Parker provided formed a new and, for Foxe, unchallengeable basis for his depiction of past events and his argument. Manuscript copies of chronicles compiled by John Brompton, Gervase of Canterbury, Matthew Paris, Walter of Guisborough and Thomas Walsingham were granted clear priority over other sources at particular points in Foxe's narrative; other manuscripts such as the Annals compiled by Nicholas Trivet and the Flores Historiarum attributed to Matthew of Westminster provided a supporting range of evidence vital to authenticating the overarching argument. Individual extracts such as King Edgar's oration, Augustine's questions to Pope Gregory the Great and the anti-fraternal tract Jack Upland, provided additional flavour and colour. -
Learning Astronomy in Late Medieval Monasteries Seb Falk Girton College, Cambridge
‘I found this written in the other book’: Learning Astronomy in Late Medieval Monasteries Seb Falk Girton College, Cambridge Recent histories have challenged narratives of a late-medieval decline in monastic scholarship. This paper extends this work to the natural sciences, showing how monks could learn astronomy and mathematics through their scholarly labour of reading, copying and glossing. Although the processes of learning are often poorly documented, and are often conflated with teaching, it is possible, through close reading of annotations and reconstruction of mathematical processes, to get a glimpse of an individual in the moment of acquiring scientific skills. Focusing on a piece of adaptive copying carried out by an English Benedictine monk c. 1380, this paper explores the devotional motivations underlying his work, and argues that it was through such copying and compilation that he acquired the expertise necessary to invent an astronomical instrument some years later. Medieval learning can be hard to trace. We certainly have good evidence of medieval teaching: one celebrated teaching text from the science of astronomy is Geoffrey Chaucer’s guide to the astrolabe, ostensibly written for his ten-year-old son, through which, he writes, ‘I purpose to teche the a certein nombre of conclusions aperteynyng to the same instrument’.1 Much, too, is known about techniques of memorisation.2 Yet we do not know how ‘little Lewis’ read his father’s instructions – how he came to understand the instrument in his hands. This is a common problem, since documents of learning contexts, generally produced by teachers, tend to reflect the transmission of didactic material rather than its reception.3 Thus when historians discuss ‘medieval learning’ they are often referring to the delivery of knowledge – or, worse, simply knowledge itself – rather than the processes by which it was absorbed.4 Recent historical work has, however, begun to trace learning processes. -
The Altered Perspective of Thomas Walsingham's Symbol Of
THE ALTERED PERSPECTIVE OF THOMAS WALSINGHAm’s SYMBOL OF NORMANdy 1 Christopher Guyol Near the end of a long career as the official chronicler of St. Albans, Thomas Walsingham (c. 1340–c. 1422) compiled a chronicle dedi- cated to the victorious Henry V (1386/7–1422). This work, the Symbol of Normandy (c. 1419), appears to be a fitting gift from an abbey known for its monastic histories, which makes it all the more strange that Walsing- ham avoided his predecessor’s works when compiling the Symbol. In the place of chronicles by St. Albans’ monks such as William Rishanger (1250– c. 1312), Matthew Paris (c. 1200–1259), and Roger of Wendover (d. 1236), one finds narratives composed beyond the walls of Walsingham’s monas- tery, written by the likes of Nicholas Trivet (c. 1257–c. 1334), Ralph Diceto (d. 1199/1200), and William of Jumiéges (c. 1000–c. 1070). Walsingham’s choice to abandon works composed at his house, and to revise his own narrative of Ricardian events, can be readily explained: justifications for rebellion voiced by many St. Albans historians were not deemed suitable for a royal audience. While previous chroniclers once conceived of the royal will as justly limited by the need for representative consent, within the Symbol of Normandy limitations placed upon the king are tied to the subversion of right order.2 Only after Walsingham’s death was a differ- ent version of his chronicle compiled, likely for a monastic audience. Known today as the Historia Anglicana (c. 1422), this manuscript returns, 1 Following Antonia Gransden, the chronicle published as the Ypodigma Neustriae has been translated as The Symbol of Normandy for the purpose of this paper. -
Camden, Cotton and the Chronicles of the Norman Conquest of England
CAMDEN, COTTON AND THE CHRONICLES OF THE NORMAN CONQUEST OF ENGLAND ELISABETH M. C. VAN HOUTS The collaboration between William Camden (1551-1623), the Clarenceux King of Arms, and his pupil Sir Robert Cotton (1571-1631) in antiquarian studies is well known.^ Whereas Camden developed the principles on which the study of history should be based. Cotton provided the raw material by gathering together what, judged by quality rather than quantity, was the most important collection of medieval manuscripts owned by a single person. The range of his collection of medieval chronicles was unrivalled in Western Europe and his generosity towards scholars enabled them to borrow his manuscripts in order to print their texts and make them available to a larger public. In some cases these early editions are now our only witnesses for texts of which no manuscripts any longer survive.^ In this article I shall discuss the contributions made by Camden and Cotton to the process of editing and publishing the chronicles of the Norman Conquest of England in 1066. By 1586, when William Camden, Robert Cotton and others had founded the Elizabethan Society of Antiquaries, only medieval chronicles relating to the Anglo-Saxon past of England had been published, such as Gildas's De Excidto (1525), Bede's Historia Ecclesiastica (1565), Asserts Life of Alfred (1574) and Geoffrey of Monmouth's Historia Regum Britanniae {1508, 1517), or general works on English history, like the Brut and Polychromcon (1480), John Hardyng's Chronicle (1543), and the collection published